Where Modern is too fragile and Century too boring, Hercules comes with its elegant forms and, at the same time, with sufficient firmness to be usable for longer texts. In its heavy, bold designs it approaches Falstaff, while in the light ones it has some features which are taken over from Didot or from Modern. The text designs have been corrected for small sizes. The range of its use is, therefore, quite extensive - from dictionaries and technical literature through magazines to art posters and advertising materials. Suitable combination: Splendid Quartett (especially recommended), Excelsor Script, Plagwitz, but also Zeppelin and Compur.

Tactical is nothing more than a testosterone-laced typeface. Rigid, mechanical and unforgiving. Originally conceived in 2007 while I was working through the early sketches of Ginza, Tactical features hard 45-degree angles and the presence of a curve for curve’s sake is just not there. Complimenting the original is a Stencil variant (inspired by the military, marathon video game, explosion-influenced name) and matching Obliques—altogether creating a sharply coordinating family.

This font is designed to create typographic textures. It's based on Ankara Display but not in the same family because of some of its different forms. Also, its angular forms give a digital impact.

Designed by Les Usherwood. Digitally engineered by Paul Hickson. Les based the design on a turn-of-the-century typeface of the same name. The foundry is believed to be Soldans & Payvers, circa 1904.

The Adinkra name, by legend, comes from the King who was conquered by the Ashante people of Ghana. The king, Adinkra, wore wonderful patterned fabrics. Adinkra means “goodbye,” and the symbols were reserved for funeral garments. Today the symbols are part of the Ghana popular culture and around the world. You will find the symbols on everything from housing, clothing, to tattoos. These 100 symbols are accompanied by the Ghana name, a loose translation and what the symbol has come to represent. The meanings and symbols are by no means the complete list and some people do not use the exact same translations and meaning as you will find here. These are for casual use and not historical or anthropologically completely accurate.

Pasture is a display serif in a range of weights. Rounded interior and exterior corners, curvaceous details, and rotund terminals give it a warm, handmade quality. Classic style that is, at the same time, right at home in modern spaces.

My eldest son Sam always wanted to visit Japan and he has been saving up for a ticket for years now. We should have traveled there this year, but due to the pandemic, that was impossible. We’re now trying to go next year. Sam and I did make some kind of itinerary and I told him how we were going to get around, as I have been to Japan many times. I told him about the Shinkansen trains, the cute Tram in Nagasaki and the immense subway system in Tokyo. One of the lines in Tokyo is the so-called Yamanote Circle Line, which I have used on numerous occasions. A new font name was born and it stuck to this particular font! Subway Circle is a 100% handmade font. It is rounded, slightly slanted and comes with a sunny disposition. I am sure that, when you use it, you will find your 生きがい… ;-)

A redraw of Beton, Bauer, Intertype. with additional weights, shorter x-height and new Italic styles. Roman and Italic share same Roman Caps. Hunter has some text kerning but requires subjective display kerning and compensation.

Odisseia: Monospaced Typeface Made on Earth by Plau. Plau presents Odisseia, a monospace type family in 8 styles designed with simplicity of shapes and a humanist touch. We’ve ventured into monospace territory, where all letters must occupy the same amount of space. This style is usually associated with typewriters and computer terminal fonts. Like all monospaced fonts, every letter align vertically in a multi-line setting. The rhythm created is peculiar, since large letters such as m and w occupy the same space as narrow ones like i. Because we have 4 different weights: light, regular, bold and black the design of some characters have to be adapted to fit the same width and achieve a constant light/dark value throughout. These features make Odisseia suitable for a specific yet considerable range of uses, from computer coding to systemized communication such as brand identities. This style has been used from high-end brand identity to cutting edge digital applications. Odisseia sets a little shorter in comparison with other monospaced fonts, and bears a large x-height.

Bolboreta Hollow is a revival of "Decorativa" font of Richard Gans Foundry .We've expanded the family with padded versions, striped versions (gray on other Gans fonts, in keeping with the days of lead fonts), and those same fills in separate font files, for graphic designer layered play. In addition to Bold versions.

