Itoxina is designed especially for the burgeoning market of starships and other space cruisers. Itoxina has been developed with the contribution of experts in navigation through space and time. The fonts are ideal for internal and external use (including zero-g and occasional bursts of cosmic rays), and with their simplified forms are expected to survive well in non-linear galaxies. With their unusual diagonal half-pixels the fonts are striking as abstract designs at astronomical sizes, where small text may be placed within the black holes formed inside the letters. On explicit suggestion of Mr. Spock true capital letters have been added.

»Prima Script« was designed especially for use in Menus and Cook-books. One of my sons is a chef in Munich and he was always bugging me to make a new font for his menus. I already designed one for him »Konstantin« but he likes to have new stuff every couple of years what I understood. So here is the new »Prima Script« (that’s what he said when he first saw the font). To give it more usability I made alternate initials and end letters as well as medieval cyphers. Then I did a couple of swashes and a handdrawn Sans font to complete the set. Have fun!

Are you looking for a unique elegant font? You came to the right product. Magicjar is an elegant hand lettering look attractive and natural! Every single letters have been carefully crafted to make your text looks beautiful. Magicjar is PUA encoded, which means you could access all of the glyphs! Every letter has a unique and beautiful touch, which will make your design come alive! Thanks

Get ready for a battle - a battle of punk and grunge! This surely is a messy font...it looks like it has been run over by a VERY bad copy machine! Comes with a bunch of cool features such as: - Different lower/caps letters - Unique accented charaters - Ligatures for double letters/numbers - Alternative letters You will need to use OpenType supporting applications to use the autoligatures

Ruber - Sans serif font family - Multilingual - 12 Styles You can easily use the sans serif font feature in many areas. You can compose your text with regular characters, highlight heavy characters and titles. Functional in many sizes and environments. If you are looking for a modern - geometric and sans serif style that can be effective in branding, you can easily use this font. It is also assertive about being a highly readable font with different weights. Have a good time.

Introducing a new retro pop script called Doskyball Inspired by '70s script letters. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Helnore is a sans serif font family with tapered accents in some of the letters giving it a modern and bold character, even being quite prominent in thin characters. This font aims to give an elegant impression and also looks so luxurious in short words for a letter-based title and logo. Helnore bring 20 style/Italic and support multi-languages, this font provides a wider range of exploration, which can be useful also for reading sentences and giving variety in each sentence by combining it with several sizes.

Up until the advent of vinyl plotters, computers and a myriad of other typesetting and printing changes the world has experienced over the past few decades, the art of hand lettering flourished. An early 1900s book on show card writing displayed a nice example of a Grotesk typeface (a popular style of sans serif of the time). This has been redrawn digitally as Simply Grotesk JNL and is available in four varieties - regular, oblique, condensed and condensed oblique.

Cicero was the first typeface designed by Thierry Puyfoulhoux in 94. It is what could be called a semi-serif. Only the serifs which occur naturally when drawing letters with a flat nib pen have been retained. The absence of certain serifs allows for much tighter spacing. The remaining serifs still stabilize the baseline, although less effectively than a "full-serif" typeface. By borrowing features from both the sans and serif styles, Cicero truly stands at their crossroads.

Halfroy is our answer to generic geometric sans trends exploding nowadays who creates sameness. Halfroy brings new sans perspectives by combining rounded and sharp edges to create delicate sans fonts. See the difference by looking at counter-shapes compared to outline, insides counter shapes you will sees a sharp edges while round but not geometrical on outlines. Halfroy gives your project unique visual impact whatever your design project is, but we recommend using thin, semibold to Fat as display then light and regular. Halfroy taken inspirations not from looking at other sans typeface, but its design inspirations comes from observing a land contour and geographical statistics in our city, Kota Batu. We found that our city geographic consist of steep slope like waves with sharp peaks and surrounded by small and third highest mountains peak on our country. From then on we begin visualize and applied on few letters. Take a look on our 'O', 'f', 's' letters, its like a stone carved letters. Its hard edges and soft edges outline clearly draws from our inspiration source. Even Halfroy looks stony, hard as individual letters, we treat this type with humanist approach in mind. Therefore you can sense a friendly yet casuals of typical sans serif fonts when it grouped together to form a words or sentences. We hope Halfroy will gives your design project a unique on its own.

