Discover Monarqy - The Funky Retro Font with Dynamic Flair Get ready to transport your projects back to the rad era of the 1980s with Monarqy, a font that encapsulates the funky, retro style of the era while adding a contemporary twist. This font will infuse your designs with a vibrant, nostalgic energy that captures the essence of the 80s like no other. Why Monarqy Stands Out: Cool Dynamic Characteristics: Monarqy oozes character with its funky, dynamic design. Each letter exudes a sense of movement and excitement, making it the perfect choice for projects that demand a playful and energetic vibe. Ligatures for That Perfect Flow: Monarqy offers an extensive range of ligatures, ensuring that your text flows seamlessly, delivering a polished and professional appearance. This feature is a game-changer for designers who demand precision in their typography. Rich Character Set: With an impressive repertoire of 610 characters, Monarqy accommodates a wide array of design applications. Whether you're crafting headlines, branding, or body text, you'll find all the characters you need to bring your vision to life. Alternatives for Creative Freedom: Monarqy doesn't hold back when it comes to creative freedom. The font provides alternative characters that let you experiment and find the perfect fit for your design. Customize your text to match your unique style and vision effortlessly. Multilingual Support: Monarqy is your passport to the global design landscape. With comprehensive multilingual support, it effortlessly adapts to various languages and ensures your message resonates across borders. PUA Unicode: Monarqy is PUA (Private Use Area) encoded, allowing you to unlock even more creative potential. Access special characters and ornaments that will set your designs apart from the rest. Monarqy is Perfect for: Retro-themed designs 80s-inspired branding Party invitations and posters Apparel design Album covers Packaging and labels Editorial layouts And so much more! Reignite the spirit of the 80s with Monarqy and let your creativity shine. Whether you're working on a fun project or a professional design, this font will add that extra touch of style and nostalgia. Get your copy of Monarqy today and embark on a typographic journey back to the funky, retro world of the 80s!

The Scriptuale family, which contains eight styles, is a contemporary upright calligraphic face. Designed by German designer Renate Weise in 2003, this family of typefaces speaks to the present, while at the same time reflecting on a lyrical past. The letterforms of the Scriptuale family are romanticized, they reference German calligraphic styles from the 19th and early 20th Centuries. For instance the design of Scriptuale's uppercase strays from the canon of classical proportion into romantic idealism. While the C and O are drawn according to the ancient quadratic proportions - almost twice as wide, optically, as the E or the L - the letter A is wider than would be expected, and the D narrower. These subtle differences introduce a different rhythm into text set in Scriptuale than Italic styles of calligraphy may offer. Scriptuale's Gs merit special notice: both the upper and lower case G lunge slightly forward, further enhancing the dynamic quality of the text. Also unique in Scriptuale's design is the lowercase width: the letterforms appear slightly condensed; they have large x-heights to compensate for this. In a delightful twist, the number 2's beak has been closed by drawing it full-circle, back into the stem: this references a style of letter design that was practiced, among other places, by artists from the old Klingspor foundry in Offenbach Germany. Typefaces constructed there easily captured the zeitgeist of the romantic period, but are less calligraphic than Scriptuale (e.g., Rudolf Koch's Koch Antiqua). A semi-serif face (like Prof. Hermann Zapf's Optima or Otl Aicher's Rotis Semi), some of Scriptuale's letters have serifs (D), and some do not (A). And although both the B and the E normally have the same "structure" on their left side, Weise has drawn them differently in Scriptuale. These strengthen the calligraphic-like quality of the family. Traces of the pen are easy to see in Scriptuale's design; it is a thoroughly calligraphic face. The eight typefaces in the Scriptuale family include Light, Regular, Semi Bold, and Bold weights. Each weight has a companion italic. Scriptuale is similar to one other contemporary calligraphic family in the Linotype portfolio, Anasdair , from British designer

Pinkerton Introducing Pinkerton font. It was inspired from a cartoon that i saw on television, and it was originally crafted by hand to add natural handmade feeling than i make it clean with pentool. We improvise it a little bit to make a playful feel, this font is bold so and it can look strong if you use it for branding or even title for your poster design with playful decorative style. Opentype features Pinkerton Font is very good looking in playful decorative logotype, labels, t-shirt prints, product packaging, invitations, advertising and others. If you looking for a playful decorative font, than this item is a good choice for you because this font have a strong playful feel. This fonts works with folowing languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Chiga, Cornish, Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu Thank you for using this font. LS

