Gringo is a type family that contains 27 different varieties. It is divided into three groups: Sans, Slab, and Tuscan = Europe - Texas. Due to its consistant structure, the single groups can be mixed as you wish. Furthermore every variety comes in Light, Medium, and Bold. There are three widths, from Narrow to Wide. Additionally, there is also a Dingbats font. The concept of Gringo is a fusion and a merging of type cultures to cross borders and create something new. Gringo won 3rd place in the "tdc2 2006 award" by the Type Directors Club New York.

Pompano is an organic sans serif typeface which is purposely made for headline, display or logotype.This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : regular & stamp version uppercase & lowercase numbers and punctuation multilingual alternates & ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Introducing, Saltburg, an strong and bold sans serif with a touch of vintage look and feel. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates swashes and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

The Neutraliser family is a versatile collection of geometric-based fonts with 24 styles. The 6 Alternate styles are suitable for headlines and are complemented by the Sans and Serif styles suitable for small amounts text. The Caps styles allow for extra typographic variation within the family. Neutraliser is a direct result of the designers' initial exploration of typography and is uncompromising in its geometric nature. As the name suggests, the typeface celebrates the precision of the digital medium as a drawing tool in which the critical points that make up a letterform can be almost 'plotted' according to a grid-based logic.

Burma perfectly represents vintage aesthetics sans serif display typefaces. This project is inspired by beautiful lettering on old label. It come with 4 style (regular, soft, rough and outline). Some letters contain beautiful stylistic alternates characters (ss01 - ss04) and feature ligatures. Burma can be applied in designs such as logotypes, posters, packaging, branding, quotes, badge and more custom design. It features uppercase, lowercase, numeral, punctuation & symbol, ligatures, alternates, multilingual support, and is PUA encoded (fully accessible without additional design software). How to get access alternate glyphs with designing software to open type fonts check this link: http://adobe.ly/1m1fn4Y

Ganiser Sans is a vintage display typeface with the touch of nostalgic feel. This typeface has unique looks and strong character. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase (alternates) Numbers and punctuation Stylistic alternates multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Introducing Noctura Georgia is a handwriting brush effect and sans that comes with a style that seems real. This font style inspired by urban style and branded makes in many ways for your latest project. Noctura Georgia is perfect for logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events or anything that requires handwritten content. Noctura Georgia Also available for some lowercase characters that have swash, as well as multilingual. This can be accessed easily via opentype in Photoshop / Illustrator. if you have any questions, don’t hesitate to contact us Ergibi Studio

Gringo is a type family that contains 27 different varieties. It is divided into three groups: Sans, Slab, and Tuscan = Europe - Texas. Due to its consistant structure, the single groups can be mixed as you wish. Furthermore every variety comes in Light, Medium, and Bold. There are three widths, from Narrow to Wide. Additionally, there is also a Dingbats font. The concept of Gringo is a fusion and a merging of type cultures to cross borders and create something new. Gringo won 3rd place in the "tdc2 2006 award" by the Type Directors Club New York.

The Neutraliser family is a versatile collection of geometric-based fonts with 24 styles. The 6 Alternate styles are suitable for headlines and are complemented by the Sans and Serif styles suitable for small amounts text. The Caps styles allow for extra typographic variation within the family. Neutraliser is a direct result of the designers' initial exploration of typography and is uncompromising in its geometric nature. As the name suggests, the typeface celebrates the precision of the digital medium as a drawing tool in which the critical points that make up a letterform can be almost 'plotted' according to a grid-based logic.

The Neutraliser family is a versatile collection of geometric-based fonts with 24 styles. The 6 Alternate styles are suitable for headlines and are complemented by the Sans and Serif styles suitable for small amounts text. The Caps styles allow for extra typographic variation within the family. Neutraliser is a direct result of the designers' initial exploration of typography and is uncompromising in its geometric nature. As the name suggests, the typeface celebrates the precision of the digital medium as a drawing tool in which the critical points that make up a letterform can be almost 'plotted' according to a grid-based logic.

I saw a cool UT-Ligature on an old (maybe 70's or 80's) Texas Longhorns fan-shirt - it was in 3D and I wanted something like that with my own initials A and B to print it on a baseball hat. I started drawing it and when I was finished, I thought it might be nice to do the same for my officemates. I needed another G, T and K. After finishing that I thought it might be cool to do this for other people as well. Since the source of all the 3D glyphs is found in the regular ones which get moved by a 45 degree angle and then connected with lines , I first draw all the uppercase regular glyphs. The thing that followed was kind of an addiction: after finishing the uppercase letters, I wanted to add lowercase letters, after finishing the 3D letters, I thought it would be nice to have a fill version to layer with the 3D letters. Having a rough, woodcut version of the regular style would be cool, too. And the font is also pretty much suited to make a stencil version. When all this was done, I was interested on how the font would look like without the serifs and curves instead of the 45 degree angles, so I did the Longhorn Sans. Good to use for all sports-related designs, especially retro-style soccer/football shirts. Uppercase characters can be combined to form ligatures or logotypes.