A whimsical and fun calligraphy style font that is perfect for informal and fun occasions. The design was inspired by a series of scrapbooking style fonts that I have been exploring over the past couple of years. Inspired by a hand lettered sample in a lettering how to book. Contains language support for both Latin-based and most Eastern European languages.

Cindie Mono is a multi-width display font. Six different widths – A (condensed) through F (super extended) – mathematically correspond with one-another creating a stackable type family. Each face contains all caps full West, Central and East European language support. All diacritics and marks are done in a hairline to add style and contrast. And Cindie Mono is ideal for posters, headlines and display lettering. The inspiration for Cindie Mono came from the lettering styles on optometrists sight-test posters. Then through several stages of development the overall concept for Cindie became of a half-broken Commodore64 and the computer from the 1985 movie 'Weird Science' hooked up to a dot-matrix printer spitting out reams of mechanical but distorted mono-lettering all the while an old modem you can't seem find keeps beeping and beeping and beeping...

Fairwater’s aesthetic derives from the cursive handwriting styles popularized in the early to mid-1900s, the simplified, forgiving letterforms of tattoo lettering – and the pictorial themes that informed early-to-mid 20th-century naval tattoos. The Fairwater family includes a script and sans face in three weights, four decorative serif faces and an ornamental font: DIY Lines. As with many of my fonts, I couldn’t resist adding a plethora of 465 swashes and alternates to the script version, that include ending forms on all letters, 34 beginning and isolated letters, an unconnected version and contextual alternates. Fairwater also includes a powerful decorative font entitled DIY Lines: 250 ornamental characters of ships, anchors, oars, knots, rope, botanicals, diamonds, arrows and more. With strokes and proportions that perfectly complement the type. See what’s included! http://bit.ly/2cJMUoe These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Citadina font family has been designed for Graviton Font Foundry by Pablo Balcells in 2016. It is a sans serif typeface with a geometrical, mechanic, neutral appearence and a slightly condensed design which makes it particularly effective for space economizing. It has been conceived to be most suitable for short and middle length text blocks, as well as on all sized headlines. Citadina consists of 12 styles. Each containing small caps and glyph coverage for several languages.

Shablon is a Stencil style serif typeface. The family consists of 6 fonts: Shablon Regular, Shablon Italic, Shablon Condensed Regular, Shablon Condensed Italic, Shablon Extended Regular, Shablon Extended Italic. Every font includes uppercase and lowercase letters. You can use Shablon for graphic designs that call for a rough-and-ready look, a military look, or even to create real stencils for signs and marking boxes or luggage. Shablon continues the design of Shablon CYR, created in 1994 by Zhivko Stankulov. A number of shortcomings in the construction of the glyphs have been eliminated, and the typeface as a whole has been updated. Shablon is available with active support and upgradeability. Licensees will receive all new versions of the font free of charge.

Hadron is a fusion of gothic black letter and foundational letter forms. It has a heavy flat pen influence but is combined with more modern letter forms for increased legibility over that offered by black letter fonts. Unlike most black letter fonts, Hadron can be set all caps using the first level of caps. A basic design kernel based on the caps “O” and “H” was created first. These letter forms consist of an interplay between curves and straight lines with abrupt transitions and also possess some of the geometric crispness of a modern sans serif. The rest of the Hadron font was developed around this “O” and “H” kernel. This font could be used for any application requiring a formal black letter or foundational lettering look. Hadron could also be used for invitations, brochures and posters. The first level of caps and lower case is basic enough to set a large body of text. It could also be set all caps at that level.