Afical update 2.0 version Afical Composed of 3 set families, consists of 35 fonts matching italic: Afical Std, Afical Neue, Afical Stencil. families all with distinctive qualities and features but share the same basic construction and proportions. Afical has been carefully crafted to focus on Text sizes and legibility with a high x-height, we developed it with Manual TrueType Hinting. Afical It's a perfect choice for publication, Packaging, logo, branding, Signage, wayfinding design systems, as well as web and screen design OpenType features: Alternate Characters SS.01, SS.02, SS.03, SS.04, SS.05, Denominators Case-Sensitive Forms, Tabular Lining, Fractions, Ordinal, Ligatures, Discretionary Ligatures, Subscript, Superscript, Language Support: 63+ (Latin based) languages Afrikaans, Albanian, Asu, Basque, Bemba-language, Bena, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Gaelic (Irish, Scots), German, Gusii-language, Hungarian, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Cornish, Luhya, Luo-Language, Machame, Madagascan, Makhuwa-Meetto, Makonde, Malayan, Manx, Morisyen, North-Ndebele-Language, Norwegian, Bokmål, Nynorsk, Nyankore, Oromo, Pare, Portuguese, Rombo, Rwandan, Rukiga, Rundi, Rwa, Samburu, Sango, Sangu, Swedish, Swiss German, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Taita, Teso, Vunjo, Zulu Behance Looking for custom Afical? Please send us an email at hello@formatypefoundry.com Designed 2017 Published 2021 2021 Copyright © Formatype Foundry All rights reserved

Introducing Magilio - A Chic Serif Fonts Beautiful and soft fonts in a contemporary style that can make your design projects look modern, elegant and luxurious. Made with many alternative characters to make it easier for you to do various design projects and give you fun while typing. You can apply them to designs like social media posts, logos, merchandise, book covers, posters, video content thumbnails, quotes, landing pages, wedding invitations and much more which you can make with this great item for any design :) Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual -Opentype Features & PUA Encoded Multilingual contained: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Note: Use a program that supports the Opentype features and the glyph panel is available, so you can see the various alternative characters available. Examples of programs such as Adobe Illustrator, Corel Draw or Affinity Designer.

Most of my fonts tend to skew more to the darker side in terms of themes and uses. So, as a challenge, I took it upon myself to design a font through the eyes of my wife. Josephine, having a sunny and carefree disposition, gave this font her blessing as being certifiably fun and cheerful. The name of the font comes from the Cantonese translation for "peach" (tow); and saying it twice (toto) is just a cuter way of putting it. Sort of like "Peachy". It's been my nickname for Josephine for as long as I can remember. Totoey has a glyph count of 390 and supports the following languages; Supported Languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkmen, Upper Sorbian, Vunjo, Walser, Zulu

Reminiscing the old era of historical books (seriously, that old), circa 19th century. We crafted the letters by connecting the dots from the past with research for every flow, ornaments, look, and feel, to precisely aim for that perfect shape. Ephemera Blackbooks are born with a dark and robust personality. Feel the European historical mood right away, even with just typing it with your keyboard. You don't even realize when the design is done cause we make it so easy as a one-click-time-machine to your works using Ephemera Blackbooks font. It will be a perfect armory for a vintage headline, old book cover concept, sign, posters, playing cards deck design, vintage labels, beer labels, bar decoration, apparel, merchandising, you name it. OTF Features : Stylistic Set 01 to 07 and Ligature Glyph Count : 355 glyphs Language support : Afrikaans, Albanian, AsuBasque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian, Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, VunjoZulu

Obidel Introducing Obidel font, that was inspired from a lettering design that i saw on pinterest. It was originally crafted by hand to add natural handmade feeling than i make it clean with pentool. We improvise it a little bit to make a playful feel, this font is bold so and it can look strong if you use it for branding or even title for your poster design with playful decorative style. Opentype features Obidel Font is very good looking playful decorative font for logotype, labels, t-shirt prints, product packaging, invitations, advertising and others. If you looking for a playful decorative font, than this item is a good choice for you because this font have a strong playful feel. This fonts works with folowing languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Chiga, Cornish, Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu Thank you for using this font. LS

