Aloe is a characterful and friendly display font family inspired by headlines from 1930’s newspapers and calligraphy. The family consists of 9 weights, ranging from Thin to Heavy, with matching ornament fonts. It features a variable font with weight axis. Each weight has over 900 glyphs including advanced typographic features, such as vast number of stylistic alternates, swashes, titling and terminal forms, case sensitive forms, ligatures, symbols, ornaments as well as lining and old style figures, fractions, subscripts and superscripts. This original mixture of display typeface with calligraphy gives a versatile family great for all sorts of uses - from advertising, packaging, branding, wedding invitations, menu cards and other editorial uses to screen and web projects.

Inspired by the « lettres bastardes », Arthas is a modern interpretation of ancient letterforms dating far back, before type even existed. It has been subtly adapted for better readability in 2020. The sharpness of the design creates an elegant contrast between old and new, ancient and futuristic, and will add an ominous, regal mood to your graphic design projects. This typeface is meant mostly for display use, but we can’t wait to receive a picture of someone using it for introductory text, at the start of a book…. Maybe that’s you? As all of our releases, it will be updated at time goes on. Those updates will always be free for people having already purchased the font(s).

This font was inspired by the “Cancellaresca moderna ” type, which was calligraphed by Francesco Periccioli (published in 1610 in Siena, Italy). It was entirely handwritten by the designer for each circumstance, using quill pen and medieval ink on a rough paper, with added characters as accented ones and a lot of ligatures with respect for the original design. This font includes “long s” and also a lot of ligatures as “ff”, “ffi” “fij” “pp”... It can be used for web-site titles, posters and flier designs, editing ancient texts or greeting cards, or as a very decorative and elegant font. This font retains its qualities and beauty over a wide range of sizes.

Sztos (2018-2022) is a remix of one of the most famous grotesques used in Poland – Baccarat (published by Jan Idźkowski i S-ka in 1922). My version loosely refers to the original. On the one hand, I wanted to modernize the drawing and proportions, on the other hand, I did’t want to lose the historical flavour and details in which you can still feel traditional printing. In addition to the fairly wide version of the normal style, there is also a narrow version. Thanks to this contrast, Sztos gives the possibility of expressive combinations of different styles. The whole family consists of 10 weights, two widths and an additional slant version. Design Support: Małgorzata Bartosik, Karol Mularczyk

This font was created inspired from a handwritten copy of the "Brief story of the second journey in Canada" (1535) by French explorer Jacques Cartier. It is an early "Civilité" manual style, closely looking like the "Civilité" script font carved by Robert Granjon a few years later and still strongly influenced by blackletters forms, clearly visible in the capitals or long s, d, e, f or t forms. (Look at our "1557 Civilite Granjon Pro" and the latest "1638 Civilite Manual"). It is containing Western (including Celtic) and Northern European, Icelandic, Baltic, Eastern, Central European and Turquish diacritics. Historical forms, titling alternates and the numerous lower alternates or ligatures made the font looking like a real various hand.

ED Muskrat is a display font family that looks elegant classic and modern, this font is designed from a combination of serif and semi blackletter fonts that add a unique feel to the font. ED Muskrat has 9 styles: Thin, ExtraLight, Light, Regular, Medium, SemiBold, Bold, ExtraBold, and Black. ED Muskrat is equipped with ligatures, alternative characters, and supports multiple languages. and also this font is perfect for your design needs such as branding, poster design, books, fashion, social media design, logos, etc. Features: Stylistic alternates ( C, E, F, I, J, N, Q, S, Z ) Ligatures ( fi , fj , tt ) 9 Styles ( Thin, ExtraLight, Light, Regular, Medium, SemiBold, Bold, ExtraBold, and Black ) Multi Language Support 373 Glyphs

Some scribbles on a bar napkin, a note from a cute girl passed in history class, what is there to say but why not a typeface? Actually it's that late night, �let's get this typeface done� madness that causes these flights of fancy. Anything to relieve the boredom of doing all those kerning pairs. Or maybe it's sunspots? Ms Kitty is all uppercase letterforms so there are two versions of each letter, one in the cap position, another in the lowercase position. Besides the regular weight and bold, there�s a bolder and much bolder in the works. And perhaps there will be a "too bold to be believed" version. Depends on the sunspots.

