This calligraphic type is based on a free-styled blackletter with an ink-stained spirit. By having several stylistic alternates (on both U&lc.) plus some non standard ligatures, your text may look like it’s written or handmade! You should combine this font with Agony, also available on MyFonts.

Authentica is a modern, caligraphic script. It contains a full set of lowercase and uppercase letters, various kinds punctuation marks, numbers, and multilingual support. The font also contains several alternative ligatures and Stylistic Sets for those of you who have software which can work OpenType (Photoshop / Illustrator / InDesign).

Here's my super legible and handmade font. I've made several versions, and they overlap and compliments each other very sweetly. To enhance that nice handmade look, the outline and striped versions are a bit more rough - just like they all come with 3 different versions of each lowercase letter!

monogrammed party select and make this your craft to add a perfect impression to your design Take a look at the preview image and you will find out what this monogram is for make sure you don't miss it There are several monogram options to suit your taste

Alleluya is a beautiful font family, The several styles work perfect together and will help you make your project more complete and bright. It has decorative characters and a dancing lineage which will look perfect on invitations, greeting cards, branding materials, business cards, quotes, posters and much more!

Introducing. Sugar Smile - All Caps Display Font Sweet font with hand strokes. Simple and eye catching. You can apply it to craft designs, promotions, creative posts, apparel, quotes, merchandise, posters etc. See some of the previews above for reference. Features: • Uppercase • Lowercase • Numeral • Punctuation • Multilingual • PUA Encoded Thanks.

Introducing Misyela, made with modern handwriting! You can use it for your work because there are a lot of features in it to contain a complete set of letters lower and uppercase letters, assorted punctuation, numbers, and multilingual support. This font also contains several ligatures and alternate characters.

Naveid Arabic is new version of Naveid with the addition of Arabic glyphs, for Arabic, Urdu, and Farsi. Basic form for arabic font is refers to the arabic kufi style, with combining the cuppped serif on top and the tinny Subtle Flaring on the terminal, to harmony with Latin.

Some time ago I stumbled upon a little book called 'De Sprookjeshoorn' ('Horn of Fairy Tales') by Anton Eijkens (1920 - 2012). It was published in 1946 and contains several authentic and unique fairy tales - unfortunately unreadable to modern children, as the language used is out of date. What caught my eye was the handwritten font on the cover of the booklet. Closet Skeleton is a fairytale font inspired by the one I found on the cover of De Sprookjeshoorn. It comes with several curly alternates and some end-ligatures as well. I added an 'old fashioned' ampersand and a modern one, so you can choose which one to use. Apart from that, Closet Skeleton comes with a closet choc-a-block full of diacritics.

LECO 1976 is a headline display typeface in OpenType format. The title at the 1976 bottle of Lečo became an inspiration for creating this font. Besides the regular weight of the font, the font is drawn in light and bold font styles too, while each of these typefaces consists of a special alternative of an embedded diacritic. The font contains several specific styles as Stencil, Pixel, Tride, Shadow which combinations offer interesting possibilities for the typesetting. The metrics and kerning of every glyph of the font (except several glyphs in Bold) are identical. All the signs share the same character and size of the capital letters. This font is best used on strong posters or as a headline display typeface.

The redefinition of a classic In the 1920s the Viennese government decided to standardize the street signs across the city. A typeface was especially constructed for the purpose. It was available in a Heavy and a Bold Condensed version, to support short street names as well as longer ones. As the years went by, the typeface was adopted and redrawn by several enamel factories. These adaptations lead to variations on the design, and to the fact that there isn’t a Viennese street sign font but 16 – in part severely – different versions. Henriette is not a digitization of any of those versions; rather, it is influenced by all of them. The italic versions are completely original and designed to accompany the Roman.

The story of Humana begins with an exclusive volume about some manuscripts in Biblioteca Palatina in Parma, Italy. The title page uses the characters upon which I designed Humana. I suppose they were drawn for that volume. Examining the reproductions in the book I found that the characters on the title page immitate the lettering in a manuscript from the 15th century with Petrarca's Rime volgari". Not bad as origin! But I cannot free myself from the thought that there may be a typeface with that looks, not just a few characters drawn for that volume. My reference books could not give me any answer about that. The name Humana refers to the humanistic era from which the characters originate. Humana was released in 1994.

