Most of the lettering on a piece of sheet music for a song from the 1921 George M. Cohan musical comedy entitled “The O’Brien Girl” was hand lettered in a playful, casual Art Nouveau design with rounded ends. The characters on that page took on a look reminiscent of cartoon or comic strip wording, and the result is a digital typeface named Cartoon Nouveau JNL, which is available in both regular and oblique versions.

Noobys is a fun decorative display font with natural hand drawn, clean stroke, uprights and fun character. To give you an extra creative work. Noobys font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Noobys font. Cheers, MaulanaCreative

Polyfonics is a natural hand drawn decorative display font, with fill and hollow stroke, uprights and fun character. To give you an extra creative work. Polyfonics font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Polyfonics font. Cheers, MaulanaCreative

Suitable for separating paragraphs, or framing text, this set of swirlies ornaments is drawn with a pointed brush, for a higher contrast appearance than swirlies 1 , 2, and 4. It also has a companion member, with a rough finish, called “Sand Drift”, suitable for natural, earthy subject matter. “Sand Drift” combines well with the following PR Fonts Items: Bramble Wood 2, Bramble Wood 1, Cauldron, Swirlies 1 Sand Drift, Hallow Doodles 1, Hallow Doodles 2.

Calmoon is a bouncy handwritten display font. With bold bulb stroke, fun character with a bit of ligatures. To give you an extra creative work. Calmoon font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Calmoon font. Cheers, Maulana Creative

Jillstone is an Exspressive slanted signature script font. With regular felt-tip stroke, fun character with some of ligatures. To give you an extra creative work. Jillstone font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Jillstone font. Cheers, MaulanaCreative

Plotwist is a casual handwritten script font. With bold stroke, slanted and fun character with a bit of ligatures. To give you an extra creative work. Plotwist font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Plotwist font. Cheers, MaulanaCreative

Dexa Round is the round cornered version of the Dexa Pro superfamily. It has 18 fonts with thin to black weights, along with their true italic counterparts. With more than 770 glyphs per font, It supports all the Latin languages as well as the Cyrillic ones. OpenType features: small caps, caps to small caps, alternates, old style figures, tabular lining, old style tabular lining, language localizations, ligatures, superscript, subscript, numerators, denominators, fractions, historical forms.

Mollafest is a modern script font. With high contrast stroke, fun character with a bit of ligatures. To give you an extra creative work. Mollafest font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Mollafest font. Cheers, Maulana Creative

Montras is a modern sans serif display font. With strong bold stroke, fun character with some of ligatures. To give you an extra creative work. Montras font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or signature typeface. Make a stunning work with Montras font. Cheers, MaulanaCreative

Muizhell horror display font. Heavy stroke, fun character with a bit of ligatures. To give you an extra creative work. Muizhell horror display font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Muizhell horror display font. Cheers, Maulana Creative

Amigos is a classic handwritten script font for luxury / signature / branding / logotype / wedding invites / greeting cards / promotional graphics. Amigos is completely handmade with more than 140 hours of artistic craftsmanship bringing perfection and aesthetics at its level best. The font includes extended language support including Western European & Central European sets. Advanced Kerning & Essential Ligatures: We have performed advanced, in-depth kerning to make sure the font looks amazing on all possible letter combinations.

Specimen PDF | Graphic presentation | Customization options TT Wellingtons is reborn! Introducing the 2023 edition of the Humanist sans serif! Functional, aesthetic, and technically flawless. We have thoroughly worked on every contour and every detail of the font. The expanded character set now consists of 913 characters The font supports more than 230 languages 35 OpenType features, including new ligatures and stylistic alternates Most of the characters now have standardized and improved shapes

Ambulatoria is a sturdy open aperture sans-serif that comes in four variations. Each variation, A, B, C, and D, contains alternative variants for certain glyphs that allow the designer to change character and texture of the text. The font family contains 80 fonts altogether, each sporting rich language support including pan-European Latin and Cyrillic. The typeface is intended to work in both large and small text sizes, which makes it a versatile workhorse.

