Basdela is a bold and stylish serif font. It is PUA encoded which means you can access all of the glyphs and swashes with ease! Add it confidently to your projects, and you will love the results.

Introducing Monaqi Sans Serif Font Monaqi is a clear and multifunctional san serif family font. Can be used as a plain text font, stylish title or logo, very useful for your various project needs. What's Included? Uppercase & Lowercase Numbers & Punctuation Alternates Multilingual Support PUA Encoded

Quirky and irregular FS Split is no ordinary typeface. Its irregular proportions make it unique, with round letters appearing wide, and straight letters narrow. Other quirks include its eclectic crossbars – the uppercase ‘A’ has an unusually low bar, while the bar on ‘G’ is particularly long. The uppercase has many interesting features in fact, including large counters, closed terminals on certain letters like ‘J’, and a cap-height that lines up with ascenders. The lowercase also holds surprises – the dots on ‘i’ and ‘j’ are unusually large, and some characters, such as ‘g’, feature double-storey counters. An extreme but stylish italic The italic versions of FS Split Sans and Serif are particularly striking. While similar in style to their upright, Roman versions, they take on a larger-than-usual 18-degree angle, making the forward-slant more dramatic. Although the main purpose of any italic is to help words and phrases stand out, this unique execution helps to make the italic variants of FS Split stylish fonts in their own right – they would work brilliantly on magazine covers, in titles and headlines, pull quotes, and even used commercially in logos and corporate branding. Serif and sans: a split personality FS Split Sans and Serif have their differences but also their similarities, contrasting and complementing each other perfectly. This ‘love hate’ relationship inspired the name of the typeface family, and means the two variants provide a versatile, typographic palette for use in graphics and branding. While its proportions are similar to the sans, the serif has a bigger contrast between its weights of bold, regular and light, bracketed serifs, and different styles of terminals, some being straight and others ball-shaped. FS Split Sans has more subtlety and simplicity, with a smaller weight contrast, less flamboyant terminals, and more consistent counter sizes. The two variants are distinct yet alike, so can be used successfully either in isolation or together.

MN Grissee - a Sans Serif Super Family Font. This typeface has many alternatives with swashes that can make your lettering/logotype more attractive. This font is suitable for logos and various other formal forms, such as invitations, labels, logos, magazines, books, greeting/wedding cards, packaging, fashion, makeup, stationery, novels, labels, or advertising. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease! 436 Glyphs 9 Opentype features 10 Ligatures, Stylistic Set and Swash 3 Widths (Condensed, Normal, Expanded) 8 Weights (Thin, Extra Light, Light, Regular, Medium, Semibold, Bold, Extrabold) 2 Styles (Regular & Italic) Support Multilingual for 89 languages We highly recommend using a program that supports the OpenType feature and the Glyphs pane like many Adobe and Corel Draw applications, so that you can view and access all variations of Glyphs. Thanks for your support of our product and using it in your project.

In the late 1990s Gerard Unger won the assignment to design the signage system for the Holy Year celebrations to be held in Rome in 2000. The system he developed in cooperation with the design agency n|p|k used a classically inspired serif typeface, but the earlier proposals included a sans-serif, which became Vesta (2001). Vesta is a versatile family that can be used as a display face alongside Unger's serif faces Gulliver, Capitolium or Coranto; it can also be used on its own, even in longer texts. Vesta is narrower and therefore more economical than some commonly used sans serifs such as Arial and Helvetica; there is also a noticeable contrast between thick and thin parts, which makes it more lively. Vesta is to be extended with narrow versions, small capitals and old style numerals, along with some special versions for headlines.

Level is a spurless sans serif family that takes a more calligraphic approach to the popular square sans. The subtle swelling and shrinking in the strokes of the curves and terminals contrast with the slight squared corners for a sans family that straddles the line between machine-made and human-crafted. Generous spacing and simple, narrow construction make for airy text that still conserves real estate on the page. Three weights include italics and small-caps + old-style numbers.

Athlete is a highly legible, geometric text and display font. Inspired by classic sans-serifs Futura and Gill Sans, this elegantly minimal typeface blends traits of these twentieth century classics and is available in a comprehensive family of six weights. It includes old style non-aligning (lower case) numbers, both proportional and tabular, as well as accented characters for Central European languages. A versatile, contemporary sans-serif, Athlete is suitable for more-or-less any text or display purpose.

