There are many subtle and dramatic differences incorporated into this classic beauty. Many shapes have undergone a bold transformation, while others lines remain faithful to that classic period of time that we all know and love. Kaczun Oldstyle works great in headlines, but it works equally well in text at a wide range of point sizes. Use it instead of the old times because, after all, we live in new times.

A great animated sanserif headline face that has the comic book look.

A Swiss Sanserif designed for FotoStar with traditionally straight elements deliberately curved.

Outlander Nova is a reworking of Outlander, and adds uppercase characters in addition to the previously available unicase versions. This new version also provides italics for the first time.

If you're about to make the jump into hyperspace, buckle up and engage your R2 unit with our new font release, HYPERDRIVE! Ten years in the making, we've spent almost as much time developing these characters as George Lucas spent developing his! Co-created by Starkings & Roshell (HYPERDRIVE, not George), this font is guaranteed to keep TIE fighters off your tail and will always come in useful if you get menaced by phantoms or attacked by clones. So sit back, relax and enjoy the flight -- but don't forget; let the Wookiee win! Remastered Hyperdrive includes new letter shapes, 200+ connecting letter combos, improved spacing & kerning and support for Western & Central Europe.

Around 1931, the Los Angeles Times (in partnership with the Richfield Oil Company) installed on its building a moving message board similar to the one at the New York Times in New York City which they dubbed an “electric newspaper”. The style of characters used on this electronic sign were the basis for the namesake font Electric Newspaper JNL, which is available in both regular and oblique versions. A blank space to place between words is available on both the solid bar and broken bar keystrokes.

Alton JNL is an ultra-bold sanserif design that's perfect for any headline application.

Ashtanga was named after a type of yoga. In Sanskrit it means "eight-limbed", which I find quite appropriate, give the amount of swirls and curls. The font is 'all-caps', but the upper and lower case glyphs differ completely. They are, of course, fully interchangeable. Ashtanga comes with multi language support.

Surpassing traditional Antiqua, our new collaborative font family Audela emerges after overcoming time, national borders, language differences, cultural gaps, and professional challenges. Starting off as an exercise project of our very first intern Léa Bruneau in 2018, Audela slowly shaped into a full-fledged elegant serif typeface of 14 styles under the watchful eye of Plamen Motev, Fontfabric’s Type Director. Three years later, Audela is internally regarded as a breaker of limits earning its name from the French “au-delà,” meaning “beyond.” This new rising star features sharp serifs, flowing letterforms, advanced OpenType features, Extended Latin and Cyrillic support, to name a few.

Based on Times New Roman of Monotype, 1932, by Stanley Morison and Victor Lardent, and other versions of Times. It has many characteristics of an Old Style serif faces; it was designed for better legibility in combination with good economy. Widely used in books and magazines, reports and office documents, and also for display and advertising.

A Postmodern vernacular sanserif in 8 fonts Prosaic designed by Aurélien Vret is a Postmodern typographic tribute to the french vernacular signs created by local producers in order to directly market their products visible along the roads. These signs drawn with a brush on artisanal billboards do not respect any typographic rules. The construction of these letterforms is hybrid and does not respect any ductus. Nevertheless the use of certain tools provokes a certain mechanism in the development of letter shapes. It’s after many experiments with a flat brush, that’s these letterforms have been reconstructed and perfected by Aurélien Vret. This is the starting point for the development of an easily reproducible sanserif with different contemporary writing tools. From non-typographical references of Prosaic towards readability innovation The influence of the tool is revealed in the letterforms: angular counterforms contrasting to the smoothed external shapes. This formal contrast gives to Prosaic a good legibility in small sizes. These internal angles indirectly influenced by the tool, open the counterforms. In the past, to deal with phototype limitations in typeface production, some foundries modified the final design by adding ink traps. In our high resolution digital world, these ink traps — now fashionable among some designers — have little or no effect when literally added to any design. Should one see in it a tribute to the previous limitations? Difficult to say. Meanwhile, there are typeface designers such as Ladislas Mandel, Roger Excoffon, and Gerard Unger who have long tried to push the limits of readability by opening the counters of their typefaces. Whatever the technology, such design research for a large counters have a positive impact on visual perception of typefaces in a small body text. The innovative design of counter-forms of the Prosaic appears in this second approach. Itself reinforced by an exaggerated x-height as if attempting to go beyond the formal limits of the Latin typography. It is interesting to note how the analysis of a non-typographical letters process has led to the development of a new typographic concept by improving legibility in small sizes. Disconnected to typical typographic roots in its elaboration, Prosaic is somewhat unclassifiable. The formal result could easily be described as a sturdy Postmodern humanistic sanserif! Humanistic sanserif because of its open endings. Sturdy because of its monumental x-height, featuring a “finish” mixing structured endings details. The visual interplay of angles and roundness produces a design without concessions. Finally, Prosaic is Postmodern in the sense it is a skeptical interpretation of vernacular sign paintings. Starting from a reconstruction of them in order to re-structure new forms with the objective of designing a new typeface. Referring to typographic analogy, the Prosaic Black is comparable to the Antique Olive Nord, while the thinner versions can refer to Frutiger or some versions of the Ladislas Mandel typefaces intended for telephone directories. Prosaic, a Postmodern vernacular sanserif Prosaic is radical, because it comes from a long artistic reflection of its designer, Aurélien Vret, as well a multidisciplinary artist. The Prosaic is also a dual tone typeface because it helps to serve the readability in very small sizes and brings a sturdy typographic power to large sizes. Prosaic, a Postmodern vernacular sanserif