Its inspiration comes from the types without serifs, with features ranging from architecture to modernist design products. With generous shapes and counterforms, the type becomes showy wherever it is, masterfully fulfilling the purpose for which it was designed. Initially designed for a signaling project in the Brazilian city of Jaraguá do Sul, Santa Catarina, the STP Display was expanded to include the largest number of characters in the Cyrillic anda Latin alphabet. This helps to find solutions in cases where a large number of languages to communicate something is needed, such as to inform a specific place for a tourist or also a direction to follow for an employee in a company. The STP Display is a modular feature, developed with rounded corners and a design based on geometric elements, ideal for use in large sizes. Forms and counterforms, its main characteristics, bring prominence to any signaling project. The STP Display Cyrillic also has another version, the STP Stencil Cyrillic, and in addition to wayfinding projects, both can be used in architectural projects, advertising, packaging, posters, and others. With a complete Latin alphabet, STP Display Cyrillic covers over 90% of the supported languages, covering the whole American continent, East and West Europe and most of the countries of Africa, Asia and Oceania.

Tebel Sans is a modern, ultra-bold sans-serif font perfect for all kinds of designs. With nine different thickness variations and two different typefaces (regular and italic), this font is the ideal choice for your designs. Its unique thickness makes your design look like a bold and elegant title. It is also a practical body text, with a large selection of different font families available in Opentype features such as multilingual ligature. Alternative fonts make it even more attractive and valuable for various graphic designs. Tebel Sans has a uniqueness that makes your designs look more powerful and modern. Languages Support :Afrikaans, Albanian, Asturian, Asu, Azerbaijani, Basque, Bemba, Bena, Bosnian, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Igbo, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Turkmen, Upper Sorbian, Vietnamese, Vunjo, Walser, Welsh, Western Frisian, Yoruba, Zulu

Bauhaus is a style of art that was born in Weimar Germany in the early part of the 20th century. The font that bears the bauhaus name was constructed in accordance with this style by making use of spheres and squares with little or no added flourishes. Since this typeface was already minimalistic in appearance, it was difficult to produce a similarly styled font. So I went back to bauhaus’ architectural roots for inspiration. The result contains a more detailed composition, but is still focused on the basic aesthetics that continue to make bauhaus a popular art form. Baudi has a glyph count of 388 and supports the following languages Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkmen, Upper Sorbian, Vunjo, Walser, Zulu

Cheshire This pair was inspired by poster design that i saw on street, It was crafted by hand specially to add natural handmade feeling in its brand identity than i make it clean with pentool. We improve with handmade to make a retro playful feel, this font is bold so it can look strong if you use it for branding or even title for your poster design with retro playful decorative style. Opentype features Cheshire font has 175 character set included Cheshire Font is very good looking in retro retro playful decorative logotype, labels, t-shirt prints, product packaging, invitations, advertising and others. If you looking for a retro playful font, this item is a great choice to make your design authentic and unique. This fonts works with folowing languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Chiga, Cornish, Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu Thank you for using this font. LS

Name: Quarpa Styles: 6 styles Glyphs: 394 Year: 2021 This lofty font features a compact structure as well as a unique combination of rounded corners and square contours. The collection includes six styles: Extra Light, Light, and Semi Light that will ensure elegance; Regular, Medium, Semi Bold and Bold suitable for a solid design. Each of them also has Italic variation. It’s an ideal option for outstanding corporate images, logos, promos, or video presentations. Quarpa has proper kerning, multi-lingual support, and ligatures. Languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Cebuano, Chiga, Colognian, Cornish, Corsican, Croatian, Czech, Danish, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Ido, Indonesian, Interlingua, Irish, Italian, Javanese, Jju, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Kurdish, Latvian, Lithuanian, Lojban, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Maori, Meru, Morisyen, North Ndebele, Northern Sotho, Norwegian Bokmål, Norwegian Nynorsk, Nyanja, Nyankole, Occitan, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sardinian, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, South Ndebele, Southern Sotho, Spanish, Swahili, Swati, Swedish, Swiss German, Taita, Taroko, Teso, Tsonga, Tswana, Turkmen, Upper Sorbian, Vunjo, Walloon, Walser, Xhosa, Zulu

