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  1. Mimi MF by Masterfont, $59.00
    Simple yet decorative serif stroked font . Use for titles, signage, captions etc. Highly legible at children books.
  2. Tzoba MF by Masterfont, $59.00
    Inspired by old manuscript serif font, this low contrast font makes it high legible for long texts.
  3. Columbian Slab by Wooden Type Fonts, $20.00
    One of the classic display types of the 19th century, an Egyptian with slab serifs. Quite bold.
  4. Trilium JNL by Jeff Levine, $29.00
    Trilium JNL is a tri-line sans serif font that was modeled from some 1970s retail packaging.
  5. Manchester by BA Graphics, $45.00
    A Bold Powerful Condensed serif face; great for book jackets, magazines, ads and just about any application.
  6. Clique by Device, $29.00
    A clean elegant subtly flared serif in three weights suitable for high-fashion and luxury brand use.
  7. Columbian by Wooden Type Fonts, $20.00
    One of the classic display types of the 19th century, an Egyptian with bracketed serifs. Quite bold.
  8. DS Diploma-DBL - Unknown license
  9. Chisel Brush by A New Machine, $14.00
    Chisel Brush is a handmade font created with a, um, chisel brush... It has a casual handmade feel that works well at larger sizes in headers or titles. Also works great in branding applications.
  10. Sure, imagine for a moment that the Shadowed Serif font by J. Fordyce attended a high school reunion. It would be the character that managed to age remarkably well, maintaining an elegant yet bold ap...
  11. Dederon Sans by Suitcase Type Foundry, $75.00
    Dederon Serif has been specifically designed for book setting. Preliminary sketches were drawn in 2004. Its inspiration — particularly its weight and width proportions — can be traced to the Liberta typeface from the TypoArt type foundry in former Eastern Germany. After a careful study of the model, the design of Dederon branched off into its own direction, finding its distinctive voice and becoming a wholly original type family. Dederon Serif kept most of the elements typical for the Old Style Roman lettering, such as the angle of the stress, the medium x-height, and lower contrast. In large sizes, the typical shapes of the letters stand out — the calligraphic feel characteristic for the Czech typefaces by Oldrich Menhart, the unusual serifs hinting at the angle of the pen, the shapes of the stems, or the terminals of dots and ears. Upon finishing the serif version, a sans-serif variant called Dederon Sans was added. The construction principles are also derived from the Old Style Roman model, which lends the lettering its open, humanist feel. Yet the design also conforms to the rules of the modern sans serif. Most characteristics of Dederon Sans match the serif version — the weight of individual cuts, the width proportions, x-height, ascenders' and descenders' length, and the slope of the italics. Each version of Dederon Open Type Std contains the standard Western Latin character set and the Central European characters; a number of basic and accented ligatures, small caps; old style, small caps and caps, table, fraction and superscript numerals; expert glyphs and alternative characters. This brings the total to a comfortable 820 glyphs per weight
  12. Borek by Alphabet Design, $20.00
    Borek is a geometric monoline sans-serif display font. It works well in both display and text applications.
  13. Precision by Gerald Gallo, $20.00
    Precision is a sans serif contemporary font with each character having a horizontal connecting bar before and after.
  14. GroovinUpSlowly by Haiku Monkey, $10.00
    A serifed handwriting font with equal parts fun and flair. Wide spacing gives the font a festive feel.
  15. Woozee by Gerald Gallo, $20.00
    Woozee is a serif font with characters that appear to be wobbly and are not clean and crisp.
  16. Aureola by OneSevenPointFive, $20.00
    Condensed Sans-Serif font family 7 widths with corresponding italics 2 free fonts (Aureola regular & italic) OpenType features
  17. Science Fiction by Indian Summer Studio, $20.00
    Geometric sans-serif with clean, ordered, hi-tech, futuristic feeling. For texts, titles, interfaces, logos, technical inscriptions, everything.
  18. Deep Fried by Fatchair, $4.95
    Designed to be layered, DeepFried is a multi-weight geometric sans-serif with a 70's pop feel.
  19. Hulbert by Typotheticals, $10.00
    A rough hand drawn playful serif that would be good at larger than normal text use, or headlines.
  20. Gothic Unique by Wooden Type Fonts, $15.00
    A revival of an unusual wooden type font of the 19th century, a sans serif, suitable for display.
  21. Momcake Pro by Rivian, $15.00
    Modern geometric sans serif typeface. Suitable for many projects such as logo, printing, social media, website, apps, etc.
