Taglio’s name is derived from intaglio, which means “incised carving” or “an impression from an engraving”. Indeed, Taglio looks like an incised engraving with a contemporary calligraphic interpretation. The down strokes start with a single horizontal line that curves into a dual vertical line and ends with the same single line at the base. The dual elongated strokes create a bold overall impression but is literally twice as sophisticated than if the two lines were solid. That was exactly the goal in creating this font. We managed to create a font that is distinctive, elegant, and crisp that is also intentionally stencilled for more flexibility. For instance, it is ideal for laser cutting signage. One of the unique features in using the capital glyphs is that they stack perfectly without losing legibility, primarily because of the slanted ends of the dual vertical lines - see the example “Miami Fashion Week” display ad. Taglio’s unusual style was carefully crafted to come to life at display sizes. It is therefore ideal for use in branding fashion, restaurants, buildings, packaging, museums, signage, etc. An ideal pairing font is our WERK family which can be seen on some of the display ads below. Taglio has a sparkling and sophisticated personality that will absolutely delight!

A thoroughly fun font based on handlettering found on a travel brochure for IMM Steamship Lines, circa 1927, and named after a fictitious girl who likes kissing alot.

This summer there's LOVE FOR SALE! Come get some... Love4Sale is a sexy, boldish font that will certainly steal your heart away. It contains a wide range of accented characters and is available in Truetype, Opentype and Windows PostScript format.

Popstix JNL takes the childhood pastime of creating things with ice cream sticks and transferring that premise to a digital alphabet. From classroom displays to ice cream sales, this charming novelty font evokes the simpler pleasures of our younger years.

Quorfid JNL is Jeff Levine's version of an old classic- Orplid. Especially popular in the 1950s, this cast shadow outline font has a decidedly hand-made look to it. From headlines to point-of-sale signage, it fits into all applications.

I’m not trying to be sarcastic or ironic. But after looking at fridge magnets, postcards, posters and stickers with clever words about love and happiness, I suddenly found them all cheesy. You may have guessed it by now: I’m not into clever words like those…but I do respect if they brighten someones’s life. This font, however, was made to brighten people’s life by being great as a soft, handmade and organic headline font! Use for your favourite quotes, or whatever needs a legible and clear presentation!

Mangsi in Javanese means ink. We want to create a modern display typeface with an inked-like feel by combining clean modern serif strokes, brush strokes and the curved line made by the ink tank. Mangsi is a modern inked display typeface that unites the beauty of the old lines with the clean modern lines. A simple, yet distinctive, elegant font that can be applied to many areas of design. Coming with 170+ stunning and super easy to use alternates and ligatures. To get results like the preview just type M.3A.NGS.3I

Meet our newest product, we call this product Gironte font.Gironte font are cute typeface font Whit a uniqe touch and assertive. Gironte font is very nice to use on: fashion magazine, logos, ,and photography, landing page, fliyer. What’s includes - Mutilngual support - Alternate - ligature Thank you, salutations Ali Sifak Muftari

French Stencil JNL was inspired by images of a set of metal stencils from France that were offered for sale in an online auction.

Sheet Music JNL was based on lettering found on an old piece of 1930s-era sheet music being sold at a local rummage sale.

Meet our newest product, we call this product Gardnest font. Gardnest font are cute typeface font with a uniqe touch and assertive. Gardnest font is very nice to use on: fashion magazine, logos, ,and photography, landing page, flyer, What’s includes - multilingual support - alternate - ligature Thank you, salutations Ali Sifak Muftari

Meet our newest product, we call this product Regratte font. Regratte font are cute typeface font Whit a uniqe touch and assertive,Regratte font is very nice to use on fashion magazine, logos, ,and photography, landing page, fliyer, What’s includes - mutilngual support - alternate - ligature Thank you, salutations Ali Sifak Muftari

Meet our newest product, we call this product Vlavour font. Vlavour font are cute typeface font Whit a uniqe touch and assertive Vlavour font is very nice to use on: fashion magazine, logos, ,and photography, landing page, fliyer, What’s includes - multilingual support - alternate - ligature Thank you, salutations Ali Sifak Muftari

Meet our newest product, we call this product Shentholla font. Shentholla font are sans serif typeface font Whit a uniqe touch and assertive. Shentholla font is very nice to use on: fashion magazine, logos, ,and photography, landing page, fliyer, What’s includes - mutilngual support - alternate - ligature Thank you, salutations Ali Sifak Muftari

