In Holland, all kids have a six week long school holiday during the summer months. To prevent chaos, traffic jams and other madness, the government has divided the country in three regions (North, Middle and South) and school holidays start a few days to a week and a half apart. For kids this is the best time of the year, as they can have fun for a month and a half, but for us parents this sometimes is a bit of a logistic nightmare, as we still have to work! Six Week Holiday is an ode to the chaos of summer. It is a cute handmade ‘school’ font that will put some sunshine in your designs! Comes with extensive language support.

Honesty was the first font published by the Studio in 2020. It was a typeface with flared stems. 2 years later, we are now publishing Honesty Sans. It is inspired by the original design but is revisited as a sans serif this time. Honesty Sans keeps the inspiration from the incise genre and font such as Albertus or the Trajan but with softness, thanks to its low contrast and smooth curves. Honesty Sans is highly lisible, which offers a variety for use, from titles, edition of texts, branding, magazines and so on. Its large variety of glyphs, including accents, old-style numbers and ligatures will give uniqueness to your designs. Honesty Sans is available in 16 styles, from thin to heavy in roman and italic.

Nono is the nickname of my oldest son, Konstantin. His little brother could not really speak yet, but he was always looking for him and said something to the tune of, "wea is a nono". From that time on I call Konstantin Nono. I designed a handwritten script with his real name, that i named Konstantin. Now I made this slick version of that script – hence – Nono! I made three basic sets of characters plus a smallcaps version. To top things off, I designed a set of endletters that I throw in for free. Everything can be mixed! I sell single cuts but the best deal would be the entire packet, it goes for a very fair price. Your generous typedesigner, Gert Wiescher

Avenir Next Paneuropean is a new take on a classic face—it’s the result of a project whose goal was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. This family is not only an update though, in fact it is the expansion of the original concept that takes the Avenir Next design to the next level. In addition to the standard styles ranging from UltraLight to Heavy, this 56-font collection offers condensed and semi condensed faces that rival any other sans on the market in on and off—screen readability at any size alongside heavy weights that would make excellent display faces in their own right and have the ability to pair well with so many contemporary serif body types. Overall, the family’s design is clean, straightforward and works brilliantly for blocks of copy and headlines alike. Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next Pro to life. It was Akira’s ability to bring his own finesse and ideas for expansion into the project while remaining true to Frutiger’s original intent, that makes this not just a modern typeface, but one ahead of its time. Complete your designs with these perfect pairings: Dante™, Joanna® Nova, Kairos™, Menhart™, Soho® and ITC New Veljovic®.

Many times, when a new creative process is starting, it is triggered by an everyday action or item. In this case, the looks of a lady’s watch inspired Michael Herold to create his new typeface LUX. The sight of the chronograph sparked associations of the 1950s in Mr. Herold: While this decade was predominantly dominated by brush and feather scripts, there was also a bloom of strict and modern architecture. This special mix of strength and retro style is exactly what Michael Herold is trying to capture in his LUX. The result is a typeface which is perfectly suitable for use on book covers, posters and claims – thanks to its striking impression. The name LUX, Latin for light, is inspired by the high bright-dark contrast within the individual characters. Oft sind es alltägliche Gegenstände, die das Bestreben eines neuen kreativen Prozesses auslösen. So entspringt auch die Inspiration zur Erschaffung der LUX von Michael Herold dem Anblick einer Damenuhr. Der Chronograph löste bei Herrn Herold Assoziationen zu den 1950er Jahren aus: Während diese Zeit hauptsächlich von Schreibschriften aus Federn und Pinseln beherrscht wurde, nahm auch die streng und modern anmutende Architektur starken Einfluss auf die Epoche. Diese Mischung aus Strenge und 50er Jahre Retro-Stil soll in der LUX zum Ausdruck kommen. Das Ergebnis ist eine Schrift, die sich mit ihrer plakativen Wirkung perfekt für Buchumschläge, Poster und Claims eignet. Namensgebend war der starke hell-dunkel Kontrast innerhalb der Schrift – festgehalten in dem lateinischen Wort für Licht.

