In ITC Arecibo, Argentinean type designer Luis Siquot has created a typeface of subtle typographic turns. At first glance, ITC Arecibo has a sturdy 19th century wood type flavor, yet the delicate hairline shadow is decidedly Art Deco. Its condensed proportions and character shapes have been carefully modeled to ensure legibility. Siquot added uniqueness and versatility to the face by drawing two sets of small caps: one in which the central horizontal strokes share the same plane (ITC Arecibo) as those in the full-size letters, and another where the horizontal strokes are proportional with the small caps(ITC Arecibo Too). Another intriguing subtlety is what Siquot calls the “soul of the face,” the distinctive highlight/shadow. “This ambiguous line is an effect I have wanted to incorporate into a design for some time,” says Siquot. “Is it a black hairline that surrounds the letters, or a white line incised into the left and bottom of strokes?” ITC Arecibo and ITC Arecibo Too: distinctive, powerful and economical of space. What more could you ask from a headline face?

Wien Pro, the sans serif by Ekke Wolf. Typeface lovers looking for a modern, well-developed sans serif font with a touch of retro and warm, individual lettering will get excited about a new addition to the font market. The more than complete Wien Pro front comes in three styles and four different weights. In addition to the upright Wien Pro there is the Wien Pro Oblique with a moderate 6° slant and the Wien Pro Superoblique with an 18° slant. Available weights are light, regular, medium, bold and black. These fonts are equipped with extended Latin alphabet for Central and Eastern Europe and also Cyrillic and Greek alphabet. The set of characters includes nine different sets of numbers, plus its own set for the small caps, as well as alternative characters and groovy ligatures. In addition, all Wien Pro styles are also available as unicase with upper case and lower case x-height alignment. The style, metrics and proportions of Wien Pro combine perfectly with the Liebelei Pro and the script fonts of the Calafati Pro.

Relato has a low contrast and “a muscular” structure that makes it useful for setting longer text. In display sizes it has a variety of details that lends it a unique and personal expression. The formal principle of the serif, the variety of terminal strokes and the combination of curves and semi-straight lines gives the Relato a more “human” flavor. The inspiration for the design comes from different traditional calligraphic styles. The upper case letter, for example, is based on roman capitals from the Rennaissance, whereas the lower case relates to humanist handwriting. Even so, Relato is a decidedly contemporary typeface, proposing individual ideas on the design of type. The italic has a distinct typographic color thanks to the construction principle of broken lines. The bold weights have an increased contrast in the union of the strokes which helps improve legibility in small sizes and reinforce their personality in display sizes. The family consists of a Regular version, Italic, Small caps, Semibold and Bold. For a sans serif version of Relato, please see Relato Sans.

P22 Preissig Calligraphic was originally designed by Czech typographer, artist, and designer Vojtěch Preissig (1873–1944). Preissig developed this type design in 1928 and has remained unpublished until recently. One can only speculate why this wonderful design was never produced into a commercially available typeface. His original designs feature an accompanying italic as well as small caps. Preissig had originally named the typeface design after his former employer in New York, Butterick Publishing Co. The ‘Butterick’ typeface retains the angularity of his previous typeface, Preissig Antiqua (AKA P22 Preissig Roman), but displays a more fluid calligraphic influence. P22 Preissig Calligraphic was started shortly after Richard Kegler saw the original drawings in an exhibit in Prague in 2004. A sympathetic security guard allowed a few photographs and the contraband images fueled a development of the typefaces. The design simmered for many years and is now ready to enter the world of contemporary design. P22 Preissig Calligraphic is a 2 font family that contains the originally designed small caps as an OpenType feature, as well as all the necessary diacritical to cover most European languages.

Born at a crossroads, the collaborative sans family of 18 styles Ways is the latest arrival in our portfolio. The name is no coincidence, as Ways pulls out all the stops to bring you excellent legibility. Combined with brutal and elegant details for a distinct humanist flair, this sans offers perfect functionality across all weights. Visual compensations, extra white space, wider apexes, subtle tweaks, and moderate inktraps distinguish Ways among similar typefaces. Use over 690 glyphs, extended Latin and Cyrillic support, extensive OT features set, icon set of more than 60 navigation pictograms, and one variable style, to design full-fledged signage systems that get you from point A to point B without relying on G-Maps. Family overview: 9 weights (from Thin to Black) + italics Extended Latin Cyrillic 690+ glyphs languages 1 variable font (2 axes) 1 free font - Ways SemiBold OpenType Features: Localized Forms Standard Ligatures Contextual Alternates Lining Figures Tabular Figures Subscript Scientific inferiors Superscript (Superiors) Numerators Case-Sensitive Forms Standard and Discretionary Ligatures Stylistic Alternates Contextual Alternates

