Experimental 90s geometric type. Regular and Stencil.

DMV Printer is a detailed replica of the type produced by the computer printer at the California Department of Motor Vehicles. It was created in order to make prop documents for movies and television shows.

Anachronic is the polished version of our Chronic font family and preserves its libertarian dna. It's kind of strong, while friendly. Because sometimes you've just got to be bold — pero sin perder la ternura jamás!

Vulcano is the mesmerising creation of Salvador –Tori– Alimbau, the one-type-man who gave us this maze. José Manuel Urós took months to devise a negative-positive system for these characters. Hypnotic, charming sophisticated.

Askan Slim has the same design features as Askan , cap-height, x-height, descenders and ascenders. It is a moderately condensed version of Askan and works superbly as an addition to Askan or as independently for space saving applications. It is the perfect complement of the Askan family. Like Askan, Askan Slim consists of 18 styles and is well equipped for advanced typography. It comes in OpenType format with extended language support. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

new modern calligraphy font - Donaparte. This beautiful script is for those who need elegance and style for their designs and is perfect for wedding invitations, saving date cards and feminine branding. Donaparte has includes a full set of Basic Uppercase and Lowercase Characters, Numbers and Punctuation. Also contains ligatures and many alternative styles to perfectly recreate natural calligraphy (check the preview to see them all). What will you get? Laquittea (OTF, TTF) Laquittea Bold (OTF, TTF) If you have any questions about my products, feel free to write me a message or contact me by message here on FontBundles. Thank you so much for checking out my shop!

QRc is based on a 2-D, space-saving optical code widely used in Japan. The code was originally intended for use in factories but quickly crossed into the consumer sector. With an enabled handset, a QR code -- which can appear on an ad, postcard, or almost anywhere else -- can be instantly interpreted to reveal its underlying message. QR contains 219 images. You can use the QRc font to accurately encode the letters you type, or just use it to create fields of lovely, semi-random pixel texture! The counterpart font, QR Type, is also a celebration of entropic pixelation, but the formations are alphabetic and human-readable.

Birch was designed in 1990 by Kim Buker Chansler, who based her forms on the designs of the turn of the 20th century. The new age needed new typefaces for an ever-increasing commerce and its advertisements. This time period therefore saw a profusion of new typefaces, all of which were meant first and foremost to catch the eye of consumers. To this end, style elements of past ages were reused, changed, and combined. Birch is modelled after a woodtype, a style made famous by its use on wanted posters in western movies. The narrow and space-saving Birch is perfect for headlines in display point sizes.

As the name, Clarina Sans is sans serif type family with two weight plus matching italics. Clarina Sans was desinged in 2018/19, influenced by geometrics typeface from handbook and newspapers in 80's during studying that have a good legibility. Clarina sans with medium to high x-heigh and geometric correction and smoothed corner has more elegant visibility, readable, and save space altogether. Its perfect for book, newspaper, web, logos, magazines, posters, and most other design. Equiped with more than 700 glyphs for eachs cut (latin plus, greek, cyrillic), ligatures, kerning, case sensitive for diacritical mark modifier, Clarina Sans has wide range languages coverage.

Grafika is a completely original design, done in an “Art Deco” spirit reminiscent of the 1920s and ‘30s. I designed Grafika many years ago to be typeset for title cards, and both opening and end credits for the Merchant/Ivory feature film “Savages”. After the film, the design languished in my archives until I rediscovered it. I have digitally redrawn Grafika, completing it with all the alternates, ligatures, math, foreign accented characters and punctuation that weren’t required of the original design for film. Grafika is strongest when set in upper and lowercase—its unique caps extending below the baseline—although all caps settings are encouraged as well.