I've been working on a usable sans serif for body copy since the mid-1990s (though I certainly did not know it at the time). This one works well. It started life back in the mists of time as a scan of an old German font by Carl Fahrenwaldt. It was developed fully as a synergized serif with strong traditional roots and released as Bergsland Pro. Now it finally makes it to where I was headed all along as a sans text font. This is a well modulated humanist, sans serif font family with many OpenType features and over 600 characters: Caps, lower case, small caps, ligatures, swashes, small cap figures, old style figures, numerators, denominators, accents characters, ordinal numbers, and so on. It is designed for text use in body copy. But it also works very well for elegantly stylized display.

This modern Ellastia calligraphy script has been written attentively with gentle curves to produce a font that is truly distinctive and original. It contains a complete set of uppercase & lowercase letters, a wide variety of punctuation marks, numbers, and multilingual support. Perfect for adding a unique and elegant touch to your writing and branding projects. Use it to make your ideas more realistic and create spectacular designs! This font is PUA encoded which means you can access all glyphs and swashes with ease!

About this font family Afons Infant has been designed for children’s storybooks; using round, single-decker letter forms to create simple, clear and readable stories that children are familiar. Features 5 weights (from thin to bold) Multi language Lowercase Numerals to blend with text Ligatures To be able to access alternative fonts, make sure the software you use can support opentype features such as Microsoft Word, Paint, Adobe, Corel draw and other applications. Designed and published by Andy Peat. Released April 2022

This sketch font Sans serif was born from the lines in the font that we created for the (Rajin) font and we redeveloped it into a different style with a more minimalist and more powerful setting and looks stunning for any smooth and bold writing that can be used anywhere in your work This font has complete uppercase and lowercase letters with 4 thicknesses, numbers, punctuation, and also language support

Odisseia: Monospaced Typeface Made on Earth by Plau. Plau presents Odisseia, a monospace type family in 8 styles designed with simplicity of shapes and a humanist touch. We’ve ventured into monospace territory, where all letters must occupy the same amount of space. This style is usually associated with typewriters and computer terminal fonts. Like all monospaced fonts, every letter align vertically in a multi-line setting. The rhythm created is peculiar, since large letters such as m and w occupy the same space as narrow ones like i. Because we have 4 different weights: light, regular, bold and black the design of some characters have to be adapted to fit the same width and achieve a constant light/dark value throughout. These features make Odisseia suitable for a specific yet considerable range of uses, from computer coding to systemized communication such as brand identities. This style has been used from high-end brand identity to cutting edge digital applications. Odisseia sets a little shorter in comparison with other monospaced fonts, and bears a large x-height.

This family of faces is based on the series Riverside Drive, designed by Peter Max for Photo-Lettering Inc. in the early 1970s. However, several letters have been altered to maintain design consistency and to improve legibility. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Introducing the elegant Chellion! Chellion is a modern feminine font, every single letters has carefully been crafted to make your text looks beautiful. With modern script style this font will be perfect for many different project like photography, watermark, quotes, blog header, poster, wedding, branding, logo, fashion, apparel, letter, invitation, stationery, etc. This font including ligature glyphs: ee tt ss ll Foreign languages support: ÀÁÂÃÄÅÆÈÉÊËÌÍÎÏÐÑÒÓÔÕÖÙÚÛÜÝßàáâãäåæèéêëìíîïðñòóôõöùúûüýÿ

Cuckoo was first seen in 1988 when I painted it on a record shop's window. Since then this hand lettered font has been there and done that. Cuckoo is strong, classic and informal display font designed to work well on any job.

Elixir is a strong display pack of five styles and total eleven fonts. Elixir fonts are designed to act together but they also work just fine by themselves. Elixir Script is a monoline Script with plenty of OpenType features: Contextual Alternates helps to keep letter connections smooth whereas Swash, Stylistic or Titling Alternates can be used to add flavour to your words! Elixir Brush is a smooth brush script with Contextual Alternates, Swash and Titling Alternates. Elixir Sans is a sturdy all caps font with wider uppercase letters. Elixir Circus is a circus style version of Elixir Sans. Elixir Serif is a rounded slab serif. Elixir Print is a rugged version of Elixir with rough outlines and worn-out print texture.