Mellow Serif is a soft and friendly typeface. It looks compelling in large point sizes due to the rounded terminals and calligraphic details. Mellow Serif also works well in body text with a small leading size as it has even proportions and a large x-height. Mellow Serif includes ten styles—five upright and five italic, ranging from Light to Extra Bold. The typeface supports extended Latin, extended Cyrillic, and Greek. The character set also includes old style figures, small caps in the Light, Regular, and Medium upright styles as well as stylistic alternate sets that slightly change the way Mellow Serif looks in large point sizes. The Regular style also has alternative letterforms with swashes. Mellow Serif is great for book printing (from fiction and children’s books to science literature), headings, and large texts on the web as well as for toys and confectionary packaging. It also works perfectly with a rounded sans serif Mellow Sans. Mellow Serif was created by Natalya Vasilyeva, an expert in designing text and calligraphic typefaces, and released by Paratype in 2023.

Yanyont แบบอักษรซานเซอริฟอเนกประสงค์และแห่งอนาคตที่สมบูรณ์แบบสำหรับอุตสาหกรรมยานยนต์ ด้วยฐานและ x-height ที่แบนราบ Yanyont มีรูปลักษณ์แห่งเทคโนโลยีอันโฉบเฉี่ยวที่ช่วยดึงดูดสายตาได้อย่างแน่นอน แบบอักษรได้รับการออกแบบด้วยรูปลักษณ์แห่งอนาคตแบบไซไฟที่เพิ่มความไฮเทคให้กับทุกโปรเจ็คของคุณ Yanyont มีน้ำหนักให้เลือกถึง 9 น้ำหนัก ทั้งแบบตัวตรงและแบบตัวเอียง รวมเป็น 18 ลักษณะให้ได้เลือกใช้ ซึ่งการมีตัวเลือกที่หลากหลายช่วยสร้างความเป็นอันหนึ่งอันเดียวกันในการสื่อทั้งหมดของคุณ ตั้งแต่โบรชัวร์และโปสเตอร์ไปจนถึงเว็บไซต์และแคมเปญโฆษณา นอกจากนี้ Yanyont ยังรองรับหลายภาษาและมาพร้อมกับคุณสมบัติ opentype เช่น Small cap หรือ tabular แบบอักษรนี้เหมาะสำหรับบริษัทที่มีการเข้าถึงระหว่างประเทศ ให้แบรนด์ยานยนต์ของคุณดูล้ำสมัยกับ Yanyont Introducing Yanyont, a versatile and futuristic sans-serif typeface that is perfect for the automotive industry. With its flat baseline and x-height, Yanyont has a sleek and technical look that is sure to catch the eye. The typeface is designed with a sci-fi futuristic look that adds a high-tech edge to any project. Yanyont offers 9 weight options in both upright and italic styles, for a total of 18 unique styles to choose from. This provides a wide range of options for creating a cohesive look across all your branding materials, from brochures and posters to websites and advertising campaigns. Additionally, Yanyont supports multiple languages and come with opentype features such as small cap or tabular. This typeface is perfect for companies with international reach. Give your automotive brand a cutting-edge look with Yanyont.

Oswald Cooper is best known for his emblematic Cooper Black™ typeface. Although he was responsible for several other fonts of roman design, Cooper never drew a sans serif typeface. But that didn’t stop George Ryan from creating one. Ryan saw a sans serif example of Cooper’s lettering in an old book and decided that it deserved to be made into a typeface. Ryan’s initial plan was to make a single-weight typeface that closely matched the slender and condensed proportions of the original lettering. While the resulting Oz Handicraft™ typeface proved to be very popular, Ryan was not satisfied with the limited offering. So, between other projects – and over many years – Ryan worked on expanding the design’s range. The completed family includes light, semi bold and bold weights to complement the original design, plus a matching suite of four “wide” designs, which are closer to normal proportions. Fonts of Oz Handicraft include a Pan-European character set that supports most Central European and many Eastern European languages.

