Monarcha is a serifed type family, with a strong influence of the baroque style, for extended texts. Its roman versions are slightly skewed, in the sense of reading, and its italics have unusual calligraphic features. Moreover, the contrast between thick and thin strokes is relatively smaller than in conventional serif fonts. These characteristics, coupled with its rounded shapes, give Monarcha a delicious fluidity and texture. Monarcha innovates and brings an exclusive OpenType feature to convert Arabic to Roman numerals up to 3999. It also has several other professional features - small caps, fractions, old style-, lining-, tabular numbers, scientific superior/inferior figures, stylistic sets and more than 40 different ligatures (standard + discretionary). The family consists of 8 styles, 4 weights - Book, Regular, SemiBold and Bold - plus their respective italic versions. The fonts are available in OpenType PS format and have extended character set to support CE, Baltic, Turkish as well as Western European languages.

Looking for a serif font that will make your brand stand out? Introducing Wylie Voigen – A Modern Serif Font. A mix of culture and style, Wylie Voigen is excellent for showing what makes your business unique. Wylie Voigen allows you to make stunning web pages, apps, ads, merchandise, printed cards, and anything else your business needs. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

Serat is a medium contrast flared serif with mixed up styles of classic typefaces which is highly influenced by early stages of Latin based hand writing. The lowercase are modernized versions of Carolingian minuscules, vertical stems which touch the baseline have been modified to have horizontal cut for simpler look and keep the calligraphic style for terminals & stroke ends. Then the uppercase are flared serif which were influenced by Roman inscriptional capitals. The font name was taken from the Javanese word "serat" which means writing (noun). It comes with some unique features, such as: - Carolingian style alternate for some letters (a,e,f,g,t), also comes with separated stylistic set for long 's', and long left leg 'x' and alternative ampersand. - Discretionary ligatures for all caps titling. - Standard Ligatures. - Tabular and Proportional for both Lining and Old-style figure. - Fraction with Nominator and Denominator. - Superscript and Subscript for numbers, etc. Serat would be suitable for "classic" themed work; poster, book cover, branding, videography, etc.

Myflora is a high level serif font in simple styles to create formal, modern, elegant impressions on your designs. Like the other serif font, its main characteristic is the small hooks on the letters’ edges. Besides, its morphological letter forms are simply presented with high contrasts and wide spaces to be legible enough to use in any text sizes. Furthermore, you can enjoy the available features in this font. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Myflora fits for various design projects, such as posters, banners, logos, magazine covers, quotes, headings, printed products, invitations, name cards, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great experience using our font. Feel free to contact us for further information when you have a problem using the font. Thank you. Happy designing.

Kilasera – A Modern Narrow Sans Serif Font Kilasera is a contemporary narrow sans-serif font that effortlessly blends sophistication with modernity. Exhibiting clean lines and minimalistic design elements, Kilasera exudes a sense of sleekness and versatility. With its slender proportions, the font is well-suited for a wide range of applications, from editorial layouts to digital interfaces. The letterforms are meticulously crafted, featuring balanced spacing and a subtle geometric precision that ensures readability without compromising on its distinctive aesthetic. Kilasera’s sleek and timeless appeal makes it an ideal choice for projects seeking a refined, contemporary typographic style that seamlessly integrates into the visual language of the present day. Kilasera is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Inspired in the world of the fast-food, my aim with Burger was to achieve a sexy slab serif font. Since it's not very common to see slabs with swashes I consider this project as an experiment with interesting results. In order to mantain an even weight on the written word, all the glyphs including the swashy ones had to look like compact blocks: This makes the font work much better used with almost no leading, as seen in posters above. Despite the formal look of its genre, this slab serif is also very playful and unique. (Maybe unhealthy food deserves better fonts already, right?) Taste Burger, come on, give it a try! On a more personal note: Why I made this font? Some months ago I started the gym and with it, an strict diet to see some results faster... Maybe my temptation is being, in Lacanian terms, "sublimated" by making delicious and unhealthy fonts.

