Introducing Megren, an experimental display typeface combining a simple and clean sans serif typeface with an elegant copperplate script typeface. Consists of 1 font file with copperplate script typeface on the uppercase and sans serif on the lowercase. The combination of different typefaces looks modern and fashionable but also gives a nostalgic retro vibes at the same time.

Redoneta Display is a bonus subfamily of the geometric Redoneta Trilogy (Sans, Sans Rounded, and Slab) with extra bold trendy forms. It contains a display style for each style. Expressivity and efficiency: Redoneta Display has the same OpenType features as the rest of the Redoneta family, 100 icons & emojis plus, and a unique personality for each style.

This is a block font style really dynamic. The blocks have a good harmony between them, every letter have the same width, this is comfortable when work on poster or on a big text. The rounded final of letter give a dynamic effect than a square final.

Fedot is a hand-drawn font, based on shapes of early cyrillic scripts (so-called "ustav" and "poluustav"). Lowercase typesetting with its variable letter heights is more brisk and authentic, and uppercase is more equable and neutral. Some of letters are the same in lowercase and uppercase.

Antebas is a sans serif family with a geometric touch. Available in 16 styles from Thin to Heavy and it's matching italics. OpenType features such as fractions, ordinal, superscript, subscript, numerators, denominators and tabular figures are available. besides Latin letters, Antebas also supports Cyrillic and Greek letters.

Tannhaeuser is the work of British designer Alan Meeks, a sans serif typeface with conventional capitals letter complemented by an unusual lowercase alphabet. It looks best when close letter spaced, especially the lowercase, whose lower right extensions are designed to overlap or join in a script fashion.

White Stork is a handwritten font family which contains two versions Serif and Sans. So you can combine them to get a more interesting design. The font has simple shapes so it will be versatile to use. It will look great for logotypes, quotes, greeting cards, prints, branding design and much more. Hand-drawn font White Stork contains 2 sets of uppercase (serif and sans), 2 sets of lowercase (serif and sans), alternate set of lowercase letters for serif font, ligatures for double f and t letters. Multilingual support is included. Features: Uppercase & Lowercase Serif Uppercase & Lowercase Sans Alternate set of Lowercase Serif Numerals & Punctuation Ligatures (watch preview) Multilingual support Serif and Sans I hope this font will help you to create you unique design. If you have any question, feel free to contact me! Thanks! Lena (instagram @almaz_dolzhe)

I have made this font properly monospaced (all characters are the same width) as that is how an old typewriter worked. In addition to correcting and expanding the character set, of course. Keving King says: "Kingthings Trypewriter is a deconstructed typewriter face. I have always loved decayed fonts, this is the first of mine - and yes, I know there are lots of these around - this one is MINE". ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Say hello to State, this family is inspired by sport and a further development on Comply Slab. This family of fonts has some bold letters as well as stylistic alternates to give your layouts some interesting variation. State comes in 3 styles, Regular, Soft and Rough each with 7 weights and italics. It was specifically designed with a wider structure for better appearance in small sizes and the extra attention to the detail was needed for the big sizes. Use State to get the delivery you need, whether its for print, online or Television.

Nimbussant Bresslo is a contemporary sans and attipic unicase were lowercase alternates with smallcaps creating an unusual look that can be used in posters, logo design and headings or small bold plain texts. This grotesque typeface supports most of the latin based languages and also kyrillic and greek alphabets. For a plus of a modern and young appeal, some of the letters have a very sharp, straight and minimalist body design but you may find also their stylistic alternates to better emulate the look you find more appropiate for your design.

Krimson is a bouncy fat cutter handwritten font. With bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Krimson font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Krimson font. Cheers, Maulana Creative

Altertypo, a font family on a never-ending quest for the "perfect" sans-serif style. Inspired by the early 20th-century pioneers like Gill Sans and Johnston Sans, Altertypo seamlessly blends their classic elegance with contemporary flair. This unique typeface is your passport to creative freedom in graphic design, serving a multitude of purposes from editorial and corporate to web and interaction design. This font allows you to craft compelling designs that transcend the ordinary, providing the versatility and innovation you seek. It invites you to explore a world of creative possibilities, where every character is thoughtfully placed to ensure a smooth, organic flow of words. Step into the realm of Altertypo, and leave behind the constraints of conventional fonts. It's your gateway to exceptional design, where each letter harmonizes effortlessly to deliver a captivating visual experience. Say goodbye to the limitations of standard fonts and embrace the boundless potential that Altertypo offers.