Addington CF is a graceful and reliable serif, useful in any application. Beautiful and practical, Addington is designed for excellence at small point sizes, while doubling as a capable, bold display typeface. Includes roman and italic sets across seven weights. Addington CF pairs nicely with simple, bold headline typefaces, like Greycliff CF and Articulat CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Frederic Goudy designed this blackletter face based on Gutenberg's 42-line Bible. The Lombardic Caps were designed as an accompaniment to Goudy Text and are offered paired with the lower case as an alternate option. The Goudy Text Shaded is an inline variant that was added later by Lanston Monotype. Both varieties of capitals, as well as an expanded Central European character set, are offered in the Opentype set versions.

Forged to be as imposing as a Norse horde ready to stampede into battle, Works great in all caps which it was initially designed to. I designed the lowercase characters to match really well with each other and the uppercase, so it works well in title case. Plus it has a great set of looking numbers and loads of extras. Fully kerned pairs so all letter combinations look great

A robust, mono-weight typeface with gently rounded slab serifs, Mr. Porter harkens back to celebrated roots in late 17th Century England. Not for the meek or faint-of-heart, it lends a nutty, chocolaty, toffee flavor to both a stout and pale variety, with lots of malty goodness. Rich and full-flavored with notes of coffee, licorice and molasses, it promises delightful pairings for an infinite variety of typographic solutions.

Hexaframe CF evokes the awe and potential of of heavy machinery and robotics. Clad in tough polygons and rounded edges, Hexaframe is a perfect typeface for corporate identity, STEM toys, and user interface design. Hexaframe CF pairs well with simple typefaces set in contrasting sizes, including Greycliff CF, Artifex CF, and Visby CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Based on a fifteenth century Textura Blackletter typeface, Octoberfest has a companion with Lombardic style capitals, Octoberfest Alternate. Both Octoberfest and Octoberfest Alternate use the OpenType ligature feature to automatically substitute a subtly unique pair of distressed characters when any lower case character is keyed twice in a row. The Pro versions of Octoberfest and Octoberfest Alternate extend the character set to support Eastern European and Baltic languages.

Vintage Varsity was inspired by that classic iron-on letterman jacket your "cool" uncle wore in high school (and lets be real, probably still wears today)... Pair with some fuzzy felt textures and you got yourself a killer duo! Strike the fill, throw a stroke on it, and design a retro-slogan t-shirt. Is this starting to sound like a cheesy infomercial? Good, I'm rolling with it. Have fun!

Brushine Collection is a solid and complementary pair consisting of a serif all caps, with contrasting letter thickness and sharp edges making it more elegant and classy. As well as a handwritten script that look natural because they are made with marker by hand. All together your text will be beautiful, elegant and classy. Suitable for all creative projects, especially on, branding, advertising, product design, social media, and more.

Meet Amberly! This friendly font family consists of a casual, connecting script that comes in six weights and a cute accompanying sans in ten weights. Amberly Script is fresh and charming, based on a real handwriting, while Amberly Sans is rounded, somewhat narrow and very affable. Both the script and the sans are quite versatile and will fit perfectly on applications where you want the design to appear genuine and full of personality (logos, packaging, posters, cards, titles, blogs, etc.). When it comes to OpenType features, Amberly has a great deal of swashes and alternates, as well as various ligatures to sparkle your creativity. Last, but not least, this playful font family is sure to grab attention and evoke positivity and delight.

Originally designed in 2012 by Ryoichi Tsunekawa, All Round Gothic is a font family inspired by classic sans serif fonts such as Avant Garde Gothic and Futura. All Round Gothic is a structured geometric sans, but also creates a sweet and cute atmosphere by removing unnecessary stems. With their bowls shaped by not-perfectly-geometric circles, All Round Gothic makes an organic impression in some degree. As a result, All Round Gothic became a new font family that covers between 1920s Bauhaus and contemporary design trends comprehensively and one of the most suitable family for any purpose such as text, headline, logo, poster, and animations thanks to clean and legible but soft and friendly letterforms. All Round Gothic includes 5 weights and obliques corresponding to each weight. Why don't you try this family if you got a little bored with classic sans serifs. This font is used in Minions movie.

