Grandi is a sans-serif in ten different styles. Carefully designed by Måns Grebäck, this typeface's great variation makes it adaptable to any size and context. It is confident and catchy, and comes in five weights, each one as upright and italic.

Steclo is a semi-closed narrowed display sans-serif typeface with pronounced technical character. It comes in 9 weights from Thin to Black accompanied by corresponding oblique italics. Steclo features rich language support including pan-European Latin and basic Cyrillic glyph sets.

A hand lettered, dual line sans serif type style was used for the title of “Filmland” – a 1931 movie fan magazine from India. This inspired both the digital typeface’s design and name. Filmland JNL is available in both regular and oblique versions.

Written in a ballpoint pen style POST BOX is a neighborly sans serif is slightly condensed and slanted. Scribbled quickly but readable. Exact but still human. Perfect for print, package and display use. You can also use it in shorter paragraph text.

The perfect companion to Twelve Oaks JNL is this condensed sans serif font created by Jeff Levine from scans of actual wooden type blocks. Ingomar JNL [named after a town in Montana] continues the charm and nostalgia associated with this type of lettering.

ATC Duel is a strong, extra heavy multi-width sans-serif display font with sharp edges and an extended horizontal span, inspired by the automotive industry. Font contains 500+ glyphs, full alphabet, ligatures, numberals, accents and punctuation. ATC Duel was released in 2016.

Esenka is a family sans that comes with 9 weights, 9 italics and 2 outlines. Esenka has an expanded uppercase alternate, with a choice of 2x and 3x width options. Esenka is PUA encoded which mean you can access alternate with ease.

Carltine is a unique and modern family of Sans serif fonts. Simply Conception has 18 families Regular and italic font, starting from the small thin to the largest black. This typeface is versatile and can be used successfully in magazines, posters, branding, websites.

Brooklyn Samuels is a sans-serif family of fonts designed by Hans Samuelson. Based on geometrical shapes it is primarily intended for headline use but also offers excellent legibility in small sizes. Stylistic sets offer a more text-friendly alternative for some letters.

Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting. All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto sub-families have two text weights and two bold styles (Regular -> Bold, Medium -> Black). Every weight has a companion Italic style as well. The serif version has been designed to work best at small point sizes (around 8, 9 points). You will not achieve calm, boring or invisible look of your text with Preto Serif. Its long, spiky and sharp serifs contribute to give the typeface a distinct and energetic character. It is very suitable for magazines, corporate identity, brochures or other print materials where a typeface for continuous reading is required. The ligatures in Preto Serif are very special. You can set them in different tracking values and spacing will increase/decrease consistently in the ligatures as well. Alternative characters in the font files allow you to change the feeling of the text from typical to more special (J, Q, g , &). Each font contains a full set of small caps and many alternative characters for complex typesetting.

Sedid, “solidity; It is an Arabic term meaning “righteousness”. In particular, the correctness and soundness of a word is indicated by this word. The fact that I gave this name to the writing family is to point out its accuracy and robustness. This typeface, which is sans serif, consists of three families: ▪ Sedid: Font family containing Latin letters ▪ Sedid Pro: Font family including Latin, Arabic and Hebrew alphabets ▪ Sedid World: A family of typefaces including Latin, Cyrillic, Greek, Arabic and Hebrew alphabets Those who have versatile works should meet the Sedid Pro writing family to meet a new face of writing and make a difference to their work. This font is serious, elegant and solidly built. The Sedid Pro font family can be used as text and header fonts in publishing, digital media and websites. Sedid Pro also has a nice-looking, flexible, geometric face with smooth lines and transitions. The inner and outer spaces of the font are proportioned so that the text can be read easily. Sedid Pro font family consists of 14 fonts, seven plain and seven italic. The font family includes open type features, as well as a large number of ligatures, small caps, modifiers, and currency symbols of many countries.

Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting. All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto sub-families have two text weights and two bold styles (Regular -> Bold, Medium -> Black). Every weight has a companion Italic style as well. The serif version has been designed to work best at small point sizes (around 8, 9 points). You will not achieve calm, boring or invisible look of your text with Preto Serif. Its long, spiky and sharp serifs contribute to give the typeface a distinct and energetic character. It is very suitable for magazines, corporate identity, brochures or other print materials where a typeface for continuous reading is required. The ligatures in Preto Serif are very special. You can set them in different tracking values and spacing will increase/decrease consistently in the ligatures as well. Alternative characters in the font files allow you to change the feeling of the text from typical to more special (J, Q, g , &). Each font contains a full set of small caps and many alternative characters for complex typesetting.