Mandelia was created by Alex Kaczun, an American type designer, in 2010. The typeface was named in honor of Nelson Mandela, former president of South Africa, for his “shining example of the incredible strength of the human spirit to persevere in the face of adversity for the pursuit of freedom”. Mandelia is a strong, bold and wide-bodied serif typeface design, reminiscent of the great African landscape with its diverse animal life. It’s easy to see the influence of the 'Rhino' sharp serifs and ‘Elephant’ size stems and proportions. The font commands attention and respect. Great for headlines that pack a punch, logos, posters, and signage. And because it was well designed, it can even be used in body copy at various point sizes. Mandelia is available in Opentype format for both Mac and PC, and comes complete with true drawn small caps, old style figures and Unicode Latin 1252 and Central European 1250 character sets. It has everything you need to get the job done.

Front Desk is designed to be easily readable, its increased legibility coming from the slightly enlarged lower case letters (a greater x-height) which make it easy on the eye. Also it is slightly slanted (but a lot less than a normal italic angle) to give it a more informal and modern look than a perfectly upright font would be, which is also intended to contribute extra dynamism while reading. Five available weights give adequate variation, and there are some Condensed and Expanded varieties in the complete set. A primary feature of this font is that the serif bases and tops are not indented or concave, which gives clear straight edges to the serifs, and the removal of this complexity adds to the clean lines and crispness of the font. The package contains both OTF and TTF versions - install either OTF or TTF, not both versions of a font on the same machine.

Mafins is a combination font of thick display and serif fonts which is simply designed in formal, modern, elegant impressions like other serif fonts. The differences between the thick and thin lines on each character is dramatic and the letters' edges have small hooks for a legibility reason. Due to the great legibility, you can use this font for any text sizes. Make your every design perfect with Mafins font to create the best impressions on your designs. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Mafins fits for various design projects, such as posters, banners, logos, magazine covers, quotes, name cards, invitations, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great experience using our font. Feel free to contact us if you require more information when you are dealing with a problem. Thank you. Happy designing.

Vuelta display is a modern random style font that combines serifs and sans in one font file. With serif as uppercase and sans as lowercase. You can use both uppercase and lowercase in the same word which will make your text more distinct too plus some alternatives so this font really stands out. This font is perfectly made to be applied especially in logos, and other various formal forms such as display, header, headline, poster, logos, etc on a big typography. **Features:** - All Caps Font with different uppercase and lowercase - Number & Symbol - Supported Languages - Alternates and Ligatures - PUA Encoded **What is included:** - Vuelta Display Regular We highly recommend using a program that supports OpenType features and Glyphs panels like Adobe apps and Corel Draw, so you can see and access all Glyph variations. This type of family has become the work of true love, making it as easy and fun as possible.I really hope you enjoy it! Thank you Enjoy the font and go get creative :)

Introducing the Normerif Font, the perfect typeface for those seeking a touch of elegance and vintage style in their designs. With its display serif style and elegant alternates, Normerif provides a fashionable and sophisticated look to any project. This font is specially designed for classic-themed projects and is perfect for creating simple, clean, and stylish designs. Whether you're looking to create logos, titles, magazines, or any other design project, Normerif is a perfect choice. Its elegant and refined serif style makes it suitable for a wide range of design applications, including print materials, websites, and more. The font features stylish alternates, which add a touch of sophistication and elegance to your designs. So if you're looking to add a touch of class and sophistication to your next project, look no further than Normerif Font. With its elegant and fashionable style, this font is perfect for creating simple, clean, and stylish designs that will make your projects stand out.

Semi-serif? Semi-sans? Emerging from the hazy border that divides Sans from Serif, Integra aims to integrate both styles in a cool, elegant, contemporary fashion. With its sleek anatomy, flared terminals and almost non-existent straight lines, Integra was inspired by the stressed, modulated, unserifed letterforms incised in the early 15th-century ledger tombs at Santa Croce church in Florence, and the neoclassical grotto inscriptions at Stourhead in England that dates from the mid 18th-century. Integra, however, gives a contemporary, even futuristic twist to these references by featuring original, audacious shapes on key letters like L, E and X; as well as with the modern, generous proportions of its lowercase; infusing it all with a flowing, luminous, Latin American feel. Integra comes in several weights and italic styles, for text composition and display usage. Its rounded counterforms and arch-like shapes lend texts a spacious, neat, architectural quality, perfect for sophisticated content.

