Designed for a privately-published luxury edition of The Time Machine, HGWelles Ultralight, Regular and Bold are now being made available to the public. This is the Welles of the early 20th century, seeing many of his predictions coming true and anticipating the shape of things yet to come.

Vermont is an outline semi slab serif created by British designer Freda Sack. The serifs of Vermont are typical of slab serif fonts, having the same stroke width as the base strokes and forming a right angle to them. The strong figures of this font still manage to seem light and airy and the marked shading makes them seem almost plastic or sculpted. This class of font appeared at the beginning of the 20th century as an advertisement typeface, rose in popularity through the 1950s and phototypesetting in the 1970s. Vermont should be used exclusively in headlines and displays in larger point sizes.

new modern calligraphy font - Donaparte. This beautiful script is for those who need elegance and style for their designs and is perfect for wedding invitations, saving date cards and feminine branding. Donaparte has includes a full set of Basic Uppercase and Lowercase Characters, Numbers and Punctuation. Also contains ligatures and many alternative styles to perfectly recreate natural calligraphy (check the preview to see them all). What will you get? Laquittea (OTF, TTF) Laquittea Bold (OTF, TTF) If you have any questions about my products, feel free to write me a message or contact me by message here on FontBundles. Thank you so much for checking out my shop!

Rocket Pop and Rocket Pop Outline are influenced by product packaging and cereal box art from the 1960's and 1970's. The fonts will work as companions or separate. Best used over 36pt as a headline display face, these fonts will bring a bold playfulness to any project where a vintage or retro style is in the concept. The style reflects the era when things were indeed, mad, where men (and some women) did crazy art for vinyl records, food packaging and kiddie products. Sugar frosted blue donut cereal is yummy for your tummy like... Rocket Pop and Rocket Pop Outline. Buy both and get the discount! Watch for the Cerealboxx Set coming soon that will include the astroluxtype fonts, Sugarbang! Koo Koo Puff and Rocket Pop together in one box.

Firing Imaginations and lively connected script family of three weights, ornament and banner sets and separate caps and small caps designed to support the script. Frost is influenced by the hand lettering and sign painting of the 1950s and 1960s with more polished appearance to better suit contemporary design trends. Frost is equipped with loads of automatic ligatures to make the text better flowing and has minimum three alternatives to every basic letter: To activate the alternates click on Swash, Stylistic or Titling Alternates in any OpenType Savvy program or manually choose from even more alternate characters from the Glyph Palette. Frost is an effective and easy to use font family for creating ambitious headlines, logos & posters with a custom-made feeling. For the absolutely best price purchase the complete family!

The typeface Neon Club Music is designed in 2011 for an Logo-Design of a electronic music label from South Germany. 324 glyphs incl. decorative extras like arrows, dingbats, emojis, symbols, geometric shapes, decorative ligatures (type the word #SMILE for ☺ or #LOVE for ♥ as OpenType-Feature dlig) and stylistic alternates (as OpenType-Feature salt. For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! CONCEPT/CHARACTERISTICS The geo­me­tric and roun­ded cha­rac­ter of the type­face is a very uni­que futu­ristic sci-fi atmo­s­phere. The sans-serif mono­line letter-forms looks very modern, clean, fresh and fancy. APPLICATION AREA The fancy, geo­me­tric & round party, music & movie font “NEON CLUB MUSIC” would look good at dis­play size for party flyer & movie pos­ter, music covers or head­lines in maga­zi­nes or websites…

Woodford Bourne PRO is the evolution of my original Woodford Bourne typeface that was inspired by the iconic stone cast letters on the façades of the 19th century Woodford, Bourne & Co. buildings in Cork City, Ireland. Woodford Bourne PRO has matured with numerous improvements to make it an even more versatile font family. The fonts have been completely redrawn and spaced, there are now an additional 500 glyphs for you to use across 9 stylistic sets. The additions include underlined caps, small caps, petite caps, catchwords, discretionary ligatures and more. Please view the specification sheet before you purchase to see all the glyphs and features. Key features: • Woodford Bourne PRO is a vintage geometric sans, optically adjusted for improved aesthetics and legibility 2 FONTS IN 1 – Use the default contemporary character set, or switch to vintage style with stylistic sets 9 Weights in Roman and Italic Thin | ExtraLight | Light | Regular | Medium | SemiBold | Bold | Black | Ultra Underlined Caps, Small Caps, Petite Caps, Catchwords, Discretionary Ligatures Full European character set 1000+ glyphs per font UPDATED JULY 2021 (v.3) Woodford Bourne PRO v.3 update includes numerous improvements including rebalanced /S/s/ glyphs to make them less ‘top heavy’. Italics have been redrawn to smoothe out irregularities. Improvements have been made to diacritics and glyph coverage now supports all Latin European languages.