Advertisers Gothic is bold and brash, like the city it comes from, Chicago. It was designed by the accomplished German-American matrix engraver, Robert Wiebking, for the Western Type Foundry in 1917. As its name suggests, it was designed for commercial headliner work, much as Publicity Gothic by Sidney Gaunt for BB&S the year before. See our Publicity Headline. Alternate letters ‘A’ & ‘S’ are provided. The most popular ad words “Free!”, “New!” and “Sale” (with both esses) are provided at an angle for dramatic tension. Advertisers Gothic became quite popular because it was effective. It can work equally well for a flyer advertising a non-profit event as for a magazine product ad. This font refuses to be a wimp. Use it boldly. Advertisers Gothic ML represents a major extension of the original release, with the following changes: 1. A total of 335 glyphs (compare) with added glyphs for the 1250 Central Europe, the 1252 Turkish and the 1257 Baltic Code Pages. 2. Added OpenType GSUB layout features: pnum, ornm, liga, hist & salt ˜ with total 13 lookups. 3. Added 209 kerning pairs. 4. Revised vertical metrics for improved cross-platform line spacing. 5. The most popular ad words “Free!”, “New!” and “Sale” (with both esses) are provided at an angle for dramatic tension The zip package includes two versions of the font at no extra charge. There is an OTF version which is in Open PS (Post Script Type 1) format and a TTF version which is in Open TT (True Type)format. Use whichever works best for your applications.

Really No. 2 is a redesign and update of Linotype Really, a typeface that Gary Munch first designed in 1999. The new Really No. 2 offers seven weights (Light to Extra Bold), each with an Italic companion. Additionally, Really No. 2 offers significantly expanded language support possibilities. Customers may choose the Really No. 2 W1G fonts, which support a character set that will cover Greek and Cyrillic in addition to virtually all European languages. These are true pan-European fonts, capable of setting texts that will travel between Ireland and Russia, and from Norway to Turkey. Customers who do not require this level of language support may choose from the Really No. 2 Pro fonts (just the Latin script), the Really No. 2 Greek Pro fonts (which include both Latin and Greek), or the Really No. 2 Cyrillic Pro fonts (Latin and Cyrillic). Each weight in the Really No. 2 family includes small capitals and optional oldstyle figures, as well as several other OpenType features. Really No. 2's vertical measurements are slightly different than the old Linotype Really's; customers should not mix fonts from the two families together. As to the design of Really No. 2's letters, like Linotype Really, the characters' moderate-to-strong contrast of its strokes recalls the Transitional and Modern styles of Baskerville and Bodoni. A subtly oblique axis recalls the old-style faces of Caslon. Finally, sturdy serifs complete the typeface's realist sensibility: a clear, readable, no-nonsense text face, whose clean details offer the designer a high-impact selection.

I saw a cool UT-Ligature on an old (maybe 70's or 80's) Texas Longhorns fan-shirt - it was in 3D and I wanted something like that with my own initials A and B to print it on a baseball hat. I started drawing it and when I was finished, I thought it might be nice to do the same for my officemates. I needed another G, T and K. After finishing that I thought it might be cool to do this for other people as well. Since the source of all the 3D glyphs is found in the regular ones which get moved by a 45 degree angle and then connected with lines , I first draw all the uppercase regular glyphs. The thing that followed was kind of an addiction: after finishing the uppercase letters, I wanted to add lowercase letters, after finishing the 3D letters, I thought it would be nice to have a fill version to layer with the 3D letters. Having a rough, woodcut version of the regular style would be cool, too. And the font is also pretty much suited to make a stencil version. When all this was done, I was interested on how the font would look like without the serifs and curves instead of the 45 degree angles, so I did the Longhorn Sans. Good to use for all sports-related designs, especially retro-style soccer/football shirts. Uppercase characters can be combined to form ligatures or logotypes.

