Brda originally designed by the Polish designer Franciszek Otto for the Powiat weekly newspaper. Powiat needed a new, dynamically drawn sans serif for its headlines, and Otto's Brda fit the bill. Combining traditional Grotesk letterforms with witty subtleties, like the notched-joint seen in the capital G, Brda displays a novel design that works best when set large. The typeface is named after the Brda river, which runs through Bydgoszcz, Poland, the city where Powiat is published. The Brda family includes three weights, each with a companion italic: Regular, Bold, and Extra Bold. The Brda family's Extra Bold weight was one of the winners selected in the 2003 International Type Design Contest, sponsored by Linotype GmbH. Franciszek Otto also teaches graphic design at the Secondary Art School in Bydgoszcz, where his typefaces rank among the students' favorites.

Since 1985, Cartoonists Across America & The World have been promoting literacy, creativity, the arts, and other positive issues using cartoons and humor. Founder Phil Yeh and his band of artists -- including Comicraft President and First (Flying) Tiger, Richard Starkings -- create books, paint murals, take part in school assemblies, conventions, conferences and other public events for all ages throughout the world! Cartoonists Across America & The World have worked in partnership with the Center for The Book in The Library of Congress and other organizations all over the world. They have painted more than 1000 murals in 49 of the United States as well as in Canada, Mexico, Italy, England, France, Germany, Hungary, The Netherlands, China, Taiwan, Singapore, and the Cayman Islands. So we made Phil a font 'cause he's a noble soul. Avoid Extinction -- Read, Reuse, Reduce and Recycle!

The Nostalgic Remain is a chic modern and timeless serif font that evokes a sense of nostalgia and old-world charm. Its elegant and refined letterforms are perfect for creating designs that require a touch of sophistication and tradition. This font is ideal for vintage logos, book covers, editorial designs, and any project that needs a touch of old-school glamour. With its graceful curves and delicate serifs, Nostalgic Remain is a versatile font that can be used for both digital and print projects. Its timeless appeal makes it a great choice for designers who want to create a sense of heritage and history in their designs. Whether you’re designing for a fashion brand, a restaurant, or a publishing house, Nostalgic Remain is a font that will add a touch of class and elegance to your work.

The Genau family is a geometric sans serif designed under the influence of the constructivist schools of Vkhutemas and Bauhaus. Despite the traditional shapes, the family has characteristic features in the modern outline. The sharp junction of round and straight strokes repeats the sharp tails in “a” “d” “n” “u” and other. The family has an even, smooth texture. The family has been developed to advert materials for architecture, design, education, modern art. The family has high readability in a small size, and doesn't lose aesthetic qualities when enlarged. The font family contains 8 styles The font is equipped with a Variable file with two axes (weight and slope) Supports languages ​​of central Europe and some languages ​​of eastern Europe Contains small uppercase letters Contains tabular figures There are several alternates in the font The font has more than 1700 kerning pairs

Introducing a retro grotesque called "Stengazeta". The name means "wall newspaper" - this is very popular in USSR genre of handmade artwork that is actually a mix of newspaper and poster. During the Soviet era you could find it everywhere - in factories, schools, research labs, and even in army and police. Sometimes it was a kind of official propaganda, but often just a way of expressing of creativity of co-workers. The letterforms are bold and grotesque with strong handmade feeling. It has Extended Eastern Europe Cyrillic and some of Extended Eastern Europe Latin letters. "Stengazeta" created for titles, poster design, web design, branding and packaging works, illustrations, badges and other typography works. ST-Stengazeta supports languages: Belarusian, Bosnian, Bulgarian, Croatian, Czech, Danish, English, Russian, Serbian, Slovenian, Spanish, Ukrainian, and probably others ) WHAT YOU GET Uppercase, numbers, punctuation, international characters.

