Pinback was inspired by the science fiction movies of the 60s and 70s. The name is taken from one of the protagonists of John Carpenter’s Dark Star.

Drawzing is a font designed by Ethan Dunham that mimics the looks of either chalk or crayon. The font is well balanced and is not overly childish.

Elegant custom font with rounded corners, great for logos, posters, motion graphics and t-shirts. The name is inspired by the sleek curves and its smooth look.

Sookie is a hand designed font for posters, invitations, headlines, lettering of nursery hooks, signs, young, fresh and round. Designed in March 2022 by Joachim Frank, Germany.

Create your own design by choosing this wonderful handwritten font. Albiol has an effortless yet refined quality, making it an excellent fit for projects of all types.

CrosswordBill was created by scanning a finished crossword puzzle, done with a failing ballpoint. A complete character set with numbers and most (but not all) special signs.

Inspired by printed texts from 18th century France, Millesime has a gritty grainy texture that adds a natural and sentimental feel to this stylish rusty style font.

Syage a classy, contemporary of Serif font, inspired by Art Deco Era. Ideally suited for advertising and packaging, festive occasions, editorial and publishing, creative industries and posters.

inspired by the famous minimalist logo perfect for the purposes of designing templates, brochures, videos, advertising branding, logos, invitation, layout design, elegant crafting, beauty design and more.

Inspired by the Techno sound of the 1990s, Alexander Branczyk designed a series of new, wild and controversial fonts which mark a complete departure from typographic traditions.

Folk Art Flowers was inspired by the flowers used in many folk art designs. There is an assortment of 47 ornaments located under the character set keys.

Kircher is a typography inspired by old building facade letterings. It is a vintage style geometric sans serif typography great for logos, banners, posters and graphic artists.

First used by the designer on his personal letterhead, Jimbo has an informal modern style. Use the Jimbo font family on posters, in advertisements and on packaging.

Inspired by Thannhaeuser's Liberta, completely fresh drawn and designed, Trybuna is a pronounced, freestyle serif font family, intended for body texts in print and for the web.

The Phosphor font was designed by Jakob Erbar and released in 1930. This inline headline face was designed to look like glowing letters, hence its name Phosphor.

Buncher Georgia is a vintage display typeface inspired by the art of ancient decoration which is suitable for retro-style designs with ancient concepts. File Included Multilingual

Kartago was inspired by the inscriptions in the Roman ruins in the city of Cartago in Tunisia. Designed with plenty of uppercase ligatures for better design possibilities.

Shepherd is a beautiful calligraphy font with an incredibly luxurious feel. It will add a romantic touch to any crafting project! Get inspired by its whimsical charm!

Frederic Goudy designed Californian as a private commission for the University of California at Berkeley in 1939. The first Commercial release was by Lanston Monotype in 1958.

53 all-original, all-terrifying zombie illustrations by Nate Piekos and Lee Morin! Also included is a character map so you can pick that perfect undead dingbat!

TAN - MARJORIE is a display sans serif. Bold and groovy. Inspired by fonts you can find in 80s book covers, it gives a modern yet retro vibes.

Algeko is a simple, adaptable and vintage syled sans serif font. Add it confidently to your favorite creations and let yourself be amazed by the outcome generated.

TWT Pavane is based on the calligraphy of Art Nouveau designer Rudolph Koch. Chelsea Studio is based on hand lettering from architectural sketches by Charles Rennie Mackintosh.

Old style handwriting, inspired by 1800-1900's letters. Contains hundreds of alternate glyphs; each lower case letter has four variations, accessible through contextual and standard alternates.

Digitally engineered by Steve Jackaman. The x-heights are radically different; the x-height on the light version is small, and gets larger as the weights progress.

Giglio Rosso is a decorative typeface with a floral design. The font is named giglio rosso, “red lily,” because it is inspired by the symbol of Florence.

RTCO Fransworth Inspired by Vintage Horror Novel & Movies Poster Typograhphy This font is suitable for graphic designs such as logotypes, merchandise, printed stickers, and other branding needs.

This is the one and only Floe designed by Jolicia Type in 2021 every single letters have been carefully crafted to make your text looks value typhography

Handsta Signature a classy, contemporary of script font, inspired by Handwriting Signature. Ideally suited for advertising and packaging, festive occasions, editorial and publishing, creative industries and posters .

Manual Typewriter JNL was modeled from an example of the 1933 design originally created by Morris Fuller Benton, and is available in both regular and oblique versions.

