Painted Sky is a signature script font. This elegant script font is ideal for logos, posters, headlines, branding, apparel and so much more. This script font is also supporting Multi-Languages, which include: Afrikaans Albanian Catalan Danish Dutch English Estonian Finnish French German Italian Norwegian Portuguese Spanish Swedish Zulu. So what's included: Basic Latin A-Z & a-z. Numbers, symbols, and punctuations. Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank You.

Radilant script is a bold typeface, an incredible font to make iconic word marks, logotypes, typography. A simple script but also powerful for branding project, it is easy to use. This font is perfect to make an eyecatching tittle on a poster, music album, book tittle and more. Radiant script was made manually, handwritten with a brush pen, then carefully digitalized using vector software to make it nice and correctly proportional.

Love Diery Script is a beautiful script font with many alternative styles, this font looks natural, elegant and perfect for extraordinary projects. The Love Diery script is suitable for various products such as invitations, product packaging, offers, product designs, crafters, labels, photography, watermarks, logos & branding. Everything can be accessed using software that supports Opentype, such as Adobe Indesign, Adobe CS Illustrator, Adobe Photoshop CC, and Corel Draw. Thank you

Mendulang Script consisting of a fashionable sophisticated signature-style script with its own unique curves and an elegant inky flow. Mendulang Script is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery and any projects that need handwriting taste. What’s Included : Standard & Multilingual glyphs Ligature PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support

Introducing Spanish! It's a modern script font with a signature style look. It's highly recommended for you who want to make some designs with a natural signature style. Just open your Opentype features while using the script font to use the ligatures and swashes. As you type, your text will look like a natural signature or handwriting. So, enjoy the Spanish modern script and make some cool stuff!

Steady Stream is a fresh modern script and a luxury serif uppercase font. This duo consist of a script font that is truly handmade and featuring ligatures, and of a refined uppercase serif font, allowing you to create unique designs that suit your needs. This font duo is perfect for branding and logo designs, magazine and editorial designs, cards and stationery, and more! The script includes multilingual support. Happy designing.

Introducing The Handwritten Watermark, a versatile signature script that comes loaded with 55 ligatures and dozens of alternative characters. This script typeface was made to stand out. It has large beautifully written capital letters. The ligatures and alternates give you so many combination options. The Handwritten Watermark with its many glyphs, is the perfect signature script to help you personalize a branding project. What's included? Web fonts Western European Characters

Saint Amour Script is an elegant calligraphy font that will look awesome on wedding and event stationery, logos and branding materials, cards and so on. Saint Amour Script includes Uppercase and Lowercase Cyrillic and Latin Basic Characters, Numbers and Punctuation. Also the font contains ligatures and stylistic alternates to perfectly re-create natural calligraphy. Saint Amour Script supports Latin & Cyrillic alphabets giving a huge range of language support.

Allamare is non connected handlettered brush script with number of alternatives, such as: Titling alternates, stylistic Variants, Initial and Final forms, some Ligatures and Underscored Titling letters with swashes of 3 different lenght. Allamare script is good for any type of advertising, package design, poster lettering and any kind of invitations and greeting cards. Allamare Script is multilingual, it covers almost all Latin-based languages and also contains Cyrillic.

Contempora is a modern sophisticated font family that contains one block condensed sans serif with elegant ink traps, and a set of signature scripts in 4 different styles: Regular, 2 Rough styles (for authentic handwritten look and feel) and Bold (ideal for small text). Both Script and Sans Serif weights benefit from OpenType features. The Script fonts contain a lot of alternates, end-of-word swashes, and ligatures.

Say Hello to Rubinetto Script Font! Rubinetto is an modern handwritten script font. Very easy to access alternate . which is perfect for flyer, invitations, advertisements, banners, books, business cards, signatures, and others who want a bold script font font type. What’s Included ? -Rubinetto Font.OTF The Features of this fonts is : -Standart ligatures -Stylistic Alternate -Stylistic Set SS01-SS04 -Swash -Multilingual Support If you want something please contact me to : vavaaryanto666@gmail.com

Aristelle Family is a beautiful, hand-lettered script that was created using Leonardt III EF nib. Aristelle Script is full of OpenType features such as initial and terminal swashes, ligatures, and ornaments and is best used in an OpenType-aware software. Aristelle Sans and Sans Condensed are well additions to the Aristelle Script and all three fonts shall help you create organic, stylish, and full-of-character designs.

KADISOKA SCRIPT The main font of this product with total 680++ glyphs! including open type features like ligatures, stylistic alternate, and lots of Stylistic Set. This typeface is based on manual handwriting which is very suitable for any design needs you have especially for script logotype project. KADISOKA SANS Neat and nice complemetary typeface which is perfect to combined with the kadisoka script font, or used as main font.

The biggest feature of HT Espresso is a mixture of straight line and curve.It is like a cup of espresso with a bite-sized piece of chocolate. You can connect all the letters with thin line and It would attract notice. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!