Introducing Seafont - serif typeface , 24 fonts + 26 swashes Seafont is elegant and timeless typeface loaded with 24 font styles (narrower, narrow, regular, wide, wider, widest) 26 swashes, 87 languages support and ligature glyphs to make you typography truly unique! Language Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusi,i Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian, Bokmål, Norwegian, Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Teso, Turkish, Upper, Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu FEATURES Uppercase, lowercase, numeral, punctuation & Symbol ligature glyphs Narrower - 4 weights Narrow - 4 weights Regular - 4 weights Wide - 4 weights Wider - 4 weights Widest - 4 weights Multilingual support - 87 languages No special software is required to type out the standard characters of the Typeface. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Its inspiration comes from the types without serifs, with features ranging from architecture to modernist design products. With generous shapes and counterforms, the type becomes showy wherever it is, masterfully fulfilling the purpose for which it was designed. Initially designed for a signaling project in the Brazilian city of Jaraguá do Sul, Santa Catarina, the STP Display was expanded to include the largest number of characters in the Latin alphabet. This helps to find solutions in cases where a large number of languages to communicate something is needed, such as to inform a specific place for a tourist or also a direction to follow for an employee in a company. The STP Display is a modular feature, developed with rounded corners and a design based on geometric elements, ideal for use in large sizes. Forms and counterforms, its main characteristics, bring prominence to any signaling project. The STP Display also has another version, the STP Stencil, and in addition to wayfinding projects, both can be used in architectural projects, advertising, packaging, posters, and others. With a complete Latin alphabet, STP Display covers over 90% of the supported languages, covering the whole American continent, East and West Europe and most of the countries of Africa, Asia and Oceania.

Lady Edith harkens back to the days of flappers and cocktail parties. The early part of the twentieth century, when Art Deco was at it’s height and high fashion was all the rage. A time of beauty, class and elegance. A minimalistic font with clean lines and just enough flare to make it unique. The perfect font for any occasion that needs a bit of high end magic. There is no lower case for Lady Edith as it is a decorative font. The Upper case version serves both the upper and lower case keys. Lady Edith has a glyph count of 397 and supports the following languages; Supported Languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkmen, Upper Sorbian, Vunjo, Walser, Zulu

Baldufa is a charming typeface with strong personality, which looks very comfortable in text. There is a search to obtain complicated curves and detailed features, which gives the typeface a touch of beauty and elegance. However, this is also a self-conscious design that claims through the rounded serifs and irregular vertical stems appreciation for quirkiness and human imperfection. The letterforms are inspired by the slight distortions and idiosyncrasies that came with old printing methods. It has distinct, features such as rounded serifs, irregular vertical streams, ink traps and extremely thin junctions. In the Italic, serifs have been removed to enhance movement and expressivity. These experiments in form have not come at the cost of legibility: The typeface remains suitable for both small and display text. Baldufa Paneuropean covers Eastern and Western Latin, Greek and Cyrillic Extended.

Sitting inside our offline vault and print catalogs for several years but still available for purchase, PF Signskript is part of a valuable triad of typographic gems which are finally re-released, fully updated and upgraded. Designed by Vladimir Radibratović, a foremost calligrapher, type designer and illustrator, this trilogy of script typefaces was recently revamped by our design team with full support for Latin, Greek and Cyrillic. Initially released between 2000 and 2003 these typefaces manifest a human, hand-crafted feel. Designed to excel particularly within casual and natural contexts, their names reveal their exact identity. The nostalgic charm of PF Signskript, the unique vintage and rough appeal of PF Rafskript or the organic Mediterranean essence of PF Mediterra have all attracted attention to these popular typefaces for brands on the supermarket shelves, wine labels, packaging, quotes, stationery and vintage lettering.

A Nostalgic Signature Font for Christmas Sentimental Feeling is a script font that aims to capture the festive magic of Christmas with a retro design inspired by 1950s magazine editorials, classic movies and real hand-written signatures. It's a warm design that evokes Christmases of old, with a smooth brush-like flow and subtle human imperfections. It's equally at home singing carols, sharing Xmas Eve stories or serving cocktails at your New Years party. This happy holiday font comes with a complete set of uppercase and lowercase characters, plus numerals, punctuation, language support, symbols, alternatives, custom ligatures, underlines and a selection of festive clipart (including everything you might need to re-create the examples seen in my visuals). Add it to your toolbox and create the perfect Christmas designs, such as gifts and stationery products, ads, titles and much more!