INTRODUCTION When I started the first Selfie back in 2014 I was aware that I was designing something innovative at some point, because at that time there were not too many, (if any) fonts which rescued so many calligraphy features being at the same time a monolinear sans. I took inspiration from the galerías’ neon signs of my home city, Buenos Aires, and incorporated the logic and ductus of the spencerian style. The result was a very versatile font with many ligatures, swashes and a friendly look. But… I wasn’t cognizant of how successful the font would become! Selfie is maybe the font of my library that I see the most when I finally go out, (type-designers tend to be their entire lives glued to a screen), when I travel, and also the font that I mostly get emails about, asking for little tweaks, new capitals, new swashes. Selfie was used by several renowned clients, became part of many ‘top fonts of the year’ lists and was published in many magazines and books about type-design. These recognitions were, at the same time, cuddles for me and my Selfie and functioned as a driving force in 2020 to start this project which I called Selfie Neue. THE FONT "Selfie for everything" Selfie Neue, because it’s totally new: All its glyphs were re-drawn, all the proportions changed for better, and the old and somehow naive forms of the first Selfie were redesigned. Selfie Neue is now a family of many members (you can choose between a Rounded or a Sharp look), from Thin to Black, and from Short to Tall (because I noticed the feel of the font changed notoriously when altering its proportions). It also includes swashy Caps, which will serve as a perfect match for the lowercase and some incredibly cute icons/dingbats (designed by the talented Melissa Cronenbold) which, as you see in the posters, make the font even more attractive and easy to use. You'll find tons of alternates per glyph. It's impossible to get tired with Selfie! Like it happened with the old Selfie, Selfie Neue Rounded was thought for a really wide range of uses. Magazines, Book-covers, digital media, restaurants, logos, clothing, etc. Hey! The font is also a VF (Variable Font)! So you can have fun with its two axes: x-height and weight, in applications that support them. Let me take a New Selfie! TECHNICAL If you plan to print Selfie Neue VF (Rounded or Sharp), please remember to convert it to outlines first. The majority of the posters above have the "contextual" alternates activated, and this makes the capitals a little smaller. I'd recommend deactivating it if you plan to use Selfie for just one word. Use the font always with the "fi" feature activated so everything ligatures properly. The slant of the font is 24,7 degrees, so if you plan to have its stems vertical, you may use Selfie with that rotation in mind. THANKS FOR READING

After researching the type styles contemporary graphic designers have been using over the past few years, I noticed a consistent use of Copperplate Gothic, and its derivative designs, for various corporate advertising campaigns. That level of usage gave me the inspiration to design a display font possessing subtle characteristics of Copperplate Gothic, and various Latin Condensed designs. The font I ended up designing was semi-condensed, with more contrast between thicks and thins than in Copperplate. Baltra also has a subtle flair in its otherwise traditional lowercase, while possessing a larger than average lowercase x-height. Copperplate Gothic, on the other hand, has minimal contrast and uses small capitals for its lowercase. After examining extensive type specimens from wood type, metal type, phototype and digital type, I was not able to find a single design possessing a majority of Baltra's characteristics. Consequently, I consider Baltra to be a truly unique design, sharing with Copperplate Gothic only its flairs on stems, and having only subtle characteristics in common with traditional Latin designs.

Chilada is an outrageous display family by designer Patricia Lillie for Image Club. Across four versions, the decorate treatment inside Chilada's letters becomes more intense. Chilada characters exude an energy of their own. Their design could be described as a cross between Bank Gothic and Neuland, with a spoonful of funk mixed in. Big and chunky, Chilada's forms are made up of straight lines only. There are no curved elements. The resulting design is angular and cuts a good figure on the page. Of the Chilada family's four members, the basic font is named Chilada Uno. Uno is Spanish for one!" The forms of Chilada Uno's letter are solid black-or whatever color you choose to set them in! Chilada Dos, Tres, and Quatro each offer their own decorative treatments: Chilada Dos's letters sport a zigzag inline, Chilada Tres is decorated or an ornamented leaving leaves more black from the letters than white, while Chilada Quatro's level of decoration is just crazy. Its letters are made up more more from white space than from black marks. Chilada Quatro is almost an outline font!"

