A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations, such as quilting. The TessieLetters fonts contain letter shapes that can be used to construct tessellation patterns. Each family has two styles, an outline style and a filled or black style. The black style can be used to construct colored patterns. To see how patterns can be constructed, see the files here for TessieLettersACE, TessieLettersFQ, TessieLettersGJKMN, TessieLettersLL, TessieLettersTT, TessieLettersOSZ, and TessieLettersSingles. Many or these patterns were discovered/created by the font designer during the past twenty years in the process of designing maze books, coloring books, and a book about tessellations. The TessieLetters are picture or dingbat fonts. For fonts of tessellating letter shapes that can be used for text, see the Tescellations family.

Lagosi is a pointed serif typeface inspired by the features on the lagosi fabric found in wajo. They range in weight from light cuts that are bold and elegant to black and strong. Packed with more sets of Italic gestures and other custom bindings, this typeface is perfect for adding sparkle and elegance to your designs. What’s Included: Ligature & Unique Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support for; Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, Hungarian, Icelandic, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Polish, Indonesian, Turkish, Zulu Lagosi is very suitable for branding projects and many designs purpose like advertising, posters, invitations, branding, logos, magazines, merchandise, presentations, etc. Get Free one weight from the Lagosi family for Free! Apply to your amazing projects and enlarge your creative tools by adding the complete Lagosi family to your font library.

Bothering Script is a high-quality calligraphy typeface. This brush font's energetic style and vivid movements instantly gets the attention of its spectator, and the flow has an harmonic rhythm while maintaining activity, sharpness and clarity. Drawn and created by Mans Greback and Toni Studio in 2022, this handwritten lettering has a wild appearance and a strong personality. Use it for a youthful product layout or a fresh logotype. Use underscore _ to make a swash. Example: Wonder_woman Use multiple underscores for different swashes. Example: Cool___ness (Download required.) The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Falling Richees is a handwritten script with authentic dry brush imperfections. Falling Richees has a final letter combination to get the look you want :), besides Falling Richees also has a swash combination, to be placed under the writing you made, this is very easy to use, because this feature I intentionally made as an alternate type of letter lowercase. (see the example in the preview image) No special software is required to access any of the standard or alternative fonts - additional letters are provided in two forms 1. ending swash, 2. line swash :) WHAT IS INCLUDED: Falling Richees.ttf Multi language Ending swash Line swash For people with opentype-capable software: The alternatives can be accessed by turning on the 'Alternative Style' and 'Ligatures' buttons in Photoshop's Character panel, or through any software with a glyph panel, e.g. Adobe Illustrator, Photoshop CC, Inkscape. I hope you have fun using Falling Richees ! Happy creative!

FWD Egyptian Tower is a designers stack-able Display family best purchased as one package. The four versions can be manipulated in your favorite graphics or sign making application to achieve the different effects as shown in the font family ad designs. All fonts are tightly spaced and are very often intentionally overlapped creating a balance for each very unique wider bottomed character. Being stack-able, the designer can duplicate the original text layer and by changing the font on the lower of the two layers to another of the family can then add another available effect. This can be repeated to add other of the available effects. Then by converting the text of the lower text layers to curves or outlines and welding the characters of the words together, the overlaps can be eliminated. This process is fairly common practice for a graphic designer and quite easy once done a few times.

Deus is when type design is brought to extreme. It tries to answer the question whether you can design all glyphs in one axis of stress. It does not try to be all purpose, useful at all sizes, legible or readable and most of all it does not try to be neutral. It has its own style you either accept or not. But if you do so, it has many great stuff inside. Every glyph has the same width across four masters, so you can change the style in one title or even make an animation out of that. It also has some cool animated emojis, so make sure you take all four styles! Deus has two sets of styles. "Deus" that has an expanded glyph set, and "Deus Basic" that comes with a limited glyph set. You can play around with "Deus Basic" since you get it for free, then fall in love with this font family and go for the full version.

Vertrina marries four virtues: elegance, simplicity, character and usefulness. It started as an idea to combine two things: the elegance of classical Roman typefaces and of classical Roman architecture. The result is that rarest of all things - a truly new face that is elegant yet characterful but not so obtrusive as to be restricted to display work. All the faces' uprights mirror the elegant taper of Roman columns, as used in the most simple and elegant form of Roman architecture. The serifs are a subtle shape that mirrors the pediments and corbels of that same order of architecture. Vertrina is a family of eight faces, four upper and lower case faces, suitable for the elegant setting out of text, and four small capitals faces ideal for headings and titles. You'll find regular and bold weights and normal and condensed width, as well as a range of Opentype ligatures. All faces are offered individually and in family groups. Bring some simple elegance to your work.

