Twentytwelve typefaces are the outcome of my project at the Jan van Eyck Academie in 2012. There're two sets of numbers: lowercase proportional and uppercase tabular (OpenType Stylistic Set 1).

Twentytwelve typefaces are the outcome of my project at the Jan van Eyck Academie in 2012. There're two sets of numbers: lowercase proportional and uppercase tabular (OpenType Stylistic Set 1).

Twentytwelve typefaces are the outcome of my project at the Jan van Eyck Academie in 2012. There're two sets of numbers: lowercase proportional and uppercase tabular (OpenType Stylistic Set 1).

Twentytwelve typefaces are the outcome of my project at the Jan van Eyck Academie in 2012. There're two sets of numbers: lowercase proportional and uppercase tabular (OpenType Stylistic Set 1).

Twentytwelve typefaces are the outcome of my project at the Jan van Eyck Academie in 2012. There're two sets of numbers: lowercase proportional and uppercase tabular (OpenType Stylistic Set 1).

Oriental Ornaments was inspired by the ancient design motifs of the far east. There is an assortment of 85 ornaments located under the character set and shift + character set keys.

Twentytwelve typefaces are the outcome of my project at the Jan van Eyck Academie in 2012. There're two sets of numbers: lowercase proportional and uppercase tabular (OpenType Stylistic Set 1).

Interlaced Ornaments is composed of various geometric shapes appearing to be woven together. There is an assortment of 69 ornaments located under the character set and shift + character set keys.

Centennial Script was designed and cut by Hermann Ihlenburg in 1876 (the centennial of American independence, hence the typeface's name) for the MacKellar, Smiths & Jordan foundry in Philadelphia. Ihlenburg was then only 33 years old, and these beautiful forms put him on his way to become the most prolific and innovative deco, ornamental and script typeface designer and punch cutter of the nineteenth century. In trying to be a true homage to the history of the new world, Centennial Script transcends its then-contemporary deco fashion to embrace script elements historically similar to lettering found on maps or political documents of the 18th century. Letters like the p and s extend themselves high and mighty to accentuate words and lines of text in a fancy hand-drawn manner. The dots on the i and j are those of a careful scribe who acknowledges the importance of the document being lettered. The lowercase letters connect with two slight angular motions of the hand, also very carefully and elegantly. Even the ligatures and ending swashes Ihlenburg made for this face were reminiscent of a mapmaker's patient hand, though Ihlenburg's elegant touch in them cannot be mistaken. Although Centennial Script was one of the few Ihlenburg faces to make it to film type technology, the transition was neither credited nor faultless. The film type version was a bit sloppy in the way the connectors were made, so the lowercase needed a lot of manual work to typeset properly. To alleviate such waste of time for the user of this digital version, the connectors were redrawn according to the original metal ones made by Ihlenburg himself, and tested thoroughly in print to ensure the quality of the typeface's flowing cursive nature. This wasn't an easy task, and very time-consuming, since the changing angles on both ends of the connection made it impossible to escape from having to build every lowercase letter with both left and right connectors that would fit with the rest of the letters. This is one typeface that couldn't be revived in any other manner than the way it was originally made, regardless of more than 130 years of technological advances since the face was designed. Centennial Script comes in all popular font formats, and supports most Latin-based languages. Also included is an Alts fonts that contains alternates, ligatures, snap-on swash endings, some ornaments, as well as a complete set of the lowercase without left side connectors, for a more natural combination when following a majuscule, or just in case the user finds it fit to set the copy in a non-connecting script instead of the face's original connected flow. Centennial Script Pro, the OpenType version, combines the main font with the Alts font in a feature-packed single font. Use the ligature feature to set wordmarks like Mr, Ms, Mrs, Dr, and &Co, the stylistic alternates feature to replace some letters with their alternative forms, the contextual alternates feature for better uppercase-lowercase sequences, and the titling feature to set your text in a disconnected script. Centennial Script is the only script we currently know of that can be set connected or disconnected simultaneously, either using the titling feature in the OpenType Pro version, or manually in the other formats.