Rogsant Crisp is a luxurious sans serif typeface that combines contrasting letterforms with delicate and fine features, creating a beautiful and tasteful appearance. Designed by Mans Greback & Delaga, this clean and clear font exudes professionalism and style, making it perfect for fashion, art, and high-end branding projects. The elegance of Rogsant Crisp lies in its attention to detail and carefully crafted letterforms, which allow for a harmonious balance between sophistication and readability. With its refined appearance, Rogsant Crisp is an ideal choice for both print and digital designs that require a touch of luxury and delicacy. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures, and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers. Mans Greback is a dedicated typeface designer from Sweden, who continually strives to create innovative and unique fonts. His passion for design and typography shines through in his work, earning him recognition from designers around the globe.

LTC Spire with alternate caps was designed by Lanston’s type director Sol Hess in 1937. Spire Roman was designed without lowercase. But it includes alternate rounded caps which transform this extra condensed “fat face” into more of an art deco titling face. Spire Roman has been used within department store logos, luxury hotel signage, perfumes, etc, etc.

Here’s a techno typeface with a difference. Its monoline stroke and sharp terminals are softened by rounded corners, and its perceptual monospaced widths have been subtly altered and strategically kerned to improve the visual flow. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

A clean, elegant and modern serif that has a strong personality thanks to its soft endings, rounded terminals, inspired from Cheltenham, Belwe and Souvenir. Prody is equipped for complex, professional typography. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages. Includes: + 4 weights + Script: latin

Theater Tickets JNL was inspired by a photo of the marquee signage for Detroit’s Majestic Theater (built in1934), and is available in both regular and oblique versions. The theater was renovated and restored in 1987 and its marquee replicated the original one. What’s interesting is that the signage actually resembles squared pen lettering with rounded corners.

Yerk is another modern Y2K inspired font. This retro font comes in 3 styles regular italic and slanted. Its bold weight, squared-off letters with slightly rounded corners make it perfect for adding big impact and a bit of personality to your design. It is perfect for logos, branding, magazines, Instagram, and whatever project you are looking for.

Milkyway, a bubbly-bold font that is perfect for making your project looks even more fun! It’s rounded and curvy shape makes it more unique. Milkyway is very ideal for variety design projects, such as posters, Invitations, greeting cards, logo, and many more. Milkyway will jolly up you and your audiences! Get this font now to magnify your design!

The pattern for this classic typeface was originally called "Viking Oldstyle", from the 1909 H.C. Hansen Type Foundry catalog. To enhance its weathered look, the inside corners have been rounded to simulate ink buildup on metal typeforms. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.

Fairy Tail is a bold and friendly typeface designed specifically for headlines. All of the letters are chunky and rounded,which is probably the reason why they are visible from afar. The overall feel of the typeface is meant to be very casual and affable, so it is great for businesses that are fun, outgoing and sincere.

Squared letters with rounded corners – Deco stylized letter forms – some characters with ‘hook’ semi-serifs – such is the mixed styles that comprise the hand lettered title “United We Stand” on a 1940s-era piece of sheet music. This unusual conglomeration of character shapes inspired the aptly named Hybrid Deco JNL, which is available in both regular and oblique versions.

Creolia is a bold rounded serif typeface in modern and classy style. OpenType features include old style figures and ligatures. Creolia is ideal for headlines, headers, logos, labels, packaging, postcards, presentations, magazines, invitations, etc. Features: Basic latin alphabet A-Z 56 Ligatures & Alternates 112 Accented characters Numbers, Punctuation, Currency, Symbols, Math symbols & Diacritics Old style figures Enjoy Creolia!

Thannhaeuser’s mid-1930s display blacklettr font as a fresh and extended redesign called Staufer Gotisch. This font contains a bunch of useful ligatures, and it is recommended to activate both Standard and Discretionary Ligatures. To reach the numero sign, type the combination N-o-period und activate the OT feature Ordinals. The # key is occupied by the round s.

Crowded rounded vintage font was created by our talented artist with full passion for vintage display. You will find a fresh vintage sensation. Visit our gallery and enjoy the previews. Includes: Crowded Regular Crowded Ornament Features: Accents (Multilingual characters) 16 Ligatures 79 Alternates PUA encoded Numerals and Punctuation (OpenType Standard) Thanks for visiting and purchasing my font.