Introducing Recharge—the bold and versatile industrial typeface that’s designed to make your words come alive! With its broad, square design, Recharge is perfect for creating explosive headlines that demand attention. But don’t be fooled by its brash exterior—the refined lowercase letters are also ideal for producing crisp, legible paragraphs that will keep your readers engaged. What really sets Recharge apart are its unusual angled stroke ends, which give the typeface a unique and dynamic character. These distinctive details make Recharge a great choice for a wide range of themes, including sports, military, space, automotive, electronics, and other technological subjects. Whether you’re designing a bold and eye-catching advertisement or a sleek and modern website, Recharge has you covered. With seven weights and italics to choose from, you can easily create the perfect balance of weight and contrast to suit your needs. So why settle for a boring, generic typeface when you can use Recharge to make a bold statement? Try it today and see the difference for yourself! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Constructivist flavor typography goes pro enters the digital era with Delaware Pro AOE. Delaware Pro AOE is the revival and elaboration of a limited lettering specimen from a series of old loose book pages. What began as just Capitals & Lowercase was expanded to a rich pro glyphset including numerals, punctuation, small caps, small caps scaled figures, unlimited fractionals, superiors & inferiors, ordinals, tabular & proportional figures, and an expanded language glyph set. From titling to nightclub posters, fashion spreads to stencil play, the Constructivist Era is built up and out, waiting for you to put it to use.

A rounded version of Albiona, a contemporary slab-serif which revisits aspects of Robert Besley’s classic Clarendon. Originally named after the Clarendon Press in Oxford, the type family was subsequently extended by Stephenson Blake in the 1950s. Albiona adds the inwardly-curved stroke terminals of the same foundry’s Grotesque series, and includes italics and old-style and tabular numerals. The original Clarendon’s ball serifs and calligraphic eccentricities have been rationalised for functional contemporary uses. The family consists of five weights plus italics and a stencil, and its clean readable style is perfect for both extended text as well as headline setting.

Benord is a bold elegant modern serif, it comes with stylistic alternates and creative ligatures. The idea behind Benord was to modernise an old style serif for today’s design industry. The main aim was too creative a serif take has a nostalgic vintage feel with a modern twist. Benord is an ideal font for graphic designs and advertising agencies who are looking to create beautiful logos and designs. Benord was designed to look great in both large and small type settings, making it perfect for cover and layouts. With its great multilingual support, Benord can produce a large number of different languages.

Thermind is a bold script typeface with a unique angle and is easy to read so that it is comfortable to use. This font is made with an old feel which is perfect for vintage/retro themed events. You can also use them as logos, badges, badges, packaging, titles, posters, t-shirts/clothing, greeting cards, business cards and wedding invitations and more. Flowing characters are ideal for crafting a compelling message to your taste. mix and match with many alternative characters to suit your project. It will be more interesting if you add Extruded Fonts and alternatives.

Million Dreams is an elegant and bold display font. Unique, playful and versatile serif Fot that you can combine to get curves and beautiful shapes just in seconds. Play with the ornaments to create a more stunning display. This font is suitable for use in many design forms, for example magazines, postcards, logos, vintage look, old classic ,60s, 70s, 80s era, wedding projects and many more. We recommend using Adobe Illustrator or Photoshop. Fall in love with its incredibly versatile style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more! Cheers! Sansakerta

Karisans is a hand drawn, layerable sans serif font. By layering the various styles differently the user can achieve many different effects.

