Mr Palker Dad — has appeared in a natural evolution of the Palker-Palkerson family. Its closest relative - grotesque Mr Palker Dadson. This generation is more stout than the previous one. One may even be brave enough to use them for composing small texts. Notably Mr Parker Dad has become one of the frequently sold typefaces on the «Peterburg. The city speaks» map as it is highly readable while remaining extremely tight. Mr Parker Dad has all the features of P&P’s family.

Fox Grotesque is another member of the Fox Family and stylistically finds itself between Fox TRF (with some extreme curly lowercase letters), and Fox Sans (a cold geometric sans-serif). While the typeface is intended for use in display sizes, it is also quite legible in text and is well suited for editorials. Fox Grotesque is released in OpenType format with extended support for most Latin languages and includes some opentype features – proportional/tabular, lining/oldstyle figures, slashed zero, ligatures, fractions.

Under the commission of the American Century Magazine"", Linn Boyd Benton designed a new text typeface in 1894 with a design typical of the Neorenaissance movement in typography. Morris Fuller Benton produced various interpretations of this font for American Typefounders and the companies Linotype, Intertype and Monotype quickly took up the typeface. New Century Schoolbook font is a very legible font, fairly narrow and with relatively little stroke contrast. This font is from Morris F. Benton and appeared in 1915.

The first Century typeface was cut in 1894 by Linn Boyd Benton in conjunction with T L DeVinne for the Century Magazine. It was a blacker, more readable face than the type previously used. Morris Fuller Benton designed the Century Expanded version in 1900 for American Type Founders to meet the Typographical Union Standard of the day. The 'expansion' was in the vertical plane. Century Expanded is a useful font family for text setting in magazines, books, presentations and newsletters.

Ronttsly script brush font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Ronttsly script brush font. Cheers, Maulana Creative

Begalih brush handmade font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Begalih handmade brush font. Cheers, Maulana Creative

Evadare is a decorative text font inspired by the designs of Rudolf Koch and Nicholas Cochin. It has a freehand, calaligraphic look, yet is regular and works well at small sizes as required for text uses. It's a sort of a romantic, rustic alternative to more traditional text fonts.

Slecter Cirus monoline script font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Slecter Cirus font. Cheers, Maulana Creative

Chrinol handmade brush font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Chrinol handmade brush font. Cheers, Maulana Creative

Hogie Rough handmade script font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Hogie Rough font. Cheers, Maulana Creative

Destra is a contemporary, narrow serif family, suitable to save space and legible at small sizes. Its shapes are the result of a mix of styles. "Destra" is the Portuguese word for "right hand". The font has several OT features - fractions, old style-, lining-, tabular numbers, superiors/inferiors, alternative glyphs, dozens of ligatures (standard + discretionary) and an exclusive feature to convert Arabic to Roman numerals up to 1000 (download the “OT Features Guide” pdf). Moreover, Destra has an impeccable technical finish, with a systematic review of nodes, curves, spacing and internal data, eliminating the possibility of errors when using it. The family consists of 8 styles, 4 weights - Regular, Medium, Bold and Black, plus their respective italic versions. The fonts are available in OpenType PS/TT and have extended character set to support CE, Baltic, Turkish as well as Western European languages. You can test Destra downloading the free trial font in Medium version (TT only). This trial file supports only Western languages.

Elodie is an Art Nouveau inspired all caps font with some extra quirky characters. It was hand drawn with a brush pen. Elodie is designed for titles, short quotes, product names etc. Use lower-case letters for regular text, and then add a some special quirks to your writing by using the characters in the upper-case section. Multilingual support is included for Western, Central and Eastern European languages. Please test your characters in the font previewer before purchase.

Machete is the hulky, overfed distant cousin of Bayoneta. Enthusiastically in your face and full of humour, Machete is exactly the kind of big alphabet that takes a skinny actress camping at the top of a really tall building downtown. If you don't think this sort of date is interesting enough, try cramming these letters on your next tub of comfort food, road trip comedy, or assault rifle packaging and see. Machete don't text. Machete roars!