Ridtype Pro is a custom font for our brand, and later this font will work in all roles in the type of brand we use. both in units of typography, printing, and type texting. This font is equipped with a modern semi-classic category type, so this font can work in all lines of business, both for supporters of implementation in modern and classic business. This font has been designed as best as possible, both in terms of letter design and the type of weight that is made to be compatible in all roles.

ITC Ironwork is the work of Serge Pichii, who was inspired by a piece of decorative lettering done by Jan Tschichold in the early 1920s. Tschichold had interlocked a series of rough sans serif letters and embellished them with scattered decorative elements. The original was of only capital letters, touching and overlapping like an ironwork gate made of letters. Pichii completed the typeface with lowercase forms and smoothed the edges. The scrolls of the capitals were extended to the lowercase and Pichii based them on iron scrollwork he found in Vienna and Prague. A lot of attention was paid to the elements of the typeface in order to 'smooth out' and balance proportional relations between the elements," says Pichii. ITC Ironwork is great for signage and display but also works well in short texts."

The idea for this came from a logo I saw which was adapted and simplified to make this font. Almost italic in appearance, it can be used as an alternative sans stencil although that wasn't envisaged at the start. An Italic is also available.

Introducing our new modern signature font "Agatha Bergman". We would say that "Agatha Bergman" is a result of our latest experiment since a few new things have been done: "Agatha Bergman" is a voguish sophisticated signature-style script with three different uppercase alternatives for each letter and a unique short swash for each lowercase letter. We usually used to make long and wavy swashes, however, that's not the case this time. Also, the stylistic alternates were coded as both ligatures and swashes so that turning on the “Standard ligatures” was enough to access them. The font includes 152 fancy standard ligatures and 6 discretionary ligatures, and while working on them we tried to consider those letter combinations that are often met in surnames, e.g. -ovsky.

New Culture Display Font comes with masculine themes. It matches applies in some designs such as the logotype, brand, packaging, quotes, music poster, t-shirt, cover book, and more custom design. The features uppercase, lowercase, numeral, punctuation & symbol, multilingual support. New Culture Display Font This font has been equipped with OpenType features and has many glyphs. and of course by having many of these glyphs will be able to choose the letters according to your liking, lots of variations and options for each letter, so you can customize your design choices and also have other languages supported. This font is perfect for use with programs that support OpenType features like Adobe Photoshop Cs / Adobe Photoshop CC, Adobe Illustrator CS / Adobe Illustrator CC, Adobe Indesign, and Corel Draw, and many more programs that support OpenType, and I've also included a special alternative so you can use any program, this font can be used by everyone.

Koran Sans is a clean family sans humasnist style that is absolutely perfect for editorial headlines. The complete font family of upright and italic letters is easy for you to use 18 styles in many projects. This font is complete with symbols and multilingual. This font style is bold, bold, and sleek, making it perfect for editorial, web, posters, t-shirts, and magazine covers. . etc Including: Uppercase Letters, Numbers, Punctuation & Symbols. Multilingual Support Koran sans exudes character but is still useful thanks to its restrained geometric styling and modern construction.

Dower is a playful decorative geometric sans serif. Inspired by the doodle style and hand-drawn lettering. Dower contained three widths: Condensed, Normal and Expanded, four styles each, including dozens of ligatures.You can use Dower in many types of creative modern concept designs.

A hand lettered, dual line sans serif type style was used for the title of “Filmland” – a 1931 movie fan magazine from India. This inspired both the digital typeface’s design and name. Filmland JNL is available in both regular and oblique versions.

A fresh, curly and delicious sans serif. Designed by Daniel Hernandez, Merced is a sans serif font that can be given different uses due to its wide variety of alternate types. Its main virtue is the endless number of possibilities for you to write words, texts or paragraphs. Languages include: Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian and Pan Africa Latin.