This font has sort of a rustic an ancient look, like stone carvings... The lowercase j has been redesigned to better fit with the other letters, and I've also made an alternate f (as an OpenType contextual alternate) to make a tighter fit with following tall letters. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

The typeface Hand of Hannah is designed from 2021 for the font foundry Typo Graphic Design by Hannah Englisch & Manuel Viergutz. The cha­rac­ter of the hand­written script type­face is rough, ruggend and raw. With state-of-the-art OpenType-Feature (like Con­text­ual Alter­na­tes (calt) and Sty­listic Alter­na­tes (salt)). Each upper­case and each lower­case let­ter has auto­ma­ti­cally alter­na­ted two varia­ti­ons to bring humanly-random cha­rac­te­ristics of hand­wri­t­ing to life. 4 font-styles (Regular, Bold, Heavy & Icons) with 732 glyphs (Latin 3) incl. 100+ decorative extras like icons, arrows, catch words, dingbats, emojis, symbols, geometric shapes (type the word #LOVE for ♥︎ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates. For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! ■ Font Name: Hand of Hannah ■ Font Styles: 4 font-styles (Regular, Bold, Heavy, Icon) + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play Script for head­line size ■ Font For­mat:.otf (Mac + Win, for Print) + .woff (for Web) ■ Glyph Set: 732 glyphs (Latin 3 incl. decorative extras like icons) ■ Lan­guage Sup­port: 80 languages: Afrikaans Albanian Asu Basque Bemba Bena Breton Catalan Chiga Colognian Cornish Croatian Czech Danish Dutch English Estonian Faroese Filipino Finnish French Friulian Galician German Gusii Hungarian Indonesian Irish Italian Kabuverdianu Kalenjin Kinyarwanda Latvian Lithuanian Lower Sorbian Luo Luxembourgish Luyia Machame Makhuwa-Meetto Makonde Malagasy Manx Morisyen North Ndebele Norwegian Bokmål Norwegian Nynorsk Nyankole Oromo Polish Portuguese Quechua Romanian Romansh Rombo Rundi Rwa Samburu Sango Sangu Scottish Gaelic Sena Serbian Shambala Shona Slovak Soga Somali Spanish Swahili Swedish Swiss German Taita Teso Turkish Upper Sorbian Uzbek (Latin) Volapük Vunjo Zulu ■ Design Date: 2021 ■ Type Desi­gner: Hannah Englisch, Manuel Viergutz

Samsheriff is a large sans-serif family with a touch of quirkiness. It contains an eclectic mix of letter styles but is very legible. The origin of this typeface was in the caps-only letters used for the novelty font Coffinated. Adding lower-case letters, additional widths, additional weights, and italics resulted in the 30 styles that make up the Samsheriff family.

Xtencil is a typeface inspired by the shapes of the drawing templates letters, based on the letter forms from my teacher Milton Glaser who at the same time was influenced by the modernism of Paul Renner. Xtencil is a round letter to create funny signs, ideal for posters and headlines. Xtencil not come as a drawing template, but as OpenType typography.

Xtencil is a typeface inspired by the shapes of the drawing templates letters, based on the letter forms from my teacher Milton Glaser who at the same time was influenced by the modernism of Paul Renner. Xtencil is a round letter to create funny signs, ideal for posters and headlines. Xtencil not come as a drawing template, but as OpenType typography.

Say hello to Magic Ramen - an oddball sans serif font with weird contrast! Playful and strange - perfect for unusual avant-garde branding and projects. Includes Opentype Kerning. Available in both solid and outline versions.

