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  1. LGSH Davit by Edik Ghabuzyan, $30.00
    LGSH David has 7 upright weights and their Italics. The typeface supports Latin, Armenian and Cyrillic alphabet systems. It is an easily readable two side easily readable serif font. LGSH David is a contrast style font with very delicate lines which are quite bright and clear.
  2. Jahilliah by Canden Meutuah, $15.00
    this is a simple and elegant serif font full of modern style. This font is very suitable for you to use for many purposes such as branding, logos, wedding designs, social media posts, advertising, product packaging, product design, labels, photography, watermarks, invitations, stationery, and any project.
  3. Gambino by Monotype, $15.99
    Childlike, sure; utterly affable, yes, but ultimately actually very cool. Yup, that’s Gambino. This chalky, super textured, semi connected script is a kooky playground pal and a grown-up technically savvy typeface all rolled into one. Upright yet tumbling, these simple, crayon-like letterforms are a delight.
  4. Zeo xay by Saxofont, $25.00
    Zeo Xay is bold and elegant serif font. Simple and easy to use, this font will be very beautiful if you mix it with your various craft designs. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!
  5. Frambuesa by Sudtipos, $39.00
    Organic versus geometric are two different universes that converges on nature systems and has its reflection on this new sans serif typeface. Frambuesa is a half humanist-half geometric sans that merges decorative curves with straight lines looking for a balance. The result: a solid but somewhat romantic, nostalgic type program that go ahead harmoniously, dancing to the rhythm of a naturally imperfect melody. Frambuesa can’t hide its family genetics. Structure and proportions come from Elisetta, her older sister they so both have a really good text performance. Regular variables and italics feel comfortable in a lot of contexts and are useful for little words or big title compositions. All seven weights are carefully adjusted to achieve soft transitions between one and the other resulting in high readability levels on program combinations and complex uses. This new font family name is a tribute to Lucia’s childhood, a very happy one. Frambuesa honors this sweet intense red fruit that her grandpa’s Coco gave to his grandchildren every Sunday in the summer.
  6. Interval Next by Mostardesign, $25.00
    Interval Next is a modern sans serif font family that is the successor of the successful Interval Sans Pro. Designed by Olivier Gourvat, Interval Next typeface consists of 16 fonts in 8 weights — Ultra Light, Light, Book, Regular, Medium, Semi Bold, Bold, Black— and has 4 styles. This super family combines a humanist mind with its contrasted shapes and a modern look with its open counters. With its four versatile styles (Condensed, Narrow, Roman and Wide) Interval Next has a creative palette able to meet the modern typographic demands. Its OpenType features will provide you almost unlimited multilingual support as well as small caps, case sensitive forms, proportional and tabular figures, slashed zero, numerators, superscripts, denominators, scientific inferiors, circled figures, subscript, ordinals, fractions, arrows and f-ligatures. Also extremely functional for professional editorial design, Interval Next has a pro kerning and would be extremely suitable for mobile applications, e-books, web sites, headlines, posters, signage and many more. Interval Next covers a large spectrum of languages such as West European, East European and the Cyrillic.
  7. Manufaktur by Great Scott, $12.00
    MANUFAKTUR is a gas-pipe sans. A typeface influenced by an cast iron sign on an old Swedish industrial machine. The simple curves of the characters suited well for an 21st century update and the new and modern MANUFAKTUR is now a variable typeface with thousands of combinations of width and weight. MANUFAKTUR comes with stylistic alternates (smaller glyphs with underline) and small caps. The small caps also works as lowercase glyphs by default. With an OpenType-enabled app - or your website - you can control the width and weight of the typeface via a slider or with code. VARIABLE FONT SUPPORT: Currently Adobe only supports variable fonts in Photoshop and Illustrator. InDesign are still waiting on variable font support. This hardworking sans serif is perfect for display use, signage, poster, prints, editorial use, branding, logos, magazines, films and lots more. The variable weight and width makes MANUFAKTUR very versatile and flexible. If variable fonts isn't your bag MANUFAKTUR also comes predetermined weights and widths as a traditional font.