Everyone loves an Art Deco typeface. And there are hundreds of similarly-designed deco faces out there! But not one of them seems to have every form of every character that you want or need at any given moment. That’s why Swonderful was created! It has more letterform variations than you can shake a stick at (if you're inclined to shake sticks at things). With four variations of every uppercase form, two variations of every lowercase form (plus diacritical characters for the standard set), you’re bound to find the character you need for any given project, whether the style is French Art Deco, American Streamline Moderne, or Jazzy Midcentury Gaspipe. Just switch between stylistic sets! And you’ll find all those characters in three standard weights: Light, Regular, and Bold. They’re designed as a unicase, so they’re all height-compatible, and every set works with every other set, so you can mix and match to your heart’s delight!

Kidwriting is a hand-drawn font, originally released in 2007. Now, we are proud to present a totally redrawn and improved font: Kidwriting Pro, which include not just a softer appearance but also an extended set of characters and new typographic features that makes it a professional tool. The childlike appearance of Kidwriting Pro allows to apply it to any child related project like teaching material or games. It effectively recreate the charming and somehow bumbling qualities of a child’s handwriting, but is balanced enough for comfortable reading. Kidwriting Pro has many Open Type features such as Old Style figures, discretionary ligatures, ordinals and fractions. Composed of more than 500 glyphs, Kidwriting Pro supports Western European, Central/Eastern European, Baltic, Turkish and Romanian Languages. Kidwriting Pro is complemented with a set of 62 selected dingbats which evoque the children world. And the best: it comes also in the same five weights to match completely with each one of the fonts.

Grantig is a bold serif display typeface. Inspired by the opening titles of old western movies, the genre of western slab serifs has been translated into a modern context and adapted to today's needs. As a result, it breaks free from the chains of its genre and opens up to many themes. Grantig is the german word for grumpy. With its massive serifs and strictly rounded curves, it comes particularly close in character to the grumpy Western heroes of days gone by, always in the presence of his two leaning companions, Slant and Backslant. With Grantig, it is particularly easy to create eye-catching and type-accentuated headlines. Its expressive nature makes it particularly suitable for editorial, packaging and advertising. With its 482 characters, Grantig covers the language usage for many Latin-based languages. At the same time, it has the most important open type features, such as lining and oldstyle figures, alternate characters, and arrows.

Moena | Stylish Modern Serif Font Moena is a unique serif font that showcases distinctive characters in each letter, while maintaining a high level of readability. With its slight thinness, this font remains versatile for all design purposes, especially for logo designs. Moena's uniqueness lies in its meticulously crafted letterforms, where each character carries its own distinct personality. The font exudes an air of creativity and elegance, making it ideal for adding a touch of sophistication to your designs. Whether you're working on logos, branding, or other design projects, Moena's versatility shines through. Its delicate yet readable appearance adds a sense of refinement, allowing your designs to stand out effortlessly. Crafted with precision and a keen eye for detail, Moena ensures that every curve and stroke is thoughtfully designed to maintain legibility while showcasing its individualistic charm. With Moena, you have a powerful tool to create captivating and memorable designs that leave a lasting impression. Unleash your creativity and elevate your designs with the unique character of Moena!

Chop chop! VLNL Cleaver is an important tool in the Vette Letters’ kitchen. It’s a butcher knife of a font. Razor sharp, ultra heavy and with pointy slanted serifs. At first glance it seems straight-lined, but a closer look revails that all straight lines are curved inward slightly, which enhances the sharp image even more. Cleaver was originally designed by DBXL for cutting meat - hell, it even hacks right through bone. It can easily splice a chicken in one slash or seperate ribs, just like that. You can also very well use it to chop up hard vegetables like pumpkin or squash on the chopping block. It gets better, the opposite blunt side can be deployed to crush ingredients like garlic, nuts or spices like black pepper. You could use a grinder, but with Cleaver it’s more fun, isn’t it? VLNL Cleaver is suitable to give a sharp edge to flyers, posters, logos (Heavy metal bands and other) or magazine headlines.