The name of this font is Dubuffet, named after a famous artist. The font style is distinct and unforgettable at the same time, showing a simple temperament. The extra thick strokes bring readers a warmer visual experience. The overall shape is artistic and literary. The serif uses a sharp shape that adds a youthful, modern vibe.

This is the mature version of our previous release Infantometric Pro - The same basic skeleton, but with a more normal x-height. One feature is that no letters (except some accented letters - with cedillas, ogoneks and comma accents) go below the baseline, so this is one condensed font that is perfect for headlines! :) ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Gramercy Eight JNL is an outline and drop shadow treatment of Crestview Six JNL, inspired by some 1930s-1940s era Art Deco hand lettering spotted on a sales flier for some decorator decals.

Franko Luin, Marco Polo's designer, on this typeface: Marco Polo is a 'massacrated' oldstyle typeface that can be used in the same way as, e.g., Caslon Antique. I designed it - if the word design is appropriate in this case - to give the users an alternative so that they are not always directed to the same choice. For the same reason I made Marco Polo rounder. The name comes from the famous Venetian globetrotter, who has nothing at all to do with the typeface, since printing and punchcutting were still an invention of the future.

Really, there is nothing stupid about this font. In some strange and weird way, I just thought that the name sounded like something eye-catching - in the same way that the font is eye-catching! It may look like your average comic font, but it's not! I carefully put a lot of funk, twist, comic and a spoonful of pizzadude into each and every letter. The result is a bouncy crazy looking comic font. Oh, I almost forgot - I topped the letters with a spoonful of grafitti mixed with the sounds of a party...that's the recipe for this lovely multilingual font! :)

Strait passages second part… I tried in this fifth (that's why she took the name "Pentathlon Pro”) consecutive font family to give her a character style with again a strait way of writing. Walking on the same considerations as the previous series (Khamai, Aeolus, Corset & Artios) I tried to give some sense of diversity for the strait passages of character: those fourteen style are the result. And in this family, the “Bold” with "Inlier" and “Bold Italic” with "Inlier Italic” engage in the same way as did the “Layered font families” in the previous series. Also I added a design statement for the twelve zodiac signs, only presented in the Bold, Inlier, Bold Italic and Inlier Italic style. This series is composed of fourteen styles with 628 glyphs each, with true italics and supports Latin, Greek and Cyrillic.

Stuffed Shirt JNL acquires its name from a term popularized during the years when the Art Deco period flourished. The Great Depression further widened the gap between the 'haves' and the 'have nots'. Occasionally, some of those that 'had' (and some who pretended they did) came off as standoffish, egotistical and pompously arrogant. Such individuals were referred to as a "stuffed shirt"; a blowhard who thought he was better than others. In this case, Stuffed Shirt JNL is no more than a dual-line adaptation of Playwright JNL, itself an interpretation of the classic Broadway type design in a way that emulates the hand lettering of old-time sign painters.

I recently bought a small, portable speaker. I can now listen to music when I am making fonts! Output Volume is a name I came up with after reading the quick start guide that came with the speaker. Output Volume is a 100% handmade display font - it was based on a protest sign, but after a few glyphs it started to morph into something unique. I created 2 sets of contextual alternates (including the most used accented glyphs), that will cycle as you type. I also added some discretionary ligatures, to get an even more random effect. Output Volume comes with a vast array of accented letters, including Vietnamese.

