Ghania Roses Script is a lovely script that brings a luxury feel. Ghania Roses comes with 460+ glyphs, The natural handwritten script is suitable for you who needs a typeface for headlines, logotypes, apparel, wedding invitations, Valentines day, branding, packaging, advertising, watermark, and more. Ghania Roses was created to look as close to authentic hand-lettering as possible. Not only will you find a range of stylized ligatures/alternates, but you’ll have much fun mixing and matching the upper and lowercase letters to give each word a truly personalized, hand-lettered vibe.

Colmena studio presents Chula, a geometric typeface 100% original, traced in the beginning by hand, chula is not based in any other typeface, each glyph was drawn in base of circles and rectangles, the tail of certain glyphs gives to the typeface and designs fluency and movement. Chula is fresh and modern but with a little touch of vintage, ideal for big texts and formats, but also legible in small size. You can use it in 3 versions, regular, medium full and full. It works perfectly in logos, monograms and patterns.

Antia Notario is a modern vintage serif font with beautiful ligatures, tons of alternative glyphs and multilingual support. It’s bold, groovy, clean and unique with vintage fell. Antia Notario is very versatile font that works great in large and small sizes. Helps to create layout design in 60s or 70s design projects. Come with open type feature with a lot of alternates, its help you to make great lettering. Antia Notario best uses for heading headlines, cover, poster, logos, quotes, product packaging, merchandise, social media & greeting cards and many more.

PRIMITIVE is an attempt for an essential of urban culture, especially graffiti and the unique pixaçao. PRIMITIVE is also inspired by the ancient cultures, especially scandinavian tribes as an anagram to the present. This "vandalism" is viewed from several angles. PRIMITIVE is one of them. PRIMITIVE is one of the modern headline fonts which include a lot of alternates, a variation of one word for a comfortable use. Two weights, ligatures and stylistic sets are obvious. And this cheap price is a support to this independent culture from me.

Fine Gothic was developed over several years, and was partly inspired by the blackletter fonts of the great 20th century calligrapher and lettering designer, Rudolf Koch. Although blackletter has many historical and cultural associations with Germany, and has been used in the English-speaking world excessively on the mastheads of newspapers or the facades of antique shops, contemporary designers should not be deterred from adding these vigorous letterforms to their repertoire. Conventional blackletter tends towards the heavier weights, which makes the Light weight of Fine Gothic something of a delight and a rarity.

Specialized for the "speed typeface" and "adrenaline seeker" soul, we got you packed up. A nitro boost for your visual needs. Please welcome, STRAIDER. The racing typeface. Inspired by the mid era of vintage and modern automotive visual branding. We build the bold and strong font with total aim to the speed, cars, vehicles, and automotive vibes. Will be a perfect match for the automotive events, branding, logo, cars and motorcycle posters, advertising, anytime you want some more "speed" in your visual project. FEATURES : Uppercase & Lowercase letters Numbers & Punctuation Ligatures Multilanguage Support Thank you.

Introducing Krick Display new generation Typeface with 4 Weights. Krick Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Krick is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes four Weights. Regular, Medium, SemiBold, and Bold.

Drama Queen is a remake of the very first font I ever made. At the time, I was thirteen years old, and this was my handwriting. This font fully supports the following languages: Bulgarian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Icelandic, Italian, Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Slovak, Spanish, Swedish, Ukrainian. If your language is not listed, or if I've missed a character in a language I claim to support, please contact me! I will be happy to add characters as needed, and will consider supporting more languages if there is interest.

GULP font is a playful and fun font inspired by pop art, hippie and comic book styles. It's groovy, funky and retro with an ultra-bold and fat appearance, making it perfect for eye-catching headers and short word texts. This font exudes modernity and fanciness, making it ideal for any purpose that requires a dominant and powerful impact. The italic style adds a touch of uniqueness, giving it a playful edge. However, GULP is not recommended for long text as it can be overpowering and may detract from the overall readability of your content.

Retrouvailles is a French word, which means ‘the feeling one gets after reuniting after a long time’. This script font was based on a couple of handwritten letters and postcards and my own imagination. I used a drawing tablet for the ligatures and the connecting strokes. Retrouvailles comes in 3 distinct styles: the slightly slanted regular style, an Italic style and a back slanted style. Retrouvailles has an abundance of goodies under the hood: it comes with a lot of ligatures and all the diacritics you could poke a stick at.