Undulated is another typeface family from IngrimayneType that explores the possibilities of alternating letters sets. Undulated is similar to the typeface Undulate. Both alternate two sets of characters to form a wavy line of text. This alternating is done automatically in applications that support the OpenType feature contextual alternatives (calt). However, the peaks and valleys of the wave are in the middle of the characters in Undulate while in Undulated the peaks and valleys are at the right and left edges of each character. The waves in Undulated seem more chaotic and less soothing than the waves in Undulate. Undulated has monospaced and monoline letters. The letter spacing is tight to accentuate the ripple pattern. The family includes an outline style that can be used in a layer above the regular style to add color. The unusual patterns that Undulated gives are eye-catching and may be useful for advertising or signage and in other places where one wants attention-grabbing lettering.

Greenth is vintage, bold typeface with latin and Cyrillic support. Every font contains 1221 glyphs, tons of alternate glyphs, ligatures and multilingual support. It's a very versatile font that works great in large and small sizes. Greenth is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, numeral, punctuation and Symbol Each font contains 1221 glyphs Alternate glyphs Ligatures Cyrillic support - Russian, Ukrainian, Bulgarian and more Multilingual support - Afrikaans, Albanian, Bulgarian, Danish, Dutch, English, Estonian, Finnish, French, German, Icelandic, Italian, Norwegian, Portugese, Russian, Spanish, Swedish, Zulu To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Balcony is a decorative display typeface inspired by the patterns of metal safety grills. Its highly geometric features may be used to identify it as Art Deco. It is a monospaced type family with all characters confined in a square frame. The main idea of Balcony is to create a grill-like pattern when letterforms are placed together. This creates an illusionary experience for the reader. The best way to use this typeface is without leading, as shown in the visuals. Balcony also comes with two stylistic sets. The first stylistic set contains most characters with more decorative elements and the second one includes Dingbats. These Dingbats are motifs with simple geometric patterns that may be used for any kind of ornamentation. The diacritics letterforms are geometrically squeezed within the square frame to include the accents. This experimental typeface comes with about 650 characters and four weights (Thin, Light, Regular and Bold). The font family supports Western and Central European languages.

Brighten is the new family font composed of Brighten Regular and Regular Italic, Brighten Round and Round Italic. With the total number of 606 glyphs, Brighten is the perfect blend of elegant and casual. Brighten is equipped with plenty of OpenType features. Uppercase letters can alternate between at least two or three different forms and lowercase letters have leastways four choices more to avoid repetition. These effects include start and end forms of lowercase letters, which are automatically substituted in at beginnings or ends of words. To activate the optional glyphs,  you may click on Swash, Contextual, Standard Ligatures, Stylistic or Discretionary Ligatures buttons in any OpenType savvy program or manually choose the characters from Glyph Palette. Also, there’s some ornaments designed to support the font (access the ornaments through the Glyph Palette). The Brighten family font might be the choice to use on creating headlines, logos & posters for branding and packaging purposes.

Fun Art Friends - Handwritten Font is a delightful and playful font designed with a theme that resonates with children. It brings a sense of fun and whimsy to your designs, making it the perfect choice for various applications. Whether you're creating products, titles, books, logos, or printing materials, this font adds a vibrant and lively touch to your projects. The fun and playful nature of Fun Art Friends shines through its handwritten style. It emulates the free-spirited and energetic handwriting of children, creating a joyful and carefree vibe. The font is carefully crafted to capture the innocence and imagination of young minds, making it a great choice for projects targeting children or those that require a lighthearted and colorful approach. Whether you're designing a children's book cover, a logo for a toy company, or printing materials for a playful event, Fun Art Friends - Handwritten Font will bring a sense of joy and excitement to your designs, capturing the attention and imagination of both children and adults.

I just visited my good friend Jakob Fischer from Pizzadude.dk in Denmark. As always we talked fonts, drank coffee and walked endlessly through Copenhagen, the city where he lives. We thought it would be a fun idea to each create a font from a handmade sign we saw in the city. We only had like 7 glyphs to work with, so the rest was up to our imagination. We also thought it would be nice to give the fonts a similar name. Mundbind means mask in Danish. When you Google translate it, it will give you the wrong translation (it will say 'mouth piece'), so trust me on this one! My font is called Mundbind NL - where the NL stands for Netherlands. Jakob will hopefully call his finished font Mundbind DK - where the DK stands for Denmark. Mundbind NL comes with a monster load of diacritics (including Vietnamese) and two alternate glyphs for the lower case letters that will cycle as you type.