Really No. 2 is a redesign and update of Linotype Really, a typeface that Gary Munch first designed in 1999. The new Really No. 2 offers seven weights (Light to Extra Bold), each with an Italic companion. Additionally, Really No. 2 offers significantly expanded language support possibilities. Customers may choose the Really No. 2 W1G fonts, which support a character set that will cover Greek and Cyrillic in addition to virtually all European languages. These are true pan-European fonts, capable of setting texts that will travel between Ireland and Russia, and from Norway to Turkey. Customers who do not require this level of language support may choose from the Really No. 2 Pro fonts (just the Latin script), the Really No. 2 Greek Pro fonts (which include both Latin and Greek), or the Really No. 2 Cyrillic Pro fonts (Latin and Cyrillic). Each weight in the Really No. 2 family includes small capitals and optional oldstyle figures, as well as several other OpenType features. Really No. 2's vertical measurements are slightly different than the old Linotype Really's; customers should not mix fonts from the two families together. As to the design of Really No. 2's letters, like Linotype Really, the characters' moderate-to-strong contrast of its strokes recalls the Transitional and Modern styles of Baskerville and Bodoni. A subtly oblique axis recalls the old-style faces of Caslon. Finally, sturdy serifs complete the typeface's realist sensibility: a clear, readable, no-nonsense text face, whose clean details offer the designer a high-impact selection.

Called by some the "Archetype of the millennium", Verve is a seven-weight typeface family. It features a complete Adobe character set with kerning and fit to match. The alternate characters offer some variations on s,f,h,j,k,S,T,Y and others, plus this font has the Euro symbol. Verve is the fourth in an on-going series of condensed typefaces that I’ve been designing since 1989. My concept was to create an elegant condensed typeface that would be a "typeface for the millennium," in style and functionality. At the very core of all my designs is a typographic problem I wanted to solve, or a market niche that I think needs filled. Verve addresses both of those concerns, without copying or borrowing from its predecessors. There’s the challenge of creating a rich and interesting typeface with an austerity of line and elegance of form. I’m a minimalist by nature – but I wanted Verve to have a sensuous feel in certain respects – yet have that sensuality balanced by the uniformity of the uniform character widths. Gottfried Pott always stresses "theme and variation," and "point and counterpoint," and that’s what I’m doing in Verve. What one finds in musical composition is evident in Verve. Perfect for book covers, CD packaging, club flyers, retail packaging (especially bottles!), identity design and multimedia. The adventurous can try it in text, but it will give you a headache. The beauty of Verve is in thesize and weight variations which create a rich typographic texture in this font.

Elido (Odile in reverse) is the sans counterpart to the Odile type. Together they form a sans/serif superfamily with a wide range of variations for editorial use. Elido follows Odile’s proportions and matches the weight and typographic color of its serif twin. Elido is a sans with classical proportions. A slight geometric hint and open counters convey an airy feel. Elido’s family structure and relations within echo the conceptual approach of Odile. The arched stroke low off the stem reveals a script characteristic most pronounced in the Elido Upright Italic. This particular interpretation is gradually diminished in the Italic and becomes even less emphasized in the Regular. Six balanced weights, from an elegant Light to a pronounced Black, are in tune with three display solutions and a set of beautiful Ornaments. These variants allow for a diverse and multifaceted typography for the discerning type user. Sans serif initials amount to a rare finding. The charming monolinear Elido Initials come in two flavors, elaborate and rational, designed to hold their own in editorial and headline sizes. This type design boasts an extensive character set, many OpenType features including roman and italic Small Caps, five sets of numerals, beautiful ligatures, and many more. OT stylistic variants (with accents) offer a one-story “a” for the roman weights, alternate “g” and “s” designs for the italics, and a variant glyph “s” for the Upright Italic. These distinct qualities with its versatile and sincere traits make Elido an excellent choice for text and display use.

Really No. 2 is a redesign and update of Linotype Really, a typeface that Gary Munch first designed in 1999. The new Really No. 2 offers seven weights (Light to Extra Bold), each with an Italic companion. Additionally, Really No. 2 offers significantly expanded language support possibilities. Customers may choose the Really No. 2 W1G fonts, which support a character set that will cover Greek and Cyrillic in addition to virtually all European languages. These are true pan-European fonts, capable of setting texts that will travel between Ireland and Russia, and from Norway to Turkey. Customers who do not require this level of language support may choose from the Really No. 2 Pro fonts (just the Latin script), the Really No. 2 Greek Pro fonts (which include both Latin and Greek), or the Really No. 2 Cyrillic Pro fonts (Latin and Cyrillic). Each weight in the Really No. 2 family includes small capitals and optional oldstyle figures, as well as several other OpenType features. Really No. 2's vertical measurements are slightly different than the old Linotype Really's; customers should not mix fonts from the two families together. As to the design of Really No. 2's letters, like Linotype Really, the characters' moderate-to-strong contrast of its strokes recalls the Transitional and Modern styles of Baskerville and Bodoni. A subtly oblique axis recalls the old-style faces of Caslon. Finally, sturdy serifs complete the typeface's realist sensibility: a clear, readable, no-nonsense text face, whose clean details offer the designer a high-impact selection.