Découpé Based on a French children’s play from 1906. In a car boot sale André Toet found a funny looking box containing a lot of cut out cardboard figures, in fact it looked a bit like a geometric puzzle! He played around a bit and succeeded to create a workable typeface with it ! The interesting thing about this particular font is, that in fact it’s organized chaos. The 26 letters of the alphabet are a mix between caps and lowercases, so within one word caps and lowercases will be used next to each other. It’s a very useful font for different projects. Concept/Art Direction/Design: André Toet © 2017

A very legible Renaissance Antiqua This typeface is based on the desire to create an Antiqua like those which might have existed at the beginning of the »printing age« — the basic form oriented on the classical Roman and early Middle Ages models, the ductus defined completely by writing with a wide pen and much individual expression in detail. In the spring of 2005 I had the opportunity to closely examine a few pages in the famous book »Hypnerotomachia Poliphili« from 1499. The script used here from Aldus Manutius is exemplary. Most of the book, however, is not very carefully printed. The characters do not stay on the line; the print is at times too strong and at times much too weak. And on these imperfect pages the true character of the letters is recognizable; that is, that they are cut with lively detail which is a result of the patterns provided by full-time writers. After all, around 1499 script was written as a rule and the printed type was oriented on this pattern. I prefer the typeface on the lightly printed pages. The characters are not placed neatly on the line, but the distinct and emerging lively ductus of the individual characters automatically presents harmonious word formations in the eye of the beholder, with the non-perfect line stepping into the background. Also in Charpentier Renaissance, the strokes of the wide pen are still noticeable. The font has very defined softly bent serifs. The forms are powerful and stand solidly on the baseline. Charpentier Renaissance is very legible and yields a solid and yet still lively line formation. The accompanying italic, like its historical models, has almost no inclination. The lower case characters of Charpentier Renaissance Oblique have such idiosyncratic figures that they can also form a font of their own. Please visit www.ingofonts.com

Crispy Blue is handmade, using a blobby brush. Inspired by a clumsy sign I saw the other day: full of blobby lines and uneven strokes - but full of life and personality!

Million Orchids Font: Where Script Meets Blooming Brilliance! Get ready to unleash your creativity and watch your designs blossom with this delightful script font. It's like having a million orchids at your fingertips, adding a touch of elegance and charm to every project. Let your imagination take root and let the million orchids font bring your designs to life!

Angelynn is a beautiful Calligraphy font designed with an incredibly modern feel. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! It features a varying baseline, smooth lines, gorgeous glyphs, and stunning alternates. Use this gorgeous and unique Calligraphy font to bring any DIY project to life!

Description: Snappy Fingers is a remake of a really old font, called Joe Schmoe, which I made for my other foundry years ago. I really like this font, but it needed a lower case and some serious tweaking. Snappy Fingers is a fun, handwritten font. I (now) comes with fantastic language support and a new lease on life!

Hightide is a rough, hand-lettered script font inspired by brush calligraphy of the 50’s and 60’s. It’s a cinch to use, and adds a welcome splash of salty vintage charm wherever it goes. Shown in posters with other Atlantic Fonts including Began and Reading.

Ovala SRF is one of a number of Ray Larabie designs provided to the Stella Roberts Fonts project and adapted by Jeff Levine. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

Mevada SRF and its oblique partner are a remix of the Ray Larabie design Devama SRF, another exclusive from Stella Roberts Fonts. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

Understood is a cool alternative for you to easily create a logo for your underground metal band. Using alternate front and ending letters brings the font to life, It comes with a basic character set and a small group of symbols and signs often used in the extreme music sector – the classics of Death- and Blackmetal like pentagram drops, roots, spikes and more.

A typeface is a tool. Sure, there are frilly fonts that are more art than craft, showy faces that exist merely to call attention to themselves. But, in the end, any functional typeface worth its salt lives to serve one thing first: the text, the content. Everything else—the fashion of the moment, the allure of individual words and letters—is secondary. MVB Solitaire™ epitomizes this universal typographic mandate. As a tempered sans serif somewhere between a humanist and a gothic, MVB Solitaire captures a 21st-century neutrality. But practical doesn’t have to mean banal. MVB Solitaire has a soul. While some “neutral” type is dead the moment the ink hits the page, MVB Solitaire delivers text that feels lively, contemporary, relevant. Readers will not tire of this type. Behind the useful exterior is an arsenal of thoughtful technical features. It’s no surprise that this family’s creator, Mark van Bronkhorst, was first a graphic designer before becoming a type designer. Mark built all the goodies into MVB Solitaire that he would appreciate as a user: case-sensitive punctuation; alternate forms that can be invoked individually or together; oldstyle and lining figures in both tabular and proportional widths; slightly shorter lining figures that don’t stand out in running text, but also cap-height figures for all-cap settings; and the ability to speak nearly any Latin-based language. MVB Solitaire aspires to be the sort of workhorse that a designer keeps installed on their system at all times. It is a family bound to have a permanent spot in the font menu, always at the ready for projects (those most common of all) where the typography mustn’t mask the message. It has that quality that all truly useful typefaces have: the capacity to get the job done without getting in the way.