Big River is an elegant sans serif and handwritten font duo with lots of extras. It includes: - A wide sans serif font in three weights (with caps and small caps); - A handwritten font with a regular and slant version, and bonus swashes to give your designs a more natural look. Each font includes: - A-Z, a-z, 0-9, accents, punctuation and symbols - Contextual alternates (script) - Ligatures (script) This font duo makes it so easy to achieve beautiful and eye-catching designs, and is perfect for both short and longer texts. It can be used for making postcards and notes, creating logotypes, social media posts, branding and packaging, etc. Please note: No special software is needed in order to access the extras, as they are in a different font file. You can simply access them directly in your font bar (a-z for terminals in regular, A-Z for terminals in italic, and 0-1 for squiggles).

Originally commissioned in 1979 as a new corporate typeface for Volkswagen AG, the VAG Rounded™ family’s geometric sans letterforms feature distinct rounded terminals, imparting the design with a friendly, approachable demeanor. With its design led by Gerry Barney, the VAG Rounded family remained in use for Volkswagen AG’s unified, worldwide automobile marketing for over a decade. The design was released for public use in 1989, and was bundled with many desktop publishing software titles available at the time. This opened the door for millions of computer users to work with the VAG Rounded type family. Available in four weights—from thin to black the VAG Rounded family is an apt choice for logo design, identity systems, or any application where a typographic warmth is desired. For contrast in voice, consider pairing the design with a more reserved serif typeface, or a sans serif with narrow styles, such as those found in the Alternate Gothic, Trade Gothic, or FF DIN type families.

Neue Reman Sans 1.0 --- New Update! CONDENSED - SEMI CONDENSED - SEMI EXPANDED - EXPANDED It has 70 fonts style in total family + 2 Variable Style. --- It is a Roman, Humanist, Grotesk and Geometri sans serif family. The family comes in 7 weights with matching italics + Variable Font File and includes multilingual latin characters. Neue Reman Sans contains 306 glyphs - this is the first version of Neue Reman Family with standard ligatures and a variety of figures and fractions. We create Neue Reman typeface to use in multipurpose project such as on website, systems, printing, embedding, servers, screens, display, digital-ads, branding, logos, titles, headlines, teks, and everything else. This font is a project that we are working on for the long term. We has updating the Condensed and Expanded versions. Then we plan to continue working on Latin Pro, Greek and Cyrillic. It all will be updated gradually. So, hope you would like the first version of Neue Reman Sans Serif Typeface. Thank you very much.

Nazare Exuberant is the Poster version of Nazare. This version makes the vintage design more elegant and luxurious. It has super high contrast and the semi-serifs were turned into opulent serifs. Some shapes were redesigned by adding a slight calligraphic feel, making it even more vibrant. This way this design got more organic, more human, more serious, more trustworthy and more luxurious. This is the design for your posters, headlines and actually anything where the letters have a big point size. If you need a more text suitable version you can always use the original Nazare. Another feature is the insertion of some Opentype features: Ligatures were added as well as old style numbers. With its six weights you will have plenty of room for many variations. From the Regular that focus more on elegance to the Heavy that focus more on the lavishness. Regardless of which style you choose Nazare Exuberant is so unique that your designs will not remain unnoticed.

Amika™ is a rational geometric sans serif with an engaging personality and a contemporary profile. The large x-height, minimal contrast and the double storey 'a' makes Amika™ a highly legible typeface suited for any kind of text applications, from display poster type to massive text layouts. Amika™ has 22 styles and it's a workhorse type system. Versatile and reliable, it covers 230+ languages, including extended Latin, Cyrillic and Greek writing systems. With over 1280 glyphs per style, its Opentype features include alternative shapes, small caps, standard and discretionary ligatures, localized forms in Latin and Cyrillic, case sensitive forms, numerators and denominators, proportional and tabular figures, slashed zero, fractions and more. With a tectonic touch, Amika™ is a prototypical sans serif of the New Media age that, due to its extensive set of features, conveys a great choice for a wide range of applications, from branding to broadcast.