Kari is a complete redraw and expansion of the award-winning typeface originally released in 2005. Featuring both upright and ‘italic’ styles, this soft and curvy script is perfect for packaging, expressive headlines, and fun settings. Feature-rich and flexible, Kari is stocked full of alternate characters, swashes, titling options, expanded numeral sets, new dingbats, and a lot more… and for the first time, the much-requested ‘Medium’ weight is now available.

Introducing the new 2024 font "Coffee Shop"! This is a strict and at the same time playful serif font. It will look great on any of your designs - T-shirts, posters, promotional materials. Introducing the new font "Coffee Shop"! This is a strict and at the same time playful serif font. It will look great on any of your designs - T-shirts, posters, promotional materials. The font contains many additional characters, there is multilingual support, as well as styles with support for layers - Shadow FX and Scratch Shadow FX.

Greycliff Devanagari CF is an adaptation of the original Greycliff typeface to the Devanagari script. The geometric, monolinear design of the original sans serif is recreated in full, allowing for cohesive multilingual applications between English and Hindi, Marathi, Nepali, Sanskrit, and more. Nine weights cover both Latin and Devanagari, including numerals, conjuncts, and punctuation.

Roger Roberson skillfully adapted the sanserif to the monospace IBM typewriter at Lexington, Kentucky, in 1956.

Hanford JNL is a clean and friendly sanserif design that lends itself well to any application.

Letters in circles are certainly nothing new typographically, but nonetheless they were a favorite tool for sign makers in past decades for emphasizing names or key words in a message. Inspired by an image of an old-time hardware store sign in New York City with Franklinesque lettering, it has been reproduced as Circuletter JNL.

ITC Jaft is the work of New York designer Frank Marciuliano, an adventurous, energetic display typeface. It began with a series of posters designed by Marciuliano for the New York Times. The lettering was drawn with a bamboo pen and then filled in to create the unusual angles that give ITC Jaft its unique look.

Mangal™ is an OpenType font for the Indic script Devanagari. Mangal can be used to write Hindi, Sanskrit, Marathi, Nepali, Punjabi and other Indic scripts. Mangal is based on Unicode, contains TrueType outlines and was designed by Raghunath Joshi for use as a UI font. Copyright ™ 2001 Microsoft Corporation. All rights reserved. Character Set: Latin-1, Devanagari.

Sablon is back! This time on the edge in Thick & Thin version, keeping its significant features especially in letters B, G, M and N. With new expressive figures best suitable in headlines and packaging graphics.

Modesto is a loose-knit family based on a signpainters lettering style popular in the late-19th and early-20th centuries. It evolved from the lettering I used for the Ringling Bros. and Barnum & Bailey Circus Logo. The Modesto family was not planned. It just happened, a few fonts at a time over about fifteen years. In 2014 four new Italic fonts were added. There is a downloadable MODESTO USER MANUAL PDF in the Gallery section for this family.

