I designed this font because it didn't exist - it’s based on hand rendered type created for black and white line marker scamps used in the advertising industry. I use it that way and it’s saved me a LOT of hand-rendering time over the years. Of course, Scamps works as an informal marker script in its own right too. I’ll be interested to see what you do with it.

Record Promotion JNL is based on a stencil version of the same classic font that inspired Album Cover JNL and Record Jacket JNL.

Manaslu is based on handwriting with a marker. This font is suitable for cartoons, advertising or anything with need of a personal tone.

Interweave is a square display face with rounded corners, inspired by beefy fonts from the 60s and 70s such as Bullion and Deutsch Black. An alternating criss-cross effect is borrowed from Hunyady Gothic, the opposing lowercase a, e and s providing a basket weave or parquet floor appearance.

Eirlys a Gothic serif typeface with a touch of Celtic feeling. A combination of sharp serif and smooth joint gives a sweet & smart characteristic. Font comes with 4 weights: Light, Regular, SemiBold, Bold and suitable Italic, Especially Small Caps, Swash styles and dozen of alternates for your own experiment.

A caps-only typeface with a modern twist. When the joy and corpulence of the mango fruit meet the gothic aesthetics, Mango Grotesque is born. In this territory, fun and creepy are mixed. Just like a tropical beach in an expressionist film. Cause it's a bittersweet symphony this life...

Here's a faithful rendering of an old face from the James Conner's Sons specimen catalog of 1888, alternately known as Aetna or Painter's Gothic. Its compact descenders allow for tightly-spaced headlines. Both versions of the font contain the complete Unicode Latin 1252 and Central European 1250 character sets.

Heavy as hell, awkward, asymmetric, sort-of-gothic… Four alternates for every letter, carefully kerned together and nicely shuffled for you by OpenType apps… Blunt has the sharp corners ever so slightly rounded off for a softer look at large sizes. Wired chops everything up for an origami angle…

In 1885 Heinrich Wallau, printer and typographer in Mainz, picked up the idea of creating a rounded gothic font written with a broad nib. This idea was then realized by Rudolf Koch between 1925 and 1930. RMU Wallau is a bringing back this beautiful font for present typography.

Bondoluo is a geometric font family developed by Álvaro Thomáz in 2012, The creation process was inspired by 3 geometric forms - triangle, circles and squares - and 2 amazing fonts - Futura® and URW Gothic. The Bondoluo Display font was inspired by Diamonds by HVD. Be fashionable with Bondoluo fonts!

A brush font that keeps its legibility without sacrificing its free-spirit. Usage recommendations: Captions, packaging, cards, posters, ads, book jackets, manuals, and menus.

Geometric forms make this elegant font family a great companion for invitations signs, indoor and outdoor. Useful when you design book jackets, posters etc.

This is the rounded, softer version of Canada Type's popular Press Gothic. Originally done in 2011 for a global publisher, this font has already seen plenty of magazine and book cover action, perhaps even more than the sharp condensed face that spawned it. And like Press Gothic, Soft Press comes with small caps and biform/unicase forms, in addition to the main upper/lowercase set. The extended language support covers a wide range, including Greek and Cyrillic, Turkish, Baltic, Central and Eastern European languages, Celtic/Welsh and Esperanto. The Pro version combines all three TrueType fonts into one OpenType-programmed font, taking advantage of class-based kerning, the small caps feature, and the stylistic alternates feature for the biform shapes.

The Monotype Typewriter" series contains three typefaces. These were made to enable type to be set that could emulate output from real typewriters. Use where a typewritten look is required for reports, tabular work, where the fixed pitch nature of these faces is an advantage, technical documentation and correspondence. Typewriter Regular is the base style of the family. Typewriter Elite is lighter than Typewriter Regular, and is monotone in weight, being designed to retain readability even when multiple carbon copies are produced. Typewriter Gothic is a medium weight sans serif typewriter face designed to give good readability from a fixed pitch typeface. Originally made for daisy wheel printers, the Typewriter Gothic font is useful for tabular work, technical documents, correspondence and reports."