Roses Bolero TP Elegant Sans Serif is a sans serif font with full set of uppercase and lowercase letters, multilingual symbols, numerals, punctuation and ligatures. Roses Bolero elegant sans serif font classic and elegant style for poster design, magazines, beauty branding with a flower-shaped asterisk glyph suitable for your beautiful and elegant design concept. Features Standard glyphs uppercase and lowercase letters Numerals, a large range of punctuation and ligatures. Lowercase letters include ending swashes. Works on PC & Mac. Simple installations, accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support for; ä ö ü Ä Ö Ü ß ¿ ¡ ________________________________________________________________________________________________________________________________________________ Image used : All photographs/pictures/logo/vector used in the preview are not included, they are intended for illustration purpose only. Thank you for your purchase! Hope you enjoy with our font! Designers: Ekayasa.

PhotoWall is a casual, connecting script in four weights with lots of swashes, ligatures and alternates. It comes with a comprehensive package of complementary fonts: PhotoWall Sans, PhotoWall Poster Sans (a bold humanist all caps font), PhotoWall Serif, PhotoWall Poster Serif and last but not least, a bunch of frames, borders and other design elements that will help you get creative. PhotoWall is perfect for logotypes, posters, cards, menus, product packaging and other printables, as well as web applications. It is friendly and lovable, fresh and fun to work with. The swashes and alternate letters will add a finishing touch to every logo or headline and the sans/serif fonts are ideal when you are in need of a subtext. Inspired by home decor, PhotoWall is a versatile and elegant toolkit family of fifteen fonts with tons of personality. Mix and match for best results!

Pluto - and its straight companion Pluto Sans - was designed by Hannes von Döhren. The whole family consists of 16 Pluto Uprights, 16 Pluto Italics, 16 Pluto Sans Uprights and 16 Pluto Sans Italics; 64 fonts in all. Type designer Hannes von Döhren has created Pluto, a sweet type family consisting of 16 Uprights and 16 Italics; 32 fonts in all. The fonts are informal and friendly at first sight and lend themselves to display settings, however the straight and upright architecture of Pluto also makes it perfect for longer copy. Because of its large x-height, it even performs nicely in very small sizes. This contemporary type family is ideal for use in retail, cosmetics, food and hospitality applications and advertising. Pluto is equipped for complex, professional typography. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages. Each font includes alternate letters, fractions, lining-, tabular numbers, scientific superior/inferior figures and a set of arrows.

Mocca Pro is designed by Naghi Naghashian. It is a modern Sans Serif headline font. The Mocca Pro Condensed is a single weight font. Its modern design is a reminiscence of the classic Romanesque characters. This Font supports western and central European languages.

Hestia is an uppercase creative font inspired by flames of fire. We've tried to create a dynamic font based on sans-serif fonts. It's works perfectly for headlines, logos, posters, packaging, T-shirts, postcards and many more. Latin-based Language Support. Happy creating!

Leelawadee is a Thai font licensed from Microsoft Corporation. The Leelawadee font is a legible sans serif that is good for User Interface design and on-screen applications. Leelawadee is a Thai script font and requires an application program that supports Thai scripts.

GrottoGoth is a sans serif created to expand the availability of fonts used in creating Gothic, Halloween, and overall spooky designs. This is the first font designed by Grey Fortress Enterprises. Additional variations are planned and other original fonts are in the works.

Roble is a Slab Serif Font, from a mix between Andes and Sanchez, following a harmony with both fonts one sans and one serif with a fresh and dynamic result. Roble is a family of 16 display fonts 8 weights plus italics.

PT Serif Pro is an universal type family designed for use together with PT Sans Pro family released earlier. PT Serif Pro coordinates with PT Sans Pro on metrics, proportions, weights and design. It consists of 38 styles: 6 weights (from light to black) with corresponding italics of normal proportions; 6 weights (from light to black) with corresponding italics of narrow proportions; 6 weights (from light to black) with corresponding italics of extended proportions; and 2 caption styles (regular and italic) are for texts of small point sizes. The letterforms are distinguished by large x-height, modest stroke contrast, robust wedge-like serifs, and triangular terminals. Due to these features the face can be qualified as matched to modern trends of type design and of enhanced legibility. Mentioned characteristics beside conventional use in business applications and printed stuff made the fonts quite useable for advertising and display typography. Each font next to standard Latin and Cyrillic character sets contain alphabet glyphs of title languages of the national republics of Russian Federation and support the most of the languages of neighboring countries. The fonts were developed and released by ParaType in 2011 with financial support from Federal Agency of Print and Mass Communications of Russian Federation. PT Serif family together with PT Sans won the bronze in Original Typeface category of ED-Awards 2011. Design – Alexandra Korolkova with assistance of Olga Umpeleva and supervision of Vladimir Yefimov