Sunbird is a happy, rounded, cartoonish font family. It comes in three weights: regular, medium and black - each with its very own Italic style. Sunbird is quite versatile: it looks good as a display font, but setting a (short) text in it could work as well. Its versatility makes Sunbird an ideal font for product packaging and posters.

Goldside is a Bold Monoline Handbrushed Font. Goldside is a bold and elegant handwritten font. Its distinct and well rounded letters make this font a masterpiece. Fall in love with its incredibly versatile style and use it to create spectacular designs! Goldside also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email.

Introducing "Chunk Plump," a retro display font that combines chunky and rounded shapes. Bold and playful, it captures the nostalgic charm of the past with a contemporary twist. Perfect for headlines and titles, it adds authenticity and character to any design, infusing a sense of warmth and inviting energy. Get ready to make a lasting impression with "Chunk Plump."

Alnis is a bold type font with a round but straight shape. This font creates a formal yet relaxed vibe for any of your projects. Best font for designers. Alnis is excellent for logos, posters, cards, ext. Make your project look fascinating by combining it with another font. This font comes up with full uppercase, lowercase, and multilingual letters.

Dottie is based on a matrix of dots. It was inspired by the output of old, cheap, dot-matrix printers. In addition to Dottie-Regular with round dots, the family group includes DottieDiamond with diamond dots, DottieSquareTwo with square dots that do not overlap, and DottieSquare with square dots that overlap to create horizontal and vertical bars.

The late-19th and early-20th century standard blackletter family in Germany, in three weights. To get access to all ligatures, it is recommended to activate both Standard and Discretionary Ligatures. You find the round s on the # key, and by typing the combination N-o-period and activating the OT feature Ordinals you get the numero sign.

Cataneo was designed at Bitstream by Richard Lipton and Jacqueline Sakwa and was initially released in 1993. Cataneo is an elegant chancery cursive typeface, inspired by the work of Bernardino Cataneo, a 16th-century Italian writing master. Cataneo offers as companions, typographer sets of swash characters and extensions to round out the family of three weights.

‘Every Cloud’ is a cute hand-drawn type family. The family has 4 different weights and a matching inline style. It has a tall x-height, and the edges are rounded and soft. It was designed with applications such as advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and social media, and marketing in mind.

I think it is one of our most useful fonts in that it doesn't draw much attention to itself while it is quite refreshingly different. Almost all shapes in Vecta are rounded to provide a friendly effect. Proportions are somewhat condensed providing economic space usage. Vecta looks equally at home in headlines as well as body text.

Cholens is a bold, rounded script typeface in a modern and classy style. OpenType features include old style figures and ligatures. Cholens is ideal for headlines, headers, logos, labels, packaging, postcards, presentations, magazines, invitations, and more. Features: Basic latin alphabet A-Z Ligatures & Alternates Accented characters Numbers, Punctuation, Currency, Symbols, Math symbols & Diacritics Old style figures

Apparata is a versatile display and text typeface suitable for identities or magazines. With a rounded finish, some characters have a combination of diagonal and curve strokes. Currently includes 4 styles: Light, Light Italic, Bold and Bold Italic. With more than 700 glyphs in each font, smallcaps, tabular and old style figures, fractions, ligatures, punctuation and symbols.

This typeface is an amalgam of two cut-paper typefaces, as presented by Margaret Shepherd in her book, Calligraphic Alphabets Made Easy. Also included are a glue bottle at the bar position, and round-edge scissors at the dagger and double-dagger positions. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

A precise rounded typeface with a clean and linear appearance. The simple compact nature of the design allows for great economy of space across layouts. Also deliberate consideration has been paid to inner corners to ensure no dark areas are produced within texts. Details include 6 weights, an extended European character set, manually edited kerning and Euro symbol.

The 1920 edition of “How to Paint Signs and Sho’ Cards” by E. C. Matthews offered a number of examples of then-modern lettering styles for sign painters and show card writers. A bold display alphabet made with a round lettering nib is now available as Show Card Pen JNL, in both regular and oblique versions.

Bouclé.2 – an upgraded edition of Bouclé fonts (2009), with careful refinements to glyph shapes and extension of glyph amounts, which enabled support of more Latin languages. New edition consists of eight styles: Light, Regular, Bold weights for plain and round fonts respectably, plus Regular and Light italics. Typeface is released in OpenType format with some OpenType features.