Espinosa Nova is a revival based on the types used by Antonio de Espinosa, the most important Mexican printer of the sixteenth century and very probably the first punchcutter anywhere in the American continent (1551). In 2010, its main fonts were awarded two certificates of excellence: one by TDC2 (Type Directors Club Typeface Design Competition), one by Tipos Latinos (Biennial of Latin American Typography). According to Robert Bringhurst, it is “an unusually intelligent family of type, reaching back to one of the most exciting moments in typographic history and reaching forward to the typographic future”. All of the fonts intended for setting text include small caps, five sets of figures (oldstyle and lining, both proportional and tabular, plus tabular small caps), many f and long s ligatures, and capital sharp S (U+1E9E). In addition, the Capitular fonts allow to create interesting effects by overlapping layers. This family feels very comfortable in books, but it can be used everywhere a touch of classic & elegance is required.

Comenia Sans was designed in the framework of a unique typographic project for all types of schools. It is a complementary face for Comenia Serif, released by our friends at Storm Type Foundry. Comenia Sans has a lot in common with its serif sister: the height of both upper and lower case, the length of ascenders and descenders, and the general weight. This makes the two perfect partners which work well even when set side by side in a single line of text. Comenia Sans does, however, lack all serifs, ornamental elements and stroke stress variation. All these elements freshen up the feel of long texts, but for shorter texts use, they are not necessary. Despite that, Comenia Sans retains the soft, friendly character of its big sister, as well as a few tiny details which lend it its unique character without compromising legibility or utility. Open counters give all letters an airy feel and permit enough variation in construction. This is why the face works well even in multiple-page texts. All its letters are easily distinguished from each other, so the reader's eyes are not strained. Diacritics and punctuation harmonize with both upper and lower case. As usually, all diacritical marks fully respect conventional shapes of accents and they are perfectly suitable for Czech, Slovak, Polish and other Central European languages, where a lot of diacritics abounds. Similarly to the renaissance italics which refers to the cursive forms, Comenia Sans introduces novel shapes of some characters drawing from the hand-written heritage. This is most apparent in the single-bellied a, the simplified g, and the stem of f which crosses the baseline and ends with a distinct terminal. In the text, emphasized words are thus distinguished not only by the slant of letters, but also by the shapes of the letters themselves. All twelve styles contain set of small caps, suitable for the names, in the indexes or the headlines in longer texts. Legibility in small sizes under 10 points was at the center of designers' attention, too. This is why the counters of a, e and g are large enough to prevent ink spread in small sizes, both on-screen and in print. After all, the font was specifically optimized for screen use: its sober, simple forms are perfectly fit to be displayed on the computer screen and in other low-resolution devices. When used in the context of architecture, the smoothness of all contours stands out, permitting to enlarge the letters almost without limit. A standard at the Suitcase Type Foundry, each style of Comenia Sans boasts a number of ligatures, an automatic replacement of small caps and caps punctuation, a collection of mathematical symbols, and several types of numerals which make it easy to set academic and other texts in an organised, well-arranged way. For the same purpose, fractions may come in handy, too. Apart from the standard emphasis styles, the family also contains six condensed cuts (each set has the same number of characters), designated for situations where space is limited or the need for striking, poster-like effect arises. Comenia Sans is the ideal choice for the setting of magazines, picture books, and navigation systems alike. Its excellent legibility and soft, fine details will be appreciated both in micro-typography and in poster sizes. Although it was designed as a member of a compact system, it will work equally well on its own or in combination with other high-quality typefaces.