Caslon Antique is a decorative American typeface that was designed in 1894 by Berne Nadall. It was originally called "Fifteenth Century", but was renamed "Caslon Antique" by Nadall's foundry, Barnhart Bros. & Spindler, in the mid-1920s. The design of the typeface is meant to evoke the Colonial era. Early printers would reuse metal type over and over again, and the faces would become chipped and damaged from use. Caslon Antique emulates this look. Despite the name, it is not a member of the Caslon family of typefaces. The renaming is believed to have been a marketing maneuver to boost the popularity of a previously unpopular typeface by associating it with the highly popular Caslon types. Caslon Antique is popular today when a "old-fashioned" or "gothic" look is desired. It is used by the musical group The Sisters of Mercy on their albums, for the logo of the musical Les Misérables, and for the covers of the books in A Series of Unfortunate Events. It is also frequently used on historical displays. It was used for the previous edition of the Warhammer Fantasy Role-Play. Most recently, it has been used on promotional material for the smash musical Monty Python's Spamalot on Broadway, the West End, and its tour of the United States. British 80's band The The also used the font in several of their music videos, usually displaying several lyrics from the song in the opening scenes. It used on the cover of Regina Spektor's album, Begin to Hope. This description was sourced (in part) from Wikipedia, the free encyclopedia.

At VetteLetters we like food but we also appreciate our drinks. Yes, of the non-alcoholic kind as well. Like milk. Contrary to what Arnold Schwartzenegger once said, Milk is not just for babies. It contains a whole lot of stuff that is genuinely good for you. Like proteins, carbohydrates, minerals (calcium a.o.) and many vitamins. One time visiting The Hague, Donald DBXL spotted a tile tableau on a brick wall, advertising a dairy factory called ‘De Sierkan’. Yellow sans serif letters on a bright blue background, dating back to the late 19th century, immediately grabbed DBXL’s attention. Especially because the tableau showed both regular and bold letters with some lovely peculiarities here and there. De Sierkan appeared to have been a milk factory solely operating in The Hague from 1879 until 1961. A number of these wall adverts are still to be seen in The Hague streets today. Photos were taken for later reference. Later is now, the lettering has been digitized, missing characters added, and VLNL Melk sees the light of day. VLNL Melk is an all-caps geometric display sans serif family of three weights, Regular, Bold and Black. The basic shape of the letters is a rectangle with rounded corners, leaving a sturdy no-nonsense look and feel. It has a distinct historic aura, but with both feet in this digital day and age. It can equally well be used for the logo of a hipster coffee place, as the cover of a historic novel. Actually, VLNL Melk kan be applied in a wide range of designs like logos, posters, flyers, book covers and magazine headlines.

The Planetype Font Family is Modern. It has 6 Font Styles: X-Light, Light, Medium, Inline, Bold, & X-Bold. Each style has a consistent weight with a square serif of equal weight to its vertical and horizontal strokes. Planetype™ for short or Planet-Type font styles all have extremely clean edges and are sharply defined. There is a standard kerning applied, however evenly letter-spacing these family members give a distinct personality and continues to command the negative space just as in tight kerned examples. The compatible relationship of these font family members, weight to weight, and X-Light to X-Bold is seamless and the overall design coloring of words and sentences is well balanced and extremely legible. The Planetype Family fonts are matching members glyph to glyph. This family works in modern, contemporary and vintage settings. The Planetype Medium matches the outer weight of Planetype Inline. Their are several unique Glyphs that set the character of this family, such as: Caps B, M, Q, R, X and Lower Case a, e, k, r, z to begin with. The numerals and dingbats also have several unique glyphs that flow with the family Style in every matching weight. These characteristics lend well in designing logos, brands, and even monograms. Starting with Planetype X-Light the designer has a command of the clean lines yet expressing Modernism and a touch of Architectural structure. Planetype Medium & Planetype Inline are a dynamic duo giving a positive/negative readability.

For everyone wishing for a modern serif that’s as clear and readable as a sans in restrictive digital environments, meet ABI by Reza Bohloul. Sans serifs are commonly used on small screens to save space and carry a modern tone and Abi is the best one. Abi now provides a serif option for these restrictive digital environments. The screen has met its serif match. Abi was created from and for the digital world. Abi supports Arabic, Persian, Urdu and Kurdish languages.