  8. Hoofer by Scholtz Fonts, $15.00
    Light and flexible, slightly retro, casual and readable, Hoofer combines 28 brush script, mono line script and sans-serif styles with ornaments into one Mega-Family. The different styles of the Hoofer Mega-family have been chosen to work together and to harmonize in a pleasing way. The Hoofer Mega-Family of fonts can be divided into three sub-families: Hoofer BRUSH subfamily: An eclectic group of five fonts. These are mainly joined scripts. Hoofer LINE subfamily: Seven mono-line scripts with joined letters in a number of weights, widths and styles. Hoofer SANS subfamily: Sixteen casual, Sans-Serif fonts. They are very readable and in a variety of weights & styles The mood of the Hoofer mega-family is light and flexible, slightly retro, casual and readable. It combines script and many sans-serif styles with ornaments into one Mega-Family. The different styles of the Hoofer Mega-family have been chosen to work together and to harmonize in a pleasing way. The Brush Sub-Family is designed for titling, packaging and display purposes, The Line Sub-Family can also be used for titling, packaging and display, however, it is less “showy”, and conveys an air of informality. The Sans Sub-Family is designed to shine as sub-heads and as body text. The wide range of Hoofline styles gives you, the designer, great flexibility in creating just the mood or impression that you want. Most of the fonts can use one or more OpenType Features. These can be accessed in a number of ways. The reason for this is that the major software producers provide different (and often conflicting) ways of accessing OpenType Features. In some cases such software manufacturers provide NO way of accessing certain OpenType Features. We have tried to remedy this by providing a highly flexible family of fonts. OPENTYPE (these OpenType features are only available in the “otf” fonts and not in the “ttf” fonts.) OpenType features that Hoofer makes use of are: Swashes (Word-Begin and Word-End Features); Alternate Numerals; and True Small Caps. ORNAMENTS In addition the Hoofer family has a font containing 94 ornaments. ALTERNATE NUMERALS You can access two sets of figures (numbers) in Hoofer Sans fonts. Both sets are tabular and lining but they differ in the height (but not the width) of the figures. The height of the alternate figures has been chosen so that they are compatible with the small caps. However, these alternate figures are available in ALL Hoofer Sans fonts, whether they feature small cap fonts or not. Hoofer has all the features usually included in a fully professional font. Language support includes all European character sets, Greek symbols and all punctuation. Opentype features include automatic replacement of some characters and discretionary replacement of stylistic alternatives.
  9. Collint Billy by Maulana Creative, $14.00
    Collint Billy is a fancy handwritten script font duo pair with handwritten sans. With medium contrast stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Collint Billy font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Collint Billy font. Cheers, Maulana Creative
  10. Terrakota by Maulana Creative, $13.00
    Terrakota is casual signature and Sans font duo, with clean thin mono-line stroke, slanted, condensed and fun character. It has Opentype features ligatures of character and lowercase alternates, To give you an extra creative work. Terrakota font duo support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Terrakota font duo. Cheers, MaulanaCreative
  11. Brilliant Grunge by Java Pep, $17.00
    Introducing stylish modern sans serif font. The font builds with many stylistic alternates for forming beauty stylish sans. The font is called Brilliant Grunge font, every glyph or letter builds with more than 3 alternates sets for access to the alternate font you must use compatible software like Adobe Illustrator, Adobe Photoshop, Corel, Affinity, Procreate, Inkscape 01. or the newest and etc. If you are not using compatible software you can use and Install character maps software you can see the tutorial https://www.youtube.com/watch?v=KV7n5nxmsLs .
  12. Orange Street by Putracetol, $24.00
    Orange Street - Rounded Modern Sans Font is an all-caps sans-serif typeface that offers three distinct versions: clean, rough, and textured. With its versatile character set, this font seamlessly adapts to various design themes. Its flexibility is further enhanced by the range of available versions, making it a valuable asset for design projects spanning modern, retro, classic, and playful aesthetics. Whether it's for logos, branding, posters, titles, headlines, printing materials, quotes, or more, Orange Street lends itself perfectly to an array of creative applications.
  13. Calima by JCFonts, $30.00
    Calima is a humanist sans serif typeface available in six weights. The idea behind this family was simply to try to bring the spontaneity of an italic to an upright roman typeface. The result is a fresh and dynamic sans with clean shapes, well suited for short texts and display use. The fonts, available in Opentype format, include diacritics for most European languages and a variety of Opentype features: oldstyle and tabular figures, subscript and superscript, fractions, case-sensitive forms, localized forms and more.
  14. Morella by Viaction Type.Co, $13.00
    Morella Script & Sans font with original handwriting style, looks very natural and beautiful. It is suitable for boutique brand, photography, magazine, quote, business card, logo, poster and many more. There are two types of fonts: script and sans, script is equipped with opentype features such as stalistic alernates, ligature, contextual alternates and multilingual support. File Include : Morella Script.otf. Morella Sans.otf. Morella Script.ttf. Morella Sans.ttf. Opentype Feature : Stalistic Alternates. Stalistic Set 03. Ligature. Contextual Alternates. Multilingual & Punctuation. PUA Encoded. I hope you enjoy and thank you.
  15. Mentone by Paragraph, $18.00
    Mentone is a new general purpose typeface, an attempt at extending the line of the great sans-serifs of the previous century, Frutiger - Stone Sans - Myriad. The font has round corners and subtle chamfers, which are all but invisible at text sizes, but add an upbeat, irreverent expression at display sizes. The typeface is named after the beautiful bayside suburb of Melbourne, Australia, where the designer lives. This new version (2.01) was spaced and kerned by Igino Marini of iKern. The semibold cuts are now free!