Ah, so you've noticed a typo! Mayonnaise - the sauce, is written with double 'n'! I know. This font was named after a Smashing Pumpkins song that I like very much. Mayonaise is a bit of an ugly duckling. It is strange, open and messy, and might not be love at first sight. BUT, when you spend some time with Mayonaise and get to know her, you might actually fall in love. Just like that song I mentioned earlier. Go on then, give it a try! At this price, you can't go wrong!

Introducing our new font Killarney. A bold and heavy display font that inspired by the vintage/classic letterforms used in old-advertisements. Mouse-crafted with high attention to details; clean lines, sharp edges and tempting curves. Its square and blocky letterforms make Killarney a great for headlines and space killer. Packed with 500+ glyphs, Killarney composed of slanted version, standard upper/lower case characters, numerals, punctuations, some multilingual letters, alternate characters, stylistic sets, ligatures, etc. This font is a must have item for your designing arsenal. Go get yours now while it's hot. :D

Pritchard is the work of British designer Martin Wait, a capital, condensed sans serif font inspired by the geometric styles of the 1920s Soviet Constructivist movement. Despite unusual letterforms, Pritchard remains legible and effective in large display sizes. Two fonts make up the Pritchard family: Pritchard Regular and Pritchard Line Out. Pritchard Regular is a caps-only font, but Pritchard Line -- a bold, open font suitable for a wide variety of headline applications -- does include lowercase letters. A similar font from Linotype is Linotype Reducta. Unlike Pritchard Regular, Linotype Reducta's character set contains lowercase letters."

Culinary is a typographic system inspired by the art of cooking. This family comes with 2 subfamilies: one Regular Family of 4 weights plus a Sans Line font and a set of Borders, and one 4-weight Script Family that also includes Sans Line and Borders. Culinary is well-suited for packaging, restaurant and cafe branding, bakeries, logos, magazines, menus, recipe books, invitations and much more. The OpenType features allow access to a wide set of characters, including ligatures, swashes, endings, initial and terminal forms, and lots of alternates.

Introducing Spydolls a playful monoline script font inspired by the handwriting of marker pen, highly recommended for your design projects. You can use it for: logo design, t-shirt, branding, prints, and much more. A total of 600 glyph with a great selection of each glyph multilingual language support comes with a standard european made you not difficult to use. We hope to always keep making products more attractive. Don't hesitate to ask us if there are things you want to tell them:) Thanks and havefun with Spydolls

This family was inspired from a lot of 1848-1850 French engraved documents reproducing handwritten texts talking about the Paris' insurrection days in June 1848 (described by Victor Hugo in Les misérables) . It seems that all were first written using quill pens, as the strokes are too much heavy and bold for metal pens and even though the engraver work is very fine. We have added only a few characters, most of them were present in the originals. The TTF and OTF versions are enriched with more than 50 ligatures or alternate characters.

The font accelerates the process of adding inscriptions and eliminates the need to redraw the same letters every time. The lettering is based on a simple felt-tip pen. The lines have minimal contrast and are not meant to be perfect. A simple and uncomplicated design goes great with a happy holiday mood. The font is suitable for small postcard texts, social media images, invitations, branding, mockups, packaging, ads, and captions. The TS Remarker typeface consists of 4 fonts: 2 upright (normal for regular lettering and alternative for a more colorful impression) and 2 italic.

NO! I don’t have a bearskin rug, nor a fur collar on my jacket. I believe fur should only be worn by its first owner. I have no idea why I called this font Bearskin: maybe I was influenced by one of the Viking novels I am reading - they’re full of Berserkers - but that name was already taken. Anyhoo, Bearskin font is a nice handmade all caps font. A little rough here and there, but with a lot of character as well. Bearskin comes with swashes, so you can have a ball!

Jasan is the Czech expression for ash tree (Fraxinus Excelsior) which provides great wood for tools and furniture. In a landscape it’s a rather inconspicuous tree which forms beautiful alleys. Jasan typeface represents a synthesis of many famous sans-serifs: despite the concept being strictly rational, it’s not at all cold. Simple shapes & human expression will make your projects nicely colored. It brings excellent clarity for printed and web publishing, visual identity & information systems. The 36-font family contains multi-lingual support including Cyrillics, Small Caps & rich palette of OpenType Features.

Love them or hate them Cats are one of the most successful animals on the planet. If they had thumbs we would all be in trouble. Fortunately for us these four legged sharks have managed to domesticate us and we are able to coexist peacefully. So this font is to share the joy of being blessed with the presence of such noble animals be it those of the Pantherinae Felidae or the not so humble Felis Catus (Domestic Cat). Why the Turkey? Well... you will have to buy the font to find out.