Fact or Fiction? Are you troubled by strange noises in your font folder? Do you experience feelings of dread in Illustrator, Photoshop or Procreate? Have you or any of your family ever been haunted by an ampersand, cedilla or tilde? If the answer is yes, please don’t wait another minute. BEYOND BELIEF is ready to Believe YOU! Six weights of non-judgmental understanding and faith in everything you have to say -- even the most outrageous font conflicts and naming “coincidences”. Some say this font resembles our tall, friendly sans-serif font Tall Tales, but we don't know what they're talking about. Beyond Belief includes six fonts (Regular, Italic, Bold, Bold Italic, Heavy & Heavy Italic) with upper and lower case alphabets, automatic alternate letters, Crossbar I Technology and Western & Central European language support.

Stencil-like lettering appearing on a 1930s WPA (Works Progress Administration) poster for the Pennsylvania Game Commission saying “Protect Our Birds” is the basis for Fall Fashion JNL.

An interesting hand lettered sans serif type style with a “brush stroke” feel was used for various article headlines in the October, 1938 issue of “Radio Stars” magazine.

The perfect font for coupon clippers has arrived with Sentzoff Coupon JNL by Jeff Levine. The dashed lines form letters in the same way a coupon is bordered.

Syndication JNL was derived from Outline Sans JNL. By removing the outer letters, a thinner character set remained. This typeface is available in both regular and oblique versions.

Iza W and Intellecta Design are proud to announce Invitation Script, a modern and clean revival of the classic work of the Portuguese master penman Manuel de Andrade de Figueiredo, whose work can be seen in “Nova Escola para aprender a ler, escrever, e contar (...)'' (1722). Invitation Script is the third script superfamily published by Intellecta Design, after Penabico and Van den Velde Script. Invitation Script has original letters designed by Iza W. Creative direction and core programming were provided by Paulo W. Chyrllene K assisted with some work on unusual and archaic styles, resulting in a special font - Invitation Script Archaic (soon available). Invitation started out from Andrade’s script style and evolved into a voluptuous script font family. The result is a typeface ideal for beautiful headings, signatures, art work typography, titles and short pieces of hand-lettered text. Invitation family includes two multi-table Opentype fonts, three supplementary fonts for ornaments and fleurons, and the Archaic font with some of the Andrade’s original characters. Embedded in the regular fonts are additional sets of letters. Over 40 variations are available for certain letters via the Special Sets Opentype table. The two regular versions of Invitation Script contains the following: (i) An extensive set of ligatures providing letterform variations that make eye-popping designs or simulate real handwriting. These are accessible via contextual alternates and other open-type features. (ii) Many stylistic alternates for each letter (upper and lowercase, accessed via the glyph palette, encoded in the ranges of the Special Set Opentype feature). Since there are over 1100 glyphs in each font, we suggest using the glyph palette. (iii) A set of ornaments and fleurons accessed with the glyph palette or using the Ornaments feature. Additional ornaments can be found in the two Invitation Script Ornaments fonts. (iv) Initial and final letters with artistic variations accessible using the initial and final form open-type features. (v) Major kerning work: over 6000 kerning pairs, hand-set to avoid collisions and to create intricate combinations of letters, using swashes and other resources. These powerful features are all accessible in InDesign, Illustrator, QuarkXpress and similar software. We recommend exploring the magic of this font using the glyph palette. Our sample illustrations and PDF brochures showcase the power and pizzazz of this calligraphic script. Let your imagination go wild and use Invitation Script in ways that Andrade could not have foreseen. In non-OpenType-savvy applications, Invitation Script is still an exceptionally beautiful calligraphic typeface that stands up to the competition. The regular fonts contains the complete Latin alphabet, including Central European, Vietnamese, Baltic and Turkish, with a full set of diacritics and punctuation marks. --- 1 FIGUEIREDO, Manuel de Andrade de, 1670-1735 Nova Escola para aprender a ler, escrever, e contar. Offerecida á Augusta Magestade do Senhor Dom Joaõ V. Rey de Portugal. Primeira parte / por Manoel de Andrade de Figueiredo, Mestre desta Arte nas cidades de Lisboa Occidental, e Oriental. - Lisboa Occidental: na Officina de Bernardo da Costa de Carvalho, Impressor do Serenissimo Senhor Infante, 1722. - [18], 156 p., 44 f. grav. a buril : il., ; 2º (31 cm)Engraved royal coat of arms supported by angels over the city of Lisbon, engraved portrait of the author (both of the foregoing by Bernard Picart), (12)ff., 156pp., engraved calligraphic section title, 44 engraved plates. Wood-engraved culs-de-lampe and lettrines. Sm. folio. “Andrade de Figueiredo was born in Espirito Santo, where his father was Governor of the ‘Capitania.’ The fine portrait is dated 1721 and is showing Figueiredo at the age of 48. He was an eminent calligrapher and a creator of the Portuguese handwriting until the reign of Don José I (ca. 1755). His work follows the style of the great Italian masters in its use of clubbed ascenders and descenders, and of Diaz Morante, the famous Spanish writing master, in its very elaborate show of command of hand. By his contemporaries, he was known as the ‘Morante portugues’” (Ekström). “Ce livre est un manuel, composé de quatre parties, destiné à apprendre à lire, à écrire, à conter ainsi que l’orthographe. Les planches comportent des examples d’écritures, d’alphabets et de textes ornés de remarquables traits de plume exécutés d’une main sûre et enjouée” (Jammes).