  16. Diethelm AR by ARTypes, $35.00
    Based on the 10- and 36-point Diethelm-Antiqua types designed by Walter Diethelm and issued by Haas (Münchenstein) 1948-51. DiethelmAR™ series text-size fonts are based on the 10-point designs. Eastern European accents, swash capitals, alternative figures and small capitals are available. The DiethelmARd fonts are based on the 36-point (dreicicero) designs. OpenType fonts are available individually or in two packages: text fonts (with EE accents, small capitals) and display fonts.
  17. Agency FB by Font Bureau, $40.00
    ATF Agency Gothic was designed by Morris Fuller Benton in 1932 as a lone titling typeface. In 1990, David Berlow saw potential in the squared forms of the narrow, monotone capitals. He designed a lowercase and added a bold to produce Font Bureau Agency, an immediately popular hit. Sensing its potential to be than just a useful condensed face, Font Bureau developed Agency into a major series offering five weights in five widths; FB 1990-95
  18. Rennie Mackintosh by CRMFontCo, $35.00
    The Classic Charles Rennie Mackintosh Font. Created in 1993, the timeless beauty of Charles Rennie Mackintosh’s letterforms is now available at MyFonts for the first time. Often imitated, but never bettered, this font has been used in various projects all over the globe, enjoying the limelight of Hollywood when it was requested for use in Sam Raimi’s second “Spider Man” adventure. A form of this font has subsequently been used for the TV series “An American Horror Story”.
  19. Blize Queen by Putracetol, $24.00
    Blize Queen - Display Serif Font. Blize Queen is bold, groovy, clean and unique with display fell. Blize Queen is very versatile serif font that works great in large and small sizes. Helps to create layout display design in 60s or 70s design projects. Blize Queen is a display serif font with beautiful ligatures, tons of alternative glyphs and multilingual support. Come with open type feature with a lot of alternates, its help you to make great lettering. Blize Queen best uses for heading headlines, cover, poster, logos, quotes, product packaging, merchandise, social media & greeting cards and many more.
  20. Vermont by ITC, $29.99
    Vermont is an outline semi slab serif created by British designer Freda Sack. The serifs of Vermont are typical of slab serif fonts, having the same stroke width as the base strokes and forming a right angle to them. The strong figures of this font still manage to seem light and airy and the marked shading makes them seem almost plastic or sculpted. This class of font appeared at the beginning of the 20th century as an advertisement typeface, rose in popularity through the 1950s and phototypesetting in the 1970s. Vermont should be used exclusively in headlines and displays in larger point sizes.
  21. Maximo Nexa by Kaligra.co, $29.00
    Maximo Nexa is a dynamic, contemporary sans serif font family consisting of 8 meticulously designed fonts. With its clean lines and sporty geometry, Maximo Nexa offers a harmonious aesthetic that seamlessly blends into various design contexts. Whether you're working on branding, editorial projects, signage, or larger applications, Maximo Nexa is your perfect companion.
  22. Bajazzo by Schriftlabor, $39.00
    Bajazzo is a multi-weight and multi-width humanist sans-serif typeface. Inspired by old wood-type specimens, its timeless and unapologetic design lends itself for posters just as much as it does for text. Its extensive range of styles, widths, and weights make it fit for use in practically any application.
  23. Plau by Plau, $19.00
    Futurist typeface from the programming era, Plau is a sans-serif with rounded corner personality and interestingly deliberate lettershapes. Comfortable in headlines, reads surprisingly well in longer passages of text. Includes the following OpenType features: OT All Small Caps, Small Caps, Fraction, Proportional/Tabular Oldstyle and lining figures, subscript and superscript numbers.
  24. Plau Italics by Plau, $19.00
    Futurist italic typeface from the programming era, Plau is a sans-serif with rounded corner personality and interestingly deliberate lettershapes. Comfortable in headlines, reads surprisingly well in longer passages of text. Includes the following OpenType features: OT All Small Caps, Small Caps, Fraction, Proportional/Tabular Oldstyle and lining figures, subscript and superscript numbers.
  25. Mesquin by MuSan, $15.00
    Mesquin is an all uppercase sans serif font with geometric shapes of characters. It is inspired by lettering from the industrial and good old past, but it still has a strong modern appearance. Its allows versatile design options and works perfectly for headlines, logos, posters, packaging, T-shirts, postcards and much more.
  26. Nekst by Serebryakov, $35.00
    Nekst is geometric sans-serif. So it can only seem at first glance. Non-standard forms of some letters, behave unexpectedly and eccentric in a text line. It’s add notes of old grotesques and futuristic aesthetics to the modern-nordic image. Nekst font family includes seven weights supporting Cyrillic and extended Latin.