TT Tsars useful links: Specimen | Graphic presentation | Customization options The TT Tsars font family is a collection of serif display titling fonts that are stylized to resemble the fonts of the beginning, the middle and the end of the XVIII century. The project is based on title fonts, that is, the fonts that were used to design book title pages. The idea for the project TT Tsars was born after a small study of the historical development of the Cyrillic type and is also based on Abram Shchitsgal’s book "Russian Civil Type". At the very beginning of the project, we had developed a basic universal skeleton for the forms of all characters in all subfamilies of the family, and later on, we added styles, visual features, artifacts and other nuances typical of the given period onto the skeleton. Yes, from the historical accuracy point of view it might be that such an approach is not always justified, but we have achieved our goal and as a result, we have created perfectly combinable serifs that can be used to style an inscription for a certain time period. The TT Tsars font family consists of 20 fonts: 5 separate subfamilies, each of which consists of 4 fonts. Each font contains 580 glyphs, except for the TT Tsars E subfamily, in which each font consists of 464 characters. Instead of lowercase characters in the typeface, small capitals are used, which also suggests that the typeface is rather a display than text one. In TT Tsars you can find a large number of ligatures (for Latin and Cyrillic alphabets), arrows and many useful OpenType features, such as: frac, ordn, sinf, sups, numr, dnom, case, onum, tnum, pnum, lnum, salt (ss01), dlig. Time-related characteristics of the subfamilies are distributed as follows: • TT Tsars A—the beginning of the 18th century (Latin and Cyrillic) • TT Tsars B—the beginning of the 18th century (Latin and Cyrillic) • TT Tsars C—the middle of the 18th century (Latin and Cyrillic) • TT Tsars D—the end of the 18th century (Latin and Cyrillic) • TT Tsars E—conditionally the beginning of the 18th century (only Latin) TT Tsars A and TT Tsars B families (both the beginning of the 18th century) have different starting points: for TT Tsars A it is Latin, for TT Tsars B it is Cyrillic. The development of the TT Tsars A family began in Latin, the font is based on the royal serif Romain du Roi. The Cyrillic alphabet is harmoniously matched to the Latin. The development of the TT Tsars B family began in Cyrillic, which is based on a Russian civil type. Characteristic elements are the curved one-sided serifs of triangular characters (A, X, Y), drops appear in the letter ?, the middle strokes ? and P are adjacent to the main stroke. Latin was drawn to pair with Cyrillic. It is still based on the royal serif, but somewhat changed: the letters B and P are closed and the upper bar of the letter A rose. This was done for the visual combination of Cyrillic and Latin and at the same time to make a distinction between TT Tsars A and TT Tsars B. TT Tsars C is now the middle of the 18th century. Cyrillic alphabet itself did not stand still and evolved, and by the middle of the 18th century, its forms have changed and become to look the way they are shown in this font family. Latin forms are following the Cyrillic. The figures are also slightly modified and adapted to the type design. In TT Tsars C, Cyrillic and Latin characters are created in parallel. A distinctive feature of the Cyrillic alphabet in TT Tsars C is the residual influence of the flat pen. This is noticeable in such signs as ?, ?, K. The shape of the letters ?, ?, ?, ? is very characteristic of the period. In the Latin alphabet, a characteristic leg appears at the letter R. For both languages, there is a typical C characterized by an upper serif and the appearance of large, even somewhat bolding serifs on horizontals (T, E, ?, L). TT Tsars D is already the end of the 18th century when with the development of printing, the forms of some Cyrillic characters had changed and turned into new skeletons of letters that we transposed into Latin. The figures were also stylized. In this font, both Cyrillic and Latin are stylistically executed with different serifs and are thus logically separated. The end of the century is characterized by the reduction of decorative elements. Straight, blueprint-like legs of the letters ?, R, K, ?. Serifs are very pronounced and triangular. E and ? are one-sided on the middle horizontal line. A very characteristic C with two serifs appears in the Latin alphabet. TT Tsars E is a steampunk fantasy typeface, its theme is a Latinized Russian ?ivil type (also referred to as Grazhdansky type which emerged after Peter the Great’s language reform), which includes only the Latin alphabet. There is no historical analog to this typeface, it is exclusively our reflections on the topic of what would have happened if the civil font had developed further and received a Latin counterpart. We imagined such a situation in which the civil type was exported to Europe and began to live its own life.