TT Backwards useful links: Specimen | Graphic presentation | Customization options About TT Backwards: TT Backwards is an experimental font project inspired by the USSR typography and fonts of the late 70s and early 80s. Shop signs, posters, and book design—this is where we drew the inspiration for our project. TT Backwards consists of two complementary font subfamilies, a Script and a Grotesque, each of them includes 5 typefaces in 5 different weights (Thin, Light, Regular, Bold, Black). TT Backwards Script is a noncontrast almost monolinear solid script inspired by shop signs, poster and book design of the USSR. TT Backwards Script features a large number of Latin and Cyrillic ligatures (more than 70 items), which allows to make the script versatile and sophisticated to the max. And thanks to the implementation of a huge number of context alternates, all lowercase letters are joined softly and without breaks, and they meet the uppercase letters beautifully and correctly. TT Backwards Script supports the following OpenType features: liga, case, ordn, frac, sups, sinf, numr, dnom, tnum, onum, pnum. TT Backwards Sans is a narrow grotesque, which takes us back to the book design of late 70s and early 80s with its ductile characters. It is created considering its use in the small text size. TT Backwards Sans has a number of pronounced peculiarities: high x-height, exaggerated extenders, and big visual compensators and ink traps. Apart from the basic visual solution, TT Backwards Sans contains two experimental stylistic sets, which markedly change the overall visual perception of the text. SS01 alters high-frequency symbols of the Cyrillic alphabet, and SS02 significantly changes the high-frequency symbols of the Latin alphabet. FOLLOW US: Instagram | Facebook | Website TT Backwards OpenType features: case, ordn, frac, sups, sinf, numr, dnom, tnum, pnum, liga, zero, salt, ss01, ss02. TT Backwards language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Arumanian, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Cebuano, Chamorro, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Gagauz (lat), Galician, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Judaeo-Spanish, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Laz, Leonese, Lithuanian, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malay, Manx, Maori, Mauritian Creole, Minangkabau, Moldavian (lat), Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romanian, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Swiss German, Tagalog, Tahitian, Taita, Tatar, Tetum, Tok Pisin, Tongan, Tsonga, Tswana, Turkish, Turkmen (lat), Ukrainian, Uyghur, Vepsian, Volapük, Võro, Vunjo, Xhosa, Zaza, Zulu.

Amer was originally designed for dry transfer and redrawn and digitized by Adrian Williams. Amer is a modern Arabic headline face, which includes Latin glyphs from Kabel Book, allowing users to set text in both most Western European and Arabic languages without switching between fonts. Amer includes the Basic Latin character set and the Arabic character set, which supports Arabic, Persian, and Urdu. The font also includes tabular and proportional Arabic, Persian, and Urdu numerals, as well as a set of tabular European (Latin) numerals.

Nazari is a typeface for titles with personality, character and multiple alternatives to design. Nazarí is inspired by Arabic lettering and calligraphy, but updates its shapes through games of high contrast, geometric design and rounded terminals. The family has 4 styles: Regular, Regular Inline, Sans and Sans Inline. In turn, Nazari is divided into a basic set and an extended set. The basic set supplies all the essential characters to design any graphic piece. The extended set also contains different contextual alternatives, ligatures and swashes.

ASV Codar is a modern Arabic text typeface with two weights: ASV Codar Light and ASV Codar Bold. Both of the fonts include Latin glyphs (Palatino Roman and Palatino Bold), allowing a single font to set text in both most Western European and Arabic languages. The two ASV Codar fonts include the Basic Latin character set and the Arabic character set, which supports Arabic, Persian, and Urdu. They include tabular and proportional Arabic, Persian, and Urdu numerals, as well as a set of tabular European (Latin) numerals.

Here is my next Celtic Monograms font family. I used a lot of authentic knots and curves to imitate Insular art style. The term derives from insula, the Latin term for “island” in this period Britain and Ireland shared a largely common style different from that of the rest of Europe. I've drawn sketches set, manually vectorized it and assemble the font family. In an attempt to replicate the intricate patterns found in Celtic art, I endeavored to create a design that embodied the essence of true Celtic knot work. The interweaving lines, which were prominent motifs in Celtic art prior to the arrival of Christian influence around 450, served as the foundation for my creation. Over time, these designs seamlessly integrated into early Christian manuscripts and artwork, incorporating depictions of various elements from everyday life, including animals, plants, and even human figures. In the beginning, the patterns were intricate interwoven cords, called plaits. This particular style is often linked to the Celtic regions, but it was also widely embraced in England and spread throughout Europe through the efforts of Irish and Northumbrian monks. The utilization of the Celtic knot as a tattoo design gained popularity during the 1970s and 1980s in the United States. Consequently, it has proven to be a highly advantageous font choice for various applications such as posters, banners, and sportswear. You can also create a vintage color shift effect. Please note, you should use graphic applications such as Adobe Illustrator or Photoshop, but not Microsoft Word. All you need is put Two or Three lines style initial on the top of Back style. I’m happy to present you the Rough, Two lines, Three lines, and Back styles for your design. You’ll get uppercase and numbers set. Thank you!