Newcomen is a highly versatile titling face that includes 87 OpenType alternates and 38 ligatures. Newcomen titling, in its default form, evokes the Victorian era and is named for the British inventor of a steam engine for pumping water. Newcomen's flexibility is remarkable; the family includes four weights, and OpenType style sets are included that can alter the appearance of the face to either appear more dark and gothic, classical, include dots in the counters, and swash and "boxy" sets. Individual characters can also be selected and mixed and matched in OpenType capable applications for distinctive custom designs. A few design ideas are to use the gothic alternates for Halloween, the dots for a steampunk appearance, or the traditional alternates for a unique classical look.

Taking the concept of a monoline version of Shàngó — as exemplified in Shàngó Gothic — to its extreme, resulted in the latest addition to the popular Shàngó family of typefaces: Shango Sans. This is a minimalist face, still maintaining the elegant classic letterforms of Professor F.H. Ernst Schneidler's original design, but without obvious contrast in the stroke widths, and of course, without serifs. An extensive set of ligatures and alternate letterforms, along with powerful OpenType features, give Shàngó Sans a great deal of versatility. This elegant, modern typeface supports dozens of languages that use the Latin alphabet as well as modern (monotonic) Greek and most languages that use the Cyrillic alphabet. Shàngó Sans is a member of the extended Shàngó family (Classic, Chiseled, Sans, Gothic).

Inspired by the elegance of Herman Zapf’s designs crossed with the readability of early 20th century Gothic fonts by Morris Fuller Benton, 19-PRA is a sans-serif with a visible stroke contrast and a humanist tone of voice. The large x-height seen in fonts like News Gothic and Palatino increases legibility and condensed proportions give excellent readability making it perfect for newspaper and magazine publishing. A typeface that can serve for both body text and titling the uppercase excels for headlines and renders beautiful brand names when tracked out. It sets well with both a serif or sans serif and has various open type features including: 12 standard ligatures, 3 discretionary ligatures, tabular figures, old stye figures as well as European accents.

Dharma Slab is an antiqued slab serif designed inspired by 1800s-style wood type. All glyphs had been designed carefully to be retro-looking of the old time and to fill all with nostalgia. This condensed font family with 42 styles will be the best solution for posters, titles and anywhere you need impact. To complete your work perfectly, Gothic Extras family is ready for free. They include borders, ornaments and frames designed using vintage catalog of Hamilton in 1800s as a model. Incidentally, g, r and y has their alternative glyphs that can be available with OpenType salt feature and tabular figures can be available with tnum feature. Be sure to check out the sans serif style of this Dharma series named Dharma Gothic.

The first Tuscan lettering was penned in the mid-fourth century by the calligrapher Furius Dionysius Filocalus. The style was still in common usage as calligraphy when Vincent Figgins designed the first Antique Tuscan for print in 1817. Antique and Gothic Tuscan woodtype fonts appeared in the 1830’s. By the 1850’s, Tuscan fonts had become popular in America. These styles continued in print use into the twentieth century. Tuscan Antique and Gothic styles, borrowed from print and calligraphy, were perfect for signs, posters, handbills and other large format advertising. Sign painter, Frank Atkinson demonstrated several Tuscan forms in his book Sign Painting, A Complete Manual. Modified & Spurred Tuscan Romans were inspired by this and other works of the same period.

Linotype Gotharda is part of the Take Type Library, chosen from contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. This display font started as an experiment of the Croatian-German designer Milo Dominik Ivir. He wanted to design a font with characteristics of both sans serif and Gothic faces. From the Gothic he took the heavy strokes, the narrow letters, the exaggerated overmatter and the high x-height. The modern standard forms of the letters s, a, x and z, the clear capitals and the lack of serifs are the characteristics taken from sans serif faces. The result is a font with a constructed, old German feel. Linotype Gotharda is intended exclusivley for headlines in large point sizes.