This typeface was designed for editorial purposes (text sizes), where the letterforms contain short serifs (more economical). This font family contains different weights (from Extra Light until to Extra Bold) to create an simple and sequential typographic hierarchy scale. There are two different weights and options designed specifically for text sizes (Regular and Text). The design is classical but contain some contemporary details, which are not distractive for reading, it's simple and clean at small sizes. This font family include italics, small caps, ligatures, old style and tabular figures.

Gelato is the Italian word for ice cream, commonly used in English for ice cream made in an Italian style. Gelato Sans designed by Ania Wieluńska is a humanistic typeface with geometric construction. It is characterised by a lot of details, which gives it a friendly and warm character. Scalable and large x height, sharp cuts makes Gelato good choice for many purposes from textes to display usage. All family consist 18 styles with italics from hairline to black. Ania was awarded a TDC Beatrice Warde Scholarship for this type family.

Mikagi is a textured form of the 2008 Miyagi typeface, giving the original creation a new personality along with its makeover. The rough texture is a different direction from the original, smooth line style of its predecessor, instead creating something that might be described as lean and tough. Worn and weary, Mikagi emphasises everything it says, taking care to slow itself down and not get caught up in the speed of its youth. Use Mikagi for a range of design work, to add a blend of smooth easiness and faded cynicism to your creation.

The PIXymbols™Baby Blocks font is designed to create both single color, and two-color titles or initials. Each package includes a document showing the full character set with key codes. The font package includes both TrueType and PostScript versions, and is available in either PC/Win or Macintosh format. In order to avoid serious problems, be sure not to install the same fonts in both TrueType and PostScript on the same computer. The font offers opportunities for various color treatments, with either single or double characters.

Banret is built using simple geometric shapes. It is mostly the result of my experiments on the other font I made earlier in 2016, called Inventor. Font is inspired by old fonts of the beginning of the 20th century. Capital letters are built with one to four proportions. The font has four weights: normal, and bold, and two alternatives: ribbon, and flag. As far as it is a decorative font, it is not designed for large amounts of text. But it is perfect for creating branding elements, logos, slogans and posters.

The Alternasci family consists of five consists of five individual fonts in the spirit of renaissance. Alternasci Regular is a handmade typeface resembling markings in old manuscripts. It supports most European languages. Alternasci Alchemia comes with the uppercase Alternasci letters and (in Latin) explained alchemy symbols. Alternasci Magia comes with lowercase Alternasci letters. The upper case is the so called Theban or Witch's Alphabet. It has also got some magical idols. Alternasci Picturae gives you by its four hundred pictures an imagery of good old science, mostly related with alchemy and occultism.

Getih West It’s a Halloween font, but there’s no need to fear. It’s not just for Halloween fans; You can use it to create cool designs and logos for everything from snowboarding gear to new products at work. Or, if you’re in a hurry, use it to make a fun invitation for your next party — because everyone loves an invitation that screams “Boo!” Of course with this font your various design projects will be perfect and amazing, get a beautiful title and start using our font for your special project.

The inspiration for this typeface family came from my childhood experiences at West Monkton, amidst an historic part of the South West of England. Studies of the original incised capitals of the Trajan column in Rome were analysed and polished for this modern version. The lower case letterforms and numerals were then created in sympathy, taking their proportions from the incised letters of local gravestones. Its name honours not only the area where the original alphabet was conceived and drawn, but also the people responsible for fostering my initial interest in letters.

It's not everyday that you want to have dark chocolate with your favorite latté. But sometimes, as out of the ordinary as it is, it can be just the ticket. Cafelatte's design offers a somewhat unpolished calligraphic concept, reminiscent of wooden type, but done with the unique brush of Angel Koziupa and Bezier wizardry of Alejandro Paul. The discerning packaging designer will certainly find it refreshing to be able to put a darker, unconventional touch on his or her design. And who says primal instincts can't express themselves elegantly?