The Sans Narrow and Slab versions were added to the Vista family in 2008, extending this super-family to a total of 108 fonts. For more information, see the original Vista Sans Design Information.

DSType proudly presents Diversa Std, the same system as Diversa, but with separate styles: Serif, Serif Stencil, Inline, Soft Serif, Sans, Sans Stencil, Slab, Slab Stencil and Baroque. Diversa Std: Because uniformity still sucks!

Elliptical The squareness of curves. That was the elliptical – in more than one sense – notion being explored in the making of FS Hackney. The squareness of curves and vertical terminals to create a gentle, soft sans serif, with a little bit of magic. A momentary thought – “It doesn’t have to be like this” – provided the spur to explore the verticals and skeletons of letterforms beyond conventional type design limits. A 12-month gestation period gave rise to a font with a larger-than-usual character set, including non-lining figures, small caps and superior and inferior numbers. It’s a collection that speaks confidently for itself. Assertive It was the Hackney carriage – the black London cab – that gave this font its name, not the north London neighbourhood. Solid, dependable, effective and built to last, FS Hackney was honed to perform in all conditions. Cool, compelling lines and a satisfying overall simplicity lend FS Hackney its assertive air. Assured, versatile and effective; just like a black cab (but without the grumbling). Machined Over a string of meetings, Jason Smith and FS Hackney designer Nick Job worked out how to infuse Nick’s sketched letterforms with Fontsmith’s familiar geniality. “Nick is very meticulous and produces very clean design work,” says Jason. “Hackney is ideal for branding as it’s very clear and its quirks are sensible ones, not odd ones, that don’t distract from the message.”

A fun, clean, retro sans serif.

Ultra light sans serif for labelling.

Photocopied sans serif with some attitude.

A modern sans serif text font.

decorative caps from america heritage typography

a naive sans serif decorative font

Clark Hairline is a sans serif with calligraphic touch, it is part of a large Type System still in production. The main idea is to create a sans serif for use as a text face.

A grotesque style with extended caps, true short caps and a thin mono-weight drop shadow. Bitters was designed for all media in a wide point size range. Bitters requires subjective display kerning and compensation.

Deco Banner JNL is composed of reverse lettering on a black background with Art Deco end caps. To create a banner, first type the plus sign for the left end cap, then your text. To add a space between words, use the bar on the shift position of the backslash key then continue on. To add the right end cap, type the equal sign.

It's nice when a font provides old style figures, small caps and alternate letters. But what if my typesetting program doesn't support Open Type features? The solution may be old-fashioned, but it's effective: the variants are placed in separate font families: Standard, Old Style Figures (OSF), and Small Caps (SC). Any word processor can handle it. HGB Info SC adds real Small Caps to HGB Info.

Alskar sans is an elegant contemporary wide sans-serif typeface with strong stylistic geometric, authentic contrasts, drawing on the aesthetics and representing the shifting contemporary aesthetics. The distinctive stance gives the right visual consistency for branding and communications. Alskar sans is perfectly suited for headlines, large-format prints, brand identities, social media, advertising, editorial design, posters, magazines, logos, headings, body copy, digital and more.

Introducing Sinadey – Cute Sans Serif Adorable Simplicity Sinadey – Cute Sans Serif is the epitome of adorable simplicity, offering a charming sans serif font with a crisp shape. Crisp Elegance What sets Sinadey apart is its crisp elegance. It’s the ideal choice when you need a cute sans serif font that still maintains sharp and well-defined characters. Playful Charm Sinadey’s playful charm adds a delightful touch to your designs, making it perfect for a wide range of creative projects. Versatile Application This font’s versatility shines through, ensuring that it can be used in various design contexts, from invitations to logos and more. In Conclusion In summary, Sinadey – Cute Sans Serif is your go-to when you desire a cute sans serif font with crisp, well-defined shapes. Its adorable simplicity, crisp elegance, and playful charm make it versatile and suitable for a diverse array of design projects, ensuring that your content remains engaging and inviting to all readers.