Adelphi is a geometric sans, redefined for the northern side of the English Channel. Typographic modernism was a late arrival in Britain — due partly to the Second World War and to the strong local type tradition. This delay provided for fruitful divergence, thus modernism was not adored in quite the same way as it had been in Germany and central Europe. It was instead rethought and repurposed against the backdrop of the bleak British weather and postwar social reform – a continental fashion statement reshaped into a more humanist variant. Likewise, when crafting Adelphi, Nick Job reimagined the constraints that defined the geometric sans as a genre. Whereas other typefaces seem overly bound by the rules, Adelphi feels relaxed and approachable. Elementary square and circular shapes are merely implied. A keen observer may notice that the uncomplicated letterforms occasionally reveal a subtle naïveté associated with early Grotesques. Brunel’s bridges and Harry Beck’s tube map spring to mind alongside the Bauhaus and Futura. But Adelphi is by no means nostalgic! It is a contemporary, comprehensive, and durable system with a pragmatic set of features. These include a wide array of weights, ‘uniwidth italics’, and variable extenders that go from tall and flat in Adelphi Text to short and sharp in Adelphi Display, with default Adelphi standing midway between these two extremes. You can set the extenders to your preference in the all-inclusive variable font or use one of the three static fonts that come packed together, priced as a single font. The pan-European support for Latin, Cyrillic and Greek scripts already makes for a vast character set, but Adelphi takes things a step further by including alternate glyphs to satisfy the DIN1450 legibility norm, a range of ordinals that can be used to create specialist compositions in all three scripts and two kinds of fractions and arrows. Play with the alternates or use it as-is. Either way, this understated beauty will carry you through.

Strateen – a Futurism Sans Serif Font Strateen, a Futurism Sans Serif font, encapsulates the essence of contemporary design with its sleek and progressive aesthetic. Its clean, geometric lines and minimalistic strokes evoke a sense of modernity, making it ideal for projects that seek a futuristic and cutting-edge look. The typeface’s letterforms boast a harmonious balance between simplicity and sophistication, enhancing legibility while maintaining a distinctive personality. Strateen’s sans serif nature contributes to its versatility, enabling seamless integration across various mediums, from digital interfaces to print materials. The font’s forward-thinking design not only aligns with the visual trends of the future but also ensures a timeless appeal, making Strateen a compelling choice for those in pursuit of a dynamic and forward-looking typographic solution. Strateen is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Meet Aeroko, a slick variable typeface that evokes grit and speed, a dynamic play, a future–present competitive edge that evokes motorsport and all progressive brand design. This is a robust type system that creates memorable brand headlines. Powered by four display weights and three widths. Turbo-charged by a two-axes variable font. High performance brands can expect Aeroko to out-pace in every graphic condition. Aeroko is bold and assertive, it moves fast in headlines, it flexes when and where you need it. The forms are boxed and solid from Condensed to Wide, and they provide a distinct contrast when paired with rounder text fonts. Aeroko’s secondary power unit is harnessed from the ever adaptable variable font format. Variable font technology enables vast levels of typographic scale and expression, furthermore it allows Aeroko to react instantly in any digital space to maximize results. Aeroko evokes confidence, this is a typeface that actively encourages you to be courageous and daring with type in your own way. Brands demand distinct and robust typography, much in the same way that drivers demand pace. Aeroko meets these demands with ease, delivering assurance and weight across a valiant aesthetic. Aeroko is designed by Krista Radoeva and the Monotype Studio.

Meet Aeroko, a slick variable typeface that evokes grit and speed, a dynamic play, a future–present competitive edge that evokes motorsport and all progressive brand design. This is a robust type system that creates memorable brand headlines. Powered by four display weights and three widths. Turbo-charged by a two-axes variable font. High performance brands can expect Aeroko to out-pace in every graphic condition. Aeroko is bold and assertive, it moves fast in headlines, it flexes when and where you need it. The forms are boxed and solid from Condensed to Wide, and they provide a distinct contrast when paired with rounder text fonts. Aeroko’s secondary power unit is harnessed from the ever adaptable variable font format. Variable font technology enables vast levels of typographic scale and expression, furthermore it allows Aeroko to react instantly in any digital space to maximize results. Aeroko evokes confidence, this is a typeface that actively encourages you to be courageous and daring with type in your own way. Brands demand distinct and robust typography, much in the same way that drivers demand pace. Aeroko meets these demands with ease, delivering assurance and weight across a valiant aesthetic. Aeroko is designed by Krista Radoeva and the Monotype Studio.

Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org TT Rationalist useful links: Specimen | Graphic presentation | Customization options We thought, "What if we provide the user with a collection of matching fonts, each of which would still be unique?"—and so we started developing TT Rationalist. For those familiar with the bestsellers TT Norms® Pro and TT Commons Pro, the new font will be intuitive to use. It has similar proportions, characteristics and functionality, but yet it is an independent and original font family. Unlike the geometric sans serifs TT Norms® Pro and TT Commons Pro, TT Rationalist is a slab serif typeface. It is functional and original. Slabs are characterized by massive rectangular serifs, but in TT Rationalist they are trapezoidal and refined, which makes them look modern. Speaking of modernity, when creating the typeface, we wanted to avoid the excessive historicism that can be seen in many slab serif fonts. We have been particularly careful working on the Black style, which in the first sketches had something in common with the Wild West posters. When we balanced out the excessive contrast caused by visual compensation, the font stopped evoking retro associations. Now TT Rationalist Black is perfect for headlines, especially on posters and posters, and works great with Light styles in TT Norms® Pro and TT Commons Pro. The new typeface works well for both headings and text arrays. It looks especially aesthetically pleasing in printed production (books, magazines, brochures). The TT Rationalist typeface consists of 22 two styles: 10 upright, 10 real Italics and two variable fonts, each with over 950 glyphs. It supports over 200 languages and contains 27 OpenType features. In addition to the standard ones, there are Small Capitals for Latin and Cyrillic languages, alternative versions of the ampersand and the letter g. The italics have two stylistic sets allowing to switch the design of style-forming characters (k, v, w, y, z) between italic and classical forms. TT Rationalist font field guide including best practices, font pairings and alternatives. FOLLOW US: Instagram | Facebook | Website

Aloalla is Decorative Retro Sans Serif Font. This font also goes into a classic style, with a neat and soft shape. There is a rough/texture version too. I strengthen the vintage/retro impression with the character ligatures, there are 118 ligatures in this font. But if you want to use this font with a neater impression, you can disable this ligature feature. This font is perfect for projects with vintage/retro and classic themes. But this font is also suitable for logos, branding, greeting cards, invitation cards, advertisements, titles, healines, book titles, stickers, packaging, quotes, posters, t-shirts/apparel, billboards and others. This font is also support multi language. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw.

Can we get a drum roll please? It’s not every day that a new link in a best selling chain is forged. First, there was Nanami, a font which took the world of type by force, storming to the top of MyFonts Hot New Fonts list; then there was Nanami Rounded, the most successful follow-up since Terminator 2. Well, say Hasta La Vista to boring design because now, there’s Nanami Handmade. With all the geometric, Japanese inspiration and style of the first two iterations, Nanami Handmade carries a quirky, mischievous charm. The font has a charisma matched by roguish anti-heroes; bad guys you love to love and good guys the other good guys hate, but everyone knows they’re what the audience turns up to see. Nanami Handmade comes in two styles, a solid and a hand-drawn, each of which has eight weights. Mix and match between these options to create a balanced piece which makes good use of the tactile, warm, earthy nature of the font. With these sans-serif styles working well in small and large sizes, both on and off screen, Nanami Handmade’s applications are virtually endless. Get your own piece of typography’s elite now, with Nanami Handmade, by Thinkdust.

HURoundsans is a geometric sans serif variable typeface with matching italics. It has a variable width that adapts to your needs, pushing for maximum readability. Useful for any quirky display uses. Variable is very versatile and can be used in print or on-screen environments. It's perfect for logos, posters, titling, UI/UX design, visual identity, social media, music cover art etc. * Specifications : Files included : Variable including italics Multi-language support

Arkit is a ‘constructivist’ sans with a humanistic taste. Its geometric look hides an organic soul that can be felt rather than seen, as for instance in the strokes that are slightly tapered. Arkit features a big x-height and is suitable for signage and for many display applications, but it also performs well as a book face both in body copy and in captions and small-size texts.

Gaytan (Bulgarian for braid) is a fresh new insight on archaic letterforms. A family of two unicase typefaces - a modern looking sans and more classic looking serif, equipped with many alternates, so they can suit any typographic taste. Gaytan's unique design was inspired by Old Church Slavonic Cyrillic, Bulgarian Ustav and the Russian Vyaz stiles, as well as the avant-garde works of Bulgarian type designers in late 1970s.