Fusione is a handwritten, informal, sketch-like typeface drawn by hand using ink and a sharp nib pen on smooth paper. It is useful for display, poster, books titling, advertising, and magazine work. Best used in Open Type apps, it has automatically exchanging alternates for better simulate true handlettering. Character set support Central and Eastern European as well as Western European languages.

An experimental typeface with at least 3 characters each, uppercase, lowercase, numbers, and punctuation marks. It would be great for experimenting with different typefaces to decide what's the general taste of your logo or designing a poster, music cover, etc. Or just use the typeface with exploring its alternate glyphs, enjoy!

Suffix Mono is a monospaced sans-serif family that offers an extensive range of weights and styles. Additionally, it provides numerous OpenType features, including 16 distinct stylistic sets for users to experiment with. The core concept behind Suffix Mono is to explore the distinctive textures often associated with monospace fonts, which are primarily characterized by their "fixed width" nature. Suffix Mono enhances these textures by introducing various stylistic features that enable users to replace closed glyph contours, such as those found in characters like 'f,' 'r,' 'i,' and 'j,' with more open and airy alternatives. Enabling these alternates results in an overall transformation of the textural appearance of Suffix Mono. Furthermore, Suffix Mono boasts one of the hallmark features of modern typefaces: extensive language support, encompassing nearly the entire Latin script.

Claudium started as an attempt to create a sans serif version of Garamond. As time went on it gradually became a meditation on the nature of French typography from Garamond to Excoffon. It was especially influenced by Cassandre's type for the Orly airport which seems to epitomize certain aspects of the French character�at least in typography. Attempts to create an italic met with disaster. Gradually, after lots of Cotes du Rhone, a cursive, based on Garamond�s Greek forms, emerged. It came at a time when I was looking at lot at Victor Hammer�s uncial and Andromaque cursive. So Claudium Cursive was developed as a lower case only and mated to the Claudium Regular caps ala Griffo�s original italic type. In keeping with the cursive lowercase there are cursive oldstyle numbers.

Plakato, a stencil love affair Plakato is a family of display fonts, consisting of various eye-catching styles, each of them very bold. Plakato is an identity toolkit, a heavyweight building block in case you need a strong personality, a small stencil font family to cut out your best ideas and grab all the attention. But just as with many other creations, its outcome is as divers as its multiple origins. Plakato comes in 16 eye-catching styles. The default stencil style comes in Regular & Italic. They both have 2 variations: one version, named Plakato Stencil, automatically creates borders around the text, putting any text into a graphic stencil in this way. Another version, the extruded three-dimensional version, guarantees even more attention for your message. Next to this there is also the Inline version, which is an optical play with a lot of lines. Plakato Inline has a supportive background layer, a separate font in case you want to add a background in a different colour. Then there is Plakato Paper, a manually teared version of Plakato offering a more physical look. This small family of eye-catching display fonts also contains a Neon font, an independent design in Plakato style, which can actually be used for making neon signs due to its construction. Plakato Neon comes with its own Dingbat font for that extra flush-flush. Plakato has also been redrawn on a C64, and with all its accompanying limitations been ported back and turned into a font: Plakato Game. Also this font comes with its own Dingbat font, full of emoji’s and icons for oldskool pleasure. Last but not least there is Plakato Build, constructed out of blocks. As if that wasn’t enough, there are various dynamic versions in the Plakato Play package, which offer a whole new range of possibilities for typographic expression, with new animation and interaction opportunities.