Transport New is a redrawing of the typeface designed for British road signs. In addition to the familiar Heavy and Medium weights, Transport New extrapolates and adds a previously unreleased Light weight font originally planned for back-lit signage but never actually applied. Version 3.0 of Transport New features significant improvements including numerous outline and spacing refinements, and a full complement of Latin Extended-A characters. Also, to align Transport New with the 2015 release of Motorway, the other typeface used for UK road signage, Italic fonts for all three weights have been added. Originally designed by Jock Kinneir and Margaret Calvert beginning in 1957 and first published on the Preston bypass in 1958, the original Transport font has subtle eccentricities which add to its distinctiveness, and drawing the New version involved walking a tightrope between impertinently eliminating awkwardness and maintaining idiosyncrasy. The Grotesk roots of the glyphs were investigated and cheekily fine-tuned – uncomfortably close terminals of characters such as 5, 6, C, G, and e were shortened, the S and s were given a more upright aspect and their protruding lower terminals tucked in, overly wide glyphs like the number 4 were narrowed, and some claustrophobic counters were slightly opened up. The question mark was redesigned and parentheses given some stroke contrast. The x height was edged fractionally even taller. The Heavy font is actually more of a Bold, and the Light is pretty much a regular weight, but the original nomenclature has been retained for old times’ sake.

Annalena Script is a romantic typefaces. bold, elegant & fun vintage script font. Can be used for various purposes.such as logos, wedding invitation, t-shirt, letterhead, signage, news, posters, badges etc. Features 423+ glyphs and 160 alternate characters, ligatures, swash and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).

Hello Font Lovers... Awesome Fonta is another lovely modern calligraphy typefaces, which is combining the style of classic calligraphy with an modern style. combines from copperplate to contemporary typeface with a dancing baseline, modern and elegant touch. including initial and terminal letters, alternates, and ligatures. Can be used for various purposes.such as headings, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Photoshop, Adobe Illustrator, Adobe Indesign, Corel Draw, and More!!! Thank you for your purchase...

Mantul Pro is inspired by the sans-serif style and a little modern touch, making this font luxurious & neat. Mantul itself has a meaning (Mantap Betul = Really Good), because it requires very good accuracy in doing so making this font the best. After a long journey of doing this font work, finally finished.made very carefully has 19 font styles that are luxurious & extraordinary.This font is done for a very long time, and therefore the font can be considered as a very extraordinary and best font. Can be used for designs, logos, labels, badges, clothing designs, letterhead and titles, stationery, etc.

Dorris - Swirly font family Unique, cute and versatile serif family with alternates and ornaments to create a more stunning display. Try capital letters for groovy vintage style look or Capitalize for a happy, cute and beauty. This Family has 9 weights from thin to black with a soft and curly tail that makes this font look funky and fresh. Suitable for use in many design forms, for example, magazines, DIY projects, quotes, ice cream, postcards, logos, vintage look badges, old classic music, the 60s, 70s, 80s era, stickers, label, kids, baby, wedding projects and many more. We recommend using Adobe Programs.

CALYMATI is a bold, vintage-style font that has beautiful curves. This font is basically a classic serif font that is thick and has a slightly beautiful feature because the strokes have beautiful bends so that even though it is sturdy it still has a beauty side, it is very suitable for vintage designs such as a brand logo badge, liquor label, but also can for more modern designs like magazine headlines. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Cheers!

