The Descent family is a unique, graffiti style, layered type system consisting of a contextual style & a classic style, each with a base fill version & an outline version. Based on a signature category of wildstyles by Graffiti Fonts® lead designer Raseone, this family was designed to be rotated 90 degrees clockwise so that the text reads in a downward direction. OpenType scripting in the contextual version enables up to 12 unique variants of any word using alternating patterns of interlocking glyphs. The classic version does not include OpenType features but instead has initial glyphs as capitals and medial glyphs in the lowercase positions. The characters in the classic version are similar to the more advanced contextual version but noticeably different & a bit more irregular. Glyphs from both styles can be mixed & used interchangeably & both styles have corresponding outline fonts.

This narrow neoclassical font is based upon Schelter & Giesecke’s Schmale Mediäval which was originally released in 1840. By typing [alt] + [shift] + p respectively [alt] + p you have access to the framing elements as seen on the posters.

MB NEGATIVESPACE was inspired on a trip to Birmingham with my wife, seeing a billboard with the main text and parts of it missing. The idea is to use it sparingly; use a good amount of tracking to fill in the blanks and it works even better. Great for headlines, displays logotypes and short texts.

Quaderno is a light and monolinear upright script, accompanied by the heavier weights. This connected script combining elements of the traditional Italian script Bella Scrittura and French script. Quaderno is suited for middle length texts and headlines and evokes both vernacular and commercial lettering of the 20th century and a typeface for school book purposes.

Duquesne Dark Woodcut is a new typeface in the spirit of 19th century American wood cut typefaces. There is an almost rustic simplicity to its heavily serifed letter forms, ideal for capturing the spirit of the mid-west, or early Victorian Britain. Long live the era of the Cowboy and the Steam Navigation Canal!

Supernouveau is a handfull and easy to use font with 244 pieces of art nouveau elements of decoration : frames, cuts, tailipieces, headpieces among others... Ready to use to make patterns, book coovers, públishing design, package material and all you need in your design with a XIX to XX centuru first decades feeling of beauty.

Clairveaux is based on samples of an ornate 12th century calligraphic style. It has some interesting features, including small caps which combine some characteristics of both traditional upper and lower cae character forms. It's ornate enough to look decorative, but not overwhelmingly complex, and looks remarkably attractive when used for titles in a large size.

Reminicent of mid-19th century antique type and Victorian cast-iron signage, Coldharbour Gothic lovingly preserves all the eroded and rusted textures in digital form. Characters have been selected to have cleaner and rougher counterparts - by flipping between cases, the user can customise the result and achieve the degree of decay or preservation they desire.

A faithful reproduction of the common French Ronde of the nineteenth century; the design originates at the Inland Typefoundry in St. Louis as French Script and was revised by Morris Fuller Benton in 1905 and made popular by ATF under the name Typo Upright. Stephenson Blake also had a version available as Parisian Ronde.

Berling is an old style typeface based on the classical Venetian model used by Aldus Manutius at the end of the fifteenth century. Berling was first cut by the Berling foundry in 1951 with further weights released in 1958. The Berling font family is intended primarily for setting text in books~ journals and magazines.

The typeface was designed at the Polygraphmash type design bureau in 1986 by Isay Slutsker, Svetlana Yermolaeva, Emma Zakharova. Based on Polytizdatkaya type family, 1966, by Vera Chiminova, inspired by the typefaces of the French mid-16th century punchcutter Claude Garamond. The family was initially developed for Mysl Publishers, Moscow. For use in text matter.

The Book of Kells is a ninth century gospel created in the British Isles and is considered to be the finest existing example of early Celtic art. The book itself is now housed in the Trinity College Library, Dublin. This computer set combines historical accuracy with functional readability and features 72 elements and linking borders.

This forerunner of Helvetica made its debut as Breite Grotesk in the 1886 specimen book of the Schelter & Giesecke foundry in Leipzig. This classic face still retains its freshness, even after more than a century. Both versions of this font contain the complete Latin A Extended character set, as well as extended ligatures and fractions.

ITC Blackadder is the work of British designer Bob Anderton, an eerie transformation of insurrectionist Guy Fawkes' signature after his torture. Anderton based his design on 16th century handwriting, captured the scrolls and curlicues and then added the sinister tremble. This elegant, yet potentially menacing display face is perfect for theatrical or scary" applications."

Party was designed by Carol Kemp. It is a wild, intoxicating typeface. The capitals can be used alone or as initials for the lowercase. Many alternate characters and ligatures are included, as well as a selection of party-themed illustrations. No better way to set the tone for fun than with the Party font.

A nice, ‘normal’ script font without the frills and thrills of my other work. It’s a handwritten typeface with a schoolboy kind of feel to it. Use it for your websites, your letters and product descriptions! Because of its unobtrusive nature, the font won't attract too much attention, so your work will stand out better.

My beautiful mom was diagnosed with breast cancer in August 2011. Our family's resolution was to love my mom through this time- to stay by her side and remind her each day that she is not alone and that she is loved as she walks this difficult road. This font was made in her honor.