Most Faster’s cool designs and spectacular features will bring your designs into a brand new level. It is a font created in capital letters with the racing theme reflecting courageous masculine impressions. The strokes on each letter are similar to a sharp-angled rectangle. Features: Multilingual Supports PUA Encoded Numerals and Punctuation Use Most Faster for any design projects such as posters, banners, logos, book covers, headings, printed products, merchandise, social media, and so on. Find out more ways to use this font by taking a look at the font preview. Get it now. Happy designing.

Introducing my new font Anthropology, wrapped elegantly and has distinctive characteristics making this font beautiful. Anthropology is perfect for branding projects, logos, wedding designs, media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery, and any project who need a handwritten style. Features: • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature • Alternate There it is! I really hope you enjoy it - comments & likes are always welcome and accepted. More importantly, don't hesitate to send a message if you have a problem or question. Now just read this, go there and make it happen :)

For decades, the handletterer’s craft has been indispensable to the advertising and design trades. As prevailing tastes changed and new technologies emerged, commercial art saw the fateful demise of this lost skill. Now, House Industries is proud to offer the Sign Painter font kit, a collection of six timeless display typefaces along with an assortment of eye-catching advertising type treatments in font format. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

The Dinkle fonts are the creation of a sketchbook artist who spent years refining her craft, Diana Hollingsworth Gessler. She created the Dinkle handwriting fonts for use in her book "Very New Orleans," and now you can use it in four convenient styles: Regular, Bold, Italic and Bold Italic. Each font in this family was drawn individually, capturing nuanced differences of natural penmanship when the weights are paired together. A hand-lettered journal style, the highly legible Dinkle fonts offer tidy text and clear captions. Use it for signage, quotations, or anywhere you need a personal touch in your designs.

Croog Pro is an upgraded version of Croog fonts (2009). As its predecessor, the new release is a rounded geometric monoline typeface, but built now in four weights with true italics. One more style has been added - "Black", for display use. Squarish in proportions, monoline letterforms gain more readability by having short rounded serifs and terminals. The typeface is ideal for use in display sizes, though is quite legible in text. Croog Pro is released as OpenType fonts with extended glyph amounts, which enabled support of more Latin languages as well as Cyrillic languages, and includes some OpenType features.

Planton Script is a new script calligraphy, hand lettered, modern variant font. There are more than 433 glyphs in the font including stylistic sets, Contextual Substitute & Special Unicode Code etc. OpenType features with the Stylistic Alternates, a few characters that allows you to mix and match pairs of letters according to your design. To access alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS and Adobe InDesign, Corel Draw, Microsoft Word 2010. Can be used for various purposes such as title, signature, logo, wedding invitations, t-shirts, letterhead, signage, labels, newsletters, posters, badges etc.

Karol was designed in 2011 as a project in the MA in Advanced Typography from EINA/UAB, in Barcelona. It was born as text typeface inspired by the work of East European type designers. Two years later, Karol is ready for public release, in a collection of eight styles (four weights and matching italics) with high readability, strength and character. A few days before its publication, we received the news that Karol had been awarded the Certificate of Typographic Excellence (Judges’ Choice) of the Type Directors Club. Please check the ‘Read me’ file located in the gallery for more specifications.