Gallero Vintage Inspired by Renaissance Design Era. Gallero offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

HS Albasim A is an Arabic display typeface. It is useful for headlines, books covers and other graphic projects. It is a collaborative effort, as "HS Albasim A" first letters were designed and drawn by Basim Salem Al Mahdi from Iraq and then developed and digitalized as a typeface by Hasan AbuAfash from Palestine. The font is based on the simple lines of Fatmic Kufi but was it distinguished by two main ideas: First, it contains a nice serf in the vertical strokes of its letters. The second, some of storks in its letter differ in the thickness instead of being similar, as it is in the Fatmic Kufi style. The font contains only two weights: regular and bold. Both of them support the OpenType features of Arabic, Persian and Urdu.

Aphrosine is a font based on pointed pen script. A huge lot of alternatives and smart OpenType features allow it to look almost indistinguishable from real live handwriting. Aphrosine is something between handwriting and calligraphy: it took too much effort for being “just handwriting” but lacks seriousness and regularity comparing to true calligraphic fonts. That’s why it was called after a peculiar character from a children’s book: a witch who was very fond of dressing, makeup and writing letters. Aphrosine has three faces. But unlike most other type families, the glyphs from one face do not match exactly the glyphs from another one. The faces are based on writing with different nibs but by the same hand. The type is designed by Alexandra Korolkova and Alexander Lubovenko and released by ParaType in 2015.

Hisham is a modern Arabic headline face, designed by the Lebanese calligrapher, Ahmed Maged, originally for Linotype-Hell Ltd. The Hisham design has a distinctive style with a strong baseline, relieved by strategic cut-away effects, which is counterbalanced by the bold vertical strokes and some strong diagonals. This somewhat compact font adds a new style to the range of Linotype’s Arabic headline fonts. This OpenType font includes Latin glyphs from Optima Extra Black, allowing users to set text in both most Western European and Arabic languages without switching between fonts. Hisham incorporates the Basic Latin character set and the Arabic character set, which supports Arabic, Persian, and Urdu. The font also includes tabular and proportional Arabic, Persian, and Urdu numerals, as well as a set of tabular European (Latin) numerals.

We introduce Jakosta, a one-of-a-kind Japanese-themed display font. This font was created by paying close attention to each letter shape to make it as natural as possible, similar to a Japanese font, while still prioritizing letterforms that are easy to read and understand by the audience so that all of your projects will become projects that are easy to remember and understand by anyone from anywhere in the world. anywhere Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out.

Mosherif is a type of sherif font created with the aim of using for logo branding and print media. This font has three style that can be combined manually with one another in one word / text so that it looks unique and interesting. One example is in the first preview ( cover ), where the word "MOSHERIF" was made using three font styles ( Mosherif Regular, Mosherif Tall and Mosherif Short ). You can make it manually by making a space and remove some characters between words "MOSHERIF" becomes "M HE F" with using the font "Mosherif Tall" and fill it with "Mosherif Regular" in character "O" and "R" and "Mosherif Short" in character "S" and "I" by stacking them. By bringing the concept of vintage, clean, thick and sharp, hopefully Mosherif can provide choices for designers. Enjoy!

Revolution Gothic P font family is designed based on Revolution Gothic and a distressed offshoot from the original. Revolution Gothic is an arranged and extended version of PAG Revolucion released from Prop-A-Ganda type foundry in 2008. The original font is inspired by retro propaganda posters and wallpainting in Cuba from the 60s to 80s. And the original PAG Revolucion is the most popular font from Prop-A-Ganda. The glyphs that damaged by printing the original had been tweaked by hand work with great care to be looked like natural damaged effect. This Revolution Gothic P family contains basic Roman, Italic, Bold and it’s Italic to suit a wide range of your creative works and it will be one of the most powerful solutions for printing and web.

A new font by Calderon A typeface with a contemporary aesthetic, a mix of geometric and organic shapes that give each letter a special and unexpected design. The conceptual process was developed by making a re-interpretation of the Caslon styles making different explorations by using a calligraphic nib pen in order to find a new personality to each letter. The result is a modern, elegant and experimental serif typeface. Delicate in its Extra Light version and impressive in the Bolder style. The sweep design hides harmonic adjustments based on geometric strokes that generate a unique and attractive texture. For a better experience we recommend you to use it in headlines instead of body text. Includes: + 8 weights + 1 variable font + OTF features + Character set that supports Western, Central and Southeastern European languages. + Script: latin