Baldufa is a charming typeface with strong personality, which looks very comfortable in text. There is a search to obtain complicated curves and detailed features, which give the typeface a touch of beauty and elegance. However, this is also a self-conscious design that claims appreciation for quirkiness and human imperfection through the rounded serifs and irregular vertical stems. The typeface family is also a multi script project, containing Latin and Arabic scripts. The Latin consists of Regular, Bold and Italic styles, including Small Caps and many other typographic features. Whereas Arabic Naskh includes Regular and Bold weights. The whole family has been designed to work harmoniously together to help to produce catalogues and small publications of cultural content. We believe that Baldufa is a tiny but nice contribution to build bridges between cultures and this make us very happy. The letterforms in the Latin are inspired by the slight distortions and idiosyncrasies that came with old printing methods. It has distinct, features such as rounded serifs, irregular vertical streams, ink traps and extremely thin junctions. In the Italic, serifs have been removed to enhance movement and expressivity. These experiments in form have not come at the cost of legibility: The typeface remains suitable for both small and display text. To certain extent, the design of the Arabic gathers the same interest for experimentation than its Latin companion. Baldufa Arabic respects the basic features of Arabic script such as thick stokes in the baseline, multiple vertical axis, genuine stem modulation and good linking between words. However, it steps away from traditional Calligraphic Style. It has rounded top terminals and the traditional contrast between curves and straight stokes has been softened. Letter shapes sometimes slightly differs from tradition in order to obtain more expressivity. Overall, Arabic has been designed to acquire the same elegant and quirky aspect of the Latin.

Guided tour available here. Port Vintage is a new typeface expanded upon the original Port typeface, released in 2013, and being an experimental Didone typeface with a modern twist, inspired by the well known forms of typography masters such as Bodoni and Didot and the exuberance and elegance of calligraphy typefaces. A lot of changes were made, the whole typeface is now softer and has less rough edges, the time it took to mature made it possible to achieve an entirelly new and distinct flavour from the original Port, giving away the rough edges from Port and giving place to the soft transitions and curved connections between the stems and serifs of Port Vintage. Port Vintage melts the straight lines and strong contrasts of the Didone typefaces with the elegant lines of calligraphy in a geometric way, resulting in exuberant characters with geometric swashes that can be combined in countless ways. The result of this experiment is Port Vintage, an unique and rich display typeface meant to be used on big sizes and it’s main perk is the amount of alternative characters it features. Port Vintage is Open-Type programmed and includes hundreds of alternates, from swashes to titling alternates, ligatures and stylistic sets with each character having a thin version of itself, giving complete freedom to all your creative needs. Port Vintage is available in 10 different styles: Port Vintage Regular, being the base version and featuring the whole base character set; Port Vintage Regular Decorated, featuring richer forms and containing more ornamentated and more extravagant characters; Port Vintage Medium and Port Vintage Medium Decorated, designed for the occasions you need a bit more thickness and the decoration variants: Port Vintage Ornaments, containing a wide set of elements meant for the creation of fillets, vignettes and fleurons, resulting in an almost infinite number of possible combinations to embellish your designs and Port Vintage Words, a set of some of the most common words used in English, Spanish, French, German, Italian and Portuguese. All styles, except Port Vintage Ornaments and Port Vintage Words, include italic styles. For a better understanding of all the uses of Port Vintage and the full character list the reading of the manual is recommended.

Mowaq es una tipografía limpia, abstracta, moderna, minimalista y de trazos sencillos pero elegantes. Sus cuatro pesos hacen un juego visual de degradados muy marcados. La tipografía Mowaq fue inspirada a partir de los estilos mayúsculas sans-serif, como uso de encabezados y subtítulos en dos libros donde se necesitaba mostrar un aspecto limpio, moderno y minimalista. Los tipos minúsculas fueron adaptados posteriormente a la familia Mowaq. Mowaq is a clean, abstract, modern, minimalist typeface with simple but elegant lines. Its four weights make a visual game of very marked gradients. The Mowaq typeface was inspired by sans-serif uppercase styles, used for headings and subheadings in two books where a clean, modern and minimalist look was needed. The lowercase types were later adapted to the Mowaq family.