Guinevere Pro is a typeface designed by Icelandic art director Sigurdur Armannsson. It started in 2001 as simple hand-drawn sketches of a few letters built from modules, then became an experiment with four goals: - Construct an original alphabet from a specific set of predetermined modules. - See how certain letter forms built without said modules would behave within the totality of the module-constructed alphabet. - See if certain letters would actually enforce their own shapes to be drawn a certain way within the totality of the typeface. Likewise, see if the totality of the alphabet demands that individual letters be drawn in a specific way, and if so, how much room for variation would there be? - See how all of the above reacts/changes to implementing the alphabet across different weights. The experiment was finessed and re-worked over many years of technology changes, and Guinevere Pro is the final outcome, ten years later. The Guinevere Pro set is four cross-platform Open Type fonts, with built-in small caps, alternates, ligatures, and support for a wide range of Latin-based languages.

Yalta Sans combines the warmth of a traditional humanist design, the clarity of a grotesque and the modernity of a square sans. Several design traits contribute to this melding of diverse typographic concepts. Characters find their foundation in stroke-based shapes rather than constructed forms. Curve stokes are also slightly squared and counters are open. Curved strokes join verticals at nearly right angles to create a strong horizontal stress, aiding the reading process. The resulting design is exceptionally legible while still inviting. Although Yalta Sans is clearly differentiated from its calligraphic ancestors, many details of the design emulate the distinctive characteristics of typefaces from the Renaissance. Tapering horizontal stokes also give Yalta Sans a dynamic relationship with linear grotesque while its angled stroke terminals echo the work of a calligraphic brush Yalta Sans italics are cursive designs that are in keeping with humanistic letterforms and are markedly narrower than the Roman characters. Lining and old style figures, small caps and a suite of ligatures also make for a remarkably versatile typeface family.

To describe what inspired Magneta would be to add a little Dwiggins, throw in some Benton with a hint of Austin, wrap it up in a crisp, contemporary package and serve. The skeleton of the family is a Garalde (like my earlier Epic) but with a desire to produce something much more transitional and contemporary, I sought to simplify, simplify, simplify. Cap and ascenders share the same height, the x-height is slightly larger than expected which should make a functional typeface for editorial, headlines or where more visually complex systems are needed. The modulation is much more intentional than historical and creates some interesting interactions between the various weights. There are both Normal and Condensed widths available with 6 different weights and matching italics, small caps, oldstyle figures, swashes, stylistic and discretionary ligatures (that includes some fun majuscule ligatures in the roman styles), there is no lack of typographic goodness for the designer. To add some spice, a set of Decorative Ornaments have been created that include geometric, floral, curvilinear patterns and much more.

The font Marcel is named in honor of Marcel Heuzé, a Frenchman who was conscripted into labor during World War II. During the months Marcel was in Germany, he wrote letters to his beloved wife and daughters back home in rural France. Marcel’s letters contain rare first-person testimony of day-to-day survival within a labor camp, along with the most beautiful expressions of love imaginable. The letters — stained and scarred with censor marks — were the original source documents used by designer Carolyn Porter to create a script font that retains the expressive character of Marcel Heuzé’s original handwriting. The result of years of research and design work, P22 Marcel Script features more than 1300 glyphs. The font is a highly readable running script that includes textural details that capture the look of ink on paper. The font Marcel Caps is a hand-lettered titling face intended as a companion to the Script. Marcel EuroPost One and Two each feature more than 200 postmarks, cancellation and censor marks, and other embellishments found on historical letters and documents.

To describe what inspired Magneta would be to add a little Dwiggins, throw in some Benton with a hint of Austin, wrap it up in a crisp, contemporary package and serve. The skeleton of the family is a Garalde (like my earlier Epic) but with a desire to produce something much more transitional and contemporary, I sought to simplify, simplify, simplify. Cap and ascenders share the same height, the x-height is slightly larger than expected which should make a functional typeface for editorial, headlines or where more visually complex systems are needed. The modulation is much more intentional than historical and creates some interesting interactions between the various weights. There are both Normal and Condensed widths available with 6 different weights and matching italics, small caps, oldstyle figures, swashes, stylistic and discretionary ligatures (that includes some fun majuscule ligatures in the roman styles), there is no lack of typographic goodness for the designer. To add some spice, a set of Decorative Ornaments have been created that include geometric, floral, curvilinear patterns and much more.