Novel Display is the humanist sans serif typeface family for headlines and display sizes and the latest addition to the largely extended, award winning Novel Collection, containing Novel Pro, Novel Sans Pro, Novel Sans Hair Pro, Novel Sans Condensed Pro, Novel Mono Pro, Novel Sans Rounded Pro and Novel Sans Office Pro. All typeface families of the Novel Collection have a carefully attuned character design and a well balanced weight contrast. The fine gradation of 10 weights in combination with 4 widths enable designers to create fine display typography and combine the design with other members of the Novel Collection to reach highest quality in typography. Novel Display [788 glyphs] comes in 50 styles and contains an extra set of alternate glyphs, many ligatures, lining figures [proportionally spaced and monospaced], hanging figures [proportionally spaced and monospaced], positive and negative circled figures for upper and lower case, superior and inferior figures, fractions, extensive language support, arrows for uppercase and lowercase and many more OpenType™ features.

Do you need that perfectly-imperfect yet highly legible font to pair with a script or supplement a logo? Corinth is a hand drawn geo sans with 4 styles plus ornaments that pairs well with scripts, is readable at small sizes and still achieves the retro, or hand made feel. The classic geometric letterforms in combination with the imperfections of being hand drawn give Corinth a unique personality without sacrificing legibility. Corinth is a small caps family with comprehensive language support, uppercase and lowercase alternates, double-letter ligatures for added realism, and over 100 ornaments and symbols. Corinth's legibility and classic style makes it very handy for any designer's arsenal and comes in useful for almost any subject matter.

The refreshingly clear Antiqua Schnebel Slab is a refreshingly clear and strong interpretation of a contemporary Antiqua with subtle contrast and firm serifs, which offer excellent readability at very small size, and, at the same time, provide a lot of expression for use in headlines. The italics, drawn specifically for this purpose, contribute to a harmonious picture, which never loses creative tension, thanks to its aesthetics. The careful addition of ligatures, small caps, and proportional and old-style figures allows for well-proportioned typesetting. The condensed and expanded variants, which also come in 6 weights each, offer plenty of freedom to design with numerous combinations. Schnebel Slab Pro combines especially well with Schnebel Sans Pro.

Grace Tokyo is a modern display sans font. Grace Tokyo is well-suited for advertising, branding, logotypes, packaging, titles, headlines and editorial design. This font comes in two styles, Regular and Oblique Version. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. We highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations.

Fontanella is a typeface designed by Coto Mendoza, which emerged from calligraphy and manual drawing exploring the skeleton and classic proportions of Roman capital letters. This initial process later gave rise to a sans serif family composed of 8 pesos and its italic variants. It also includes small caps, old numbers and width variants in the set of alternates. The slightly enlarged x-height makes it perfect for composing short texts in editorial, fashion, branding, magazine, television, window display and other media projects. Fontanella a classic spirit reinterpreted in a contemporary language. We especially thank Alfonso García for his impeccable work on the digital edition and Nicolás Tobar for the art direction on the specimens.

Sometimes you get an idea stuck in your head and the only way to get rid of that demon is to put something down on paper. A year later the doodles became a skeleton, and then the skeleton had a body, then the body had a name, then the name got a personality. What was left was a clean set of ten fonts that encompass a very simple skeleton with a lot of visual appeal. During the process, I saw ways to expand the typeface's display capabilities by producing inline styles as well as a down-and-dirty rough set. Each font has a full set of glyphs that include Central European and Small Cap characters.

The mystic sadness of the sight Of a far town seen in the night. Like the poetry movement of the early 20th century, from which the font takes its name, Imagist relies on the power of concrete images and brings an organic vibration to the words it forms. Imagist is a lively and decorative serif typeface with prominent features that appear especially in the letters K, R, M, N, W, V, k, w, v and y. Powerful ball terminals also bring recognizable attraction. Imagist contains six weights and corresponding Italics. Italics have a cursive-style letter s for as Stylistic Alternate. Old Style Numerals and Small Caps can be found in all cuts. Poem by T. E. Hulme.