The Cralter Font is inspired by authentic typefaces in old posters. These font collections contain serif and sans serif fonts. Every font comes with 4 style typefaces (regular, rounded, rough and stamp). Cralter gives more extras 1 pack illustrations. The Cralter matches apply in some designs such as the logo, poster, label, badge, packaging, t-shirt, branding, quotes and more custom design. Cralter features : 4 style typefaces (regular, rounded, rough and stamp) All-caps, numeral, symbol and punctuation Multilingual PUA Encoded Cralter includes : 9 fonts (serif, sans serif and dingbat) 13 hand-drawn illustrations in dingbat

Furious Night - Blackletter Display Font is a display font that is inspired by gothic and horror style because its shape is very unique and is perfect for any project that you will use with this theme. Furious Night with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more) There it is! I really hope you enjoy it

Introducing a new font called Bandung Signature inspired by urban script fonts with sharp and beautiful letters that create fonts that are modern, trendy and elegant. Bandung Signature came with OpenType features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : • Character Set A-Z • Numerals & Punctuation (OpenType Standard) • Accents (Multilingual characters) • Ligatures • Alternates There it is! I really hope you enjoy it - comments & likes are always welcome and accepted. More importantly, don't hesitate to send a message if you have a problem or question.

Introducing Clasifa font a retro bold script style typeface. Inspired by retro typography and lettering in the '70s and '80s combined with bold typography style. This Font is perfect for vintage and retro design, badges, logos, posters, branding, packaging, signage, book cover and so much more! Multilingual support: Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, French, Finnish, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, and many more. What’s Included : Standard & Multilingual glyphs Ligature Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. Hope you enjoy our font!

Kimberly Script is a stylish handwritten calligraphy font, combines from copper slabs to contemporary fonts with dancing baselines, classic and elegant touches. Can be used for various purposes.such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, label, news, posters, badges etc. File included: Kimberly Script.otf How do I access the alternate characters? The alternates are accessible by turning on 'Stylistic Alternates' and 'Ligatures' buttons on in Photoshop Character panel, or via any software with a glyphs panel; e.g. Adobe Illustrator, Photoshop CC, Inkscape. If you have any question, don't hesitate to contact me by Email: bonjourtype@gmail.com

Nasty Life is a beautiful hand-painted script, which is organic, fun and has a dancing baseline as well as different swashes that can be applied to the beginning and ends of all lowercase. International support for most Western Languages is included. For the separate swashes font, type lowercase a-z for the beginning swashes and end swashes. This fonts can be used for various purposes such as headings, signature, logos, wedding invitation, t-shirts, letterhead, signage, labels, news, posters, badges and more. Thanks so much for looking and please let me know if you have any questions.

The Kleader Font is inspired by authentic typefaces in old posters. These font collections contain serif and sans serif fonts. Every font comes with 3 style typefaces (regular, rough and stamp). Kleader gives more extras 1 pack illustrations. This font includes some ligatures. The Kleader matches apply in some designs such as the logo, poster, label, badge, packaging, t-shirt, branding, quotes and more custom design. Kleader features : 3 style typefaces (regular, rough and stamp) All-caps, numeral, symbol and punctuation Ligatures Multilingual PUA Encoded Kleader includes : 7 fonts (serif, sans serif and dingbat) 13 hand-drawn illustrations in dingbat

Ghost Place - Halloween Display Font is a display font that is inspired by horror and gothic style because its shape is very unique and is perfect for any project that you will use with this theme. Ghost Place came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more). There it is. I really hope you enjoy it.

Meqhago created with stylish and modern brush characters. Meqhago is a modern brush script font that comes with Extended Latin Characters. This font was PUA encoded. Meqhago works perfectly for logos, display, product branding, wedding invitation card, stationary, packaging, clothing, flyer, apparel, magazines, brochures, lable, posters, badges, etc. Meqhago comes with 272 glyphs and 54 alternate characters contain with opentype features. Meqhago also comes with standard ligatures that allowing you to make stuff looks more exclusive and pro standard. If you need help or advice, please contact me by e-mail "tegakiscript@gmail.com" Thank you for your purchase!