Antidotum is a hand-made letterpress font with two different sets of capital letters. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Hold the line, True Believer! Stand together. Stick up for the vulnerable. Challenge bullies. Don't let the forces of evil reign supreme. Expelliarmus! A worthy companion to our Balloon Lettering family FACE FRONT, TRUE BELIEVER is a scripty serif handwriting font for wizards everywhere. Features Four fonts (Regular, Italic, Bold & Bold Italic) with upper and lowercase characters.

Halloween Rules is a cool-lettered and spooky decorative font. It is perfectly suitable for any Halloween-related project or crafty idea! Add it confidently to your favorite creations and let yourself be amazed by the outcome generated. Halloween Rules is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Let me introduce you, Happy Panda, is a font that combines tall uppercase letters and mini lowercase letters, both of which have their own uniqueness when used, especially when combined, they produce a unique font combination. This font is very suitable for designing quotes, magazine covers, and others. If you have any questions, don't hesitate to contact us

If you're searching for the perfect beat, let us guide your soul deep into the abyss. Reach higher ground with the ambient textures and boomboy shredder baseline of this funky dope font created by our digital chemist and cerebral craftsman, John "JG" Roshell. Rave un2 the joy fontastic. Rain or shine, you are covered, see you on the dancefloor.

Trackpad is the work of British designer Timothy Donaldson, an easy, free-spirited typeface. Don't let the undisciplined style fool you. Despite its casual appearance, it has been carefully worked to ensure legibility even in small sizes and retain its handwritten appearance. The jagged features of Trackpad give text a pleasing texture and produce an informal yet striking appearance.

Gistany Font is an exquisite handwritten signature script font that exudes elegance and sophistication. Whether it's a logo, invitation, or branding materials, Gistany Font brings a sense of refinement and style, making every word appear like a work of art. Elevate your designs with the captivating charm of Gistany Font and let your words speak with elegance.

FRUTTA (Fruit) is a new typeface made with the ever expanding food industry in mind. But don’t let that deter you from using our font on the cover of the forthcoming cd of the Black Keys or Beady Eye or Damon Albarn or Paul Weller or Daft Punk or Whatever... Concept/Art Direction/Design: André Toet © 2017

Sanstara is rounded, modern all caps sans serif font. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! Add it confidently to your favorite creations and let yourself be amazed by the outcome generated. -Letters, numbers, punctuation, multilingual support. -Italic and regular versions Any Questions? just ask!

Fantera is a script typeface vintage style. Every letter has been carefully crafted to make your text look beautiful. This font is perfect for logos, badges, shirts, labels, clothing designs, etc. With Fantera, enjoy the wealth of OpenType features and let elegant fun and pleasure make you happy and increase your creativity! You can use this font very easily.

Boo! Welcome Halloween with Mr. Halloween font! Mr. Halloween font is specially designed for Halloween or another spooky yet horror occasion. This font has rough texture, so it will bring the creepy atmosphere in every glyph. It's really horror when your project didn't meet the perfect font. So let Mr. Halloween be friends with your design and craft projects.

Transmogrified started out as a special project for a client. It's a lovely sans serif font, casual, with sweet swirls over here and there. It is based on Transmogrifier , from which uppercase glyphs were selected. Next, new lowercase glyphs were drawn and a bold cut was also developed for added flexibility. Let your messages be transmogrified!