Yoko is a straightforward font with a straightforward message, and an interesting finish. Yoko wants you to enjoy life, live to your fullest and be happy. Yoko understands that it doesn’t look easy, but it can be, and you can achieve it. Straight lines and perfect corners make Yoko’s messages come across simply and openly. There’s no fancy flourishes in what you say with this font, just a goal and a solution. That’s not to say it’s dull though, because the textured finish gives Yoko a depth that carries its own form of weight. The solid impact of the shapes and the rough texture of the finish make Yoko’s message stand out, whatever you choose to say with it.

Looking for a font that’ll make your branding radiate elegance? Something that’s versatile, stylish, and eternal? Introducing Cananga - A Modern Calligraphy Font. This handcrafted calligraphy font can be used for various different promotions or projects. Use it to create standout headings, promote your online sales, Instagram quotes, and even printed materials like business cards, t-shirts, or invitations. Get whisked away to the Victorian era with Cananga. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

Our penchant for banner types lives on. This one is our take on an 1880s font called Mezzotint. Banner fonts give the appearance of art work, without having to do any. We like that.

Introducing military label font named Militarist. This font has a cyrillic and multilungual characters support (check out all available characters on previews). The font family has eight styles: Regular, Stencil, Lines, Texture, Texture FX, Rough, Stencil Rough and Lines Rough. This font will look good on any military or serious styled designs like a poster, T-shirt, label, logo, etc.

Bluebottle is a lively fun family of typefaces, a boisterous fun design, BLuebottle brings a distinctive cheerful character where ever it's used. Use Bluebottle to bring life and fun wherever you will.

Semarang is a stylish, all caps Art Deco font. It is not a recreation of a particular typeface; merely my salute to a bygone era and to the birthplace of my father in law, who recently passed away. Semarang comes with all diacritics.

Although the Taz family was designed for newspapers, it works equally well in many other contexts. The fonts have been used in glossy magazines, sales catalogues and corporate brochures, for instance. Taz is appreciated for its readability in longer texts at medium sizes.

Millport JNL is another retro-design font with a look closer to hand-lettering than formal typesetting. Use it for headlines, titles, signs, posters and point-of-sale items. No matter what the application, Millport JNL looks clean and retains its nostalgic feel.

You can Download All 36 Demo Fonts The Lexis font family is a sans serif “super” family consisting of two sub-families - Lextis & Lexis Alt. While the first one follows the humanist model, its alternative version Lexis Alt dives way deeper into the geometric aesthetic. It’s simple yet versatile, packing great amount of well balanced weights, extensive character set and numerous Opentype features. The Lexis typefamily comes in 9 weights plus their italics, two distinctive styles and support for over 200 languages.

Slowglass is a geometric semi-serif accompanied by geohumanist italics. Softly rounded edges lend it a friendly tone. The typeface includes two categories of stylistic alternates, available as font features as well as complementary font subfamilies. Text forms for increased legibility (Slowglass Text) and uncial-inspired unicase variants (Slowglass Alt). At over 1500 glyphs per weight, the fonts support 80+ Latin-based languages (incl. Vietnamese), 14 Cyrillic-based languages and polytonic Greek. OpenType features: Six sets of figures: proportional / tabular × oldstyle / lining / petite (ss20) Superscript and subscript figures Fractions, numerators, denominators Optional slashed zero Case-sensitive forms Glyph composition/decomposition (support for Navajo and Greek) Localization (Dutch, Marshallese, Bulgarian) Stylistic Sets: ss01 Roman: Two-story a, loopy α / Italic: Loopy α ss02 Roman: Simple g / Italic: Simple k ss03 Unicase r ss04 Alt f t г п т γ ss05 Descending η χ ss06 Unicase β ζ θ ξ ss07 Alt в г д ж з к п т ю ss08 Latinized ς, cursive и й ss09 Round Δ Λ Д д Л л Љ љ ss10 Full-stem a q ss11 Seriffed I ss12 Unicase A ss13 Unicase E Ω ss14 Descending F T Г П ss15 Descending G P Q Y ss16 Unicase M N И H Y ss17 Extending Φ Ψ ss20 Petite figures