Over the past couple of years I received quite a number of unusual and surprising requests to modify my type designs to suit projects of personal nature, but none top the ones that asked me to typeset and modify tattoos using Burgues Script or Adios. At first the whole idea was amusing to me, kind of like an inside joke. I had worked in corporate branding for a few years before becoming a type designer, and suddenly I was being asked to get involved in personal branding, as literally “personal” and “branding” as the expression can get. After a few such requests I began pondering the whole thing from a professional perspective. It was typography, after all, no matter how unusual the method or medium. A very personal kind of typography, too. The messages being typeset were commemorating friends, family, births, deaths, loves, principles, and things that influenced people in a deep and direct way, so much so that they chose to etch that influence on their bodies and wear it forever. And when you decide to wear something forever, style is of the essence. After digging into the tattooing scene, I have a whole new respect for tattoo artists. Wielding that machine is not easy, and driving pigment into people’s skin is an enormous responsibility. Not to mention that they're some of the very few who still use a crafty, hands-on process that is all but obsolete in other ornamentation methods. Some artists go the extra mile and take the time to develop their own lettering for tattooing purposes, and some are inventive enough to create letters based on the tattoo’s concept. But they are not the norm. Generally speaking, most tattoo artists use generic type designs to typeset words. Even the popular blackletter designs have become quite generic over the past few decades. I still cringe when I see something like Bank Script embedded into people’s skin, turning them into breathing, walking shareholder invitations or government bonds. There’s been quite a few attempts at making fonts out of whatever original tattoo designer typefaces can be found out there - wavy pseudo-comical letters, or rough thick brush scripts, but as far as I could tell a stylish skin script was never attempted in the digital age. And that’s why I decided to design Piel Script. Piel is Spanish for skin. In a way, Piel Script is a removed cousin of Burgues Script. Although the initial sketches were infused with some 1930s showcard lettering ideas (particularly those of B. Boley, whose amazing work was shown in Sign of the Times magazine), most of the important decisions about letter shapes and connectivity were reached by observing whatever strengths and weaknesses can be seen in tattoos using Burgues. Tattoos using Adios also provided some minor input. In retrospect, I suppose Affair exercised some influence as well, albeit in a minor way. I guess what I'm trying to say is there is as much of me in Piel Script as there is in any of the other major scripts I designed, even though the driving vision for it is entirely different from anything else I have ever done. I hope you like Piel Script. If you decide it to use it on your skin, I'll be very flattered. If you decide to use it on your skateboard or book cover, I'll be just as happy. Scripts can't get any more personal than this. Piel Script received the Letter2 award, where they selected the best 53 typefaces of the last decade, organised by ATypI.

In the late 60’s, one of the best art publications in the country was Motive magazine, published (amazingly) by the United Methodist Church. Filled to the brim with poetry, essays, line drawing and woodcuts, it also featured some cutting-edge typography. Boxy/Code is based upon my memories of woodcut typography from that great magazine. Since Boxy/Code ’s lowercase consists of the uppercase’s negative spaces, it’s easy to combine the two with Layer Styles in Photoshop in order to achieve the effect I used in one poster above. It also works great if you use a well-known text as a background. This new version is totally redrawn and features all the Latin-accented letters. Uppercase consists of black capitals in boxes; lowercase features the negative spaces of those boxed capitals. Uppercase and lowercase line up exactly for 2-color effects.

Let us introduce you the official big update of Intro type family with essential upgrades to this contemporary sans serif. The weight distributions completely revised has brought 8 new weights and matching italics resulting in 72-fonts family with 22 fonts extra. Intro’s refined playfulness is further emphasized with additions of multiple ingredients, such as carefully adjusted Oblique alternatives next to the existing upright alternatives. All these styles are now available as a Condensed version. On top of that, there are 3 inline fonts. The glyph case was expanded to cover Extended Latin and Cyrillic with adequate language localization. The OpenType features rewritten and improved now allow case-sensitive forms and contextual alternates, and plenty of stylistic alternates. The standard numerals set includes as well tabular figures and symbols, superiors and inferiors, numerators and denominators, plus fractions.

Jim Rimmer aptly described his Dokument family as a sans serif in the vein of News Gothic that takes nothing from News Gothic. Building on that internal analysis, Dokument Pro is the thoroughly reworked and expanded of the original main set released in 2005, with different widths still in the pipeline. This new version updates Jim’s work to six Pro weights and their italic counterparts, each of which takes advantage of OpenType stylistic sets to introduce different degrees of graduation from gothic to humanist. Dokument Pro is now a unique text sans family, with an adaptable personality suitable for the kind of edgy, uncompromising corporate and media typography that just tells it like it is, instead of having to resort to the common contemporary luring and baiting tactics. Dokument Pro’s range of weights, styles and features (over 775 glyphs per font, built-in small caps, alternates galore, and support for over 45 Latin languages) allows for multi-application versatility and clear, precise emotional delivery. This is the kind of straight-shooter sans that should be in every designer’s toolbelt. For more details on the fonts' features, text and display specimens and print tests, consult the Dokument Pro PDF availabe in the Gallery section of this page. 20% of Dokument Pro’s revenues will be donated to the Canada Type Scholarship Fund, supporting higher typography education in Canada.