A fun, clean, retro sans serif.

Ultra light sans serif for labelling.

Photocopied sans serif with some attitude.

An interpretation of the modern serif.

A modern sans serif text font.

A hand-drawn sketchy serif font.

A modern western serif display font.

a naive sans serif decorative font

Lindum is a classically-proportioned Roman font that is almost a sans serif, the serifs appearing only on the upper part of the letterform. The lowercase features a large x-height and very short descenders.

Clark Hairline is a sans serif with calligraphic touch, it is part of a large Type System still in production. The main idea is to create a sans serif for use as a text face.

Lucida is a family of fonts with one basic design, but offered in two variations. It has both serif and sans serif characters. Lucida is suitable for books/text, documentation/business reports, posters, advertisement, multimedia.

Introducing a serif font that effortlessly encapsulates the essence of timeless beauty and enduring elegance. With meticulously crafted serifs and refined details, Sanke pays homage to classic design principles while seamlessly blending with modern sophistication.

Lucida is a family of fonts with one basic design, but offered in two variations. It has both serif and sans serif characters. Lucida is suitable for books/text, documentation/business reports, posters, advertisement, multimedia.

Lucida is a family of fonts with one basic design, but offered in two variations. It has both serif and sans serif characters. Lucida is suitable for books/text, documentation/business reports, posters, advertisement, multimedia.

Lucida is a family of fonts with one basic design, but offered in two variations. It has both serif and sans serif characters. Lucida is suitable for books/text, documentation/business reports, posters, advertisement, multimedia.

Lucida is a family of fonts with one basic design, but offered in two variations. It has both serif and sans serif characters. Lucida is suitable for books/text, documentation/business reports, posters, advertisement, multimedia.

Lucida is a family of fonts with one basic design, but offered in two variations. It has both serif and sans serif characters. Lucida is suitable for books/text, documentation/business reports, posters, advertisement, multimedia.

BERGURAU is a versatile and unique serif typeface, a result of half side curved serif and half side straight serif experiment. BERGURAU has a unique style with stylistic, alternates, ligatures and supports multilingual languages. Create unique & beautiful logotype, use it as an elegant solution for your next magazine layout, or choose BERGURAU for any graphics that require a sleek look with a elegant flair.

The font collection is called "Polands", it is a reverse contrast display for crafted fonts. These collections contain serif and sans serif font. Every font comes with 4 style typefaces (regular, rounded, rough and textured). This slab serif font includes some alternates and ligatures. The Polands matches apply in some designs such as the logo, poster, label, badge, packaging, t-shirt, branding, quotes and more custom design.

Introducing Keira Serif Font - A Brand New Serif Font with Simple and Elegant Look, More Opentype Feature, more neat curves Keira Serif Font Inspired by Simple and Elegant Typography. Keira Font is a very versatile font. you can use this font to various design. Basics can improve more than 200 alternative character. What's the Feature ? Uppercase & Lowercase Alternate 91 Language Support Ligatures Stylistic Alternate

A bold sans serif with occasional rule-breaking vertical serifs on some characters was found within page examples from the book "100 Alphabets Publicitaires" ("100 Advertising Alphabets"). Although a few of those vertical serifs extended above the cap height in the hand lettering, they were made more uniform to keep a consistency in the digital version known as Peppermill JNL. Available in both regular and oblique versions.

Black Stage - Retro Serif Font Black Stage is a charming and eye-catching retro serif font. With a combination of an elegant serif style and a classic vintage touch, this font conveys a feel reminiscent of a bygone era but retains a timeless elegance. Features : - Ligatures & Alternates - Letters, numbers, symbols, and punctuation - No special software is required to use this typeface even work in Canva - Multilingual Support

The character set contains 47 left foot animal track designs. The shift+character set contains the 47 right foot animal track designs corresponding to the character set.

