More treasures from the heyday of letterpress printing are found in Letterpress Retro JNL, with plenty of great cartoons, catch words, embellishments and more.

Tribal Tattoos comes from the German tattoo artist Otto Maurer. This clean vector Tribal art is best for making good plott or printed art.

Freggo is a beauteous kooky handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Maesgo is a bodacious joculatory linear sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Weggio is a brimming mucho handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Gosbry is a serene gregarious handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Jumpy is dinkum heuristic mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Santica is a beautiful handwritten font. Santica is ideal for headings, flyers, greeting cards, product packaging, book covers, printed quotes, logotypes, and album covers.

The Kidprint font is designed to look like a child´s printing. Kidprint is useful any time a playful or whimsical look is required.

Just in time for the sale season. Ad Words is a font of words you would use if you did retail ads. Some words in script, some print, some bold, some not. Plus 2 starbursts. Enlarge the starbursts and then reverse one of the words out of it… like Now! Win! or Free! Other Outside the Line fonts work with this one, check out Architectural Lettering Regular and Bold, Plz Print or Plz Script.

This typeface is named after Sarah Eaves, the woman who became John Baskerville’s wife. As Baskerville was setting up his printing and type business, Mrs. Eaves moved in with him as a live-in housekeeper, eventually becoming his wife after the death of her first husband, Mr. Eaves. Like the widows of Caslon, Bodoni, and the daughters of Fournier, Sarah similarly completed the printing of the unfinished volumes that John Baskerville left upon his death.

This font was inspired by the many changes in printing habits over the last half millennium. Every book has a story and sometimes the printing itself can be its own story. Every era has its own tendencies in decorative elements and these practices were observed and included such that the font contains over 200 hundred glyphs with which to add variety to your documents. It is provided with a complete character map.

“Victoria Underwood” was found within the pages of the 1923 American Type Founders specimen book. It was one of many printing fonts faithfully replicating those used on various makes and models of actual typewriters. The purpose of such type was to allow mass production of letters or notices that could appear personalized rather than shop printed. Antique Typewriter JNL is the digital version of this design, and is available in both regular and oblique versions.

Perio is a small family, offering a distressed rendering of a conventional serif typeface in 4 varieties. There's Ordinary, All Caps, Small Caps, Clean and Jumbled. Many of the letters contain little bits of extra print around the body of the character, in imitation of imperfect printing, in all except the Clean version. It's especially useful for display, poster and headlines, but easily legible enough to be used in a paragraph of text.

Herr Pfister was a printer in the city of Bamberg Bavaria. He is known to have published nine works. And it has been contentiously argued that he printed the “36 line Bible.” He was responsible for two innovations. The first was printing in his native German language and the second was the use of woodblock prints to add illustrations to the text. These were both first with the use of movable type. He was heavily influenced by Gutenberg’s typefaces but there are a range of notable and also subtle differences between the two men’s output. He was known to be active in the industry from about 1460 to his death in 1466. This font was specifically based on his "Biblia Paperum."

This family was inspired by the edition De Civitate Dei (by Sanctus Augustinus) printed in 1467 in Sobiano (Italy, Roma) by Konrad Sweynheym and Arnold Pannartz who was the Punchcutter. It is one of the first few “Roman style” fonts, just before the birth of Jenson’s pattern (look at 1470 Jenson Latin). The present font contains all of the specific latin abbreviations and ligatures used in the original (about 54). Added are the accented characters and a few others not in use in this early period of printing. Decorated letters such as 1512 Initials, 1550 Arabesques, 1565 Venetian, or 1584 Rinceau can be used with this family without anachronism. If Italic style is required (not yet existing in early time of printing), we recommend using 1557 Italique.

In the early days of printing it was soon recognized that there was a need to identify the printer and publisher behind the printed work. So these industrious people created marks to identify themselves to clients. This font contains over 160 marks dating back to the early years of printing with the likes of Fust, Ratdolt, Manutius, Caxton, and a whole host of others represented. Some of these printers were very influential and altered the course of history, some merely enabled the broader public to access the classics. Some were imprisoned and others helped foment revolutions. But all were riding the new current of this technology of moveable type that helped transform our world through the enabling of easily exchanging information.

The first Tuscan lettering was penned in the mid-fourth century by the calligrapher Furius Dionysius Filocalus. The style was still in common usage as calligraphy when Vincent Figgins designed the first Antique Tuscan for print in 1817. Antique and Gothic Tuscan woodtype fonts appeared in the 1830’s. By the 1850’s, Tuscan fonts had become popular in America. These styles continued in print use into the twentieth century. Tuscan Antique and Gothic styles, borrowed from print and calligraphy, were perfect for signs, posters, handbills and other large format advertising. Sign painter, Frank Atkinson demonstrated several Tuscan forms in his book Sign Painting, A Complete Manual. Modified & Spurred Tuscan Romans were inspired by this and other works of the same period.

A rounded slab in 4 styles In our age, since the arrival of microcomputing, the majority of professional letters have been composed in quality typefaces. Typewriters & the typestyles they used have become antiques. A letter set in Times or Helvetica & printed with a laser printer at 600 dpi or more are of such quality that one can no longer distinguish it with a document produced by offset printing. But letters composed in this way appear overly institutional when a bit of informality is needed. Le Monde Courrier, designed by Jean François Porchez, attempts to re-establish a style halfway between writing and printing. Informal neo-tech style This rounded slab serif returns the informal character of “typewritten” fonts to letters and suit well all bad conditions, from inkjet printed memos to webfonts use. With a unique typographic colour, it integrate itself with the rest of the Le Monde family with effective contrast. The verticals metrics and proportions of Le Monde Courrier are calibrated to match perfectly others Typofonderie families. Bukva:raz 2001 Type Directors Club .44 1998 European Design Awards 1998

Pho Twice is a boisterous neoteric handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Jabogram is a quixotic fortuitous san serif typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 250+ glyphs including punctuation and numerical.

Earon is an inquisitive gubernatorial mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Ornubs is an agile ministerial mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Gvonz is a volitional innoxious tech display typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 150+ glyphs with ligatures and fractions.

Barmo is an enigmatic vociferous mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Disclaimer JNL is a narrow, ultra-compact sans serif design that's perfect for fine print clauses or anywhere space is limited - but word copy isn't.

This font is based on real prints made out of a linocut. The glyphs were handprinted, then scanned and then turned into a computer font.

Flock Machine is an inerrant peppy handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Baregx is an enthralling restorative mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Ersota is a jovial Introspective mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Roy Make is a handy perspicuous handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Pharma Geo is a rhapsody guileless handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Osrega is an altruistic momentus mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Pony Quest is an ebullient neoteric handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Eva Poshy is an exhilaration rollicking handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Monthly Goals A Playful Font It is perfect for headings, flyer, greeting cards, product packaging, book cover, printed quotes, logotype, apparel design, album covers, etc.

Araboto is a simple geometric Arabic typeface, with six weights. You can use it in a variety of uses from printings to web and mobile.

Boa bold is a basic display font made for print. It was created for an Artbook about reptiles. It needed to be round and clear.

Rock Corn is a chipper intrepid handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.