If you liked the XXII Marker you may like this small family too. The HandTypeWriter is, like the name might suggest, a playful handwritten typewriter font. And as already known from XXII Marker is this cool letter-replacing “Contextual Alternates” feature replacing every second glyph by an alternate character. This gives the HandTypeWriter a more natural and handwritten look. Just check it out. XXII HandTypeWriter – Your digital ink. For more detailed info: Behance.net

Tenstars is a modern script marker font. With regular marker stroke, fun character with some of ligatures. To give you an extra creative work. Tenstars font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Tenstars font. Cheers, MaulanaCreative

Markout is a chunky marker pen font. With a casual style and loose baseline, it's a great display font for titles, headings and logos. The Markout family has regular and alt versions, where some of the characters are different. Most notable is the 'k' in the Alt version this has a more normal size and shape when compared to the regular. Also includes five marker pen emoji ligatures and double letter ligatures.

Geulwoll is a Korean word for letters. HU Geulwoll is a handwritten font that conveys a calm feeling by creating a lyrical and old atmosphere. In order to emphasize the feeling of writing with a marker, each end was made to fall diagonally, a characteristic of the marker. It is a highly readable font with a curve applied to the bent part to save the stroke order. There is 1 weight of HU Geulwoll : Medium

Play your imagination in design with this original marker font, ROXY! This bold, loud and proud all-caps font was hand-drawn with an accurate marker, maintaining the authentic high-resolution brush detail in each stroke. This font also includes ligatures, multilanguage, and unique swashes, making your design BOLD and outstanding in the crowd. Roxy Font will be the perfect choice for poster designs, header text, album covers, packaging, product designs, merchandise, logos, advertising & more.

Lillyfleurs is a modern script marker font. With regular marker stroke, fun character with some of ligatures. To give you an extra creative work. Lillyfleurs font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Lillyfleurs font. Cheers, MaulanaCreative

Black Dreams is a bold and edgy metal rocker font that captures the raw energy of heavy metal music. With rugged textures and unique glyphs, this font is perfect for album covers, t-shirts, and posters. Use it for headlines or body text to create designs that truly stand out in the metal scene. Don't settle for mediocre fonts - get this ultimate metal rocker font today and let your designs rock the world!

Inspired from tagging graffiti marker in the streets and my real experiences in graffiti scenes, Urban Tags comes with iconic rounded tip marker, this style often used by several graffiti artist around the world because the style is very unique, very fun to write in markers. Perfect if you want realistic Street art style or hip hop for your designs, poster, props etc. Because this is real graffiti fonts, "urban Tags" is different like other fonts, the space letter is shorter, for perfect result the Kerning you can adjust manually, because it's impossible to setting kerning like other regular fonts. I put extra glyphs for make the fonts looks more street art, use "åß∂ƒ©˙∆˚¬Ω≈ç" you can see in the preview.

Designed by W.A. Parker in 1928, Modernistic is a headline face with a 1920s Art Deco appeal. Use the Modernistic font for posters and packaging.

A semi-heavy face slightly condensed, inspired by the Germanic & European type fonts. Applications include captions, packaging, invitations, cards, posters, ads, book jackets, and manuals.

A font designed by Christian Acker (2002), based upon neon signage in downtown New York. 24Hrs was an exercise in creating flat artwork from the inspiration of neon's three dimensional forms. All of the tubing's overlapping and twisting is documented and taken into account in the design of the letterforms.

Blackleather is a gothic display typeface best for dark and moody vibes. Included are full sets of upper and lowercase letters, numbers, symbols and bonus alternate characters for select letters. Blackleather is designed in a classic blackletter style with sharp, clean 90º/45º lines for the highest quality output possible.

Deco is a minimal, easy-to-read gothic without fuss. Geometry is sharp, strokes are uniform throughout, and characters are slightly condensed. This version is based on wood type of unknown origin, but the design was likely based on lettering from the Art Deco period of the 1920s and '30s.

Josef Wein Moderne Blackletter is inspired in the rare work of Josef Heinz, who publish, in 1900 (Wien, Leipzig), a small catalog with gothic and art nouveau inspiration : "Moderne Schriften / herausgegeben und verlegt von Josef Heim", or, in the french title : Alphabetes Modernes. Soon, other fonts in that collection... Enjoy it

At one time very recently, serifs were lost to the design sinners of the world. Now see them found again. Unearthed and rediscovered. Retribution is not far off. We have been unchained from the belief that gothics have provided us no way back from a lack of variety and interest.