Tangers font is a trendy, bold and stylish serif font. It is PUA encoded which means you can access all glyphs and swashes with ease! Add it confidently to your favorite creations and let yourself be amazed by the outcome generated. Tangers includes: All uppercase & lowercase letters All numbers 0-9 & Punctuation Ligatures & Alternates Symbols Multiligual Letters

Angekia a groovy fonts, including Regular. This font is casual and beautiful . It can be used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes, and many more. If you need help or have questions, please let me know. I am happy to help :) Thank you & Congratulations on Designing

Wedney a groovy fonts, including Regular. This font is casual and beautiful . It can be used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes, and many more. If you need help or have questions, please let me know. I am happy to help :) Thank you & Congratulations on Designing

"Switzal Font" speaks a universal language of happiness and optimism. It transcends age, culture, and borders, making it perfect for projects that aim to connect with a wide audience. Let your imagination run wild as you create eye-catching headlines, captivating slogans, or playful branding. "Switzal" font is your ticket to infuse a dose of happiness into your designs.

Experience the enchantment of Halloween with Night Mares a mesmerizing duo font that weaves elegance and minimalism into the spooky season. This font brings a touch of eerie sophistication to your designs, whether its haunted invitations or modern posters. Unleash the magic of Night Mares and let it create a bewitching atmosphere for your Halloween creations.

Perfect Delight 1992 It's the font that turns ordinary into extraordinary. Let the font transport you to a world where the past and present coexist harmoniously. It's more than a font; it's an experience waiting to be explored. Try it today and embark on a creative journey that marries the best of retro aesthetics with contemporary readability.

Who needs counters? Although this typeface is bold as hell, it is still absolutely legible. If You are looking for fat curves, this is may be Your choice! There are also extra letters (A, V, v) to let You make better logos and headlines. Please take also a look at Dollbats for suitable Arrows, Symbols and Numbers.

Balaghat is a decorative but natural hand letter script. The distinctive feature of this font is its cursive shape and It’s like written with a brush with smooth strokes. We recommend this font for high-end logotypes and magazine headlines, let alone greeting cards, invitations, posters, book covers, ads and the various web and screen usages.

Homelessfonts is an initiative by the Arrels foundation to support, raise awareness and bring some dignity to the life of homeless people in Barcelona Spain. Each of the fonts was carefully digitized from the handwriting of different homeless people who agreed to participate in this initiative. Please Note: these fonts include only the latin alphabet; no accented characters, no numbers or punctuation. MyFonts is pleased to donate all revenue from the sales of Homelessfonts to the Arrels foundation in support of their mission to provide the homeless people in Barcelona with a path to independence with accommodations, food, social and health care. Gemma was born in Madrid 37 years ago. After spending many years in the capital, she decided to start over again and moved to Barcelona. A series of misfortunes and wrong decisions left her on the street. Gemma is a calm, emotional person who likes to take her time to do things and, if there’s one thing the street can offer, it’s time. The street lets you listen carefully, watch without being seen. Being in the street isn’t pleasant at all. Seeing people who’ve just showered go past makes you miss even more things that many take for granted. Breakfast, a clean smell, paying for a metro ticket. Being homeless is much more than having nowhere to sleep. Life in the street is hard, says Gemma, but she also sees the positive side. “It’s the best way to get to know human beings.” She likes to see the street as if it were a school. A school she has been in and out of for too long.

**Summer Ocean** Bring a touch of the ocean's breezy energy to your designs with this handwritting flowing script font. Named "Summer Ocean," this font captures the essence of the beach with its relaxed, carefree style. The handwritting script style is accented by a mix of hand-drawn elements, giving it a personal, natural feel. This font will bring a touch of the ocean to your designs. So sit back, relax, and let " **Summer Ocean** " transport you to the beach with its handwritting flowing script style and mix of hand-drawn elements. Its perfect for vacation-themed designs, wedding invitations, or any project that needs a touch of summery charm, and many more! even so contains All Standard glyphs and punctuations --- Thank you for let us be your design partner, If you have any questions please don't **hesitate** to drop me a message

Intellecta Ribbons is an elegant set of ribbons ready for many applications. With this set you can make tags, shopping sale designs, diverse invitations, discount seals, banners, posters or anything you want.

Futuristic display font inspired by our favorite childhood film. Includes thick and thin version Thick Uppercase Character Set A-Z Thin Lowercase Character Set A-Z Numerals & Simple Punctuation OTF file format

Stencimilla is a distressed stencil typeface with two different sets of capital letters - no lowercase. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.