Linex Sweet was designed by Albert Boton in the late 1990s. It's a smallish family of three weights; the middle weight has an italic companion face. With its soft corners and slightly quirky head-serifs, Linex Sweet is a friendly design that sees much use. Several years later, Boton began sketching a new design, based on the original Linex Sweet but with a little more authority and grace. Linex Sans is the result. A mix of crisp angles and soft shapes, this new addition to the extended Linex family is both inviting and elegant. The subtle calligraphic overtones distinguish the design from more traditional sans serif designs. A three-weight family with a complementary italic for the Regular weight, Linex Sans is a versatile communications tool in both text and display sizes. It offers that mix of sophistication and joie de vivre that characterizes the designs of Albert Boton. Boton began his professional career as a carpenter. Fortunately for designers and typographers, he quickly turned from pounding nails to hammering out graphic design and constructing great letterforms as a profession. In his long career, he has created hundreds of distinctive, highly useful and award-winning designs. And even though he is now retired from active business, Boton continues to create fresh, new typeface designs. Add Linex Sans to the list.

Ardalista is lovely script calligraphy made with a touch of sweet, lovely and charming attraction that adds to the impression of a beautiful and elegant. a charming typeface and So beautiful on invitation like greeting cards, sublimation, wedding invitation, branding materials, business cards, quotes, posters, headings, signature, logos, t-shirt, letterhead, signage, lable, news, posters, badges and more What is interesting? Imagine you get a beautiful and very charming font in the design you make. that would be the answer you wanted right now. Ardalista has a script typeface and extra letters that allows you to be more free in designing. What's new? Hey..look at this. besides you get a font with over 150 alternates, ligatures and swashes. let's imagine what you can do with all that. yeah that's awesome. For those with Opentype capable software ( Photoshop CC or any version of Illustrator/ Indesign), Ardalista also comes with Opentype features such as access to all the alternate letters and double letter ligatures. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. Don't forget to check out other cool fonts on our store and wait for new fonts. Follow our shop for upcoming updates including additional glyphs and language support. feel free to send me a message, comment, like and share.

A tessellation is a pattern in which a shape or tile fits together with copies of itself to fill the plane with no gaps or overlaps. One type of tessellation is formed with sides of center-point rotation, that is, one half of an edge is rotated 180 degrees to form the other half. If a square template is made with sides of identical center-point rotation, there are exactly four shapes that are possible. If these shapes or tiles are fit together not edge to edge but vertex to vertex, the result is a checkerboard-like pattern of tiles and voids. However, the voids have four edges formed by the four possible shapes that the tiles can have, so the voids are limited to the same four shapes that that make up the tiles. The FabFours have 22 tile families that allow a wide variety of fascinating patterns. They form one, two, three, and four tile tessellation. Eleven of the seventeen symmetry groups can be formed with these patterns. In each tile family two of the shapes have two possible orientations, one shape has four possible orientations, and one has eight, for a total of 16 tiles. Each font has two families, one on letters A-P the other on a-p. For some of the families there are also other tiles using the same edge but using triangular and hexagonal templates. To get proper results, the leading must be set equal to the point size of the font. I discovered these fabulous families and their decorative possibilities as I was working on a book about tessellations. I have not been able to find anyone else who has written about these families of four and their decorative possibilities when arranged vertex to vertex.

The new version of Bordonaro Script includes rounded corners. Bordonaro Script Rounded - Bordonaro Spur Rounded’s partner Meet it!

Instamood is a new signwriting script full of ligatures. Perfect for your Instagram post and for casual posts.

A beautiful new sans serif great for magazines, ad work, text or headlines works for all your needs.