Introducing Moon Cresta, a charming typeface with a soft design that’s sure to captivate your audience. The font draws inspiration from the timeless Goudy Sans, while embracing a modern and minimalist style. Moon Cresta’s smooth curves and effortless flow give it a welcoming and friendly vibe, perfect for any design project. Initially, Moon Cresta only came in one style—Regular, which boasts a bold weight that demands attention. However, as designers fell in love with its delicate charm, a lighter weight was later added. To avoid any confusion, the original bold style was still named Regular, and the newer weight became known as Light. So, now you can enjoy the gentle touch of Moon Cresta in two weights—Regular and Light. To take your design to the next level, Moon Cresta also includes discretionary f-ligatures and custom ligatures for KA and RA. Simply use your application’s Discretionary Ligatures feature to access them and enhance the uniqueness of your design. In short, Moon Cresta is the perfect font for those seeking a soft, organic design with a touch of modernity. So why not try it out and see how it can add a touch of warmth to your project? Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Designed with a hand-chiseled feel, Blau’s sculpted characters add a refined personality to a wide range of brand, corporate, product and service applications. Highlighting the sculpted theme, inkwell treatment variations are prevalent throughout Blau, with several key glyphs that are stenciled for increased legibility. This sturdy, typographic workhorse shines when a slightly unorthodox typographic approach is required — a prime choice for distinctive and dynamic logotype use. The Blau family is available in Light, Light Italic, Regular, Italic, Bold and Bold Italic. The name Blau was chosen to celebrate the color Blue (or Blau in German, Blaauw in Dutch, Bleu French, Blå in Norwegian, Swedish & Danish, Blua in Esperanto, Blár in Icelandic) Blue is nature’s color for water, sky, mountains and glaciers. Blue is embraced as the color of heaven and authority, denim jeans and corporate logos. Surveys in the US and Europe show that blue is the color most commonly associated with harmony, faithfulness, confidence, distance, infinity, the imagination, and cold. In US and European public opinion polls, it is the most popular color, chosen by both men and women as their favorite color. Another very popular Wilton Foundry font in the “blue” family is “Cyan” and “Cyan Neue”.

Civane Serif maintains the epic grandeur of Civane with a text-friendly typeface. Inspired by the great tales of old, the grandeur of Civane is refined into a serif font with sharp serifs. Civane Serif is a contemporary sans-serif typeface with a robust character set. The Civane Serif family of typefaces supports 48 Latin-based Western, Central, and Eastern European languages, as well as the Baltic States and Turkey. Ligatures, small caps, embellishments, and a wide range of numerals are all accessible in OpenType, including proportional and tabular-width numbers, old style figures, fractions, inferiors, and superiors. Civane Serif is one of the finest choices for serif text setting. The italic or bold weights, as well as the roman set in titling caps, will impart a feeling of serene dignity on posters and webpages. Civane Serif's craftsmanship shines through with its higher contrast modern design, perfect for high-end premium goods and services.

A graceful kid if ever you’ve seen one, Cabrito Didone joins the Cabrito family of fonts--a family designed to provide young infants with clear recognition of letter forms. The original letters were released as part of the children’s book about fonts, The Clothes Letters Wear. Now, this latest addition brings a new Didone flavor to the table. But don’t judge the book by its cover. While Didones can be stodgy in the way they deliver a sense of luxury, this stubborn goat of a Didone bucks the stodgy stereotypes with its high-contrast, carefree, flowing fun, taking a more calligraphic direction than most. Cabrito Didone joins structure and handwriting to create a flowing balance of both characteristics. It’s a unique combination of functional and friendly. Its 42 well-designed fonts give you plenty of easy-going, highly readable options to work with as you craft your design. The typeface has unique serifs that give the sense of ink pooling slightly at the points, drawn with a sharp nib. Cabrito Didone supports OpenType features and is packaged with upright obliques, alternates, ligatures, old-fashioned figures, and compact caps. Preview any and all of these features in the interactive PDF manual. The family member font also includes glyphs for 72 languages; over 600 glyphs per font await. Cabrito Didone is an excellent choice for websites as well as flyers and packaging. Like Cabrito, which is currently used by a number of visible brands, Cabrito Didone is also a great option for defining your brand. Grab a taste of the Cabrito Didone flavor--and those of the other Cabrito members: Sans, Semi and Inverto.

The Toxic Brew font was initially designed to be a Halloween font, but I guess it turned out not so scary in the end. But maybe you can use it for something scary anyway? I've added several versions, and they mix very well

From Skyler is a fast and wild handwriting font. The typeface is created by Måns Grebäck and supports a wide range of Latin languages. It has several alternate characters, both stylistic and contextual, to make the variation within the lettering more natural.