Lucida Grande is a humanist sans serif font with a large x-height, clear letterforms, and space-saving economy. Its easy reading qualities make it legible for printing and screen displays even down to small sizes. Lucida Grande is part of the Lucida superfamily of fonts from Bigelow & Holmes. Lucida is highly regarded for legibility and its extensive range of type styles. The Lucida Grande family has eight fonts with weights from Thin to Black with matching italics. Each font has 674 glyphs and supports the W1G character set. This includes Latin, Greek and Cyrillic alphabets to support many languages in Europe, the Americas, and worldwide.

JANE ROE is a family of 10 Sans Serif condensed fonts of geometric construction and neo-Gothic style, a friendly typography with maximum readability, specially drawn for the composition of texts of any size for both printing and screen, signage or headlines and where you need savings in horizontal space. This typeface contrasts its neutral aspect with the humanistic modulation of the antlers in the characters, giving the opportunity to compose texts adaptable to any context and concept of design. The typeface includes small letters with support for Latin Extended-A, dynamic fractions, several set of numbers, etc. Look at the PDF with all the functions.

The project aims to represent icons through the city of São Paulo. The image selection method prioritized elements of history culture and daily life. The claim is that the set of graphic symbols help disseminate one of the most important cities of Brazil and the southern hemisphere. See the sights of São Paulo: Edifício Copan, Avenida Paulista, Bairro da Liberdade, Mercado Municipal, Catedral da Sé, Estádio do Pacaembu, Sala São Paulo, Pátio do Colégio, Vale do Anhangabaú, Estação da Luz, Memorial da América Latina, Museu do Ipiranga, Teatro Municipal, Masp, Edifício Banespa, Monumento às Bandeiras, Obelisco do Ibirapuera, Auditório do Ibirapuera, Pinacoteca, Oca – Ibirapuera and Monumento Ayrton Senna.

Museum is the Wundes foundry's first font revival. These letter forms are scanned from the engravings of Freeman Delamotte who in 1879 published a spectacular set of ancient and mediaeval ornamental alphabets. The original forms for this font were created in 1490, a few years before Columbus discovered America. There was not much information on the origin of this font, save that it came from a British museum, hence the name. The original character set was missing the letters J,P,V and W so I've constructed these letters in the same style to complete the alphabet. Other than those 4 additions, the engravings are true to their original forms.

A universal typeface for books, magazines and newspapers must be economizing, quiet, strong in drawing, but original and peaceful at the same time. Type "for all weather" must resist also many difficulties of printing on different surfaces. Therefore, the basic design "Text" is slightly darker and legible from 6 point size even in a dim light, whereas "Book" reduces the effect of running ink and saves toner cartridge. In offices of smaller companies these lighter fonts are welcomed as toner-savers. Andulka also need less space on the page than other text typefaces and saves paper too. Medium and Bold designs keep the original grace, changing its weight only in shadows. Italics may remind humanistic inspiration and forcing the horizontal of x-height with robust horizontal serifs, whereas Roman lower case maintains the baseline. Basic numerals are non-aligning proportional, but there are available upper case figures as well as special numerals drawn for the same height as small caps, which is just about a hairline above the x-height. The characteristic feature of Andulka is a squinted eye in letters 'a', 'c', 'f', 'r', 's', 'k', and softened diagonals through all characters in family. Diagonals were always disturbing and gripping attention extensively. Serifs are stressed trapezoids reminding small beaks at curved endings, descenders 'j' and 'y' may evoke tail feathers of budgerigar. Andulka [budgerigar] sings lovely and is everyday quiet companion. The whole family consists of 24 separate fonts for graphic studio, office or home.

Kiddie Blokz JNL is a limited character set font in three styles: Regular, Lined and Block, emulating the look of toy blocks for themes with a juvenile motif. For a companion font to set regular copy, use Roughshod JNL.

Original Arabic Transparent Regular font by Glyph Systems

Original Simplified Arabic Regular font by Glyph Systems

Monosphere is a monospaced font, regular but futuristic.

A Barnhart Bros. & Spindler type from the late victorian period. We have been faithful to the spirit of the original buy "calmed down" a few of the lowercase letters to make the lines read more smoothly.