The powerful Eknaton comes with slanted slabserifs, a new way to add some spring to the old Egyptian slabs. Eknaton echoes the tradition that started with Napoleon's Egyptian campaign 1798, and the simultaneous looting of Egyptian art. The imports led to new ladies fashion in Europe, new architecture and new typefaces like Antique (Figgins, 1815) and Egyptian (Caslon, 1816). The Egyptian faces were also the origin of the famous Clarendon (1845) and Ionic No.5 (1925) as well as the rest of "the legibility types". In the 20th century the slabserifs became popular again with Bauhaus incarnations like Memphis (Wolf, 1929) and Beton (Jost, 1931). The Bauhaus movement, otherwise anti-serif, liked the architectural influence in Egyptian slabserifs. The Bo Berndal design of Eknaton puts some speed into the old Sphinx - the cat is back, in better form than ever! Bo Berndal, born 1924, has been designing typefaces for 56 years, for Monotype, Linotype and other foundries. Eknaton comes in five different widths, from Tight to Expanded, and is an OpenType typeface for both PC and Mac. Swedish type foundry T4 premiere new fonts every month. Eknaton is our eleventh introduction.

Mariachi is a new condensed version of our Maison Luxe font which is a revival of an old 1800's classic ornate French font. This new 2021 condensed version takes this old classic to an all new level by adding small caps, italics and a new solid black version. Mariachi is perfect for headlines and logos from advertising to product labels, t-shirt lettering and restaurant menus. Fill fonts are also part of this family, new to this font style is the half fill font for creating a two color effect on the letters, you'll need an application that works in layers to use the fill fonts in Mariachi. The regular fill font for Mariachi isn't meant to be used as a stand alone font so we've created a solid black version with thicker serifs on top and adjusted outlines throughout for a better appearance as a solo font. The difference between Mariachi and our Mi Casa font is that Mariachi has a squared off shadow on the top half of the letters. We hope you enjoy Mariachi as much as we did making it. Mariachi is a trademark of FontMesa LLC

Hi Everyone, we are proud to present our new font. The new natural Hamida origami with a classy and modern style makes this font look elegant, natural, stylish. Origamet Hamida is perfect for invitations, logos & branding, photography, advertising, watermarks, social media posts, product packaging, product designs, labels, wedding designs, stationery, special events or anything else needed to create a theme.

Let me introduce our cool new sans serif font Logica Sans! It is a versatile font. Great for logo design, mobile apps, online and print use, and a wide variety of projects. We will be constantly updating our font. Add new languages, glyphs, font styles. Follow the updates! We will be glad if our font helps in the development of your project!

Synopsis draws inspiration on the classic proportions and letterforms of old romans. In addition to this a new modern twist has been infused to it, giving it a dimensional double stroke or virtual inline that makes the round parts twist in and out. Specially gorgeous in big sizes it brings the best from the past merging it with new ideas.

At one time or another, everyone has filled out a job application. Jobseeker JNL emulates a hand-printed alphabet and numerals as one would find on such forms, but it is also useful for any project where a simple handwritten block print is needed.

Joseph is a slab-serif face designed by TOMO. With a wood type look - letterpress print, this fatty comes in handy when is time to design an informal —yet strong—looking communication piece. Imagine this typeface on a T-shirt, even a mug! Sweet.

With some slight variation, Merchandising JNL was modeled from the lettering on a display box for Meyercord Decal letters and numbers. The phrase "make your own signs with decals" was lettered in a casual brush-like style, and is reproduced for the first time digitally.

ALYRAK is born from the anxiety of the future dystopia of the human race. The fear of Artificial Intelligence, robots, and technology that potentially invade living things. Represented in a font and visual to emulate the vibe every time you type it from your keyboard.

Maebashi is a display font in Japanese style. This font comes with a Japanese feel and you can feel it every time you use this font. It's the perfect font for multipurpose projects like logos, branding, posters, headlines, and more (especially for Asian-themed projects).

If you need a fantasy font that will brighten up your book about Drakula or your game about Tricksters or other fantasy characters or your movie needs magic then this font is for you. Any time if you need magic, the font is for you!

The look and feel of pen lettering is captured in this nostalgically-styled font from Jeff Levine. Add a touch of the 1920's or 1930's to your projects with Pendraw JNL to evoke the look of old-time show cards and signs.

This font was a product of self-initiated project I started a while back. It started and finished as a project that I was working on while procrastinating at school, for fun; however, I spent enough time to not give it out for free.

Ray Cruz releases another typeface family, this time inspired by 1970's pop culture. Fat Albert Regular, Outline and Shadow are bold poster types that evoke the fun and funk of an era gone by. Go on bro, get Fat Albert and get down.