Louisa is a monospaced font-family designed and optimized specifically for small font sizes. But even as headline font it looks good. It has a very good distinguishability of letter forms and legibility even in longer text paragraphs. The character of Louisa is a combination of strong elements and warm, friendly forms. The font family is not only designed for coding and tabular layout, but can be used in different fields of communication design. Therefore it provides two stylistic sets with different letter forms: one with the look of serious modern typewriter font, the second with more soft letter forms and elements of a real italic. Additionally it consists oldstyle numbers (and of course tabular numbers) and a set arrows. The font is available in four styles: regular, italic, bold and bold italic.

The type­face Hand Stamp Swiss Rough Sans is desi­gned for the Typo Gra­phic Design font foundry in 2015 by Manuel Vier­gutz. A dis­play sans serif type for head­lines with an authen­tic used stam­ped style by hand. It star­ted ana­lo­gous with 42 stamps. Vin­tage look plus state-of-the-art OpenType-features like con­text­ual alter­na­tes (calt) for more hand-stamped fee­ling with the auto­ma­tic gene­ra­ted sty­li­sitc set loop. Deco­ra­tive liga­tures like CT, LL, LI, LU, MM, OO, TH, TT, TU, UH and Ver­sal Eszett (Ger­man Capi­tal Sharp S) type the word LOVE for ❤ and the word SMILE for ☺. Cha­rac­ter Set: Latin Exten­ded (Adobe Latin 3). 1086 gly­phs with 4× A–Z, 4× a–z, 4× 0–9 and 100+ extra icons like arrows, ding­bats, sym­bols, geo­ma­tric shapes, catch­words and many alter­na­tive letters. Have fun with this font & use the DEMO-FONT (with redu­ced glyph-set) FOR FREE! Example of use from the Font The font works best for head­line size. Logo, Pos­ter, Edi­to­rial Design (Maga­zine or Fan­zine), Flyer, Music Covers or Web­de­sign (Head­line Web­font for your web­site), Web­ban­ner, Animations … ■ Font Name: Hand Stamp Swiss Rough Sans ■ Font Weights: Regu­lar + Mix + Icons + DEMO (with redu­ced glyph-set) ■ Font Cate­gory: Dis­play & Deco­ra­tive ■ Font For­mat: .otf (Open­Type Font for Mac + Win) + .ttf (True­Type Font) ■ Glyph Set: 1086 gly­phs ■ Lan­guage Sup­port: 28+ for Latin Exten­ded (Adobe Latin 3). Afri­kaans, Alba­nian, Cata­lan, Croa­tian, Czech, Danish, Dutch, English, Esto­nian, Fin­nish, French, Ger­man, Hun­ga­rian, Ice­lan­dic, Ita­lian, Lat­vian, Lithua­nian, Mal­tese, Nor­we­gian, Polish, Por­tu­gese, Roma­nian, Slovak, Slove­nian, Spa­nisch, Swe­dish, Tur­kish, Zulu ■ Spe­cials: 100+ deco­ra­tive extras like icons for arrows, ding­bats, emo­jis, sym­bols, geo­me­tric shapes, catch­words + Ger­man Capi­tal Eszett. Open Type Fea­tures: Kerning (kern), Access All Alter­na­tes (aalt), Sty­listic Alter­na­tes (salt), Sty­listic Set 1 (ss01) … Sty­listic Set 6 (ss06), Loca­li­zed Forms (locl), Sub­script (subs) Super­script (sups), Ordi­nals (ordn), Pro­por­tio­nal Figu­res (pnum), Old­style Figu­res (onum), Lining Figu­res (lnum), Tabu­lar Figu­res (tnum), Slas­hed Zero (zero), Frac­tions (frac), Deno­mi­na­tors (dnom), Nume­ra­tors (numr), Stan­dard Liga­tures (liga), Con­text­ual Alter­na­tes (calt) e. g. Sty­listic Set-Loop and Deco­ra­tive Liga­tures (dlig) e. g. type the word “LOVE” for ❤ or “SMILE” for ☺ ■ Design Date: 2015 ■ Type Desi­gner: Manuel Viergutz

Clarence is a modern, original typeface that has been designed to have a warm and slightly antiquated feel. It is slightly too idiosyncratic for great lengths of continuous text but does work very well at both small and display sizes. The serif structure takes some inspiration from architectural buttresses (a structure built against a wall to provide support or reinforcement). The serifs only protrude a small way from the body of the letter, which serves to ground the letter and, because the serifs bracket (the curve) joins the vertical at a relatively great distance from the tip of the serif, it remains subtle. The italic variant draws on the roman but has a more pronounced and curvier serif structure, analogous to the cursive element expected of an italic. This serif structure is present throughout the italic, even extending into the uppercase, making it more of a true italic than the commonplace sloped roman.