Quentin Schmerber’s Temeraire serif font family was not designed to be invisible. It is a typographic exploration meant to be seen — with its beauty, one could even say beheld. While some fonts aim to be as easily ignored as possible, Temeraire is offered as a gift to wide-eyed readers with its anything-but-boring character and its conspicuous inconsistency in styles. Most type families increase the weight of each character to expand the family. Instead, research into 17th century sources produced Temeraire’s wide range of letterforms, from the predictable to the odd and loosely related through time. Each style is designed to work alongside the others but are also standalone homages to specific parts of English lettering tradition: gravestone cutting, writing masters’ copperplates, Italiennes, and others. Temeraire’s Regular style is a contrast-loving Transitional Serif with vertical stress, making it great for period and classic works, ironic pieces, and modern throwbacks. The weight of the Bold squares off the ends of each glyph to give it stability, and the italic style rings true: flowing, contrasting, and purposefully inconsistent. Temeraire’s Display Black style is one salvaged from expressive gravestone artistry. The details most easily noticed are the ‘g’ with its descending bowl that has been pressed back up in the centre, and the additional serif on the ‘t’ crossbar that holds its neighbouring character at bay. (The ‘g’ and ‘Q’ have loopless alternates.) The final style is the Italienne, the horizontally stressed counterpoint to the family. By design its characters flow and bend in ways not in step with the rest of the family. All the weight has been pushed to either hemisphere within each glyph, resulting in a display style that demands space and peacefulness around it so its presence can impress. As with all TypeTogether families, Temeraire meets the current designer’s needs. Not only does its five styles shine in print work, it includes alternates for when the defaults are too boisterous and has been expertly crafted for screens. The Temeraire serif font family is resurrected from echoes in time and finds its family relation through impeccable taste.

Introducing Luxca, a font that epitomizes modern luxury within the serif category. This typeface seamlessly blends contemporary sophistication with timeless elegance, making it the perfect choice for designers seeking to infuse their projects with an air of opulence and refinement. With Luxca as your font of choice, you have at your fingertips a versatile tool that can elevate a wide range of design applications. Whether it's high-end branding, editorial layouts, invitations, or packaging.

Maga shares the skeleton with one of our first typefaces (Quaestor, from 2004), but we didn't want to simply expand an existent design, so we took a step forward—not just with improved features and new weights, but also making the italics more usable than its predecessor. The balance between the counters and the space between letters makes this a very space-saving typeface with plenty of legibility, yet stylish enough for contemporary magazine design.

Is it modern, is it retro? Is it flowing, is it angular? It's all of these and more. Elegant and sophisticated, Joyeux© Script is a multilingual typeface in two weights that is perfect for any project that requires a touch of refinement, from invitations, labels, greeting and wedding cards, packaging, fashion, and logos to book covers and magazines. Includes: uppercase & lowercase regular and bold numbers and punctuation multilingual characters alternates ©2023

Introducing Luna love - Inspired by Star on the space & cute display, Luna love is handwritten font cursive that perfect for children product. come with star layered font, make combination of this font to create amazing design! Two style Font: regular & Display Luna love is perfect for children product, branding, logo, invitation, stationery, wedding, product packaging, merchandise, monogram, blog design, game titles, cute style design, Book/Cover Title and more. Features : - Multilingual Support - stylistic set

MICAROLINE The Classic Art Deco Font with Alternates & Ligatures Micaroline is a family Sans Serif font designed with carefully handcrafted. Also suitable for branding, T-shirt, Wedding Invitation, Classic Design, Logotype, and any project. Comes with a tons of ligature make your life more than comfortable, easier to design and adjust frustrating space in font. All Caps Fonts. You can access the stars by typing (S+1) and then put it anywhere you want.

Honeybird originated in a study of calligraphic fonts of the 20th century, took its own direction and developed into a slightly quirky, very readable contemporary script font, typical of Anton Scholtz's free-wheeling style. The exaggerated upper case characters create an exuberance, while the small lower case characters maintain the impression of restrained order with flashes of quirky contrast. Honeybird has 45 OpenType ligatures, designed to ensure the smooth flow of the text.

Smoothread is a handwritten brush font, a contemporary approach to design, handmade natural look, suitable for use in title design such as clothing, invitations, book titles, stationery designs, quotes, branding, logos, greeting cards, T-shirts, packaging designs, posters, and more. Smoothread has two weights: Smoothread Regular and Smoothread Slant. They are complete with uppercase and lowercase letters, as well as multi-language support, numbers, punctuation. Ligatures and extra swash characters are also provided.

Churchward Tua and Churchward Tua Italic are two more OpenType font releases by Bluhead Studio from the exciting and unique library of Joseph Churchward type designs. The Tua fonts sport an Old West, cattle drive sort of look. One can imagine Tua being used on the swinging front doors of the local saloon or jailhouse. These fonts are perfect for headlines, posters or wherever you want to express your inner cowboy. Giddy-up!