Borest, a new carefully crafted roman sans serif display font. The ideas for this font has a wide range of reference, from vintage, classic, art deco, until the modern era. So the looks of this font must be in the wide range of the reference above. Borest has a versatile and luxury feel as you can see in our creations on the display, such as Branding, Header, Logotype, Poster, Magazine, Packaging, Wedding Invitation with art deco style, and more. It shows that Borest can accommodate various design style. Borest comes with OpenType Features. such as Stylistic Alternates as an Ascender swash and Descender Swash and Ligatures. Every glyphs for alternates are curated for the best and without eliminating the characteristics of this font.

Noland, A new carefully crafted Variable Geometric Typeface. The Ideas of this fonts are from retro poster, music, movie poster, theater, science fiction from the 70s and early 80s. Adding the elements from the reference above to be represented as Noland. It’s Versatile, Fun, Sharp and Retro-ish feel that you get in Noland Typefaces. Noland Available with 3 Weights: Regular, Semibold and Bold. Also Available in Variable, so the weights are more flexible between Regular and Bold. Just Play with slider weight. Our creation on the display to give you a reference what it looks like on your project. such as Branding, Header, Logotype, Poster, Magazine, Packaging, and etc. It shows that Noland clearly can accommodate Retro Vintage style.

Fashion style meets typography in 9 styles The Ysans designed by Jean François Porchez is a sanserif influenced by Cassandre lettering pieces and the geometric sanserif style from the inter-war period. Since Chanel logo, the geometric sanserif style is the favorite typographic thing in fashion. Ysans asserts this reference. Not only Haute-Couture houses use these categories of typefaces for their visual identity, but fashion magazines usually strength their layout with these geometric sanserif when a Didot isn’t used. Details of Ysans drawings Nevertheless, Ysans takes its sources in certain details imagined by the graphic designer Adolphe Mouron Cassandre for the monogram then logotype Yves Saint Laurent (1961 …). One thing keeps coming in again and again in Cassandre’s post-war graphic work: the pointed finish and endings, the references to the Roman capitals engraved and unique features such as the open R or other details influenced by Antiqua and calligraphic forms or ductus (you should have in mind that an earlier typeface by Cassandre is the Peignot, a modern uncial based on researches of the palaeographer Jean Mallon.) Certain letters from the Ysans are directly an homage to the Yves Saint Laurent logo, the R, the narrow U, the apex of the N, and all the details of such pointed endings on the f and t lowercases. The Ysans, a typeface between diversity and synthesis There are several ways to approach the design of a new geometric sanserif. The first approach is to follow the Bauhaus philosophy by designing in the most rational way, typographic forms based on simple geometric elements: square, round, triangle. Another approach is to start a revival based on an historical geometric typeface and optimize the original ideas, in order to adapt certain details to the contemporary needs. For Ysans, the approach is somewhat different because this project started in 2011 at ZeCraft as a typeface designed specifically for Yves Saint Laurent Beauty, still in use by the brand under its original name Singulier. The Singulier-Ysans has been conceptualized by ZeCraft, both drawing its sources from Cassandre and various historical geometric typefaces. Some will spot specific traits as in Futura, others in Metro or Kabel. By closely observing the Ysans, the result can also recall the way Eric Gill draw the curves and endings of his typefaces, of which Jean François Porchez is a fervent admirer. In the end, Ysans is like fashion as envisioned by Yves Saint Laurent who constantly revealed multiple references in his new collections, without being recognisable any other than with his unique style. “Fashions pass, style is eternal. Fashion is futile, not style.” Cherry on the cake: Ysans Mondrian Ysans Mondrian, named in reference to the Mondrian dress created by Yves Saint Laurent, is the multi-layer version of the family. Ysans, fashion style meets typography Club des directeurs artistiques, 49e palmarès

Film Noir JNL is a classic Art Deco Alphabet from the brush of the late master sign painter Alf R. Becker, and appeared in Signs of the Times Magazine. Thanks to Tod Swormstedt of ST Media and the American Sign Museum for providing the reference material to make this font.

Here's a fun font that is quirky, jumpy and uneven. It's also unpredictable, but not more than your text will be clear and legible...but in a fun way! :) I've added several lowercase versions that automatically cycles as you type. A great way to make your text random and lively

Wesley SRF is another of the Ray Larabie originals provided to Stella Roberts Fonts. This stylized sanserif has a clean look for both text and display puposes. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

The Icons developed to the font Only You Sexy make reference to hipsters concept a recurring nostalgia and a recovery of an almost forgotten romanticism. Bring all that romance back. Bring the sensuality in your works and projects. The font has more than 300 icons. Also available Only You Sexy.