Formalized from some hand lettering by the multifaceted Jugendstil designer Bruno Mauder, perhaps better known for his work in glass and ceramics.

Lc Trinidad is the result of a series of wonderings regarding geometric Sans Serif typography design, in particular; Futura of Paul Renner. A “conversation” arose between me and the designer – actually there was no conversation, it is an euphemism for “I saw his designs, I draw them and discussed with myself some of his decisions – that ended up being the origin of this font firsts glyphs: A, H, N, O, R and S. I started with uppercase letters, and here is when Rudolf Koch with Kabel and his “Das schreibbuchlein” joined the conversation. This is how I could develop some alternative lowercase letters so as to illustrate this imaginary discussion. The result is a sans serif, geometric, modern typeface with classical Roman proportion in the uppercase letters; two stylistic sets for lowercase letters (setKoch and setRenner), rational, open and sharp ends. It is ideal to form titles, medium length texts, branding, exhibitions and animations. The family consists of 9 weight variants and their corresponding oblique versions and small caps. With more than 900 glyphs, it covers more than 190 Latin languages and together with its Opentype functions it creates a modern and versatile family. Besides, it has powerful OpenType features for each style, including stylistic sets, extended language support, ligatures, contextual alternates, lining figures, oldstyle figures, small caps numbers, arrows, fractions, superscripts, subscripts and many more.

I saw a cool UT-Ligature on an old (maybe 70's or 80's) Texas Longhorns fan-shirt - it was in 3D and I wanted something like that with my own initials A and B to print it on a baseball hat. I started drawing it and when I was finished, I thought it might be nice to do the same for my officemates. I needed another G, T and K. After finishing that I thought it might be cool to do this for other people as well. Since the source of all the 3D glyphs is found in the regular ones which get moved by a 45 degree angle and then connected with lines , I first draw all the uppercase regular glyphs. The thing that followed was kind of an addiction: after finishing the uppercase letters, I wanted to add lowercase letters, after finishing the 3D letters, I thought it would be nice to have a fill version to layer with the 3D letters. Having a rough, woodcut version of the regular style would be cool, too. And the font is also pretty much suited to make a stencil version. When all this was done, I was interested on how the font would look like without the serifs and curves instead of the 45 degree angles, so I did the Longhorn Sans. Good to use for all sports-related designs, especially retro-style soccer/football shirts. Uppercase characters can be combined to form ligatures or logotypes.

The font is intended to be used as a header or headline font. Most of the characters are based on the same rectangle and therefore contain the same width which displays symmetry. The font contains 300+ glyphs which includes uppercase letters, lowercase alternates, numbers, symbols, accented characters for multiple language support.

CCS Monterio sans is a all-caps sans serif contemporary Art Deco typographic style , If you're into classic/vintage letter designs, then this typeface suits best for you. Packed with 300+ glyphs (alternate and multilingual characters included), now it’s your time to go crazy and explore the uniqueness of this typeface!