Entsha is a gorgeous sans-serif typeface that is both classically elegant and inherently modern. Create beautiful wedding invitations, use it as an elegant solution for your next magazine layout, or choose Entsha for any graphics that require a sleek look with a vintage flair. Entsha is based on classic letterforms for publishing and display graphics, so you can give your text a classic, elegant feel with Entsha's clean, high-contrast lines and alternating thick and thin strokes.

Better Pallet is a charming script font that beautifully captures the essence of continuous handwriting with brush details. The brush details infuse the font with a handcrafted charm. The continuous handwriting style of this font ensures that each letter flows gracefully into the next. For the best legibility you can use this font in the bigger text sizes. This font fits in headlines, logos, posters, flyers, invitations, branding materials, and many more. Thanks for purchasing our fonts.

Aure Westra embodies the liquid look of a broad-nibbed ink pen. These bold forms engage the reader with a subtext of exotic wisdom. Westra’s entrancing flow brings a dramatic intrigue to text and titles and an esoteric savor to astrological expressions and chartwheels. Westra is an original design developed by Aurora Isaac, first released in the LP glyphset in 2011. After more than a decade in development, 2018 marks the release of the CJ and KB glyphsets. The CJ glyphset is a full text font with an extended set of lowercase and uppercase glyphs supporting a variety of European languages. Additional glyphs include standard ligatures, four variations of the ampersand, and check-mark and happy-face with their companions x-mark and grumpy-face. Numbers are available in lining and oldstyle versions, with numerators and denominators for forming fractions. Companion glyphs include Roman numerals, specialized glyphs for indicating ordinals, and a variety of mathematical symbols and operators. The CJ glyphset also includes an extended set of glyphs for typesetting Western Astrology. These glyphs are also available separately in the KB glyphset: a symbol font re-coded to allow easy keyboard access for the most commonly used glyphs. The unique look of Aure Westra stands on its own as a text font. Where needed, use the clean lines of Aure Jane to provide contrasting text that will showcase Westra’s exotic nature. Give Aure Westra a trial run! You may discover a permanent place for this font family in your typographic palette. AureFontDesign.com

Off the Wall JNL is a unique typeface that combines graffiti-style lettering with a brick wall background. special keystroke features give you a complete "wall of text": { (left bracket) places a smaller closed end cap on the left side of the text. } (right bracket) places a medium closed end cap on the right side of the text. [ (left brace) places a regular closed end cap on the left side of the text. ] (right brace places a regular closed end cap on the right side of the text. | (vertical bar key) adds a space between words. \ (backslash) adds a larger space between words.

Directa Serif is a text type family designed to save space with the maximum readability. Because of its general forms and proportions (a little bit condensed, big x-height, low contrast) it can be used in smaller sizes than usual for body text. It is highly recommended for newspapers, magazines, corporate communication and so on. Directa Serif Family is composed by 14 fonts (7 weights and its italics) with a large set of characters, including Western, Central European, Baltic, Scandinavian, Icelandic, Romanian and Turkish unicode ranges. Each font also includes several ligatures, a complete set of Small Caps, sets of lining, old style and tabular figures, as well as fractions, superior and inferior numbers. These features can be easily accessed using any OpenType-compatible software.

Toleis is a san serif font that we designed for you. Much attention is paid to the correct position of the accent. All overhead has its own height, which creates an additional level of readability. As well as numbers and punctuation, which are an integral part of any text. This pack includes alternative options for many glyphs — old-style figures, straps, style sets, and more. So you can customize the font to your liking and keep your look consistent.” of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Baldufa is a charming typeface with strong personality, which looks very comfortable in text. There is a search to obtain complicated curves and detailed features, which gives the typeface a touch of beauty and elegance. However, this is also a self-conscious design that claims through the rounded serifs and irregular vertical stems appreciation for quirkiness and human imperfection. The letterforms are inspired by the slight distortions and idiosyncrasies that came with old printing methods. It has distinct, features such as rounded serifs, irregular vertical streams, ink traps and extremely thin junctions. In the Italic, serifs have been removed to enhance movement and expressivity. These experiments in form have not come at the cost of legibility: The typeface remains suitable for both small and display text.