Sainthorn Script is a typeface thick and easy to read, it would be so comfortable to wear .You can use it as a logo, badge, headline, and on insignia, packaging, posters, t-shirts/apparel, greeting cards, business cards, wedding invitations and more. The flowing characters are ideal to make an attractive messages to your taste. Mix and match with many alternative characters to fit your project.It will be more interesting if you add swash / alternative swash. The alternative characters in this font were divided into several OpenType features such as Stylistic Alternates, Ligature and Ligature Alternates. Mail support : maculinc@gmail.com Thank you! Maculinc

The Vintage Crafted Font is hand drawn typeface with retro themes. This font collections contain script and sans serif font. Every font comes with 3 style typefaces (regular, rough and stamp). This sans serif font includes some ligatures. The Vintage Crafted matches apply in some designs such as the logo, poster, label, badge, packaging, t-shirt, branding, quotes and more custom design. Vintage Crafted includes : 6 fonts (script and sans serif) 3 style typefaces (regular, rough and stamp) Uppercase, lowercase, numeral, symbol and punctuation in script font All-caps, numeral, symbol, punctuation and ligature in sans serif font Multilingual and PUA Encoded

Introducing Mostyle font a Display Retro Script Font. Inspired by retro typography and lettering in the '70s and '80s combined with bold typography style. This Font is perfect for vintage and retro design, badges, logos, posters, branding, packaging, signage, and book cover. Multilingual support: Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, French, Finnish, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, and many more. What’s Included : Standard & Multilingual glyphs Ligature Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. Hope you enjoy our font!

Introducing Cadina, an elegant new font! This font is especially created for those of you who need a touch of elegance to design your projects next with perfect results and amazing. Cadina is a very beautiful and interesting script and comes with a perfect line for use for various purposes. Like titles, signatures, logos, correspondence, wedding invitations, letterheads, nameplate, labels, bulletins, posters, badges, Branding, Greeting Cards, etc. Cadina is built with OpenType features and includes start and end. It comes with OpenType Stylistic set, Initial, swashes, ligatures and everything to add a touch to your design and also supports other languages :)

Looking for the perfect font for your next gothic project? Do not look elsewhere than QUKIHA! A great place to look for fonts for your most recent logo, label, badge, music video, or movie is the QUKIHA Blackletter font. You can select the ideal word for your project by choosing from the beautiful and harmonious shapes available in the QUKIHA font. The capital letters are impressive, and the letters are slick and fashionable. QUKIHA Blackletter is a necessity if you’re designing labels, posters, or other things. They are also of a professional caliber, making them ideal for any design task.

Elika Gorica was designed to be a typeface that is pleasant to read on screens. The typeface a refined touch that give any headline an elegant appearance Elika Gorica is designed with both modern and vintage curves. Elika Gorica has pretty much alternatives glyphs choice in the pack and support multilingual. It works perfectly for creative project such as logo, T-shirt / apparel, badge, invitation, packaging,headline, poster, magazine, greeting card, and wedding invitation. You can access the open type features and multilingual on mostly Adobe programs, such as Adobe Indesign, Adobe Illustrator, Adobe photoshop etc.

Monster Inside - Blackletter Display Font is a display font that is inspired by gothic and horror style because its shape is very unique and is perfect for any project that you will use with this theme. Monster Inside with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more). There it is. I really hope you enjoy it.

The Renthouse Font is inspired by authentic typefaces in vintage labels. Font products contain serif and sans serif font. This collection gives more extra halloween illustrations in one pack. This serif font includes some alternates. The Renthouse matches apply in some designs such as the logo, poster, label, badge, packaging, t-shirt, branding, quotes and more custom design. Renthouse features : All-caps, numeral, symbol, punctuation and alternate in serif font All-caps, numeral, symbol and punctuation in sans serif font Multilingual PUA Encoded Renthouse includes : 3 fonts (serif, sans serif and dingbat) 12 hand-drawn illustrations in dingbat

Hello Font Lovers... Orlando Smith is another lovely modern calligraphy typefaces, which is combining the style of classic calligraphy with an modern style. combines from copperplate to contemporary typeface with a dancing baseline, modern and elegant touch. including initial and terminal letters, alternates, and ligatures. Can be used for various purposes.such as headings, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Photoshop, Adobe Illustrator, Adobe Indesign, Corel Draw, and More!!! Thank you for your purchase...

Density Heavy Slab Serif Features a smooth slab serif and a wide surface that makes it especially suitable for horizontal and lengkungan compositions. This is a front view, best used at larger sizes when weight and impact are desired. It's classic with a modern edge and most importantly packed with different styles, and ligatures Density is a heavy slab serif that comes with regular, oblique, outline, outline slanted, rough, rough slanted, extrude and extrude slanted style. this font is perfect for every project. suitable for branding logo, badge design, or apparel design. This font also comes with multilingual support.