Ralligant a New Modern Serif Typeface. This another collection of Serif is perfect for your next branding project, excellent for your business. Ralligant have a smooth edges, so this font gives an authentic handcrafted feel style.

Eligade a New Modern Serif Typeface. This another collection of Serif is perfect for your next branding project, excellent for your business. Eligade have a smooth edges, so this font gives an authentic handcrafted feel style.

This slab serif has an incredible type system. By using power of OpenType alternates, typographic flexibility going up and up as its name indicates. Serifs transform, change to small caps and ligatures give you rich typography.

Gluster Serif Display Font Typeface is a single weight black serif, modern casual typeface perfect use for headline, logo, magazine, and any editorial design needs also readable body text. I hope you like it, keep awesome!

Hologram is a font inspired by a combination of the future and the past. The intention was to design a font that was most effective when applied to Largely Displayed text like Headings, rather than for smaller extended bodies of text. There are 3 distinctive styles offered in the Hologram font family. Each style contains over 350+ Glyphs per style with support for up to 26 Languages as well as specialised kerning & spacing. Display Sans: This style is the cleanest of the 3 fonts. There are no serifs attached to the ends of the strokes, although the stroke weight is varied from thick to thin depending on the letters. Display Serif: This style contains modern serifs at the ends of most character strokes that give more structure to the shapes. A majority of the serifs are horizontal in direction with few characters containing vertical serif details. Display Wedge: The most Bold of all is the Wedge Serif style offered. Featuring thick and thin triangular serifs at the ends of character strokes. This style is most effective in Large Displays & Titling uses. Designed by KAZER STUDIO

Clinto Slab Serif By. xdCreative Clinto Slab Serif is part of the Clinto Sans font family, built with geometric construction, strong contrast, and sharp lines. It combines the additional feature of ink traps. The font comes with a total of 18 styles and 9 weights, including their respective italic versions. Clinto Slab Serif is a type of font characterized by thick, rectangular serifs. It creates a strong, bold, and robust impression. With its distinct and bold serifs, the Clinto slab serif font is suitable for titles, headlines, and attention-grabbing text. Clinto slab serif font also has historical roots in the Industrial Revolution era and is commonly used in poster design, logos, branding, and editorial design. Special features: - Ink trap Ink traps are small recessed areas or notches incorporated into the corners or junctions of letterforms. They were originally designed for letterpress printing to prevent ink from filling in and distorting the shapes, especially at small sizes. However, in modern digital fonts, ink traps are often used as a design element to add visual interest and maintain legibility at small sizes or in low-resolution environments.

Magzo is specially designed for food logo brand identity and packaging design projects. Some other industries that are very suitable for this font are beauty cosmetic and handmade projects. Magzo consists of 16 fonts including: 7 normal, 7 italic and 2 alternate (semi Bold) normal and italic versions too. As a note, alternate characters and ligature only available in Magzo Alt regular and italic . You can see an example of using the Magzo Alt font on covers 1 and 3. Tutorial how to Install & use Alternate / Special Character : https://hanscostudio.com/tutorial/ Enjoy!

Galih Ratna A Lovely Calligraphy Font Galih Ratna is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Galih Ratna also come with beginning and ending swash, stylistic set and Multi-Lingual Support. We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

The German-born designer Lucian Bernhard designed Bernhard Fashion in 1929. An American" typeface, Bernhard's original design was created for the American Type Founders (ATF). It bespeaks the spirit of the roaring 20s. The hairline-thin letters exhibit elongated ascenders (but not descenders), and many stylized elements. The capital letters also all descend visibly below the baseline. In text, the extra large capitals seem almost like drop caps. This typeface is best used sparingly in text. Largely set headlines will allow readers to enjoy the fashionable quality of Bernhard Fashion's design."