Willgets Calligraphy is a classic calligraphy font. This is a classic thin font with an italic style. Here you will get a beautiful classic font. This font is available in several modern swirls that can make your work look elegant, sweet and perfect.

Around the rugged rock the ragged rascal ran, Foregoing fancy fonts, the Fontographer fawned and fell! Alliteratively allowing for assonant aspects as well, He spoke of several sentences that some should never spell! This classic title font will deliver tall tales that tell!

MLEITOD is a display font based on bold serifs combined with a psychedelic style and given a low pixel effect like in a game. With its pixelated stroke characteristics, this font is perfect for different or unique designs such as in games or for bands and music event posters. The uniqueness of this font is psychedelic-pixel, it can be categorized as a vintage font because usually old school games use this style plus it can be used for bands because psychedelic is also found in one genre of music. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Guides to access all alternates glyphs : http://adobe.ly/1m1fn4Y Cheers!

Galvani offers a new geometric Sans Serif with humanistic displays. With its straight lines and rectangular shapes, and its clean and coolish appearance, Galvani unites some of the principal sans design features of the last decades. Galvani consists of 18 styles and is well equipped for advanced typography. It comes in OpenType format with extended languagesupport. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows.

“Kamenica” - named after a beautiful small mountain river in Serbia - is a font family containing 3 weights: Light, Regular and Bold. The Kamenica river is only a few meters wide. Mostly shallow and cold, clear and green, it was the direct inspiration source for the creation of this condensed typeface. As our other typefaces, “Kamenica” also combines traditional shapes with modern forms, tall x-height and a collection of more than 300 glyphs. Comparing the river with the font, we could say that letters are the fishes that lives in the Kamenica river and that the font weights are the seasons in which this river shows most of its own character.

Selektor Slab is small font family created as logical extending of the Selektor font family. Inspired and after that designed with the charm of technical letters, it contains a few letters with specific endings that gives Selektor Slab peculiar impression. Global overview of Selektor Slab says it’s a neutral, corporate, stable, well balanced font family, but not cold and heartless to leave readers without remembrance on its characteristics. It is fully appliable in all kinds of publications, from long texts in paragraphs to titles and product names. Available in 3 weights - Light, Regular and Bold and matching Italics. All family members include Small Caps and Fractions as additional OpenType features.

Hypherin is a gorgeous and bold handwritten font, crafted to give your headlines and logotype projects a stylish touch. This font reads as strong, confident, and dynamic and can add tons of nostalgic character to your designs. Hypherin is PUA encoded which means you can access all of the beautiful glyphs and swashes with ease!

The Marmars is display typeface that has bold characteristics. This font can give your designs a playful and friendly impression. You can use this font for retro, vintage and urban designs. This font comes with alternative style and ligature features which are suitable for various projects such as logos, product labels, posters and many more.

Mechaniclove is a gorgeous and bold handwritten font, crafted to give your headlines and logotype projects a retro touch. This font reads as strong, confident, and dynamic and can add tons of nostalgic character to your designs. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Creamer is a gorgeous and bold handwritten font, crafted to give your headlines and logotype projects a stylish touch. This font reads as strong, confident, and dynamic and can add tons of nostalgic character to your designs. Creamer is PUA encoded which means you can access all of the glyphs and swashes with ease.

The first photo-typesetting machine in operation, the Uhertype, was introduced in 1925. It was a combination of manual phototypesetting machine and make-up machine. The machine’s typefaces were designed by Jan Tschichold. The patents on Uhertype were bought up at the time to prevent the invention of filmsetting spreading. Jan Tschichold has been very influenced by Gill Sans (1928) for this humanistic sans serif drawn in 1933/36 for Uhertype.

Cyntho Pro is a modern geometric sans with eight weights varying from Thin to Black and featuring Cyrillic and Greek scripts. Unlike most geometric sans faces, it offers optional upright and real italics, wrapped in OpenType ‘stylistic alternates’ features, or stylistic set #02, where sets can be applied separately. Small caps are included as well. This typeface can be used in magazines, posters, advertising, corporate identity, and more.