The Vtg Stencil series of fonts from astype are based on real world stencils. All styles offering an extended Latin character set. » pdf specimen «

Patches is a multi-faceted, victorian-era serif typeface for when you need something more than plain text. Get that extra attention while adding a genuine, original appearance to your message. Patches was designed from scratch to give a sense quality and depth. Its designer Mans Greback has created a typeface with a complex structure, yet one that will be easy to master. This work will suit every style, taste and skill level. It is a decorative and completely hand-drawn design in vintage lettering, with the perks and flexibility of present-day technology, which is exactly what you'd expect from a modern typeface. Whether you are making a decorative floral headline, drawing a cowboy logo, or creating a unique design based on this ornamental font, the hopes are that Patches can give you a set of tools and inspiration to bring out the best of your artistry. Standing on the shoulders of giants, it was inspired by a wide range of works, and will hopefully be able to continue to teach and inspire future artists. Or at least help you become a better designer when you're designing an elegant and classic headline. Set the coloring of Patches to light gold and cream tones to apply a luxurious look, or in dark tones for a more rugged impression. Bold, bright colors will make it appear In the mid-1800s, decorative design flourished in the Western major cities. Victorian style thrived and encouraged techniques such as enamelling, embroidery and calligraphy. From the 1880s onwards, there were a series of reactions to higher Victorian tastes, with Art Deco reaching the heights of the 20th century. However, the Victorian art persisted popularity, as it changed to more sophisticated designs which made it more attractive to specific professions and groups. The evolution of the Victorian style in the mid-20th century was a key factor in the succession of the movement. Classic shops and salons, sport designs and traditional festivals, and later Rock'n'Roll and Harley Davidson-themed graphics ​inspired the continued development of the art. Aspiring to carry on this tradition, this typeface family consists twelve different high-quality variations. The main ones are Patched and Patched In – an outlined variation – and each one provided in five weights: Thin, Light, Medium, Bold and Black. Additionally, the two rough fonts Hangaround and Prospects, that tries to grasp the rough, earthy atmosphere of a shady motorcycle club. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europa to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Waltowns is a dynamic and expressive typeface that captures the essence of street art with its bold and energetic design. The letters are characterized by organic shapes, reminiscent of marker strokes on urban surfaces. The font exudes a raw and brave vibe, reflecting the spirit of graffiti culture. The font includes a diverse set of characters, allowing for creative and eye-catching compositions. Whether you’re designing posters, album covers, or any other graphic project, Waltowns inject a sense of urban attitude and artistic edge. Its versatility makes it suitable for a wide range of applications, making your designs stand out in the crowd. Waltowns is not just a font; it’s a statement. It represents expression, the vibrancy of the streets, and the bold creativity that defines graffiti art. Use Waltowns to bring a touch of urban authenticity to your design projects and let your creativity run wild on the walls of the digital world.

BECOME Display Font Family It tries to display playful ideas in well-balanced styles. Hello, designers. We always seek new innovations, but run into the world of forms and frames, presently. This font family presupposes pleasant imagination and provocation, but controls the change of various styles so as not to lose a sense of balance. B, E, M and W glyphs started from the same skeleton, but the detailed correction work for interpolation transformation was all applied differently. It is designed to be well suited to any layout while providing a unique stimulus. It can be a great display for all ages, from kids to seniors, and covers publishing, web, app and graphic design areas. OpenType Features Stylistic Sets(ss01) : C,E,G,H,L,N,O,Q,U,Z(Uppercases), a,b,c,d,e,g,i,j,l,,n,o,p,q,u,z(lowercases) Stylistic Sets(ss02) : ↑↗→↘↓↙←↖↔↕ ligatures : fi,fl oldstyle figures tabular figures fractions

Neon Bugler is a font based on the third logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore. This font design has these principles as its parameters: The letters generally follow what would be natural stroke directions; no sharp corners, all gentle turns; no lines back up over each other, cross each other, or run into each other. All of this civility between the lines produces an unintentional but welcome neon quality about it. This font can have a variety of vibes depending on its context--it has a certain nostalgia to it, yet it also has a slick, clean, futuristic look. It can even be used in a semi-grunge setting. This is a very versatile font! And if you like this font, check out the new boxy version of it, Neon Bugler Squared! Digitized by John Bomparte.