Lovanaru is a Sans Serif font with all caps, that provides a modern and minimalistic design. It comes with smart OpenType features, ligatures, clean letterforms and monoline strokes. Lovanaru is an excellent choice if you are looking for an easy to read and enjoyable font. Lovanaru is perfect for minimalistic themed product, branding, logo, invitation, stationery, product packaging, merchandise, monogram, blog design, game titles, cute style design, Book/Cover Title and more. Features : - Lovanaru Font - Ligatures - Multilingual, US Roman, Latin 1 Support Thank you for purchasing premium fonts from Attype Studio. Follow and explore our work on Pinterest & Instagram. If you have any question, don’t hesitate to contact us. We hope you enjoy with our font! Attype Studio

Meet Buyan, a unique typeface family that draws inspiration from the iconic Mongolian film title "Nugel Buyan" 1963. Buyan is your go-to All Caps and Sans-Serif typeface, crafted with a sleek Condensed design that effortlessly blends style with readability. Elevate your projects with this versatile display font, adding a cool and contemporary touch to your text. This font family boasts a comprehensive range with 6 distinct weight styles and italics, allowing you to play with contrast and customize your text to suit your creative vision. Whether you're working on branding, headlines, or any display application, Buyan is the perfect choice to bring a modern and impactful aesthetic to your work. Elevate your design game with Buyan!

Milgran is a modern and elegant sans-serif font. Milgran is well-suited for advertising, branding, logotypes, packaging, titles, headlines and editorial design. We highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. Thanks for purchasing and have fun!

Draetha is the 6-font companion to Biblia and Biblia Serif. But it is definitely designed to be used with Biblia Serif for book design and production. It is a nearly monoline sans with a clean style which contrast beautifully with Biblia serif. The Black versions push monoline to the extreme of boldness. It has the same font metrics as Biblia and Biblia Serif. The only compromise is that Ultra is too extreme to be able to provide small caps or oldstyle figures. It is designed with text spacing, to work in text with Biblia and Biblia Serif. For heads and subheads, you will need to adjust the tracking. But it tracks well.

BluHead Studio LLC is pleased to announce the complete Prenton typeface family! Born of an award winning pedigree, Prenton is an elegant and meticulously drawn sans serif typeface by Roy Preston of Great Britain. Perfect for intricate text settings, it is an extensive family of typefaces containing twenty-one weights in all. The ten OpenType Pro fonts are typographically rich collections of small caps, inferiors/superiors, numerous figure sets and fraction styles, and ligatures. There are Condensed and Ultra Condensed versions of the roman weights and a single Thin Display weight. This wide-ranging variety provides a solid foundation for lengthy and complex typographic layouts. All fonts are OpenType CFF and support an extended Central Europe character set.

Ok. Another font with cats in it. I asked my son, Sam (age 4), to draw some cats and I have to say: I'm very proud of what he created. The tiger I asked him for became a spinosaurus mom with her baby and I also got some happy hearts thrown in for good measure. The Cat's Whiskers is a very legible hand made font. Nice and loose, not too messy and with just a hint of childishness. Comes with a litter of diacritics. Oh… and a big thank you to Jakob from pizzadude.dk for suggesting I should post more pics of cats on FB - which eventually led to the name of this font.

Quat is a sans serif type family designed by Ani Dimitrova. The family comes in 22 weights, ranging from Hairline to Black with extra drawn italics and small caps versions, and each style contains more than 700 glyphs. The Regular and Medium weights are perfect for body text while the extra drawn Italic gives an interesting texture to the text. The lightest weights work well in subtle headlines while the heaviest ones are perfect for posters, short texts, web, branding and screen design. All weights contain ligatures, proportional figures, tabular figures, old style figure, numerals and arrows, matching currency symbols and fraction. The range of styles give a good flexibility to this family.

Anago shares the same DNA as its sibling Macha, but is a completely different species than the former or any of my other sans serifs (Aaux Next, Air, Akagi Pro or Wasabi). Soft, ample letterforms are casually constructed and the end result produces a typeface that changes color as it varies in size — allowing the type family to work well in both text and display settings as long as attention is given to size. Anago takes a little but gives a lot. The 10-style typeface features a fully-loaded character set that includes: Small Caps, Proportional Lining and Oldstyle Numerals, Tabular Lining and Oldstyle Numerals, Fractions, Ordinals, Inferiors, Superiors, Stylistic Alternates, Ligatures, Case-sensitive, and more.

Introducing, Sertona, a trendy bold font with italic alternates! Sertona is a modern and trendy font based sans that have unique looks. This font contains uppercase and lowercase that have different form. You can use the lowercase and uppercase in the same word that will make your text more stand out! And the best of this font is the italic version as the alternates which mean you can combine it all without worrying about the kerning! You can use this font for the magazine, poster, and suitable for headline. This font also support multi language. What you will get: All Caps Font with different uppercase and lowercase Italic version as the alternates. Well Kerned.