  27. Hittedal by Edignwn Type, $18.00
    The font collection is called "Hittedal", it is a display font for logotype. These collections contain bold script and sans serif font. This script font includes some alternates and ligatures. The Hittedal matches apply in some designs such as the logo, poster, label, badge, packaging, t-shirt, branding, quotes and more custom design.
  28. Fox Single by Fox7, $12.00
    Fox Single is a strong and incredibly cool Sans Serif Fonts. For publications, logos, business cards, or printed on t-shirts, this font will look outstanding on everything, no matter the topic. This font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation.
  29. Nevison Casual by Linotype, $29.99
    Nevison Casual was designed by T. Nevison in 1967 and is an informal, lively, modern handwriting. While the capitals are generous and wide, the lower case letters have reserved, narrower forms, an eye-catching contrast that gives the typeface its zest and energy. The unconventional Nevison Casual combines well with sans serif typefaces.
  30. Linotype Albafire by Linotype, $29.99
    With Albafire, Jürgen Ellenberger has played with flames that come out of the exhausts from Michael Schumachers Ferrari, or the hot rod cars in America or at the tractor pulling contests. This gives this sans serif face a speedy and wavy flavour. It fits ideally for speedy headlines like for bikers couriers.
  31. MD Grotesque by Margarita Dyakovich, $12.00
    MD Grotesque is sans serif font family with a modern and minimalist feel with high readability. It’s extremely versatile and can be used for a big variety of design projects. Perfect for any simple text. It comes in 3 weights and its matching italics. Each style includes Latin and Cyrillic character set.
  32. Churchward Lorina by BluHead Studio, $25.00
    Churchward Lorina is a four weight typeface family originally designed in 1996 by New Zealand type designer Joseph Churchward. A personable geometric sans serif, it possesses some of Churchward's trademark quirkiness but reamins highly legible and readable on screen as well as in print. The family includes Light, Regular, Bold and Black.
  33. Nouveau Dreams JNL by Jeff Levine, $29.00
    The 1910 sheet music for “In All My Dreams I Dream of You” had the title hand lettered in an eclectic sans serif that typified the free form Art Nouveau movement of the time. The lettering was recreated digitally as Nouveau Dreams JNL, and is available in both regular and oblique versions.
  34. Fiest by Panatype Studio, $9.00
    Fiest Font Duo is a handwritten font containing 3 font styles: script and sans serif plus matching slanted. OpenType features make the design more natural and attractive. It's perfect for signature, logotype, wedding invites, posters, brochures or any display use. OpenType Features : Ligatures Stylistic Alternates Ordinals Initial Form Fraction Extended Latin support
  35. Linotype Albatross by Linotype, $29.99
    With Linotype Albatross, Hans-Jürgen Ellenberger has played with flames that come out of the exhausts from Michael Schumacher's Ferrari, or the hot rod cars in America, or at tractor pulling contests. This gives this sans serif face a speedy and wavy flavour. It fits ideally for speedy headlines like for bikers couriers.
  36. Bajazzo Rounded by Schriftlabor, $39.00
    Bajazzo is a multi-weight and multi-width humanist sans-serif typeface. Inspired by old wood-type specimens, its timeless and unapologetic design lends itself for posters just as much as it does for text. Its extensive range of styles, widths, and weights make it fit for use in practically any application.
  37. Varial Two by Paavola Type Studio, $21.00
    Varial Two typefaces are new and updated versions of Varial family created 2014: Extra-condensed Opentype™ sans-serifs with small caps, extended character set (european languages support) and extra features (fractions, ligatures and alternatives). Varial Two is versatile in all design applications, for example all headlines, display use, infographics and more!
  38. Aqum Two by Slava Antipov, $19.00
    Aqum Two is a minimalistic geometric sans serif font family with rounded corners and ends. This shape gives it a friendlier look. This family consists of 4 fonts: Bold with uppercase and lowercase letters, Small caps have tiny uppercase , Curl have 290 alternate glyphs, Classic is a simple font with all caps.
  39. Self Promotion JNL by Jeff Levine, $29.00
    The July 26, 1934 of the movie industry trade paper The Film Daily contained an ad for Paramount promoting its most recent releases. Hand lettered in an ultra bold Art Deco sans serif style, it was the working model for Self Promotion JNL, which is available in both regular and oblique versions.
  40. Soft Rock by Studio K, $45.00
    Soft Rock is a bold condensed sans serif with rounded contours that contrives to be gentle and dynamic at the same time: rather like the soft rock bands (Chicago, Air Supply, Fleetwood Mac etc) after which it is named. It's a warm, friendly font ideal for branding everything from soup to soft furnishings.
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