The famous Catalan architect, Antoni Gaudí, used to say “there are no straight lines or sharp corners in nature…” However, with Between The Lines that’s exactly what you’ll find: straight lines, parallel and perpendicular, all in a glorious display of Art Deco style. Here the verticals and horizontals dominate while the diagonals “sit this one out”. Curvilinear lines also run free here: they serve as refreshing counterpoints to prominent straights. These forms suggest a somewhat expressive script-like characteristic, (especially in lowercase) wherever the font’s many initials, terminals and contextual alternates are employed. Between The Lines offers many options for alternate letterforms (ligatures, stylistic alternates, contextual alternates, etc.). When these OpenType features are used judiciously and selectively, your typography will be greatly heightened. You’ll find BTL right at home in a number of environments: music album covers, snack food packaging, magazine headlines, cosmetics, signage and more. PLEASE NOTE: due to its very tall ascenders, Between The Lines benefits from generous leading (line spacing). Multilingual support included.

Strenght To Strenght is distinctive handwriting and encapsulates the essence of street style. It gives every design project an urban vibe with its rugged and raw characteristics. This font is the perfect choice for people looking for a strong and influential typeface inspired by the rebellious spirit of street culture and graffiti. This font is designed to be versatile, making it suitable for a wide range of creative projects. Whether you're working on a skateboard deck design, a streetwear stuff, or a poster for an underground event, this font will infuse your work with urban attitude and a raw, handcrafted feel. The uppercase characters in Thrasher Head are bold and impactful, while the lowercase letters exhibit a slightly more refined style, providing a balanced mix of legibility and street-inspired aesthetics. This typeface is perfect for an poster event, movie title, streetwear stuff, magazine layout, fashion brand, quotes, or simply as a stylish text overlay to any background image.

Sonder is a smooth brush Script and condensed Sans family of three weights on both. Both Script and Sans work as standalone fonts but they’re designed to go nicely together. Combine with Sonder Extras for smooth brush strokes for ambitious headlines, logos & posters. Sonder comes with a clean version and a “Print” version of each cut. Print versions have delicately rugged outlines and print texture inside. Sonder Script is packed with several OpenType features: Contextual Alternates and Standard Ligatures are automatically on to keep the text vibrant. If you need even more sparkly letters try Swash, Stylistic or Titling Alternates. The Scripts are PUA encoded and you can access extras from character map in most design softwares. For the best price Sonder can be purchased as “clean” Family - or as Print Family that has all cuts as printed versions. For the absolutely best price get the whole Complete Family pack that has all fourteen fonts and go wild with it!

Intelo was created with the single idea of redefining what makes a functional grotesque typeface nowadays. Its large x-height and letterforms with subtle elliptical finish create a distinctive look that can help brands cater to an increasingly design savvy audience. To top it off, Intelo comes in two versions - an attention-grabbing original cut and an additional version with flat endings for a more streamlined effect. The family weights range from thin to extrabold with matching italics making it a versatile choice and perfectly suited for digital applications including web and interaction design as well as printed media such as editorial and corporate materials. When it comes to Opentype features, Intelo is loaded with stylistic alternates, tabular figures, fractions, ligatures, and more. In addition, the font family has an extended language support featuring Western, Eastern and Central European languages. To sum it up, the friendly and inviting letterforms of Intelo came as a solution to the need for more human fonts in our technology-oriented environment.