Griggs is a variable type family with six-axis. Available as both static and variable font built to maximize versatility. This is a single variable font that can morph between a wide range of stylistic variations with each of its axes: Weight, Serif, Grade, Stylistic Set 1, Stylistic Set 2 and Slant. Also offer a variable subtle grade axis for slight weight adjustments, to user different preferences. For slant axis will automatically apply stylistic set 2 or set custom values on each axes for more options. A multi-purpose sans serif and serif typeface with high contrast, inktraps, sharp form, clean cuts and playful details, to convey the impression of opulence, elegance with a distinctive look. It comes in 3 distinct individual cuts within the Sans, Flare, and Serif subfamilies. Allows for many variations across its subfamilies, weights and styles. Each typeface contains with a warm personality and contemporary look. With different stylistic sets, you can choose the best-desired result for your design. You can change the feel of your design from more delicate, to bold to its sharpest most style. Griggs family with various styles will be an handy tool for a wide variety of designs. Excellent for text large and small. It’s a brilliant choice for branding, identity design, editorial design, logo design, display and packaging design etc. Typeface Features: * 325 Glyphs * 3 Subfamilies: Sans, Flare, Serif ( Each 8 Styles + Slant ) * 6 Weight: Thin, Light, Regular, Semi Bold, Bold, Black * Complete Collection: 144 Styles + Variable Font * Opentype Features: Stylistic Set 1, Stylistic Set 2 * Latin Language support including * Kerning * Autohinted Thank You.

Corporative Soft is the slightly rounded-edged version of Corporative. This font has a marked personality and distinctive traits, which makes it suitable to be used at large text sizes. At the same time, the smooth transition from straight to curved lines gives the font a more friendly feel. This display typeface is the perfect choice for logos, posters, signs, branding, packaging and so on! Corporative Soft comes with Latinotype’s standard set of 350 characters, making it possible to use the font in 128 different languages. Corporative Soft provides users with a wide range of characters, weights and widths for every project. By combining different variants, designers can achieve the best results. The family consists of 64 fonts: a basic family that includes 8 weights plus italics, an alternative family of 8 weights with matching italics and 2 condensed families, one regular and one alternative, both with italics. Corporative Soft was created by LatinotypeTeam and developed by Javier Quintana, Eli Hernández and Rodrigo Fuenzalida, under the supervision of Luciano Vergara and Daniel Hernández.

I love geometric sans serifs, their crispness and rationality. Le Havre taps into this style, but for a while, I've wanted to create a font recalling the printed Futura of the 1940s, which seems to have an elusive quality all its own. After seeing an old manual on a World War II ship, I developed a plan for "Le Havre Metal" but chose to shelve the project due to Le Havre's small x-height. That's where Steagal comes in. When Robbie de Villiers and I began the Chatype project in early 2012 (a project which led one publication to label me the Edward Johnston of Chattanooga!), we started closely studying the vernacular lettering of Chattanooga. During that time, I also visited Switzerland, where I saw how designers were using a new, handmade aesthetic with a geometric base. I was motivated to make a new face combining some of these same influences. The primary inspiration for the new design came from the hand-lettering of sign painters in the United States, circa 1930s through 1950s. My Chatype research turned up a poster from the Tennessee Valley Authority in Chattanooga, Tennessee, which exhibited a number of quirks from the unique hand and style of one of these sign artists. Completing the first draft of Steagal, however, I found that the face appeared somewhat European in character. I turned then to the work of Morris Fuller Benton for a distinctly American take and discovered a number of features that would help define Steagal as a "1930s American" vernacular typeface--features I later learned also inspired Morris Fuller Benton's Eagle. The overall development of Steagal was surprisingly difficult, knowing when to deliberately distort optical artifacts and when to keep them in place. Part of type design is correcting optical illusions, and I found myself absentmindedly adjusting the optical effects. In the end, though, I was able to draw inspiration from period signs, inscriptions, period posters, and architecture while retaining just enough of the naive sensibility. Steagal has softened edges, which simulate brush strokes and retain the feeling of the human hand. The standard version has unique quirks that are not too intrusive. Overshoots have almost been eliminated, and joins have minimal corrections. The rounded forms are mathematically perfect, geometric figures without optical corrections. As a variation to the standard, the “Rough” version stands as the "bad signpainter" version with plenty of character. Steagal Regular comes in five weights and is packed with OpenType features. Steagal includes three Art Deco Alternate sets, optically compensated rounded forms, a monospaced variant, and numerous other features. In all, there are over 200 alternate characters. To see these features in action, please see the informative .pdf brochure. OpenType capable applications such as Quark or the Adobe Creative suite can take full advantage of the automatically replacing ligatures and alternates. Steagal also includes support for all Western European languages. Steagal is a great way to subtly draw attention to your work. Its unique quirks grab the eye with a authority that few typefaces possess. Embrace its vernacular, hand-brushed look, and see what this geometric sans serif can do for you.