In the 19th century typefaces with star-like serifs developed from the medieval type styles, retaining the sharp corners and peaks of some of the blackletter types but losing the flourishes on the upper-case letters. Asterx is in that tradition of star-footed typefaces, though it is not modeled on any particular one.

Alambart is one of a new series of ‘wood type’ inspired fonts. Alambart is a hand-cut oblique Roman, suggesting the late Victorian era, but the type of thing that continued in use well into the twentieth century. If you want a title face that has versatility and suggests a past history, this is it!

Morta is a handwritten unicase typeface with a slight calligraphic influence. Its design, like a centuries-old cold dark stones, has carved edges and polished corners, and represented by two styles: more legible “Brute” for general use, and more contrast “Grace” for large text size. Scripts: Latin, Greek, Cyrillic Languages: 480+ Hinting: Manual PostScript

Old Earthy is a hand drawn font inspired by the mid 19th-century art movement with William Morris and the Pre-Raphaelite Brotherhood in the front line. The art and the patterns from that time is reflected in Old Earthy. It comes with a set of basic English/Latin letters and some west European diacritics.

Originally made in seven sizes, 6 to 48 point. Our font was digitized from the 24 point which we found in 1947 in a Sparks, Nevada, newspaper shop. Typical of the late nineteenth century types for job printers, where the rule was “never start a line with a font used in the line above”.

SOUTKIND is a display typeface with heavy bold style, inspired by pop culture in 80s century. Soutkind have a unique and fat forms. This font suitable for your design suh as packaging, poster, apparel, etc. SOUTKINDalso includes a set of some pop illustration. Extras allows you to develop awesome design with this font. Cheers! 🍻

The main 20-th century handwritten display font in the USSR, usually performed with a flat brush or a wide poster pen for all kinds of signage during 1920-1990s. It had also many analogues in other countries, but never was that popular as in the Soviet Union, used everywhere. The softened modern humanistic version.

Anzeigen Grotesk is a heavy, condensed sans serif face drawn in the style of typefaces popular during the early 20th Century. It was originally intended for use in advertising design, a field for which it is still well suited. Anzeigen Grotesk (which means “advertising sans serif” in German) is best used in larger point sizes.

Hamilton is a tall, bold display font developed from hand lettering by Samuel Welo. It embodies elements of art nouveau poster lettering and turn-of-the-century advertising design. The result is handsome and versatile, well suited to many uses. The full version includes lots of nice alternate versions of many of the letters.

VABA is a caps typeface inspired by the work of Vladimir Bartosek, Slovak designer. VABA refers to the Slovak typography in the 30ties of the last century, but it also appears modern and original in today's design. Typeface has plain, broken structure, it is significant in text, which makes it ideal as a display type.

Malagua is a rough, hand-drawn font in the style of 18th century handwriting. It's designed to evoke an era of pirates, highwaymen and desperate conspiratorial notes written with a crude pen in a hand shaking from too much rum. The full version of the font includes a selection of interesting alternate character forms.

Based on wood type designed by William H. Page & Company in 1872, Aldine Extended is one of many variations within the Aldine family. The characters are extremely wide relative to their height, and have heavy, thick serifs. Aldine was extremely popular in broadside printing during the late 19th century and conveys America’s enthusiastic westward expansion.

Epokha is the work of Colin Brignall, an unusal slab serif typeface influenced by the poster styles of the early 20th century. Its robust geometric construction commands attention in a fresh, contemporary way. Epokha is made even more flexible by a number of alternative letter forms and should be set tightly for maximum effect.

LATINATE is a condensed Latin typeface whose sharp serifs are not as fiercely pointed as traditional Latins. The fonts are derived from the serial numbers of bus tickets issued by the Bell Punch Company in the mid twentieth century, and the LATINATE ROUGH font is a distressed version based on scans of coarsely printed tickets.

The Irish monk Columbanus founded early monasteries across Western Europe starting in the Sixth Century, bringing literacy in his wake. As the Patron Saint of Motorcyclists, the adventurous Columbanus is both gallant and respected. The font is Classical Roman with a Celtic accent, great for a range of applications from the sacred to the profane.

Drakoheart Revofit is an initiative to make sans fonts. It’s one of my personal favorites, in fact. In its first release, this font had a cool appearance but was improved with better kerning and a cool look in this new release. Perfect to write some digital texts as in web articles, blogs and branding.

ITC Redonda is the work of Montreal designer Gerard Mariscalchi and based on a common style of 19th century French handwriting. It comes with two sets of caps, both highly flourished, which are complemented by a refined lowercase. ITC Redonda is a distinctive upright script with intricate forms and will lend elegance to any application.

Paula Natalie is a cute and playful script font. This font was created to give your headlines and logotype projects a cheerful touch. Paula Natalie font is also usable in a wide range of works such as logos, covers, posters, quotes, product packaging, merchandise, social media and much more! Feature : - PUA Encoded - Multilingual Language - Works on PC & Mac - Simple installations - Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works on Microsoft Word.

Stifin handwritten display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Stifin font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Stifin handwritten display font. Cheers, Maulana Creative

Undine Soul blackletter display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Undine Soul font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Undine Soul font. Cheers, Maulana Creative