Baldufa is a charming typeface with strong personality, which looks very comfortable in text. There is a search to obtain complicated curves and detailed features, which gives the typeface a touch of beauty and elegance. However, this is also a self-conscious design that claims through the rounded serifs and irregular vertical stems appreciation for quirkiness and human imperfection. The letterforms in the Latin are inspired by the slight distortions and idiosyncrasies that came with old printing methods. It has distinct, features such as rounded serifs, irregular vertical streams, ink traps and extremely thin junctions. In the Italic, serifs have been removed to enhance movement and expressivity. These experiments in form have not come at the cost of legibility: The typeface remains suitable for both small and display text. Baldufa Greek Ltn covers Greek and Latin.

The official terseness and grey of Neo-Classical type faces will stand out when we narrow them. The consistently vertical shading of the letters suppresses one's desire for eccentricity, just like tea with bromine. It would, however, be wrong to consider Bodoni as the originator of this - vertically shaded - trend in type face production. In his Manual we can also find type faces with a slanted axis of shade, picturesque italics and a number of normal, more human type faces. It remains a mystery why his name is connected only with one of his many works. Genre's basic design is fairly light in colour, which is why it looks good in illustrated magazines and short texts and directly calls for graphically striking, contrasting headings. It shows off beautifully next to photographs, on diplomas and on printed materials connected with a person's death.

Geogrotesque Slab is the ideal companion of the popular Geogrotesque. The challenge was to achieve a fully recognizable font that works as part of the existing family, for that reason the Slab version conveys the same message in a different way. The new font remains clean and tech with a human touch yet provides a new security, confidence and firmness thanks to the serifs. This new addition, combined with Geogrotesque, Geogrotesque Stencil and Geogrotesque Condensed Series provides even more design options and now there’s a Geogrotesque for every need. The type family consist of 14 styles 7 weights (Thin, UltraLight, Light, Regular, Medium, SemiBold and Bold) plus italics. It is available for desktop and WebFont and includes ligatures, tabular figures, fractions, numerators, denominators, superiors and inferiors with support for Central and Eastern European languages. For more details see the PDF.

Naïve Inline is a layered serif handwritten font designed by Fanny Coulez and Julien Saurin in Paris. Our goal was to draw a font with finely irregular lines that give a human and whimsical feeling. We designed three weights to assure a good readability whatever the size. They can be enhanced with five different interior patterns and three shadows to improve your designs and bring a charming and unusual feeling. To do so, you can simply superimpose the layers with a compatible software like Photoshop, the weight above and the pattern(s) below, then choose a color for each. This font is part of our Naïve superfamily that contains lot of variations: Line, Inline, Serif, Sans Serif, and a special Art Deco one. Just click on our foundry name to see them all! We hope you will enjoy our work. Merci beaucoup!

Sitting inside our offline vault and print catalogs for several years but still available for purchase, PF Rafskript is part of a valuable triad of typographic gems which are finally re-released, fully updated and upgraded. Designed by Vladimir Radibratović, a foremost calligrapher, type designer and illustrator, this trilogy of script typefaces was recently revamped by our design team with full support for Latin, Greek and Cyrillic. Initially released between 2000 and 2003 these typefaces manifest a human, hand-crafted feel. Designed to excel particularly within casual and natural contexts, their names reveal their exact identity. The nostalgic charm of PF Signskript, the unique vintage and rough appeal of PF Rafskript or the organic Mediterranean essence of PF Mediterra have all attracted attention to these popular typefaces for brands on the supermarket shelves, wine labels, packaging, quotes, stationery and vintage lettering.

The cha­rac­ter of the rough, rugged and raw hand­made type­face has a very uni­que sticky atmosphere. Letters lovingly decorated with chewing gum. Warmth, love, handmade. For support of human warmth. CONCEPT/ CHARACTERISTICS Expe­ri­men­tal ana­log hand­writ­ten style. Hand­writ­ten in ink in a con­ven­tio­nal roll-on deodo­rant. The dirty, grimmy Grunge-Look and the sloppy, rough Handwritten-Look script cha­rac­ter, gives the type­face a high reco­gni­tion value and uni­quen­ess. The motto is hand­made, rough & experimental. APPLICATION AREA The rough, ink-like, hand­writ­ten look of the hand­made font „dirty deo hand ink“ would look good at logos, dis­play size for pos­ter, flyer, comics and gra­phic novel let­te­ring, head­lines in maga­zi­nes or web­sites, packa­ging, music covers or web­ban­ner etc. TECHNICAL SPECIFICATIONS Head­line Font | Dis­play Font | Raw Trash Script Font „dirty deo hand ink“ Open­Type Font with & 282 gly­phs & 1 style (regu­lar). Sym­bols and liga­tures (with accents & €)