Periodical JNL is based on one the many stylized titles from the cover of the 1920s Spanish magazine "Nuevo Mundo" (New World). Each cover displayed a beautiful piece of period artwork along with the magazine's name in different lettering styles of the time (Art Nouveau and early Art Deco). The original design features an "engraved" look and now has an oblique counterpart. Also available are solid versions (without the inside lines) in both regular and oblique styles.

Sadyan is a new san serif font with a lovely and graceful shape that can elevate your specific project to new heights. because we carefully and thoroughly develop each letterform in order to create a beautiful, appealing, and versatile blend of words for you to use in your various projects Now is the time to start using this typeface in your various projects. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Gelato Fresco represents a coming-of-age of a script font that started life in 2011 as the popular Gelato Script. In 2018, Gelato Luxe sought to improve on Gelato Script, and now, with the addition of extra weights for the first time, Gelato Fresco takes the baton. What was always a typographically sophisticated and versatile font, has reached new levels of usability as it becomes a family. In its previous incarnations, the typeface has graced everything from designer handbags to prime-time TV shows; food blogs to wedding invitations; glossy magazines to (not so imaginatively!) ice cream shops. I can't wait to see what this even more versatile version gets used for.

The lettering style of Show Biz JNL is a classic sanserif with Art Deco influences. Slight variations in some letter shapes set it off from similar releases. The basic inspiration for this font was a set of ceramic letters and numbers used for home movie titling, but a few touches were added to give the font its own style and flavor.

Composed, clean and slightly angular, as its name says. It's organic, warm and round in the right places too. A sanserif typeface family Vinkel is a handsome androgyne with an excellent balance of Neo-grotesque and Humanist DNA. Vinkel comes in eight weights from Thin to Extra Black, all with italics, small caps, several sets of numerals, arrows, alternate characters, and more.

DF Camino is a revised mid 20th century geometric sanserif which guides you from somewhere to elsewhere. And beyond.

Once upon a time there was a really adorable font. Expressive, hand-lettered, and storybook sweet in any language, Once has charm to spare. Enjoy the new set of double letter ligatures, and live happily ever after.

Notification JNL is another condensed sanserif design loosely based on one of the many variations of wood type headline fonts.

Mahameru is the name of the peak of Mount Semeru, mean "The Great Mountain" in Sanskrit. This font gives a firm and soft character, with the terminal point on straight and curved strokes. The family has 9 weights ranging from Thin to Black and offers a lot of features flexibility that will help you find the best typographic color for your project.

Sole Sans, companion to Sole Serif , is a newspaper sanserif available in a wide range of weights and styles. It’s a workhorse, suitable for headlines, diagrams, graphics and tabular work. Contrast at the junctions between arches and stems is a feature of early 19th-century sanserifs which inspired Sole Sans. It was originally designed for the leading Italian financial newspaper Il Sole 24 ore.

Presentation JNL is built on the letterforms of Gilbert JNL (which in turn was modeled after Eric Gill's classic sanserif design).

Engineer is a new, completely redesigned and improved version of my font TechnicznaPomoc, which was released for the first time in 2001. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Hail to the king baby! Inspired by the greatest comics artist of all time, these fonts will have you lettering pages like a New God! Both feature a seamless center squiggle and the deluxe font feature awesome Kirby crackle!

A handsome, square sanserif, the ultra extended Cavalero is strictly a display design. The typeface was inspired by the Chevy Cavalier logotype.

A dark, condensed, nineteenth century sanserif made popular by Linotype, the capitals deriving from Barnhart Brothers and Spindler, the lowercase from Farmer.

Secesja Pro is a new, completely redesigned and improved version of my font Secesja, which was released for the first time in 2001. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Gotyk Nr7 is a new, completely redesigned and improved version of my font Gotyk Poszarpany, which was released for the first time in 2001. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Hello, this time we want to introduce a new product. namely "Mechta", a display font that has a classic, feminine and elegant style. very suitable for wedding invitations, branding and other creative products. Feature Uppercase Lowercase Numeral Functional Ligature Stylistic Multilingual

Astalamet Pro is a new, completely redesigned and improved version of my font AstalametPure, which was released for the first time in 2001. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.