Andasia Script beautiful calligraphy with natural and handwritten style. It brings a beautiful and modern typeface that best used for weddings, branding, logotype, and quotes. Features: Beautiful Ligatures PUA Encoded Multilingual Support Numerals and Punctuation Swash (a-z) Note: Every swash and ligatures already included in Andasia Script (ttf, otf, woff) I hope your project design would be more beautiful with this Andasia Script. Happy Design :) Thank You!

P22 Virginian is an historic script font designed by Ted Staunton for his historic novel centered around a family bible and the handwritten annotation through 7 generations. The Virginian font is strongly influenced by classic “Chancery cursive” script.

Bhorgcust is script font with authentic calligraphy style, with elegant swashes combination letter script form, so many opentype feature include of the font. Suitable for design, element design, wedding, event, t-shirt, logo, badges, sticker, and awesome work.

Boomville is a bouncy and upright script font. It is fun and lively with a lot of personality. This script is sketched with quite quick brush strokes with a pointed brush to achieve this casual and playful feeling.

Afiany Brush Handwritten Script Font Give your designs an authentic handcrafted feel. "Afiany Brush Handwritten Script Font" is perfectly suited to signature, stationery, logo, typography quotes, magazine or book cover, website header, clothing, branding, packaging design and more.

ITC Studio Script was designed by Robert Evans, an informal script for applications in which a calligraphic look would be appropriate. The font includes a wide variety of alternate characters, which give a graphic designer's creativity no limits.

Introducing, Gamata Brush Script. Gamata is a brush script with natural feel that make this font is perfect for branding, packaging, book, logol labels, etc. Features : uppercase & lowercase numbers and punctuation multilingual alternates / swashes and ligatures PUA encoded

Bathsy Signature Brush Script Font Give your designs an authentic handcrafted feel. "Bathsy Signature Brush Script Font" is perfectly suited to signature, stationery, logo, typography quotes, magazine or book cover, website header, clothing, branding, packaging design and more.

'Obvia' appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Condensed, Narrow (soon), Normal and new Wide and Expanded. The idea behind 'Obvia's design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a 'geohumanist' tone to the font. This first family of 'Obvia' has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

Taro Why do designers make more and more geometric fonts? There are already many geometric sans in the world. Because It is a natural flow of design. It is true that we like geometric type instinctively. Taro was designed to archive a good balance between the following three things geometrically. 1. To be Natural, Flowing, Organic. 2. To be Neutral, Unbiased, Universal. 3. To be legible, distinguishable, readable. Consists of eight weights and their matching italics. Supporting almost all latin languages. All-caps text for one line or a few is as wonderful as normal mixed-case typesetting.

This family was inspired by numerous documents and books printed in Paris during the end of the 1700s. Mainly, documents printed by P.G. Simon & N.H. Nyon, “Printers of the parliament” were used for the Normal and italic styles and “Caps”. “Titling” characters were coming from a collection of hymns printed by Nicolas Chapart. In France these Fournier characters, as Baskerville in Great Britain, were the most often in use in the late 1700s, just before the Didot designs. This font supports strong enlargements, specially the capitals of “Caps” file and “Titling”, remaining very smart, elegant and fine.

A condensed sans serif designed as an additional companion to the Corbert font family. Incorporating the key characteristics from the original family with influences drawn strongly from the Bauhaus and modernist era. This condensed version is 15% closer than the normal family improving economy of space across design layouts. Used in conjunction with the regular widths Corbert becomes a functional and versatile font system ideally suited for large complex design projects. Details include 9 weights with italics, 540 characters with alternative lowercase a, e and g, 5 variations of numerals, manually edited kerning and Opentype features.

This family was inspired by a small French "toy print" box, with rubber stamp characters, from the 1920s. The set contained only capital letters, no accented letters and limited punctuation. We have reconstituted a complete modern standard set. The doubling of each usual character in each style (A-Z/a-z and numerals) gives a rich and variously uneven appearance, looking like the results of the real use of those old rubber stamps. The bold style may be used as a reinforcement, mixed with Normal style without disadvantage, allowing four choices for each usual letter... The original size is 6mm (about 17 pts).

'Obvia' appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Condensed, Narrow (soon), Normal and new Wide and Expanded. The idea behind 'Obvia's design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a 'geohumanist' tone to the font. This first family of 'Obvia' has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

»AlphaOne« is my newest addition to the experimental Alpha-font-collection. I just had to do this one! It is based on Paul Renners fonts, but has got nothing to do with them, I just took the widths and some basic forms. No – or hardly no – optical corrections were made to the glyphs. I wanted the pure geometric forms to come to life. This was a lot of fun to design, I especially like the »Q« with the negative tail. I did make four weights, but nothing is normal with this font, so weight doesn’t really mean anything. Have fun!