“LAPOYA” (meaning in english “the coolest”) is a large slab serif typeface family, with a certain Italian inverted contrast touch. Specially designed for advertising big shows and commerces, Lapoya has 36 variables and four axes, including a text and decorative versions, where the drawing and width of its counterforms vary. It also has icons that remember the old aesthetics of wood types from the early 20th century, and more than 400 characters with a multitude of signs and ligatures, that make Lapoya ideal for up to 89 languages. It is clearly inspired by the large wood types designed for posters, advertisements and newspapers. Since they were introduced in the 19th century, slab serifs have become extremely popular. In fact, serifs are often enlarged, not so much to look like beautiful or balanced letters, but to be more graphic and visual powerful than others. Furthermore, in the case of this typeface, this idea has been applied not only to capital letters, but also to the lowercase, numbers and signs of all kinds. “That’s why this typeface is LAPOYA!” Designed by Carlos Campos in 2023. cuchi@cuchiquetipo.com OPENTYPE FONT 426 GLYPHS 388 CHARACTERS 4 AXES 36 INSTANCES 9 LAYOUT FEATURES 89 LANGUAGES

Victorian Orchid is a gorgeous vintage flower. Victorian Orchid is a beautiful, organic serif font family available for both text and display. Its bizarre serifs for A and other diagonal letterforms came from decorative types and letterings in old Victorian era. These unusual serifs support and enhance the horizontal flow of the eyes and vertical alignments. Very eye-catching lowercase g also came from the Victorian era and this is one of the most dramatic letterform of this font. Lowercase such like n and d also have horizontal serifs which designed in the same theory. Victorian Orchid is somewhat organic, humanistic and soft-impression font like Transitional Serif as typified by Times New Roman. But at the same time, this font has horizontal serif and vertical stressed letterform like Modern Serif. They make this font sharp, handsome and neat. In addition, Victorian Orchid has low contrast and the serifs are not too flat and not too coved. By them, Victorian Orchid create strong and casual impression like Slab Serif fonts. Victorian Orchid family consist of 5 weights from Light to Bold including about 500 glyphs, international accented letters, some OpenType features. Italics are "True" italics which designed very carefully to match Romans.

Saral, meaning simple in Hindi, is a monolinear design supporting most Devanagari based languages. Derived from the older Linotype typeface Rohini, it has been greatly expanded into three weights and a wide character set. Saral Light, Regular, and Bold are made to coordinate with the respective weights of Helvetica. This design works well in many environments, such as corporate designs, advertising, packaging, signage, and especially for bi-lingual texts. The OpenType font format accommodates hundreds of pre-composed conjuncts, accurate placement of vowel signs, and supports varying length matras. Saral's Unicode encoding guarantees your text is rendered correctly and is compatible across different software and computer platforms. Please note that due to current operating system and application limitations the OpenType features in complex scripts such as Davanagari are not universally supported. Saral is designed to be rendered correctly in Microsoft Word on Windows running the latest version of Uniscribe. If using a Mac or Adobe products such as InDesign then many features may not function as expected. This is including glyph reordering, substitutions, and mark positioning. In the case of small passages of text, alternate input methods can be employed. Apple's character palette and Adobe's glyph palettes are two readily available options that can be used to manually insert glyphs as needed."

Artisinal, not to be confused with the term artisanal, is our revival of the Art Deco typeface known as Cubist Bold, by John W. Zimmerman for Barnhardt Bros. & Spindler in 1929, breathes new life into a classic. The original metal cast typeface was designed without a lowercase, as well as some wedge serif capitals made for not always perfect pairings. We've created a lowercase that blends well with the original design to give the typeface more usability. We've also created a fully sans version of the capitals as the default set, and moved the original wedge serif capital styles to a contextual alternates feature. And we created a few stylistic alternates for lowercase characters like the u and y and their accented styles. See the 5th graphic for a comprehensive character map preview. Opentype features include: - Full set of Inferiors and Superiors for limitless fractions. - A Standard lining figure set. - A collection of basic f Ligatures. - Stylistic Alternates for variations of several characters such as u and y. - Contextual Alternates for the original wedge variations of capitals that will mix in where appropriate. Approx. 450 Character Glyph Set: Artisinal comes with a glyph set that includes standard & punctuation, international language support, and additional features

She did not live to experience her breakthrough as a poet, but today she is considered one of the pioneers of literary modernity – the American lyricist Emily Dickinson (1830–1886). She left behind a life’s work of manuscripts on scraps of paper, note pads and letters – and a last wish, that these were to be burned. Emily’s younger sister Lavinia did not fulfill her wish – and thus preserved the ingenious manuscript-objects for posterity. For Julia Sysmäläinen, designer of the award winning Kafka type family FF Mister K, Dickinson’s manuscripts were an inspiration and a source for creating her new typeface “Emily In White”. Emily In White – named after Emily Dickinson’s preference for white clothes – captures the most filigree letterforms of the poet’s multifaceted writing style. With hundreds of alternates and ligatures and a complex OpenType feature code it manages to revive the lively sequence of single and connected glyphs of a delicate handwriting which has been described as “breezing” and “reminding of bird tracks”. Emily in White is available in three weights designated I, II and III. For each weight, there is an associated Swashes font. See the PDF in the Gallery section for details. Language support Western and Central European, over 1800 glyphs.