“Blackduck” font is a typical Gothic, usually named “Blackletter” . This typeface was born with the name of “Textur” and developed from Carolingian cursive. It was used in the middle age as sacred script, became increasingly narrower, his vertical lines were emphasized and his strokes very compacted to save space. Along the time the early German print typefaces derived in others styles that were more readable such as Schwabacher and Fraktur, very popular in Germany and sometimes associated to the identity of the country. The font "Blackduck" was inspired mixing carefully the last two “Blackletters”. We try to joine some characteristics of both to reach good legibility without loosing the strong impact and powerfulness of the shapes. Some minuscules like the “o” “c” “e” “d” are rounded on both sides, while both strokes join in an angle at the top and at the bottom. Some other lower cases are formed by an angular and rounded stroke. This font contains a full set of OpenType features; swashes, stylistics alternates, old style figures (Arabic numeral were carefully shape integrated), ligatures and some extras ornaments were added to help in your design. "Blackduck" includes diacritic signs for Central European languages.

I have improved and added diacritics to this elegant alphabet, and generally cleaned it up to a professional standard. It is well suited to logos, menus, invitations and other things wanting a touch of elegance. Nick Curtis says: "I came across this particular treatment for swash caps in an old book on letterhead design. The original had been handlettered, but I though it might be convenient to have a ready-made font to accomplish the same effect, and here it is. As an extra added feature, the “§” sign is an ampersand with a long tail." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Influenza, whose name means 'the flu' in a number of languages, is a fat, single weight typeface. It's a bastard typeface, each character stands alone as an independent angular structure. Some characters have stylised blackletter features, some are quasi-bitmapped, some are blends between upper and lower case. This also inspired the name since the flu virus changes every time it comes around, it's a new disease every time you have to stay home under the covers drinking hot tea.

Sonlight Script is hand written fonts set . Very cool for logos, name tag, handwritten quotes, product packaging, merchandise, social media & greeting cards. And very easy to make design t-shirts and other products. Very save time in making the design of a product. It contains a full set of lower & uppercase letters, a large range of punctuation, numerals, and multilingual support. Sonlight Include : Uppercase, lowercase, numeral, punctuation & Symbol Multilingual support 160 Standard Ligatures and Discretionary Ligatures PUA Encoded Characters Fully accessible without additional design software.

Kaat is a new type (2013). It was designed by Chris Nuijen and named after his daughter Kaat. It represents the period in which everyone has their face behind the latest mobile phone screen or interactive games console. "Kaat"is slick, modern and progressive, to reflect our busy immediate life style, whilst providing the essentials in a period where people can be judged on television. Kaat is here to stay and to evolve. Everyone wants to try to be that little bit different, but essentially we are all the same, with the same inherent needs, just like babies or children. We need to be fed, watered, nurtured and loved, the only difference is in today's world you can do all that from behind a screen. "Kaat" bridges that gap, transcending the basic needs of type, with the sophistication and fast paced sharpness of today, everyone wants to be different but we all stay the same, this is a reflection in the thickness and shape of each glyph. The font represents how we are molded and cast differently in yet we still stay the same, because we need the repetition! Everything needs to be done quicker, simpler and cheaper. We eat we sleep we communicate.

Kaaos Pro is based on the logo of the Finnish hardcore band of the same name. It was expanded to include extended Latin, extended Cyrillic and Greek alphabets so it will work with most languages in Europe and the Americas.

A condensed and stiff-looking typeface with an enormous x-height, Renslaer is meant for use as a display face. It has the feel of some of the 19th century display faces, which often had the same sort of unpolished look.

The Fontazia Stiletto font was inspired by my personal obsession with shoes. This is a stylized version of some of the lovely footwear found in my personal closet as well as some of my equally obsessed friends. You'll find 52 assorted shoe illustrations ranging from sandals to boots, some a little strange, but all in good fun.

Elbow Grease was made with, yes, you’ve guessed it: Elbow Grease! It started off as a grungy font, but it didn’t look right, so I reworked all the glyphs. Then I forgot to save the font, so I had to start all over again. Naming a font was never this easy! Elbow Grease is a didone-ish font with some seriously warped glyphs, a lot of panache and a ‘get-it-done’ attitude. Also comes with a toolkit full of diacritics.