Bayer Sans, is based on the typography of the Austrian-born artist Herbert Bayer. Bayer worked as a teacher and graphic designer at the Bauhaus, a revolutionary German art school, during the 20's. His specialty was commercial art and he had many "radical" views on typography and its interaction with society. Bayer felt that written language should be merely a graphic version of spoken language. Thus, he advocated a single alphabet without majuscules and miniscules. Bayer's designs are simple, geometric letterforms that lend themselves to lowercase form. This font, based on the typography of Bayer and his students at the Bauhaus Werkstatt (studio), was digitally modeled by Noah Rothschild. Bayer Sans features a complete character set including European characters, alternate letters with adjusted widths and designs and ligatures. Included are the "f" characters and a special linked double-o.

A more mature font retaining the clarity of the Sassoon typefaces that accentuate word shape, while omitting the exit strokes. A more legible alternative to standard Sans serif typefaces - superb on the screen. Many alternative letters are included in each font. A typeface designed with the computer screen in mind. It retains maximum legibility even in the most unusual layout - ideal for multi media uses and giving unimagined clarity to menus and navigational aids. Avoid eyestrain with a typeface that accentuates word shape as well as the identity of individual letters. Legible in print at tiny point sizes so ideal for captions. Ideal for older pupils, perhaps at Secondary school, or adults, who no longer require ‘exit strokes’ to clump the letters together. Free to download resources: How to access Stylistic Sets of alternative letters in these fonts

Hokaplay - Playful Display Font Hokaplay is a playful display font that creates with a very good concept and adjusted well to keep the legibility. Hokaplay Playful Display Font Comes with upper and lowercase Standard Characters, Punctuation, Numerals And other Glyphs variation of the OpenType features/ Ligatures. Hokaplay Playful Display Font is suitable for logos, posters, school flyers, university banners, modern advertising design, product labels, cartoons, kid books, custom mugs, pillows, t-shirts, youtube thumbnail/cover, poster quote, editorial design, book/cover Title, website/blog, social media post, packaging designs,, and other designs. Features; - 2 Styles; Regular and Rounded - Standart and special ligatures - Uppercase, Lowercase, Number, and Punctuation - Works on PC & Mac - Simple installations - Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word - Fully accessible without additional design software. - Mültîlíñgúãl Sùppört for; ä ö ü Ä Ö Ü ß ¿ ¡

Old Buddy is an elegant handwritten script font. Get inspired by its unique shape and character! Great and It will turn any design project stand-out!

Keshya is a modern script with line textured and is perfect for all your designs project, event and more. Feature Uppercase Lowercase Number & Symbol International Glyphs

The Mathematical Pi font family contains six mathematical Pi fonts, with Greek, blackletter, script and open capitals, together with a range of mathematical signs and symbols.

Strong Enough is a beautiful and authentic modern calligraphy script that feels fresh and unique. Use it for any design project that requires a charming appearance!

Friskily is a soft bold script font with a retro and simple vibe. It will look great on headlines, magazines, logos, branding and so much more!

Phyllis was designed by Heinrich Wieynck in 1904. The Phyllis font has a suite of alternative initials that provide a flourish to an otherwise modest script.

All-caps script with swashes in upper case, and ligatures. And outline with same metrics, so the oulines fit snuggly on top of the book-variant.

Raffish is a display typeface with its formal base in Dutch type designer Henk Krijger's seminal typeface Raffia - the most decorative and handsome of script typefaces.

Dragtime is handwritten script font with signature style. Suitable for design, element design, wedding, event, t-shirt, logo, badges, sticker, and awesome work, and many more.

The words “Benny Goodman & His Orchestra” on an appearance poster for the band from 1936 were rendered in a beautiful semi-script style of hand lettering.

A typeface with characteristics of roman and italic, fat face and stencil, modern and script. It was designed by Hans Bohn for Ludwig & Mayer in 1936.

Yoon Backjae is a sans serif typeface consisting of 2 weights. It supports up to 13 different languages such as English in Latin and other scripts

AZ Claire was inspired by hand scripts, but with the necessity for a bolder look. This font was designed for use as a fun bold headline.