Six Hands is a set of handwritten fonts based on various writing tools, such as pencil, felt-tip pen, ball-point pen, and brush. The character set of each of these fonts supports the Cyrillic alphabet, as well as the extended Latin script for all European languages. Most of the styles also contain additional alternatives that have the capability of automatically interchanging in the setting, which significantly variegates and humanizes the text. Six Hands is quite a rare combination of diverse display fonts that work well together. It is made for talented designers who can use it creatively in packaging, advertising, displays, posters, menus, invitations and so on. The design of Six Hands was a result of collaboration between Alexandra Korolkova, Alexander Lubovenko and all those who assist them in this work. This set of fonts was released by Paratype in 2018.

According to designer David Farey, Cachet is a monospaced, monostroke typeface -- that isn't."" Why the sleight of hand? Typefaces that are limited to a single character and stroke width suffer in terms of legibility. Farey's goal in drawing Cachet was to create a typeface that gives the illusion of monospacing, while delivering a subliminal dose of reader-friendliness. At first glance, Cachet appears to be constructed of straight and nearly-straight strokes. A closer look, however, reveals several subtleties. Curved strokes have an almost calligraphic spontaneity. Places where character strokes meet are tapered slightly, while stroke ends have been flared. These quiet deviations from geometric uniformity give the design a human, organic, and decidedly non-digital look. An added benefit is that the subtle design modulation benefits readability. Farey's subtle design modulation results in a legible and highly usable new typeface.

MotionBats are a sort of movable type otherwise. It is a symbol font type family integrated by 9 styles. The idea behind designs is to give to typographic pictograms –static for definition– the dimension of motion. In pursue of this spirit, each font shows a complete motion sequence. MotionBats are inspired on the photographic work of Eadweard J. Muybridge [1830-1904] –a talented multi-faceted Englishman– who worked in USA by the second half of the 19th century. In those early times of photography, he started –almost by chance– taking a comprehensive and impressive photographic sequential series of human and animal locomotion. This way, he placed himself more than a decade ahead from the beginning of cinematography. This type design family points to pay a humble and certainly incomplete homage to such a pioneering and amazing Muybridge's work.

Publishing script pack combines the sensuality and elegance of Tango Argentino, evocative of special moments, of the new avant-garde font "Publishing Script" with the wildness and daring of "Publishing Draft Script". Two handmade new script fonts with 105 variations, between alternatives and swashes, plus 32 exclusive stylistic Ligatures that convey unequivocally fluidity and audacity. The distinction and vintage-contemporary approach of "Publishing Script", from the handmade character of the universe of the Fonts Café creations, which conserves the depth of the vintage/retro style mixed with an avant-garde stylish look. The authenticity and the self-confident approach of the "Publishing Draft Script", as a tool to rediscover the most intimate human being feelings, which introduces the new Fonts Café concept of Bio-write script! A perfect combination of style, readability and flexibility, a "must have" for your next Publishing projects!

Sitting inside our offline vault and print catalogs for several years but still available for purchase, PF Mediterra is part of a valuable triad of typographic gems which are finally re-released, fully updated and upgraded. Designed by Vladimir Radibratović, a foremost calligrapher, type designer and illustrator, this trilogy of script typefaces was recently revamped by our design team with full support for Latin, Greek and Cyrillic. Initially released between 2000 and 2003 these typefaces manifest a human, hand-crafted feel. Designed to excel particularly within casual and natural contexts, their names reveal their exact identity. The nostalgic charm of PF Signskript, the unique vintage and rough appeal of PF Rafskript or the organic Mediterranean essence of PF Mediterra have all attracted attention to these popular typefaces for brands on the supermarket shelves, wine labels, packaging, quotes, stationery and vintage lettering.