Flyers, Intros from James Bond films and PlayStation games as well as the typeface Senator from Zuzane Licko inspired the Dutch designer Paul van der Laan to create his font Linotype Rezident. To its design, van der Laan says, I was designing a business card for a friend and I had a certain mood in mind for the typography. I tried to capture this mood in a couple of sketches, drew a few characters directly onscreen and just expanded them into a typeface." And so began Linotype Rezident, with its cool, technical and constructivist appearance which brings to mind computers and virtual reality. And the name? " The name of the font comes from the game Resident Evil. One of the main characters in the game is called Leon and the typeface was initially drawn for a friend of mine called Leon. It also refers to the city of The Hague - where I live and got my education - since it's often called 'de residentie'", where the queen and parliament of The Netherlands are seated."

Ribfest is a new font based on lettering found on old United States currency from the 1800’s. Named after the Ribfest held in Naperville IL over 4th of July weekend each year, this font will be perfect for your next summer barbecue party. Ribfest offers three Fill fonts that can be layered behind the main open faced fonts, the regular Fill font covers the complete opening on the main fonts while the Fill T for top and Fill B for bottom gives you the option to fill with two different colors for top and bottom. The Fill fonts for Ribfest may also be used as stand alone fonts, the Fill T and Fill B fonts when layered together creates a unique look on its own. Expand your summertime fun with Ribfest and save me some of those rib’s, with extra barbecue sauce please. Special Note: When using the Opentype format of Ribfest, if you experience some letters appearing too bold at point sizes of 36 or above please install the truetype version that came with your purchase. Due to the extra detail in this font some graphics drivers may increase the boldness of the Opentype version of this font, the solution is to uninstall the Opentype and install the Truetype version.

The first purpose of this typeface was to provide an original and systematized style of calligraphy adapted into a modern digital font. The forms are inspired by some illustrations created for a tarot card game, itself inspired by the work of Colombian literature Nobel prize winning author, Gabriel García Márquez, "Cien Años de Soledad". Early versions of this font were made in 1997, but recently in 2009 it was substantially improved. Macondo includes several cap swashes and other stylish alternates. Macondo, as original typographic proposal was selected at Tipos Latinos 2012 Biennial, now the complete set of extended range for this typeface is prepared and improved to be commercialized. The new Macondo Pro can be available with extended capabilities of OpenType, as old style numbers, Swash Caps, slashed zero, some end-position lowercase, fractions, super and sub numbers, some stylish lowercase and discretional and/or contextual ligatures. The font also supports cyrillic, Greek and some East Europe languages.

LOOK OUT! It's kinda creepy, we know, but we're convinced that this font does whatever a spider can -- in fact, we believe it can actually spin a web of pretty much any size, and even catch thieves as if they were bugs of some sort -- let's say flies. In fact we'd almost go so far as to say that, in the chill of night (perhaps at the scene of a crime) this font may just arrive like a streak of light in the nick of time. We're releasing this font now not for wealth or fame, we ignore those things, action is our reward. Here at Comicraft we think of life as a great big bang up, and whenever there's a hang up, you won't find us climbing -- or crawling -- the walls... well, not without STICKY FINGERS anyway. Find yourself a pair of webshooters and this font is the perfect complement to any Halloween costume.

Siller is a playful display typeface that is appropriate for a range of game applications. It is created in a relaxed, fun, and beautiful manner. This typeface is appropriate for both official and informal projects, and it is appropriate for all designs for children and adults. This typeface is appropriate for a broad range of creative applications, including game covers, titles, book covers, outdoor events, posters, banners, promotional materials, movie titles, YouTube covers and thumbnails, children’s games, cartoon projects, title, and text. . What are you waiting for? Go ahead and use this font in your amazing creations right now!

I'm not sure where the inspiration for Tirade originally came from, but it looks like a good rant, hence the name.

The universe always made me curious as to what could be found beyond earth. For the past few weeks, I’ve been staring outside my bedroom window looking at the same star. Every day at one in the morning, it shone beautifully in the cloudless night sky as I face West. That same star paved way for some inspiration to create a futuristic typeface. Every day, I watch it before it disappears into the oblivion.