The font is intended to be used as a header or headline font. Most of the characters are based on the same rectangle and therefore contain the same width which displays symmetry. The font contains 300+ glyphs which includes uppercase letters, lowercase alternates, numbers, symbols, accented characters for multiple language support.

Some say The Silver Age Will End in Fire; others say The Silver Age Will End in Ice! Know, O Prince, that In Your Darkest Hour, the Masters of Evil Will Live Again! But from The Ashes of the Bitter Taste of Defeat, A New Power will be Unleashed! Lo, There Shall be A Frenzy in a Far Off Land, There Will be a Great Price AND a Great Prize! There Will Be a Bitter Victory in a World Gone Mad -- a World You Never Made... Face it, Tigers, You are Captives of The Coming of The Return of The Mad Mysterious Menace of He Who Would Destroy You...This Man, This Monster... This Final Font in our collection of Silver Age Display Lettering -- BATTLE DAMAGED! See the families related to Battle Damaged: Battle Cry & Battle Scarred .

Letuncial is a sans-serif typeface in which the shapes of the letters are derived from uncial, a writing style in the early medieval period. Like uncial, it has no true upper-case letters. Rather it has two sets of letters that are interchangeable. Fonts Letunical Inline Overlay-Middle and Letunical Inline Overlay Inside are designed to be layered with Letunical Inline to produce bicolored or tricolored letters and Letunical Shadow Inside is designed to layered with Letunical Shadow to produce bicolored letters.

Cerulean Love is a soft and clean sans serif font with a strong handwritten feeling. The letter shapes are based on letters written with a brush pen. Its rounded shapes, soft terminals and easy-to read letters adds a friendly look to it which makes it useful for many different kinds of purposes such as products for children, menus, posters, logos etc. It comes with dicritic letters for all European languages. It has quite tall uppercase letters and quite long ascenders and descenders.

Natuna is named after the ocean which is rich in marine ecosystems and the region where I live in Indonesia. For this font, I retained my handwriting style, but I combine it with a touch of modern calligraphy. It is seen with the tail of each letter the same length. The upper and lower case letters all have the same tail. This font is perfect for many creative needs and can be for marriage invitations, greetings, business cards, and more.

Rum Silhouette is developed as a display face within the type family »Rum« Rum Silhouette is a decorative all caps font, with uppercase letters based on Rum Soft Sans Black and a thin companion has replaced lowercase letters. It is suitable for posters and editorial design in large sizes. Includes two sets of numbers & punctuation marks that are in betweens. The complete family consists of Sans Serif & Serif in both sharp and soft version + the display fonts Rum Plakat & Rum Silhouette.

Blooming Elegant Script Font is a hand-lettered modern calligraphy script with a playful yet elegant nature. It comes in 3 variants : Regular, Mono-line, and Mono-line Bold. The script fonts include Opentype Stylistic Alternates for all lowercase letters, and a selection of Ligatures to add some authenticity to your designs. Included alongside the script fonts, are two companion sans fonts : a neat and sturdy uppercase sans font for more formal-natured designs, and a jaunty, playful uppercase handwritten sans for more casual designs. Also included is a handy set of over 120 lovingly-drawn doodles is also included as 2 separate dingbat fonts.

Harvey is a work of American graphic designer Dale R. Kramer. It is an all capital sans serif typeface which features a distinctive, light-hearted look and includes both conventional and unusual letter forms. Alternate letters give Harvey even more flexibility, making it a great typeface for any headline.

The cover of the 1934 sheet music for "Your Guess Is Just as Good as Mine" offers up another hand lettered Art Deco sans with a classic period look. The square-ish lettering with rounded corners of Second Guess JNL is available in both regular and oblique versions.

Earthboy will be perfect for wedding lettering, beautiful frame for your home, book covers, greeting cards, logos, marketing, magazines or anything that requires cute handwritten lettering :) What's inside: Earthboy Sans Earthboy Script Multilingual support Cricut support If you have any questions, please contact me directly or in instagram @superdizigner