The Bathilda is a monoline script font with an elegant style. It has good readability and is perfect for logos, invitations, wedding, signatures, and much more!

Phyllis was designed by Heinrich Wienyk in 1904. The Phyllis font has a suite of alternative initials that provide a flourish to an otherwise modest script.

Indulge yourself with the luxurious Galisha script. This font is harmonious and is suitable for high-end branding, logo design, product packaging, design, invitations and more.

Chalk Board is a handmade textured brush font, inspired by the chalk. This unique script will add a serious and sincere feel to any design idea!

Yoon Gogooryo is a sans serif typeface consisting of 2 weights. It supports up to 13 different languages such as English in Latin and other scripts

The Miller’s is a modern and casual script brush handwritten font. It’s casual charm makes it appear wonderfully down-to-earth, readable and, ultimately, incredibly versatile.

Pinkalova is handwritten script font with love and unique style. Suitable for design, element design, wedding, event, t-shirt, logo, badges, sticker, and awesome work, etc...

Quirina is a very elegant joining Script that has – because of its high and open lowercase letters – excellent readability. It has a fat twin called Quiana.

Algaida is a beautiful modern script font with beginning and ending swashes, All characters that add more beautiful and aesthetic fonts to perfect your extraordinary project.

Solomonk is a hand-drawn script with extended latin. • All European languages are supported. • Basic alphabet has alternates. (a→α) • Solomonk can be connected and disconnected

Quiana is a very elegant joining Script that has – because of its high and open lowercase letters – excellent readability. It has a slim twin called Quirina.

Introducing Rustic modern script typeface, using style hand made with brushing. Rustic a beautiful for wedding card design, logotype, website header, fashion design and any more.

Zoe is a hand-drawn script that has a very even flow and is readable down to very small sizes. In big sizes it is elegant.

Lingerhend is a classic handwritten script font. It’s the perfect font for wedding invitations, stationery, photography, social media posts, product packaging, greeting cards, and much more!

Bochill is a sweet and charming script font that’s perfect for adding a sweet vibe to your next design idea. Get inspired by its unique style!

Motena Golden is a elegant pair of script and sans serif font. It's suitable for any project purpose such as invitation, logotype, packaging, branding and more

The Mathematical Pi font family contains six mathematical Pi fonts, with Greek, blackletter, script and open capitals, together with a range of mathematical signs and symbols.

YD Yoonche is a geometric sans serif consisting of 4 weights. It supports up to 13 different languages such as English in Latin and other scripts.

☞ Bona Nova is a collective revival project of Bona typeface designed in 1971 by the author of polish banknotes Andrzej Heidrich. Besides giving the project a digital font form the aim was to expand the base character set: preparation of small caps, designing the alternative glyphs and multiple opentype features. Working together with the author we designed two new text versions: regular and bold – to give the family a form of a classic script triad. ☞ It is accompanied by three title versions and three contour styles under the name of Bona Sforza. All styles contains over 1200 glyphs. ☞ Bona Nova is an unprecedented typographic adventure for our team. We hope that our work will allow the cultural heritage of Bona and the work of Andrzeja Heidricha to gain new followers and fans. This project connected three generations of graphic designers who graduated the same school – the Academy of Fine Arts in Warsaw. ☞ Bona Nova isn’t only a typeface. We have also prepared a book about the project (including an interview with Andrzej Heidrich, my text about the digitalisation and a font specimen). The Bona Nova release party was a big exhibition (over 1000 guests). I’ve invited 26 graphic designers to prepare their own initials of Bona Nova – they were presented as posters on exhibition too. LINKS Bona Nova WEB Bona Nova FP Bona-Nova-(FREE-FONT) Bona Nova Book BONA NOVA IN THE MEDIA Typeroom Typography Guru Slanted Designalley Stgu Typografie Info Wikipedia Bona Nova is a non-profit project, all founds that we raise we reinvest to develop the Bona Nova project (new styles, Cyrillic & Greek, extend character set).