Baldufa is a charming typeface with strong personality, which looks very comfortable in text. There is a search to obtain complicated curves and detailed features, which gives the typeface a touch of beauty and elegance. However, this is also a self-conscious design that claims through the rounded serifs and irregular vertical stems appreciation for quirkiness and human imperfection. The letterforms are inspired by the slight distortions and idiosyncrasies that came with old printing methods. It has distinct, features such as rounded serifs, irregular vertical streams, ink traps and extremely thin junctions. In the Italic, serifs have been removed to enhance movement and expressivity. These experiments in form have not come at the cost of legibility: The typeface remains suitable for both small and display text.

Bourne is a comprehensive text and display sans-serif family consisting of 21 typefaces, all with a range of features including stylistic alternates, discretionary ligatures, as well as old-style and tabular numeral forms and fractions. The 21 typefaces include two widths and three weights of type as well as square and round terminal forms and oblique faces. Three specialised display faces are also included. The face is ideal for establishing a consistent 'look' across a range of projects and could readily become the basis of an organisation's house publication style. Bourne works well in poster and large scale design work, as well as for the setting of large amounts of text. Individual faces are priced economically and substantial discounts are offered for packs of multiple typefaces.

Nawin is an informal Arabic typeface inspired by handwriting. The idea behind this design is to create a type family attractive and ownable for children but at the same time a design that keeps excellent letter recognition for reading. Handwriting has been a great source of inspiration in this particular typeface. By emulating the movements of the pen, we have obtained letter shapes that express spontaneity. A bright group of letters create a lively and beautiful paragraph of text. To get closer to handwriting and the variety of letter shapes that we draw while writing, this typeface offers a large number of alternative characters, which differ slightly from the default ones. Because we have programed the «Contextual Alternate» feature in the fonts, these alternate characters appear automatically as you set a text on your computer. The proportions and letter shapes are flexible, escaping from tradition to increase expressivity and personality in the design. For instance, variability on vertical proportions between letters Alef and initial Lam, create movement in text and avoid the cold mechanical feel of repetition. Nawin is quirky and elegant at the same time. Letter recognition is relevant when reading continuous text. For this reason, we have added another contextual alternate feature with alternate characters that help to avoid confusion when letters with similar or the same shape repeat inside one word. For instance, this is the case of medial «beh and Yeh» repeated three times continuously in the same word. The alternate characters change in shape and length, facilitating distinction to the reader. Since this typeface is inspired by handwriting and the free movement of the hand while writing, we considered ligatures a good asset for this design. The typeface has a wide range of ligatures that enhance movement and fluidity in text making look text alive.

The fastest and easiest way to create original images. It is necessary to take any text and use it with Type Tile. Create pictures, patterns and backgrounds from real texts. Font can be used in various encodings and you can type texts in many languages. Type Tile supports Central European languages that use Latin script, (Polish, Czech, Slovak, Hungarian, Slovene, Serbian, Croatian, Romanian and Albanian), Cyrillic alphabets, Western languages, Greek, Turkish, Hebrew, Arabic, Baltic languages, Vietnamese, Thai and Japanese. You can make the background from the original text for the page on which can print the translated text. This symbiosis can create a feeling of presence in the original text. Decorate the packaging in which the text is written in the form of ornament. Several layers of the texts with Type Tile shows an incredible pictures. Use a pair of letters can give a regular pattern. Type Tile provides endless and fantastic opportunities for design on any surfaces and for different purposes in publish, fashion, textiles, industry, animation, Internet and so on.

Denmas Font is Engaved Bold Decorative Font that ornamental. This Font is Best as tittle of the novel, Poster, Theatre, Logo and also tatoo. This font is bold , strong , classic and luxurious in the same time.

Antown is a modern & formal sans family and has 4 variants (Regular, Italic, Bold & Bold Italic). It comes with uppercase, lowercase, numerals, punctuations, some alternate characters, and multilingual support. We hope you will enjoy our work.

Browser Sans is a companion to Browser Sans, sharing similar forms and metrics. The four styles (Regular, Italic, Bold and Bold Italic) make it simple to use in desktop applications and easy to implement on websites.