Snake head is a script font with a graffiti look. cool to be use in various types of designs, with several choices of characters and various kinds of swashes, so that your design looks powerful, this font is sutable for branding, clothing, logotype, packaging, advertising, crafting, and various other designs.

Handwritten font with an elegant and minimalist impression are ready to accompany your project. Can be applied to business cards, social media posts, branding, wedding invitations, logos, photographer watermarks, food packaging, beauty products, crafts and many more. See some examples the preview above for reference. Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual

Earthpig is based on samples of poster lettering from classic club posters of the 1960s, from venues like the Fillmore in San Francisco and the Armadillo in Austin. It combines elements of several different styles to recreate the unique look of poster lettering of the psychedelic era. It's far out, man.

This font is cheerful and eye-catching. You can use it in both digital and print projects such as craft purposes, creative posts on social media, wedding invitations, photographer's watermarks, branding, accessories, food packaging and much more to explore. For reference, see preview. Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual Thanks.

The 80s era of techno/angular/mechanical fonts is typified in Wrenchworks SRF. The original design is by Ray Larabie with a remix by Jeff Levine. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

The faces of IanSegoe were early attempts by IngrimayneType to construct medieval-looking faces. They drew inspiration from several medieval-themed fonts that were available at the time (1990). The upper-case letters are similar but not identical in the two faces but the lower-case letters are completely different.

Hoosier Daddy is based on Foundry Type samples from various mid-19th century specimen books. This shaded slab serif was made by conforming several different cuts of the styles, filling out the character set, and adding a few contemporary touches for freshness. This is a display face. Use it big.

This design from Ray Larabie (and adapted by Jeff Levine) is so unusual. The lettering lends itself to messages of sinister intent or horror movie titles. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

Begiko17 is a monoline typeface family which was designed to be a font of ease lecture with features in the rhythm and proportions of school writing. In addition to the standard characters, Begiko17 includes several useful mathematical characters. Its strength relies in the clarity, simplicity and harmony of its traces.

Jerash was developed jointly by Dave Nalle and Mike Scarpitti. It draws on the look of several classic fonts from the 1920s and 30s which evoked the look of Middle-Eastern calligraphy. The synthesis is a font with style, strength and regularity. It's an excellent counterpoint to our Caliph font.

Bouquet or in Turkish, Buket Font Collection includes 18 styles and textures which are different but compatible with each other. Decorative and script sans fonts include several useful ornaments. It can be created elegant and decorative typographic designs and additionally, eye-pleasing designs can be made even in miniscule texts.

Sting is a hybrid of Blackletter lowercase with Roman Capitals. This style drawn by Michael Clark in pen and ink evolved over several years and is now avaiable in font form. 12 alternate lowercase characters are included. Great for historical and official document titling as well as many decorative uses.

Flaming is a bold and stylish font. Equipped with several alternative characters and ligatures, it will make your design look more attractive and unique. Although Flaming has bold letters and quite tightly spaced, it's clean and legible. All alternate characters are PUA encoded and accessible, although without additional design software.

Everyone in each member country of the European Economic Community is represented by a Member of the European parliament. An MEP. The Eurocrat font family celebrates the work of these Eurocrats. Several features have been incorporated which, together, go to make a characteristically European style without any single one being dominant.

The shapes of "Blattwerk" (german for leafage) are based on an abstract leaf. The geometrical sans serif font has several standard and decorative ligatures and will work best as a display typeface for logos, headlines and short texts. The individual letters can also be used to form symbols or patterns.

The Balistine font, a combination of modern and slightly taking elements of 80s era in some lowercase curves such as "a b d q w and there are several alternative letters found in Balistine. By carrying a weight of 20 Balistine can easily be used for wider exploration. Let's start design.

Introducing Silfer Queen Script vintage calligraphy font. Silfer Queen Script is a classic calligraphy font. This is a classic thin font with an italic style. Here you will get a beautiful classic font. This font is available in several modern swirls that can make your work look elegant, sweet and perfect.

Slab Serif fonts are also sometimes referred to as ‘Egyptian’, hence the Egypt in the name. This lovely and complex font is based on old woodcut fonts. The upper case only font is brilliant for striking headlines. This OpenType font has support for CE languages and I hope you like it.

Acadami is an experiment toward what will hopefully be my masterwork (probably named Hackberry). It's also the font used as I get used to FontLab 5. The serifs are stronger and sharper. It's modified with the feel of my memory of Century Schoolbook (without ever looking at CB for a reference.