INTRODUCING Chokellate font family a fonts of Chokellate font family duo stylish calligraphy that have a varied base line, fine lines, classic and elegant touches. Can be used for various purposes. Such as title, signature, logo, wedding invitation, t-shirt, letterhead, nameplate, label, news, poster, badge etc. Chokellate font family displays stylish calligraphy alternate characters. Includes initial letters and terminals, alternatives, ligatures and multiple language support. The Features of this fonts is: * Standart ligatures * Stylistic Alternates * PUA Unicode (Private Use Areas) * Swash Programs that support in this font is a Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. OpenType features can be accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. can also be accessed through the character map. Special greetings for all, all of us all smoothly in running the routine. Thank you for your purchase!.

Canadian designer Patrick Griffin made P22 Counter as an exercise in exploring the limits of counter-space and interchangeability between extremely geometric and standard calligraphic forms. Within a field of solid stems and horizontal strokes, parallel lines and curves play the role of counterparts to define square and round shapes, making what’s revealed just as interesting as what’s withheld. Each of the three basic Counter fonts stakes its own aesthetic territory, from clean basic minimalism, through the nostalgia of exuberantly pixel-based design, and on to calligraphic-cum-typographic, all within clear and precise geometric parameters. Counter Pro comes with that entire range included in a single font, giving its user the ability to move freely in a visual space and counter-space that can be defined by more than 1450 glyphs. While all the fonts come with extended Latin language support, P22 Counter Pro includes all three fonts in one font, many alternates, swashes and ending forms that are not available in the basic fonts.

Black Stanky a work that is purely a result of handwriting, has a natural characteristic. this is perfect for invitations, signatures, blogs, social media, business cards, product brands. Black Stanky has Stylistic standard, Stylistic Initial, Stylistic Teminal and ligatures. and includes uppercase and lowercase letters, numbers and punctuation marks. Accessed by using : OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. A Total of 362 Glyphs: Multilingual Support : ŠŒŸÐÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØÙÚÛÜÝ àñáâåäãçæìíîïòóôõöøùúûüýÿèéê뢚ߞ Ligature accesed :St dd th gg pp ff wh mm of ck on we are all wr en ex ee ve oo ox ax ss so rr ot al tt ch ll rl ct ol rt at cl az 4 alternative setst accesed : a b c d e f g h i j k l m n o p q r s t u v w x y z special greetings for all, all of us all smoothly in running the routinen

The infield dirt is raked, the outfield grass is mowed and the baselines chalked. So grab a beer, smother a stadium dog with mustard and relish, take a seat on the bleachers and get ready -- that handsome devil SPILLS is back on the mound and ready for a comeback! It’s true, Manager [the person who coaches a baseball team is a ‘manager’ not a coach] John JG Roshell has coaxed the wily veteran out of retirement, and he’s returned to the field with the wisdom of extra years and the addition of five new pitches (fonts): Stadium, Dugout, Outfield, Infield, Pennant and Base. The stadium is packed to capacity and we're pretty sure the first time he’s at the plate, it’s gonna be strike-out city! [to continue the logic of the baseball pitching ace as font metaphor, the pitcher would hopefully prevent a home run not facilitate one.] See the families related to Spills: SpillProof .

Drop_it is a redesign of fonts originally created to be recognized by computers using OCR (optical character recognition) softwares. Strangely, human beings fell in love for the stylistic inconsistencies of these fonts made for machines. In small sizes, Drop_it emulates the appearance of fonts in antique operational systems monitors. In large sizes, its structure is composed of capsules and pills allude the universe of medicines, drugs and rave culture. Drop_it Dingbats follow the the same grid of its alphabetic version, and can be used side by side in sign projects. Besides the traditional symbols, it present specific images from the rave culture like DJ (Disc-Jockey) and VJ (Visual-Jockey). Drop_it italic set adds velocity to text compositions using six angle variations. All the fun starts with a very unusual Break version. Fall version is a kind of "anti-italic". Slow version put your text in another rhythm. Swing have a little italic emphasis. Italic is, you know, italic. And Speed version run away.

