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  1. Albertus by Monotype, $40.99
    Berthold Wolpe’s innovative design undertaken for Monotype in 1932 suggests the texture of letters cut in wood. Albertus can be seen as Morison’s improvement of Othello, Monotype’s 1928 copy of Neuland, executed by Pierpont.
  2. Wood Factory by Kustomtype, $25.00
    Wood Factory is a western styled typeface created by Kustomtype. Wood Factory is an old Wood Type favorite. It was designed specifically for display, headlines and titles where a wanted poster look is desired.
  3. Shayan by Typefactory, $14.00
    Shayan is an interesting display font inspired by the style and feel of the Middle East Arabic. This font is suitable for branding logos, Ramadan themes, and any other projects you can think of.
  4. Regiola Script by Lucky Type, $16.00
    Regiola Font Duo is an elegant serif typeface paired with natural handwritten script. By presenting a luxurious and chic look, for websites, modern logos, social media quotes, brand identities, wedding stationery and much more.
  5. Speedy by 4RM Font, $26.00
    Inspired by high speed, this font is made in only black in an italic style, giving this font an aura full of energy. Speedy fonts are suitable for use in futuristic themed graphic designs
  6. Anti Valentines Day by Aldedesign, $25.00
    Anti Valentine’s Day is a flowing handwritten font, described by an elegant touch, perfect for your favorite projects. This font is PUA encoded which means you can access all glyphs and swashes with ease!
  7. ArgonType by Vic Fieger, $26.99
    ArgonType is the first commercial font produced by Vic Fieger. It features thick vertical strokes, soft curves, and incomplete loops. It was designed to be used as an alternative for serif fonts where appropriate.
  8. Gmuender Antiqua Pro by RMU, $40.00
    Inspired by the former hot-metal fonts of Imprimatur, Gmuender Antiqua Pro is a fresh designed versatile and multilingual serif font family. All five styles contain three different forms of numbers and small caps.
  9. Bomber by Komet & Flicker, $10.00
    Bomber was inspired by the lettering used on the vehicles of the U.S. military. This font works great as an old-school style of athletic lettering. Also included is a fifteen character dingbat set.
  10. Freeform 721 by Bitstream, $29.99
    Auriol font was the basis for the lettering used by Hector Guimard for the entrance signs to the Paris Metro. Bitstream’s Freeform 721 with his brush stroke look, is well-suited to display settings.
  11. Vectora by Linotype, $40.99
    In creating Vectora, Adrian Frutiger was influenced by American Gothic styles, especially those of Morris F. Benton’s Franklin Gothic and News Gothic. Vectora is light and balanced, giving text legibility and a harmonious appearance.
  12. Omega by Thinkdust, $10.00
    Omega is a display font designed by Diogo Pisoeiro. Although Omega only has a limited number of characters, this display face with a unique style will work well for graphic design and display work.
  13. Wood Island by WAP Type, $20.00
    Inspired by traditional ethnic feel and visuals. Great for fun and casual thematic visuals, games, logos, branding, products, campaigns, events, seasonal promotions, traditional concepts, explore different sides of your brand using wood island font.
  14. Rodenberg by Zealab Fonts Division, $18.00
    Rodenberg is multipurpose display typeface with cool characters, inspired by urban culture that combine the classic and modern style. It is perfect for headlines, logotypes, signs, posters, greeting card, letterhead, t-shirts and more.
  15. Ferns by Okaycat, $29.50
    Beautiful fern silhouettes. Ferns is a picture font with highly detailed illustrations drawn by hand from careful botanical study. Great anytime you need an organic feel, some nice plants or a touch of nature.
  16. RMU Pergola by RMU, $35.00
    RMU Pergola is a font design which was inspired by a late-19th century font of Georg Giesecke. To get access to all ligatures, it is recommended to activate both Standard and Discretionary Ligatures.
  17. Caramel Candy by Creativework Studio, $14.00
    Caramel Candy is a flowing handwritten font, described by an elegant touch, perfect for your favorite projects. Fall in love with its incredibly distinct and timeless style and use it to create spectacular designs!
  18. King Malik by Typefactory, $14.00
    King Malik is an interesting display font inspired by the style and feel of the Turkish font. This font is suitable for branding logos, Turkish themes, and any other projects you can think of.
  19. Ketamine One MF by Masterfont, $59.00
    A practical font family with 3 weights for all your day by day design needs: headlines, signage etc. An extended sans serif typeface with rounded endings that provides unique industrial appearance without losing legibility.
  20. Family Deco JNL by Jeff Levine, $29.00
    Family Deco JNL was inspired by the bold Art Deco hand lettering of the movie credits for the 1936 Laurel and Hardy comedy “Our Relations”, and is available in both regular and oblique versions.
  21. UCT Found Receipt by uppercaseTYPE, $12.99
    Inspired by the idea of found paper objects, this font centers around a strict grid. Combining dot-matrix printers with subtle serifs, it combines old and new. Recommended usage is as a display font.
  22. Arcato by Stefano Giliberti, $15.00
    Arcato is a font family shaped from spherical curves inspired by celestial bodies. It supports 114 languages, features a total of 508 glyphs and includes an italicized version for each of the 5 weights.
  23. Franklin Gothic SG by Scangraphic Digital Type Collection, $26.00
    Franklin Gothic SG is part of the Scangraphic Collection and designed 1902 by Morris Fuller Benton. Franklin Gothic is a trademark or registered trademark of Kingsley/ATF American Type Founders or its legal successors.
  24. Keanu by Soares, $25.99
    Keanu is a display sans serif square typeface, with a strong visual impact. Defined by its dramatic squaring with curved strokes, this typeface is perfect for headings, signage systems, interface designs, branding and more.