Geronimo is a rough poster script done in the spirit of brush calligraphy experiments conducted by American calligrapher and historian, Professor Alexander Nesbitt. This particular approach to brush script uses a pointed brush. Although Nesbitt considered the pointed brush corruptive and not at all suited to present day western letter forms, he put forth that with enough control of the brush (keeping it upright, maintaining stroke evenness, etc) even an unexperienced letterer can easily draw current day letters, though the result will always show characteristics of the letterer's own handwriting. Geronimo is a great choice for entertainment design, like book covers, film poster and packaging, and CD inserts. It also is a great overall display design for anything that seeks to depict adventure or an environment with a rough human element. Many alternates are sprinkled throughout the font.

Introducing "Anger Style": Unleash the Power of Emotion Are you ready to harness the raw energy of emotions and bring them to life in your designs? Look no further than "Anger Style," an electrifying and dynamic font that will leave a lasting impact on your audience. Designed by our team of expert font designers, "Anger Style" is a captivating blend of intensity, power, and expressiveness. Possible Design Uses: "Anger Style" is a font that excels in making a bold statement. Its commanding presence and fiery nature make it perfect for various design applications, including: Headlines and Titles: Grab your audience's attention and make a lasting impression with powerful headlines that demand to be noticed. Logos and Branding: Infuse your brand identity with passion and intensity, creating a memorable and distinct visual presence. Posters and Flyers: Advertise events, concerts, or special promotions with eye-catching designs that embody rebelliousness and energy. Book Covers: Create striking covers that captivate readers and convey the emotional depth of your story or message. Apparel and Merchandise: Add an edgy touch to your clothing designs, making a statement that resonates with your target audience. Unique Qualities: What sets "Anger Style" apart from other fonts is its ability to evoke a wide range of emotions, not just anger. It transcends its name, allowing you to express passion, determination, and rebellion through your designs. Its versatility lies in its bold strokes and sharp edges, which convey a sense of intensity and power. By choosing "Anger Style," you gain access to a font that embodies the very essence of raw human emotion. Font Pairing: "Anger Style" pairs exceptionally well with other fonts that complement its intensity and create harmonious combinations. Consider combining it with: "Bold Sans Serifs": The clean lines and strong presence of a bold sans serif font can enhance the impact of "Anger Style," creating a balanced and eye-catching composition. "Elegant Script Fonts": To add a touch of contrast and sophistication, pairing "Anger Style" with an elegant script font can create a visually engaging and dynamic design. Functional Aspects: "Anger Style" offers a range of functional aspects designed to enhance your creative possibilities: Styles: "Anger Style" is available in bold and regular styles, allowing you to emphasize different levels of intensity within your designs. Character Sets: The font includes an extensive character set, covering uppercase and lowercase letters, numbers, punctuation marks, and special characters. This ensures versatility and legibility across various design projects. Special Features: "Anger Style" includes stylistic alternates and ligatures, providing you with additional design options and allowing you to create a truly customized and unique look.

Golestan is designed by Naghi Naghashian. It is a Font family, in 2 weights, Regular and Bold. This font is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Golestan supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Golestan design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Golestan’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Golestan was developed for multiple languages and writing conventions. Golestan supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Balanga is a smooth, elegant and flowing handwritten font. It has a beautifully balanced character, goes well with many designs. Balanga features varied baselines, smooth lines, beautiful glyphs, and stunning alternatives. Hand-drawn design elements allow you to create many beautiful typographic designs in an instant such as branding, web and editorial designs, prints, crafts, quotes, It's great for logo types, wedding invitations, romantic cards, labels, packaging, name spelling and other . Add to your most creative ideas and see how they make it happen! Balanga includes OpenType style alternatives, ligatures, and International support for most Western Languages. To enable the OpenType Stylistic alternative, you need a supporting program such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. Balanga is coded with PUA Unicode, which allows full access to all additional characters without having to design special software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any additional characters to paste into your favorite text editor/application.

We, GalaStudio (Lilia & Galina) represent the SlimOne Normal font from our MELTING FONTS collection. On typing in Google the words "to slim" you can see immediately that the most in demand on the subject is: "to slim in one month", "to slim tips", "to slim - what should I do". We are obsessed with the idea to lose weight. It means now to become more healthy, more fashionable, self-confident and successful. Font as an important element of environmental design reflects contemporary reality. We want to respond to this challenge in our font design. Thus, in our GalaStudio the MELTING FONTS series was born. The fonts of the SlimOne family have a concept of disappearing graphic elements. The letters of these fonts look like melting, dissolving into the space. INCLUDED: GS_SlimOne_Normal.otf GS_SlimOne_Normal.ttf Numbers, additional glyphs & basic punctuation are included. PERFECT FOR: using in books titles, textbooks, notebooks, different brochures and advertising, especially for kids, home-ware design, packaging design; magazines, posters and flyers titles; logos design, books design, fashion design, slogans etc. :) Multilingual support included for the languages based on Latin alphabet.