  22. Adelon Serial by SoftMaker, $15.99
    Adelon Serial is a classic flare serif typeface. Use it for titling, packaging, and other types of headlines.
  23. Bodoni Roma by BA Graphics, $45.00
    An elegant take on Bodoni, with its subtle flared serifs that give it a very beautiful distinguished look.
  24. Tournedot by Suomi, $35.00
    Tournedot is a semi-serif headline font with two stylistic sets to give more possibilities for different feel.
  25. Chip Dip by PizzaDude.dk, $10.00
    A simple and uneven handmade brush seriffed font. Great for that extra dip your handmade looking designs need! ;)
  26. MBF Predatory by Moonbandit, $10.00
    Moonbandit presents Predatory, a bold modern sans serif titling font. A multi purpose display font with high impact
  27. Slender by Gerald Gallo, $20.00
    Slender is a sans serif contemporary font with each character having a horizontal connecting bar before and after.
  28. Fatty Pantz by Ingrimayne Type, $5.00
    FattyPans is a strange, bizarre font with spiky serifs that bulges where letters are not supposed to bulge.
  29. KG Broken Vessels Sketch by Kimberly Geswein, $5.00
    A hand-sketched sans serif sketch font. For a solid version, pair this with KG Second Chances Solid.
  30. Galactic by BA Graphics, $45.00
    A heavy bold serif face, packs great punch; excellent headline font. Can be used for many different applications.
  31. MHF Gothic by MetalHead, $14.95
    Equal parts Sabbath and Blackletter. Its distinctive serifs will make any metalhead want to stand up and shout!
  32. Malibu Heights by BA Graphics, $45.00
    A beautiful new sans serif great for magazines, ad work, text or headlines works for all your needs.
  33. Brassens by Typorium, $53.00
    Le Typorium présente une nouvelle famille de caractères calligraphiques basés sur une écriture étudiée à travers les manuscrits et autographes de Georges Brassens, poète et musicien (1921-1981). Son tracé, rigoureux et appliqué, souvent minutieux, est à l’image d’une œuvre unique et singulière, immédiatement reconnaissable. Le script Brassens offre des fonctionnalités OpenType telles que des caractères alternatifs pour les majuscules et les minuscules afin de renforcer la fluidité d’une écriture manuelle, des chiffres alternatifs, des fractions et un jeu de caractères accentués étendu pour prendre en charge de nombreuses langues étrangères. Trois graisses ont été créées afin d’offrir une large palette de possibilités graphiques. 60 images d’un poète qui a cassé sa pipe à l’âge de 60 ans., classées en trois séries de vignettes (pictogrammes, symboles, portraits), elles illustrent l’univers imagé et la richesse symbolique de la poésie de Georges Brassens où les représentations mythologiques et allégoriques y tiennent une part importante. Georges Brassens est un poète, auteur-compositeur-interprète né à Sète le 22 octobre 1921, mort à Saint-Gély-du-Fesc le 29 octobre 1981 et enterré au cimetière Le Py de Sète. Auteur de plus de deux cents chansons populaires, il met en musique et interprète ses poèmes en s’accompagnant à la guitare. Outre ses propres textes, il met également en musique des poèmes de François Villon, Victor Hugo, Paul Verlaine, Paul Fort, Antoine Pol, ou encore Louis Aragon. Il reçoit le Grand Prix de Poésie de l’Académie Française e 1967. Un grand nombre d’écoles, salles de spectacle, voies, parcs et jardins portent également son nom, dont à Paris le parc Georges-Brassens, tout proche de l’impasse Florimont où il vécut ses premières années parisiennes, de sa maison de la rue Santos-Dumont et du café Les Sportifs Réunis – Chez Walczak – rue Brancion qui lui inspira « Le Bistrot ». À Sète, l’Espace Georges Brassens ainsi que de nombreux festivals et associations redonnent vie au poète et à son œuvre. The Typorium presents a new calligraphic typeface family based on a writing studied through the manuscripts and autographs of Georges Brassens, poet and musician (1921-1981). Its layout, rigorous and applied, often meticulous, is in the image of a unique and singular work, immediately recognizable. Brassens script offers OpenType features such as alternate characters for upper and lower case to enhance the fluency of handwriting, alternate numbers, fractions and an extended accented character set to support many foreign languages. Three weights have been created to offer a wide range of graphic possibilities. 60 images of a poet who broke his pipe (French expression for passing away) at the age of 60, classified into three series of vignettes (pictograms, symbols, portraits), they illustrate the imagery world and the symbolic richness of Georges Brassens poetry where mythological and allegorical representations hold an important part. Georges Brassens is a poet, singer-songwriter born in Sète on October 22, 1921, died in Saint-Gély-du-Fesc on October 29, 1981 and buried in Le Py cemetery of Sète. Author of more than two hundred popular songs, he sets to music and performs his poems, accompanying himself on the guitar. In addition to his own texts, he also sets to music poems by François Villon, Victor Hugo, Paul Verlaine, Paul Fort, Antoine Pol, or Louis Aragon. He received the Grand Prix of Poetry from the Académie Française in 1967. A large number of schools, theaters, streets, parks and gardens also bear his name, including in Paris the Georges-Brassens park, very close to the impasse Florimont where he lived his first years in Paris, his house in the rue Santos-Dumont and the café Les Sportifs Réunis - Chez Walczak - rue Brancion which inspired "Le Bistrot". In Sète, the Espace Georges Brassens as well as numerous festivals and associations bring the poet and his work back to life.