Concapita is a bold modern vintage display font, featuring thick and weighty characters. Ideal for headlines and branding, its fat, bold strokes seamlessly blend contemporary and vintage aesthetics, creating a unique and attention-grabbing typographic style.

Browser Sans is a companion to Browser Serif, sharing similar forms and metrics. The four styles (Regular, Italic, Bold and Bold Italic) make it simple to use in desktop applications and easy to implement on websites.

German type designer Ingo Preuss created this sans Super-family between 2010 and 2015. The family has 84 weights, ranging from Light to Ultra in Normal, Compact, Condensed and Compressed (including italics). It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows. The “Adora PRO family” is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, wayfinding and signage as well as web and screen design.

Shandon Slab adds a new colour to the prominent family of serif-dominant typefaces. A distinctive look with its slightly flowing characteristics sets it apart from most members of the category. The contrasting italic styles add a vivid accent. Shandon Slab is predestined for editorials, headlines, and eye-catching text applications. The Shandon Slab family consists of 18 styles. It comes in OpenType format with extended language support for more than 40 languages. All weights contain standard and discretionary ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternative characters.

German type designer Ingo Preuss created this sans Super-family between 2010 and 2015. The family has 84 weights, ranging from Light to Ultra in Normal, Compact, Condensed and Compressed (including italics). It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows. The “Adora PRO family” is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, wayfinding and signage as well as web and screen design.

Impara was designed in 2010. It is a slightly contrasted sans serif with a lively stroke ductus and distinct humanistic characteristics. It represents a synthesis of linear coolness and classic elegance. It qualifies for informational text applications and, in display sizes, it reveals elaborate details. Impara comes in 10 styles in OpenType and TrueType format. Each font is equipped with an extended character set containing: standard and discretional ligatures, small caps, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals. Impara supports Western European as well as Central and Eastern European languages.

Ranmor is a vintage slab serif typeface. Inspired by vintage logos & design, Ranmor gets the more strong typeface by adding the grunge feels, and inky effect on the letterforms. This font is a perfect choice for vintage or old-school themes. Ranmor represented strength, confidence, and an old-school aesthetic. You can use this font for many purposes such as vintage logo, mug, embroidery, prints, display, short text, packaging, cards, emblem, signage, and many more! Equipped with special characters to get your design more powerful. TTF & OTF in a zip file including : Uppercase Lowercase Numbers & punctuation Accented characters Stylistic alternates Stylistic set 01-02 That's all, folks! Thank you for visiting.

P22 Mackinac Pro spans four centuries of type design, bridging the Old World with the New. This family of four weights and corresponding italics is of old style construction, with a diagonal weight stress. Contrast between thick & thin is modest and proportioned the same for all fonts. The tall x-height recommends itself to a wide variety of text and display uses; including advertising, publishing, signage and packaging. P22 Mackinac Pro (pronounced Mackinaw) is a general-purpose, utilitarian design incorporating an abundance of OpenType features: small caps, ligatures, ordinals, numerous figure options plus a few bonus goodies. Mackinac supports 56 languages using extended Latin character sets.

German type designer Ingo Preuss created this sans Super-family between 2010 and 2015. The family has 84 weights, ranging from Light to Ultra in Normal, Compact, Condensed and Compressed (including italics). It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows. The “Adora PRO family” is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, wayfinding and signage as well as web and screen design.

German type designer Ingo Preuss created this sans Super-family between 2010 and 2015. The family has 84 weights, ranging from Light to Ultra in Normal, Compact, Condensed and Compressed (including italics). It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows. The "Adora PRO family" is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, wayfinding and signage as well as web and screen design.

The Old Turkic script (also known as variously Göktürk script, Orkhon script, Orkhon-Yenisey script) is the alphabet used by the Göktürks and other early Turkic khanates during the 8th to 10th centuries to record the Old Turkic language. Words were usually written from right to left. According to some sources, Orkhon script is derived from variants of the Aramaic alphabet, in particular via the Pahlavi and Sogdian alphabets of Persia, or possibly via Kharosthi used to write Sanskrit The texts are mostly epitaphs (official or private), but there are also graffiti and a handful of short inscriptions found on archaeological artifacts, including a number of bronze mirrors.