Marconi was created by Hermann Zapf in 1973. According to Gerard Unger, it was the world's first digital typeface. Zapf’s design was developed as a text face for books and magazines. The round forms of the Marconi follow the principle of the superellipse. The lowercase letters are enlarged as the result of reading tests, while the capital letters are slightly reduced. The 8-point size — normally used for newspapers — looks more like 9 1/2 points. Marconi is a legible typeface with its large and open lowercase letters. It is ideal for long text blocks in newspaper, book, and magazine production.

This family was inspired by the two fonts used by the famous William Caxton in Westminster (UK) in the late 1400s. There is only one (Normal) style. We have added the accented characters and others not in use in the early time of printing, but the ligatures and the few abbreviations for the Old English language and Latin were present in the original fonts. The original cap height is about five to seven millimeters. Decorated letters like 1495 Lombardes, 1512 Initials, 1550 Arabesques, 1565 Venetian, and 1584 Rinceau can be used in complement with this font without anachronism.

Mohr is a neutral, versatile and contemporary font based on some characteristics found in geometric sans-serif typefaces. Mohr’s features, together with its design characteristics, make it suitable for a wide range of applications, from display use to small text. The Mohr family comes in three versions: normal, alt and italic, each with 9 font weights, from Thin to Heavy, resulting in a total of 27 fonts. Mohr also includes initial and terminal swashes in most of the uppercase and lowercase characters. This gives the font a unique personality and provides a greater range of uses such as branding and packaging.

This is the Cased version of my NorB Pen fonts are being inspired from Arial Round font, I use this font regularly in my jazz lead-sheets. It's a handwritten text font emulating marker permanent pen. You can use this font with any word processing program for text and display use, print and web projects, apps and comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! Pen cased font8 weights, each with their matching italics and in a Light, Normal, Bold and Heavy version.

Mohr Rounded—the new version of the original Mohr typeface—features curved and softer terminals which make the font look more organic, warm and friendly. The Mohr Rounded family comes in three versions: normal, alt and italic, each with 9 weights, from Thin to Heavy, resulting in a total of 27 styles. The versatility of the font makes it suitable for a wide range of applications, from small text to high-impact headlines. Mohr Rounded also includes initial and terminal swashes in most of the uppercase and lowercase characters. This provides a greater range of uses such as branding, packaging and identity design.

Greetings. Introducing our new font, "Martinez". Made with vintage references like a cowboy, lumberjack, wooden and handcraft. A modern slab serif that you can apply for your headline, sub headline even your body text. There is a Normal and a Shadow style that gives you lots of possibilities. "Martinez" is a western font with a lot of features inside. Make your own combination with ligatures, alternates and swashes. Recommended for any style, especially vintage, retro, minimalism and contemporary design. This font is made with simple shapes that you can apply too in your print works like t-shirt, embroidery, posters and craft.

Boldies is a serif font, mixed the modern with the classic concept line serif. The Alternate shape will make your design look like Modern. But don't worry if you need the Design like Classic and Bold Serif, you just put the normal Uppercase and Lowercase. With many ligatures will make your design projects stand out! Add this font to your most creative ideas for Application, Art Gallery Poster or postcard, Architectural Logo Project, Classic Magazine, Product Skincare or Logotype you want to used! Support the Multilingual Language! If you have any question, don’t hesitate to contact me. Happy Designing !!! Thank You, Illushvara Design

The Fou typeface family was designed as an alternative to Trade Gothic condensed bold. During the design process of a normally wide font variant a system developed that responds to white space and changing proportions. Thus, round transitions become rectangular and vice versa, space is made and space is taken away. This system and the associated changes are continued on a model with semi-serifs. Fou can also be used as an alternative to Din or the wider Q-Type, but in comparison offers more room for emphasis with its italics, expert sets and numerous special characters.

MVB Gryphius is a digitization of uncommon type from an era normally associated with the work of Nicolas Jenson. Produced by Otto Trace, the fonts come from types used by Sebastian Gryphius in Lyon in the early 16th century. The italic appears in a book from 1524 and the roman and small caps appear with the same italic in another book printed by Gryphius in 1541. Retaining the rough contours and uneven texture of its source, MVB Gryphius is best used at text sizes from 12- to 15-point, but its old world character can work in display settings too.

'Obvia' appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Expanded, Wide, Normal, Narrow and Condensed The idea behind 'Obvia's design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a 'geohumanist' tone to the font. This first family of 'Obvia' has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

Triplepass is a narrow grotesque with 3 styles: normal, with cut corners and a stencil shape. The font has a retro character, contains both humanistic rounded designs and modern smooth alternatives. The font is suitable for logos, large headlines, posters, signs, prints, font compositions, as well as for sports-related layouts where clear numbers and space savings are needed. Triplepass contains extended Latin, Cyrillic, fractions, ligatures and two icons of a basketball. It contains OpenType features: liga, numr, dnom, calt, ss01, ss02. The font is also case sensitive, has fractions, currency signs including the rouble sign.