  34. Goddess by Device, $39.00
    Decadent, baroque and refined. Sinuous curves, ornate swashes and alternates that can be customized to suit your burlesque ball, bodice-ripping romance novel or high-fashion label. The “Swash” version includes swash capitals that can be toggled on or off using the ‘swash’ option in Adobe apps. The “Title” version includes drop-caps that connect with an underline that runs under the regular characters. These again can be toggled on and off using the ‘swash’ option. Also includes optional stylistic alternates and ligatures.
  35. Rioma by Halbfett, $30.00
    Rioma is a geometric typeface inspired by a legend of type design: Antique Olive. As a font family, Rioma ships in two different formats. Depending on your preference, you can install the typeface as two Variable Fonts or use the family’s 16 static OpenType font files instead. Those weights run from Light to Heavy. While the static-format fonts offer a good intermediary-step selection, users who install the two Variable Fonst have vastly greater control over their text’s stroke width.
  36. Inky Fingers by Hanoded, $20.00
    Inky Fingers… Well, the name says it all! This rather obese font was made by hand (literally) using my index finger, some sheets of paper and a lot of Chinese ink. As the eco-paper absorbed quite a lot of ink, I had to do a second ink-run! Inky Fingers is a very legible typeface, ideal for headlines, books and posters. It comes with Babylonian language support - including the Schwa/schwa glyphs for the Azeri speaking crowd. Ain't I nice?
  37. Barking Frenzy by PizzaDude.dk, $18.00
    Barking Frenzy may look as if it was cut out of paper or cardboard, but it's not! It was drawn with a rugged pen, leaving rough edges here and there. It's great for children's books and toys or maybe handcraft or other handcrafted activities. I've added 5 different versions of each lowercase letter and these appear randomly as you type. That way your text looks really natural and organic, because the letters rarely repeat themselves. Also the font has multilingual support!
  38. Fidusmager by PizzaDude.dk, $17.00
    This is definitely a font suitable for kids toys. The letters are legible, and at the same time totally wacky! Kinda like what a kids toy should be! Fidusmager started out as a handdrawn, slightly rugged looking fon. However I ended up manually tracing each letter in order to have those smooth lines. By the way, Fidusmager is danish and actually means someone who’ll trick you - but as a kid I didn’t know that, and found that it most likely was something positive! :)
  39. Crystal Falls by Epiclinez, $18.00
    If you're into that bold, fun, modern look, then Crystal Falls is the right choice for you. This versatile font is great for headlines, apparel, posters, logos, and product packaging, due to its simplicity and playfulness. Get creative with this compact gem of font and let your imagination run wild! So what’s included : Standard Latin Numbers, symbols, and punctuations Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß PUA Encoded and fully accessible without additional design software Simple Installations Works on PC & Mac Thank You!
  40. Quanika by Artisan Studio, $17.00
    Quanika a work that is purely a result of handwriting, has a natural characteristic. this is perfect for invitations, signatures, blogs, social media, business cards, product brands. Quanikahas Stylistic standard, Stylistic Initial, Stylistic Teminal and ligatures. and includes uppercase and lowercase letters, numbers and punctuation marks. FILE INCLUDE Quanikay (OpenType,PUA) Multilingual Support OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. special greetings for all, all of us all smoothly in running the routinent
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