Introducing a vintage look label font named Big Wave. This font have a lot of additional characters and multilingual support (you can see them at the screenshot) and including 7 styles - Regular, Full, Shadow, Texture, Shadow FX, Texture FX and Outline. This font will good viewed on any retro design like poster, t-shirt, label, logo etc.

Silent Brush is a very lovely, elegant script font in capital letters bigger than ordinary ones to express such dramatic, attractive visual effects. To be consistently legible and harmonious in the whole context, every letter has its own proportions. One of the font’s main features is the brush scratch on every letter to show that the writing is made up of a paint brush producing a lot of rough textures. You can see the brush scratches along the letters’ edges and the letters’ sides to express dynamic moving flows. Despite being inspired by handwritings, this script font has gone through various adjustments making it more consistent and legible. Furthermore, it is much better to use this font for big text sizes to be more legible. In addition, you may enjoy the available features here as well. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Silent Brush fits best for any design projects requiring artistic touches such as brands’ logos, posters, merchandise designs, and other promoting media. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Dance Lesson JNL is a reinterpretation of the popular "Latin Bold" typeface. The font's name is a reference to the Latin dance craze of the 1950s, when the Cha-Cha, Meringue, Tango, Mambo and even the "Chalypso" - a hybrid of Cha-Cha and Calypso rhythms had everyone moving to the beat of Central and South America.

MARINGUE is Retro Western Font that is well-produced by hand and generate into a clean form, that will be best when used in any placement like logo, poster, t-shirts, or any display. Build manually, and reform into a clean Typeface. Natural stroke from original hand-lettering. It can be used for just Titles or even writing. In this font, you will get : Over 234 glyphs Ligatures in OpenType features Support for 66 languages. Get MARINGUE now! It will be best used for any design requirement, many fonts will come with a unique concept. Thank you! Best Regards, PUDJI PANGESTOE STUDIOS

DORPHAN is Retro Font that is well-produced by hand and generate into a clean form, that will be best when used in any placement like logo, poster, t-shirts, or any display. --- Build manually, and reform into a clean Typeface. Natural stroke from original hand-lettering. It can be used for just Titles or even writing. --- In this font, you will get : Over 223 glyphs Ligatures in OpenType features Support for 66 languages. --- Get DORPHAN now! It will be best used for any design requirement, many fonts will come with a unique concept. --- Thank you! Best Regards, PUDJI PANGESTOE STUDIOS

Cell is a sturdy, geometric typeface with many potential applications. Though it is best suited to display sizes, its construction is simple enough for use in smaller settings. Its octagonal, almost mechanical design is softened by rounded corners. The face is characterized by a single thick stroke in each letter, lending it a unique appearance. It also features an oblique counterpart with several italic-style glyphs. Both members of the family also include small capitals mapped to the Private Use Area. Cell was designed to be at once simple and unique. Its grid-based structure is enhanced by slight adjustments for optical consistency. Glyphs which are normally round instead have 45-degree angles at the corners, sticking to the grid system without losing legibility.

ITC Tiffany font was designed by Edward Benguiat, a highly contemporary blend of two fonts, Ronaldson and Caxton. The best characteristics of both were combined to produce a refined and refreshing font, ITC Tiffany.

Nikela Famous is a versatile font with a clean, sleek shape. The overall typeface is strong to bring order and harmony between letters. Best used as Instagram, poster, web design, magazine, logo or product.

After a few months my new typeface "Bankal" is here! To create it, I always tried to keep a 90 degree angle. In French when you say that something is "bancal" it means that it's not right. This is why I choose this as a name because despite the name she is right. And for the K it's just for the style here. Bankal is a sans-serif font with 3 variations (bold, regular, light) Check more on my website : https://www.hugokuder.com/ or my instagram : hugokuderdesign

Linotype Gavotte was designed by Rudo Spemann in 1940. His style was unmistakable, marked by original ideas and completely new forms. His tendency toward the unusual and adventurous resulted in unique, decorative characters. When he wrote, the tip of his pen flew across the page, leaving behind rows of letters which displayed an almost unbelievable regularity of form and flow. Gavotte is a perfect example of the best of Spemann’s calligraphy.

Oyuki's Ghost is a scary typeface made with a steel pen and Chinese Ink. The name comes from a painting by Maruyama Okyo (1733–1795), which depicts his mistress who died young. Maruyama Okyo claimed she haunted him in his sleep. The font comes with extensive language support.