Cypher is a techno looking font that attempts to employ the Gestalt principal of closure. It may, at larger sizes look like some sort of code or a bunch of dots and dashes, but when viewed at smaller sizes it falls together into legible words. This font family was first inspired by an experiment to try to make a legible upper and lower alphabet with the smallest grid possible that would still describe the letterforms. The original conclusion was that it could be done in a 3x6 grid. This made a fun design exercise, but it makes a lousy font. The grid was expanded a bit for aesthetic reasons to a 3x8 grid, But not restricted so severely and so occasionally goes wider than 3 for the certain letterforms. From this a whole family of widths and weights was born, and rather than simply obliquing for italics, a true italic of sorts was created. Cypher is a versatile family of 24 fonts – 4 widths, each with 3 weights and their accompanying italics.

Wozniak is a workhorse sanserif typeface in 16 styles that includes a 16 styles display font on itself. On its default shapes brings a modern, clear and bright personality to the text and a wide range of possibilities by supporting many OpenType features, such as oldstyle, lining & tabular numbers, small caps, inferiors & superiors, discretionary ligatures, numerators & denominators, extended fractions, case sensitivity forms and more, all carefully crafted and balanced for excellent legibility and optimum performance both on screen and on paper. But that's not all, every style also includes two complete uppercase sets of display alternates and more than 180 stylistic ligatures inspired by the digital revolution and the early 80s aesthetics. All this blend into a flexible and multifunctional set of over 1600 glyphs, support for more than 200 latin script languages and the potentiality of use in long text settings, headlines or branding, travelling from modern to vintage with absolute ease and naturality. Wozniak was named after Steve Wozniak as a tribute to the pioneers of the digital revolution.

Gunsmoke is a revival of a James Conner's Sons font that's been listed under different names such as Extended Clarendon Shaded, Original Ornamented and Galena. Dating back to 1888 this font was available with an original lowercase, numbers and punctuation. Today we've expanded the set to include the original shaded version a regular black, open left, open right and a fill font for the two open faced versions. The single Gunsmoke fill font is in alignment with the Gunsmoke Open R version and will also work with Gunsmoke Open L by shifting your fill font layer to align with the Open L version. You will need an application that works in layers in order to use the fill font with the Gunsmoke Open L and R fonts. Make sure you check out the left and right pointing gun hands on the less than and greater than keys, the gun alone is on the left and right brace keys. Remember to check your gun in with the Marshal when entering Dodge City.

Mosquito Formal, by Éric de Berranger, takes the original jaunty design of Mosquito and dresses it in a tuxedo. The stressed character strokes, simple, straightforward shapes, relatively large x-height, open counters and hint of Peignot are still there, but the cursive strokes and lively terminals have been replaced with traditional designs. The result is a more serious-and more sophisticated typeface. The idea," says Éric de Berranger, "was to assuage the drawing of Mosquito. To 'calm' it; and eliminate its idiosyncrasies while preserving character structure and general appearance." Although still distinctive, as Éric de Berranger puts it, "Mosquito Formal is more to be read than seen, it is more invisible and thus, more readable than my earlier design." He does, however, use both typefaces in his graphic design projects: Mosquito for headlines and in applications where the lively design is appropriate, and Mosquito Formal for those instances that require a quieter more sophisticated look. Mosquito Formal is available in three weights with complementary italic designs in addition to a suite of small caps and old style figures. "

Scratch SCF is a grunge font with a difference. It has an irregular, almost random outline that suggests an old-fashioned quill pen that is leaking and scratching its way across the page. There are also connotations of simplicity, of a writer that is unsophisticated, possibly learning to write for the first time. This is a font that avoids all the associations of slick, worldly-wise urbanity, of cynicism and of "the medium being more important than the message". Instead the simplicity of Scratch SCF conveys a sincerity and integrity of design that bespeaks simplicity and old-fashioned honesty. All these associations are conveyed with a contemporary look, without resorting to rehashing the past with yet another retro font. Scratch SCF has a full character set: all upper and lower case characters, all special and accented characters and all punctuation, numerical and mathematical characters. All have been carefully spaced and kerned. Scratch SCF Staggered is a little more "grungy" than the regular style because the individual letters do not rest on the same baseline and thus have more vitality.