Arkaim is a modern typeface in traditional East-Slavic and GreatRussian style in typography. This style is not like any other style in the world. It combines elegance and brevity, depth and modernity, originality and convenience. This unique font is certainly eye-catching. Arkaim font is named after the ancient Slavic-Aryan city located in the South of Russia, which is a symbol of antiquity, wisdom, as well as the unexplored ancient world. Arkaim is not only a historical place, but also a place of Spiritual power. The font Arkaim has many Opentype features that will help to create interesting and unique compositions. An interesting and non-trivial solution is a kind of mixture of all caps and upper/lowercase characters. Arkaim contains symbols of all Slavic and European languages. There are fractions, superscripts and subscripts, and many others. There is a standard number and the old-style number, also Slavic numbers. There are all the historical characters Of the ancient Slavic script called Bukvitsa, today mistakenly called Cyrillic. In addition, here is a free demo font (only with Russian, Belarusian, Ukrainian, Bulgarian, Macedonian and Serbian characters) without Opentype features and other symbols. You can try it.. and love it.

Discover TOMO Prisma Grotesk, a contemporary typeface that beautifully blends elegance and functionality, making it perfect for a wide range of applications. This typeface is a polyglot of design, speaking the language of both modernity and classic taste, ideal for corporate branding and advertising. Its geometric construction and modest design lend a sense of understated sophistication. With its sans serif styling, Prisma Grotesk is incredibly legible, suitable for everything from body text to headlines. Whether you're crafting an editorial piece or designing a magazine layout, its neutral yet striking appearance adapts seamlessly. Designed for the digital age, Prisma Grotesk is a neo-grotesque typeface, providing flexibility and adaptability across various media. It's perfect for identity and package design, where a distinctive and memorable appearance is key. In the realm of branding, Prisma Grotesk stands out with its neo-grotesque style, offering a contemporary twist on the grotesk tradition. A casual, approachable feel, suitable for both corporate and creative environments. Prisma Grotesk is not just a font but a comprehensive tool for designers seeking a reliable, elegant, and functional typeface. Elevate your design work with Prisma Grotesk – where contemporary style meets classic elegance, and versatility meets functionality. This typeface is not just a choice; it's a statement in design excellence. www.tomofonts.com

Bodrum Collection: 1- Bodrum Sans 2- Bodrum Sweet 3- Bodrum Stencil 4- Bodrum Slab 5- Bodrum Styte 6- Bodrum Soft Bodrum Stencil is a stencil serif type family. Designed by Bülent Yüksel in 2018/19. The font, influenced by style serifs, popular in the 1920s and 30s, is based on optically corrected geometric forms for better readability. Bodrum Stencil is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give "Bodrum Stencil" a harmonious and sensible appearance for both texts and headlines. Bodrum Stencil provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Bodrum Stencil 14 Regular” forms the central point. "Bodrum Stencil" is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Meduim, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Bodrum Stencil is the perfect font for web use.

Yolk is an Eggcentric Sans Serif Typeface consisting of nine weights in both roman and italic. Essentially, this is a geometric sans typeface that has been inspired by the shape and proportions of an egg. With its bottom-heavy glyphs, Yolk has an unusual personality – it’s not too awkward to be off-putting, and it’s not too uniform to be associated with the myriad of generic geometric sans fonts that are available. Yolk has a distinctive presence in its upright form, while the italics exude a more flamboyant nature. When combined, your typographic results will be pleasing and perhaps a little quirky too. This 18-font type family achieves a good balance of personality, versatility, and usability. Small Caps are available at the click of a button, then add Stylistic Set 1 to achieve Petite Caps. The petite caps harmonise with the regular lowercase forms, so that you can create unicase-style typography too. All Latin-based languages are covered within the 1000+ glyphs of each Yolk font. Key Features: • 18 font family – 9 weights in Roman and Italic • Small Caps, Petite Caps, with Proportional, Old Style, and Small Cap figures, plus Fractions, Numerators, Denominators, Superiors, and Inferiors • Full European character set (Latin Extended) • 1,000+ glyphs per font.