Y'know the real trouble with Spider-man, Superman and the rest of the soulful superheroes, gloating supervillains and musing muckmonsters is They Just Don't Shut Up! For Crying Out Loud, give those iron jaws a REST willya?!? Yak Yak Yak! Blah Blah Blah! Yada Yada Yada... "With Great Power Comes Great Responsibility!" "You won't get away with this, Luthor!" "I'm the best there is at what I do!" SHUT UP!!! Letterers don't get paid by the WORD you know! QUIT YER WHINING! Yeah, yeah, yeah this font IS the much requested typeset -- featuring upper AND lower case characters -- created by Starkings & Roshell for the X-Men back in the Age of Apocalypse. Hell's Squakkin' Teeth -- The X-MEN... don't even get me started on THOSE guys! What THEY need is the mutant ability to put a freakin' sock in it!

Chola Boba is a friendly font with an innocent and youthful look. This font has best for a lot of print, digital, and net designs. Chola Boba is a font it really is best for any layout project. It is available in nine unique weights with a contented sans serif style. This font will make your textual content readable & without problems recognizable for your audience. So move ahead, use Chola Boba in your subsequent project!

Introducing Remixa, a cutting-edge modern sans-serif typeface that seamlessly incorporates elements from serif typefaces, resulting in a truly unique and captivating design. Remixa boasts a carefully crafted set of six weights, ranging from light to bold, allowing for versatile usage across a wide range of design projects. Each weight has been meticulously balanced to ensure optimal legibility and visual impact, empowering designers to create captivating and expressive compositions. Its clean lines and subtle serif-inspired details create a harmonious blend that stands out in both digital and print media. Experience the essence of modernity and timeless elegance with Remixa.

Kush is what happens when you let your fonts sit around watching cartoons and eating cake and ice-cream all day�When their vectors are freed from all constraints and allowed to follow their bliss. Kush has filled its insides to just the other side of contentment and comes to you on a sugar high and with a head full of Looney Tunes. And... It�s two ply! A two-layered display face from Our House Graphics with a plush, organic feel, Kush has 370 glyphs, over two dozen standard and discretionary ligatures, stylistic alternates and a few surprises. Kush Fat and Kush Shade work well independently but together they become a two colour, two layer font. Simply type some text in Kush Shade, copy it and paste it back on top of your original text. Then change the top layer to Kush Fat and adjust the colours to your liking. For best results, use default settings for kerning and tracking (letter spacing).

ITC Scarborough was designed by Akira Kobayashi in 1998 to be reminiscent of the typefaces in advertisements of the 1930s. The special written form of the font has no connection between the letters and follows the principles of the brush scripts often used in the headlines and film trailers of this time. Kobayashi chose dynamic forms for his font, small yet robust with contrast between the strokes. ITC Scarborough is available in regular and bold weights and is best used for headlines and short texts.

Old Greek inscriptions were Carol Twombly's inspiration when she created Lithos, which appeared with Adobe in 1990. The alphabet is composed exclusively of capital letters, which can also be used as initials combined with other fonts, such as Caslon.

This American original was designed in 1901 by Frederic W. Goudy for the American Type Founders in Jersey City. Copperplate Gothic is an all caps font which looks like a sans serif at first glance. But closer examination reveals tiny, pointy serifs which almost seem to round off the letters. Designers rely on this font’s lofty and sublime impression and it is often seen in advertisements, but it has also made a place for itself in private and business correspondence and corporate design. The AB and BC designations in the style names refer to the relative sizes of the capitals and small capitals.

This is a font to build a Hebrew Bible (Tanach) or any Hebrew prayer book. Magalith Tanach Pro has all Unicode Hebrew marks and others like ShevaNa, Dagesh Chazak, Qamats Katan, and Cholam Chaser. You can even hide marks You don't want to use. This font has a complex and exclusive Programmation of Opentype features. Adobe InDesign is the best program to use.

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Julio is a eye-catching, counter-contrast font with retro touch. This cool and cute font woks best for display uses, headlines, branding, print, and web design projects.

Introducing our new font that we named Chattelyne Script. It gives a beautiful and natural impression. This font is very suitable for clothing, logos, Wedding Invitations, Branding, Posters, Quotes, magazines, banners, etc. all with a natural touch. This font is the best choice for your business. What you get? Standart Ligature, Stylistic Alternate and multilingual accents. I hope you enjoy my creation.