BRATHERS is a Minimalist Elegant Sans Serif Font. An extraordinary style with minimalist and elegant in sans serif, we analyze what any designer or brand owner needs to make their brand stand out. As our focus that analyzes any typeface that helps to leverage any logo design to look more modern and unique. We prepared this font with any unique characters to help you create unlimited variations for your creative needs. BRATHERS Minimalist Elegant Sans Serif Font ready with: Regular & Bold Ready Better style of characters with a minimalist elegant curve Preview as an inspiration that you can do with BRATHER font All Uppercase characters Wish you enjoy our font. :)

Hodgepodge is a confused mixture of letters that somehow work together. While I know this has been done before I create fonts that I need. And I occasionally have found a need for this. And it was not there, so now it is. There is a mixture of light and dark, bold and regular, caps and lower case but not where you would expect them to be. Since this is a headline font you can set the headline and then easily go back and change a letter here or there to get the best-looking combination. Hodgepodge was in the 2011 Typodarium Page-A-Day Calendar on 7-17-2011.

In a specimen book from Stevens, Shanks & Sons, Ltd. of London (circa1930s) “Royal Gothic” was their version of a classic grotesk sans that had been in use as far back as 1899 when the Keystone Foundry called it “Charter Oak”. The terms "gothic" and "grotesk" were equally applied to early sans serif typefaces – at first not well embraced by printers as being too ugly (grotesque) for use. One familiar characteristic of early grotesk fonts (such as this one) is the numerous variations of character widths and shapes. By combining those two terms into a font name, the digital version of this design is called Gothic Grotesk JNL, and is available in both regular and oblique versions.

The design of the Jeunesse font family derives from a study of primers which the designer undertook earlier in his career. Jeunesse was designed with the intention of combining excellent legibility and character recognition with the ability to create compact, distinctive words and lines while maintaining basic flourishless letterforms. The sans serif style is pre-dominant in this design, but serifs or rather parts have been added where necessary, mostly at the top left hand parts of the characters, to aid readability. Use Jeunesse as a text and display face. There are also fully sans serif and slab serif versions available which can be used on their own or mixed with each other and the parent fonts.

The design of the Jeunesse font family derives from a study of primers which the designer undertook earlier in his career. Jeunesse was designed with the intention of combining excellent legibility and character recognition with the ability to create compact, distinctive words and lines while maintaining basic flourishless letterforms. The sans serif style is pre-dominant in this design, but serifs or rather parts have been added where necessary, mostly at the top left hand parts of the characters, to aid readability. Use Jeunesse as a text and display face. There are also fully sans serif and slab serif versions available which can be used on their own or mixed with each other and the parent fonts.

In the history of 20th century graphic arts, the evolution of the informal sans serif has been a uniquely American phenomenon. The ongoing saga of this (still as popular as ever) sub-genre dates back to the maturity of the Industrial Age and early Hollywood film titling, runs through the prosperous times of interwar print publications, sees mass flourishing during the various media propagations of the film type era, and solidifies itself as arguably the most common design element in the latter years of the century. Fun, bouncy, playful, and highly exciting, the casual sans serif is now all over game packaging, film and animation titles, book covers, food boxes, concert posters, and pretty much everywhere design aims to induce excitement about a product or an event. The casual sans is the natural high pill of typesetting. We figured it was high time for the casual sans to adapt to 21st century technology, gain more versatility, and become as much fun to use as the emotions it triggers. So we’re quite excited to issue Bananas, a fun sans serif family in 6 weights and 3 widths that can be used anywhere your designer’s imagination can take you. Rather than being based on a single design, Bananas was sourced from multiple American film era faces, all from 1950s and 1960s, when the casual sans genre was at its popular peak. Headliners’ Catalina and its very similar cousin, Letter Graphics’ Carmel, served as initial study points. Then a few Dave West designs informed the design development and weighting process, before narrow and wide takes were sketched out and included in the family. The entire development process happened in a highly precise interpolative environment. All Bananas fonts come with a full glyph complement supporting the majority of Latin languages, as well as five sets of figures, automatic fractions, quite a few ligatures, biform/unicase shapes and other stylistic alternates.