Historical typography makes a comeback. A revival of one of the most popular of a number of rugged typefaces used around the turn of the century, Croft revives the creation of Lewis Buddy III, known as "Roycroft" in 1912 ATF catalogs. It also, according to ATF, was designed "partly" by Morris Benton, around 1898. The original typeface might be considered an early form of grunge fonts. This typestyle maintains historical flavor, while also being relevant today. It has been expanded to have more discretionary ligatures and numerals sets for versatility, and maintains the original stylistic alternates and standard ligatures. See the 5th graphic for a comprehensive character map preview. Opentype features include: Full set of Inferiors and Superiors for limitless fractions. Tabular, Proportional, and Oldstyle figure sets. A small collection of Discretionary & Standard Ligatures. Stylistic Alternates for variations of several characters such as R, u, t, etc. Approx. 482 Character Glyph Set: Croft comes with a glyphset that includes standard & punctuation, international language support, and additional features.

Introducing Quzirah, a retro condensed font that blends classic design with a vintage feel. This font is the perfect addition to any project seeking to evoke nostalgia and charm. Quzirah comes fully loaded with 49 alternate characters and 33 ligatures, allowing for endless creative possibilities. Designed with both style and functionality in mind, Quzirah supports multiple languages and is easy to use. With its beautiful and unique letterforms, this font will elevate your designs and add a touch of sophistication. Whether you’re designing a vintage poster or creating a retro-themed project, Quzirah has got you covered. Download it now and let your creativity run wild! What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Neon Bugler Squared is a soft, boxy version of Neon Bugler, which is a font based on the third logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore. This font design has these principles as its parameters: The letters generally follow what would be natural stroke directions; no sharp corners, all gentle turns; no lines back up over each other, cross each other, or run into each other. All of this civility between the lines produces an unintentional but welcome neon quality about it. This font can have a variety of vibes depending on its context-it has a certain nostalgia to it, yet it also has a slick, clean, futuristic, sci-fi look. It can even be used in a semi-grunge setting. This is a very versatile font! Digitized by John Bomparte.

As comic book readers know all too well, team ups are every super hero’s bread and butter... when the brave and the bold are in a pickle, and super villains are running onion rings around them, here’s how they roll: They Meat! They Team-Up with your taste buds! They Fight Hunger! Our original Hero Sandwich font has become a go-to for video game and app graphics, due to its easy readability and friendly demeanor. The new Pro version adds nine weights from Thin to Heavy, with matching italics, plus a versatile Variable Font to dial in your preferred combination of weight and italic slant. Each weight includes four numbering options and support for 222 languages, including Cyrillics. So take a footlong bite out of crime, and make the subways safe again with our mouthwatering Hero Sandwich! Prepared with care and plastic gloves by those awfully nice chaps at the Comicraft deli.

Discover The Noerman, an exciting graffiti font inspired by gemstone designs. With its vibrant and playful style, this font is perfect for creating eye-catching graffiti posters, Hip Hop music artwork, children's posters, flyers, children's books, cartoons, comics, and more. The Noerman unleashes your creativity with its unique blend of uppercase and lowercase characters. Express your urban artistry with the expressive and dynamic letterforms that make every word pop off the page. From bold tags to intricate graffiti pieces, this font brings an authentic street art vibe to your designs. Designed for versatility, The Noerman features a comprehensive character set that includes numbers, punctuation, and multilingual support. Break language barriers and reach a global audience with ease. The inclusion of ligatures adds extra flair and enhances the seamless flow of your typography. Unlock endless possibilities with PUA (Private Use Area) Encoding, providing access to special characters and glyphs. Let your imagination run wild as you create custom designs that leave a lasting impression.

Fun. Fun isn't it? But sometimes you can have too much fun, and things can get out of hand. Revla Sans is, in certain situations, too much fun. So, without further ado, let me introduce the straight man to Revla Sans's buffoon - Revla Sans Text. It represents a complete overhaul of Revla Sans. The bounciness has been removed and details reined in, all for the purpose of optimizing the fonts for use in longer runs of text. 'Text' is perhaps a strong word here; you're not going to be setting novels in this typeface. It still retains the charm of the original, and could well be used in display settings. Think of it like this - Revla Sans would be a great choice for the logo and branding of a board game, no? Revla Sans Text, then, would be good for setting the instructions, or body copy on the website. Revla Sans Text is not as feature-rich as Revla Sans, and is priced accordingly. Enjoy!