Introducing Melvins - Font Set. The font combination which inspired by the vintage design. Includes 4 fonts with different styles that have unique looks, and are perfect pairs when combined. This font set is carefully designed with high attention to give a feel of vintage, old-school, and classic. Melvins consist of Condensed, Light, Expanded, & Script styles that are versatile to be used for many design purposes. Melvins Font Set including with 50+ vintage illustrations that will ease you to make a design in a sec and is also equipped with swash and alternate characters that you can mix and match to get a more vintage look. The perfect choice to be used to create logo, label, badges, logotypes, decals, shirts, posters, flyers, and etc.' Fonts featured : All capitals character set Lowercase (script) Numbers Symbols & punctuation Stylistic Alternates Swashes (script) Multilingual support PUA Encoded (no need for special software to access special characters) Thank you for your support! I hope you enjoy using Melvins Font Set.

A long time ago, I lived and worked in the English Lake District. When I first arrived there, I camped out not far from a neolithic monument called Castlerigg Stone Circle. Castlerigg Stone Circle is one of the most beautiful stone circles in the whole of Britain; the views are great and it makes for a nice walk from Keswick. This rather grungy font was made with a Sharpie pen I initially wanted to throw away, because it was dry, but then decided I could at least get one more font out of it. The result is Castlerigg - a rather neolithic looking all caps font. Castlerigg comes with double letter ligatures for the lower case.

Introducing our latest exploration, the "Monoway Groovey" font! Inspired by the iconic pop art and design trends of the 70s, this font boasts a stunning shape based on curves, giving your designs a dynamic and lovely impression that is sure to catch the eye. Perfectly suited for themes ranging from retro to modern-vintage, Monoway Groovey is a versatile typeface that will elevate any design. Whether you're creating a t-shirt, poster, flyer, label, branding, logo, emblem, or quote, this font is the ideal choice. Supported by multilingual characters, add a touch of playfulness and nostalgia to your work with Monoway Groovey.

Introducing Meritocracy, a full-featured handwritten font with tons of alternate characters and OpenType features. My goal with this font was to make you a typeface that will look as much like hand lettering as possible. Using the built-in OpenType pseudo-random contextual alternates and over 300 individually drawn ligatures, you can infuse your typography with personality and variety.** OpenType Features Meritocracy comes with more than 900 glyphs! Specific OpenType features include contextual alternates, stylistic alternates, a second stylistic set for variety, multiple alternate glyphs for many letters (accessed through the glyphs panel), multilingual support (including multiple currency symbols), standard numbers, and seven ampersand styles. It also includes 325+ standard and discretionary ligatures, all of them individually hand-drawn to be different from all other glyphs in the font. These ligatures allow you to give a super-realistic hand-lettered look to your typography. You can write the same word in so many different ways if you combine the default set, stylistic set 01, and standard and discretionary ligatures in different ways. SPECIAL OPENTYPE FEATURE: If you are using OpenType-capable software like Adobe Illustrator, Photoshop, InDesign, or CorelDraw and you have contextual alternates turned on, you can see the letters randomize themselves as you type, mixing from the default character set and stylistic set 01. (You can always turn on contextual alternates after you have already typed your passage and it will randomize all at once, or you can choose to turn off contextual alternates and substitute specific glyphs yourself - I find that if I'm typing a word or two, I prefer to control the individual glyphs myself; if I'm typing a paragraph, I like to use the built-in randomness of the contextual alternates feature). Note that this pseudo-randomization (aka contextual alternate feature) is ON by default in Apple's Pages app and OFF by default in Microsoft Word, but it can be turned on. The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Illustrator and Adobe InDesign. (To access most of these awesome features in Microsoft Word, you'll need to get comfortable with the advanced tab of Word's font menu. If you have questions about this, ask me!) Files included: Meritocracy-Regular.otf Please note: there is only one file for this font. That's the magic of OpenType - all of the alternates, ligatures, etc. are built right into the .otf file! Mail support : julie@upupcreative.com --- Find inspiration (and sneak peeks at my next font-in-progress) on - Instagram: http://instagram.com/julieatupupcreative - Facebook : https://www.facebook.com/upupcreative - Pinterest: https://www.pinterest.com/upupcreative - My website: http://upupcreative.com --- **PLEASE ENJOY! I can't wait to see what you make with Meritocracy! Feel free to use the #upupcreative and #meritocracyfont tags to show me what you've been up to!**