Who doesn't want or need an expansive contemporary extended sans that has a sense of style and swagger… what if it had a lowercase, small caps and various numeral options… how could you say no? This was the foundational argument I made for myself when I drew the initial alphabet on my birthday last year (something I do each year, draw a new font, kind of a fun OCD thing). I wanted to see a wide, utilitarian sans that had more to it than just a basic character set and didn't resemble standard geometric models. As I continued sketching, the letterforms were being influenced more by my 'lettering tendencies' than the normal mechanical trappings of drawing flat, wide letters. The letters have retained aspects of letters created by hand — stresses, modulation, naturally ending terminals. Truncation and quick clipping of strokes became antithetical to the letterforms I drew, so I continued this once I brought the design into the computer. I kept it precise and dependable, but made every attempt to keep a conscientiously crafted typeface and not let it devolve into a grid-based drone. As such, it works just as well looking back in time as much as it does assuming a lead role in a sci-fi movie. Halogen does deliver and opts not to take a short cut and provide an anemic offering of glyphs — a modern typeface offered today must provide more than just the basics and this one does — lowercase, smallcaps, old style numerals, tabular forms, stylistic and titling alternates, fractions, case-sensitive features, and even an alternate uppercase ordinal set is included. So go make cool print and digital things with it, now.

Badinjal – Modern Serif Font By Issam Type Badinjal serif font can be used for many project such as: book, magazines, logo, branding, photography, crafts, quotes, blog header, poster, advertisements, and much more. What’s Included? Uppercase & lowercase letters, numbers, punctuation Multilingual support If you have any questions, please feel free to get in touch. Thank you

A font inspired by Javanese script that has ethnic characters. And this font is also named after the name of my new child born 18 September 2020, whose name is Ganya Agathsya. This font is suitable for logos and some ethnic products. And can be tailored to a variety of needs. Thank you Tahta Ega

Groovy Syndrome is perfect for shirts, retro designs, procreate, stickers, logos, branding, greeting cards, Cricut projects, posters, magazines, social media, prints and more! There are three fonts included - Regular, Outline and Extrude. You can use these three fonts to create your own retro quotes and words! Hope You enjoy it. All the Best, Haksen

Winterbreak is a playfont font and doodles set. It includes: 3 variations of the Winterbreak font that can be used together to create interesting hand-lettering compositions 1 set of doodles that complement the handwritten fonts perfectly Use Winterbreak in designs such as postcards and notes, posters, logotypes, social media posts, branding and packaging.

Balietta - Lovely Script font with a natural handwritten feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. This font is PUA encoded which means you can access all of ligatures.

Rachert is a retro bold font that will bring you back to the 70s. Fall in love with its unique character and use it to create gorgeous wedding invitations, beautiful stationery art, eye-catching social media posts, and much more! Rachert is PUA encoded which means you can access all glyphs and swashes with ease!

Roxelane is a friendly display font with a unique style. Get creative with this font and use it to brighten up any of your projects. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates.

Sirius B is a very lively display font. It can be used for book covers or posters, but would look rather dandy on T-shirts, mugs and other merchandise as well! Sirius B comes with alternates for all upper- and lowercase letters, has extensive language support and - lo and behold - all glyphs are interchangeable.

Bellissa is a beautiful Calligraphy font designed with an incredibly modern feel. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! It features a varying baseline, gorgeous glyphs and stunning Swash. Use this gorgeous and unique Calligraphy font to bring any DIY project to life!

Mottingham Script is handwritten stylish calligraphy font, with a dancing baseline, and classic and elegant touch. Can be used for various purposes.such as headings, signature, logos, wedding invitations, t-shirts, letterhead, signage, labels, news, posters, badges etc. Mottingham Script features 338 glyphs alternate characters. Including initial and terminal letters, alternates, ligatures and multiple language support.