  25. Magemin by Sealoung, $25.00
    Magemin is an elegant and bold serif font. It is defined by smooth curves and is perfect for fashion branding or editorial designs. Add it confidently to your projects, and you won’t be disappointed.
  26. 1654 Brown Street by Fonts of Chaos, $10.00
    1654 Brown Street, from the street to our font library it's only one step. This font is inspired by the street typography, the radius of the font is the same than the street marker.
  27. Aliya Jayner by Liartgraphic, $15.00
    Aliya Jayner was created by Liartgraphic Studio and is a modern script concept with many alternative, multi-lingual choices. This typeface is good for use on product brands, magazines, book covers, packaging, and others.
  28. MPI Sardis by mpressInteractive, $5.00
    Sardis is based on a family of wood type called "Lydian," designed for American Type Founders Company by Warren Chappell in 1938. The strokes have angled ends, referencing the use of a calligraphy nib.
  29. Gianna by Jonahfonts, $35.00
    Gianna is designed for many applications for that calligraphy look. Invoking Contextual-Alternates all lower case text followed by a space will automatically prompt its Glyph Terminal, including many ligatures complete with latin diacritics.
  30. Batish MF by Masterfont, $59.00
    A practical font family with 4 weights for all your day by day design needs: headlines, signage etc. An extended sans serif typeface with rounded endings that provides unique softness appearance without losing legibility.
  31. Haworthia by Cmeree, $12.00
    Haworthia is a handwritten font. Its shape is inspired by self-titled succulent plant - the font has long and a bit swirled endings. Haworthia provides multi-language support which includes cyrillic glyphs as well.
  32. Hellya by Arkrist Letter, $14.00
    Hellya is an elegant script font with a contemporary atmosphere and impeccable form, inspired by timeless classic calligraphy. This font is PUA encoded which means you can access all glyphs and swashes with ease!
  33. Oboe by Graviton, $4.00
    Oboe font family has been designed for Graviton Font Foundry by Pablo Balcells in 2012. It is display typeface with a geometric rounded look. Oboe consists of 6 styles, 2 of which are free.
  34. Cindy FA by Fontarte, $39.00
    Imelda Marcos, Cinderella - welcome to the club ... A picture font containing over sixty shoes, slippers and boots, fashionable yesterday, today and maybe tomorrow. Hand drawn by a designer Magdalena Frankowska. Not only for fetishists.
  35. Pagi Senja by Stringlabs Creative Studio, $29.00
    Pagi Senja is a flowing handwritten font, described by an elegant touch, perfect for your favorite projects. Fall in love with its incredibly distinct and timeless style and use it to create spectacular designs!
  36. GERALDINE PERSONAL USE - Personal use only
  37. Sears Tower - 100% free
  38. Tom's Headache - Unknown license
  39. P22 Underground Pro by P22 Type Foundry, $49.95
    The P22 Underground Pro font family started in 1997 as the first and only officially licensed revival of Edward Johnston’s London Underground railway lettering. The original design by Richard Kegler sought to be as true to the original as possible. In 2007 P22 revised and expanded the fonts into a massive character set with additional weights, language support, and stylistic alternates. Endeavoring to make this font family a more versatile and useful tool for a designer, P22 sought to add true italics to this stalwart type design. The only other existing italic interpretation of Johnston’s Underground type was executed by the inimitable Dave Farey and Richard Dawson at Housestyle Graphics. We asked Dave Farey to imagine an Underground italic that would pair well with the P22 Underground, done as if Edward Johnston himself might approach the design challenge. This new italic version was then expanded for all six of the existing P22 Underground weights and characters sets by James Todd of JTD Type. Final mastering of the P22 Underground Pro roman and italic with a streamlined yet still expansive language coverage by P22 partner Patrick Griffin of Canada Type. These refinements remain true to the original Johnston design while employing contemporary typographic finesse to create six weights with optional alternates to increase legibility. The new P22 Underground Pro family is now a rock-solid and very versatile humanist sans serif font family that should be a cornerstone of any designer’s typographic toolkit. After five years in development, the new P22 Underground Pro is the most iconic and useful font family ever presented by P22 Type Foundry.
  40. Cairoli Now by Italiantype, $39.00
    Cairoli was originally cast by Italian foundry Nebiolo in 1928, as a license of a design by Wagner & Schmidt, known as Neue moderne Grotesk. Its solid grotesque design (later developed as Aurora by Weber and Akzidenz-Grotesk by Haas) was extremely successful: it anticipated the versatility of sans serif superfamilies thanks to its range of weights and widths, while still retaining some eccentricities from end-of the century lead and wood type. In 2020 the Italiantype team directed by Cosimo Lorenzo Pancini and Mario De Libero decided to produce a revival of Cairoli, extending the original weight and width range and developing both a faithful Classic version and a Now variant. The Cairoli Classic family keeps the original low x-height range, very display-oriented, and normalizes the design while emphasizing the original peculiarities like the hook cuts in curved letters, the high-waisted uppercase R and the squared ovals of the letterforms. Cairoli Now is developed with an higher x-height, more suited for text and digital use, and adds to the original design deeper ink-traps and round punctuation, while slightly correcting the curves for a more contemporary look. Born as an exercise in subtlety and love for lost letterforms, Cairoli stands, like its lead ancestor from a century ago, at the crossroads between artsy craftsmanship and industrial needs. Its deviations from the norm are small enough to give it personality without affecting readability, and the expanded weight and width range make it into a workhorse superfamily with open type features (alternates, stylistic sets, positional numbers) and coverage of over two hundred languages using the latin extended alphabet.
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