Opkrom is Thai language mean Crispy or Crunchy. With informal sans serif style look like semi handwriting give feel friendly and warm . It support major Latin scripts and Thai scripts. It have stylistic set for Thai script. Opkrop is suited for headline on packaging, print ad and various graphic work.

Very decorative script inspired by old lettering in Eastern Europe. Eye-catching for picture books, toys for children. There is another font which called Garash Script.

Rosie is a chunky but elegant pen script with useful OpenType features. In non OpenType-savvy applications it still works beautifully as a fully joined script.

PT Natali Script™ was designed by Natalia Vasilyeva and licensed by ParaType in 2002. An original calligraphic script. For use in advertising and display typography.

Classyloop Elegant Monoline Script Font Give your designs an authentic handcrafted feel. "Classyloop Elegant Monoline Script Font" is perfectly suited to stationery, logos and much more.

YD Winter is a casual script typeface consisting of 3 weights. It supports up to 13 different languages such as English in Latin and other scripts.

Bodoni Classic Free Style is my really fat, high contrast free flowing, liberated designed, script-like non-script extension to my ever expanding Bodoni Classic family.

Trajan The original template for this one-weight, all-caps font was the inscription on Trajan’s Column, carved in AD 113 to celebrate the emperor Trajan’s victory in the Dacian Wars. College student Jason Smith copied the stone lettering from the cast on display in London’s Victoria & Albert Museum. In Roman times, the signmaker would paint letters onto stone with a wide brush for the stone mason to chisel out later. The signwriter would end each stroke with a flick of his brush, which the mason would also carve into the stone. Ecce (as they would have said in Rome): the serif was born. Hand-crafted “I first drew this typeface when I was 17,” says Jason. “I drew it with a very sharp 9H pencil on polydraw film. “Then, using a Rotring pen, I inked the letters in and scraped back the serifs so they were perfectly sharp. These letters were then reduced on a PMT camera. I’d designed my first typeface, although it wasn’t digitised till much later.” Digitised Years after Jason had drawn the original typeface, its transfer into digital form made further refinements necessary. The serifs and weights needed thickening slightly, creating a crisp, new version whose delicate elegance is best appreciated in larger sizes. A classically-inspired font, timeless and perfectly-proportioned, to reflect the refinement of premium brands.