Guinevere Pro is a typeface designed by Icelandic art director Sigurdur Armannsson. It started in 2001 as simple hand-drawn sketches of a few letters built from modules, then became an experiment with four goals: - Construct an original alphabet from a specific set of predetermined modules. - See how certain letter forms built without said modules would behave within the totality of the module-constructed alphabet. - See if certain letters would actually enforce their own shapes to be drawn a certain way within the totality of the typeface. Likewise, see if the totality of the alphabet demands that individual letters be drawn in a specific way, and if so, how much room for variation would there be? - See how all of the above reacts/changes to implementing the alphabet across different weights. The experiment was finessed and re-worked over many years of technology changes, and Guinevere Pro is the final outcome, ten years later. The Guinevere Pro set is four cross-platform Open Type fonts, with built-in small caps, alternates, ligatures, and support for a wide range of Latin-based languages.

Amour is a calligraphy script font that comes with beautiful alternate characters. copper plate mix calligraphy with handlettering style. Designed to convey stylish elegance. Amour Script is attractive as a typeface that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read. Classic style is very suitable to be applied to all types of formal items such as invitations, labels, menus, logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting / wedding cards, packaging, labels, and others. . Amour Script features 1550+ glyphs and 1320 alternate characters. including multiple language support. It features OpenType with style alternatives, character binding and strokes, which allows you to mix and match letter pairs to match your designs, as well as a touch of ornament to make this font look elegant. • New Updated • Amour Script! Amour has now been updated to include 4 styles; bold/bold italic version, regular & italic version. This gives you the option to completely change your font style with the click of a mouse, whether you're looking for a smoother style, a bold version, or an italic finish.

Afsane is a sans-serif headline font family designed by Naghi Naghashian in 3 weights, Light, regular and Bold.This font is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Afsane supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Afsane design fulfills the following needs: A. Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B. Suitability for multiple applications. Gives the widest potential acceptability. C. Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Afsane’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D. An attractive typographic image. Afsane was developed for multiple languages and writing conventions. Afsane supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E. The highest degree of calligraphic grace and the clarity of geometric typography.

The Brotherside is a signature decorative font with which you can achieve a handwritten-type lettering feeling. This signature style is perfect for your modern graphic design needs. This font has a really nice flow so you use it in a large text if you want to give them a touch of personality. It can be used on social media content, for branding or packaging. The Brotherside is the ideal typeface for organic products branding and packaging. Additionally, you can use this for adding romantic vibes for wedding invitation designs. Especially if you are looking for a font for Instagram quote posts or any other social media content, this typeface is for you! With your purchase you get: Uppercase and Lowercase Numbers and Punctuation Marks Ligature PUA Encoded open Support for MAC or PC Simple installation for Adobe Illustrator, Corel Draw, Photoshop, or Procreate (New Updated) Support Multilanguage I hope you make something cool with it. If you have any questions don't hesitate to ask! Stay Classy! Fadhil - Figuree Studio

The softening of edges in the Shabby Chic aesthetic are markers of age, warmth, authenticity and use. The charming style popular with Bohemians and artisans has a soft, relaxed and romantic feeling. Resistenza used their highly successful monolinear script Mina as the basis to explore how to recreate the spirit and charm of the Shabby Chic design style in a typeface. Drawn by hand with dry brush pen for rustic warmth and distressed edges. Shabby Chic has long connections between letters creating a visual rhythm that echoes the form and pace of gentle waves lapping at a seashore. Each character has an expressive touch, OpenType enabled alternates, for character combinations, initial and final forms allow effortless customisation, flair and a realistic handwritten-sign appearance. (The alternates are accessible by turning on 'Stylistic Alternates' and 'Ligatures' buttons on in Photoshop's Character panel, or via any software with a glyphs panel, e.g. Adobe, Quark...etc) Introduce some rustic romance to your font library. Shabby Chic is perfect for cards, invitations, labels and logos where you want to convey intimate, friendly, warm and genuine sentiment.