Tenby is a series of modular geometric display sans serif fonts with a hint of Art Deco combined with a 1980s finish. The fonts' underlying grid is ten squares high. Their widths correspond to condensed (Tenby Four), normal (Tenby Five) semi-extended (Tenby Six), extended (Tenby Seven), and extra-extended (Tenby Eight). Each contains two weights, light and regular. Although smaller text sizes are still quite legible, the fonts work better at large sizes.

Maskule Combo is a vintage combination pairing font that captures the essence of hand-painted signs. It features two fonts: Maskule Regular and Script, which work harmoniously together. With its charming and nostalgic style, it's the perfect choice for creating designs with a vintage theme. Whether you're working on headings, flyers, greeting cards, product packaging, book covers, printed quotes, logotypes, or album covers, Maskule Combo will add a touch of timeless appeal to your projects.

Grotbox is an interesting, if not startling, distressed punk font. There are two varieties: one with upright characters; the other with the characters rotated out of whack for extra informality. Legibility is maintained, despite the wild industrial feel of the typeface, and it's designed to grab the attention. The zip package contains both OTF and TTF versions - install either OTF or TTF, not both versions of a font on the same machine.

Introducing Glory Mathilda! An energetic brush stroke fonts. With two sets of all-caps letters, Glory Mathilda can support your creativity on your logo design, brand imagery, quotes, merchandise, product packaging, music projects, social media posts, etc. Glory Mathilda also has ten swashes that you can access in each alternative letter A-J. That's it! I hope you enjoy it. You can also say hello to me on Instagram: https://www.instagram.com/atharuah_ Thank You!

ay hello to "molika" :) molika has two types of fonts namely sans serif and handwritten, both have a firm character and also elegant-lettered font - perfect for casual type in greeting cards, illustrations, quotes, quaint branding, book covers, social media posts, packaging and so much more :) The duo fonts consist of all uppercase letters and remain elegant for your project. I hope you have a blast using Molika. Thanks for use this font ~ Khaiuns

Aplomb was designed to fill the "contemporary fantasy" niche, hinting at Celtic magic overlaying a solid, legible contemporary font. Aplomb is intended for book covers, movie posters and advertisements, DVD covers, magazine pages, fantasy comic pages, in fact wherever contemporary and fantasy meet! The font comes in two styles - smallcaps and regular. Aplomb is fully professional, carefully letterspaced and kerned. All upper and lower case characters, punctuation, numerals and accented characters are present.

Feldberg is a elegant and luxury serif font with tons of beautiful alternative glyphs and multilingual support. Feldberg is font that will bring in your projects a touch of luxury and style. Come with open type feature with a lot of alternates, its help you to make great lettering, composition and layout. Feldberg best uses for heading headlines, cover, poster, logos, quotes, product packaging, merchandise, social media & greeting cards and many more.

Maverick, noun, /ˈmæv.ɚ.ɪk/ a person who thinks and acts in an independent way, often behaving differently from the expected or usual way. Mavericks is a condensed small caps serif with focus on strength and power. It comes in two styles, Regular & Vintage, and features a fair amount of alternate characters to make each design a little more unique. It's perfect for logotypes, sports branding, posters, apparel design, magazine headlines, labels and so much more.

In 1937, Morris Fuller Benton designed Empire, titling capitals that became the headline style for Vogue magazine. In 1989, David Berlow revived it for Publish magazine, adding an italic and a lowercase, both unavailable in the original. He revisited Empire in 1994 with Kelly Ehrgott Milligan, adding two heavier weights, small caps, and an elegant set of Art Deco–flavored oldstyle figures, ultimately expanding it to a seven-part series; FB 1989–94

Spirodelic is a funky pop-art font with a sassy vintage vibe. This all-capitals design incorporates coiled spirals into the letters, and will add a lot of swirly psychedelic fun to your designs. It's great for retro seventies looks of course, but really also works well on anything modern that needs a loose and lighthearted touch, like kids books, toy packaging, flavored drinks, clothing lines, surf gear, logos... you name it.

Peapod Regular is all-cap and all about hand-drawn patterns. Each letter has two pattern options easily available in upper/lower places and is designed to be used with Peapod Solid for color changing ease. Peapod is inspired by the publishing tradition of an ornate initial at the beginning of a fairytale, but why resist the fun of putting pattern everywhere... Posters also feature Atlantic Font’s Sanderling, Atlantic Doodles, Rowboat, Dinghybats and Quince Designs.