Asphaltica is a geometric sans serif font. This is a universal font that can be used for both headings and paragraphs, thanks to the customized kerning for bold style. The typeface includes uppercase multilingual letters, numbers and punctuation. I've found the font to be great for logos, titles and I enjoy using it with really wide spacing. Asphaltica is also included full set of: OTF, TTF Uppercase Lowercase Numbers & Punctuation

David and Sovhie is a formal script, and is ideal for wedding invitations, magazines, social media, restaurant menus, greeting cards, birthday invitations, feature headings and more. This font comes with a complete set of lowercase and uppercase letters, various punctuation marks, numbers and multilingual support. David and Sovhie includes 304 glyphs, uppercase and lowercase characters with ligature, numbers, many punctuation marks and up to 4 alternatives for each character.

Bergamotte is a modern calligraphic font with exquisite accents. It is perfect for branding, wedding invitations and invitation cards and many more Font includes a full set of gorgeous uppercase and lowercase letters, numbers, a large selection of punctuation marks and ligatures, and Cyrillic support. Includes: Latin languages support Cyrillic languages support Uppercase and lowercase Numbers and punctuation Ligatures Check out my blog: https://www.instagram.com/di.zigner/ pinterest.com/dmitriychirkov7 Enjoy

Arthur is an edgy modern serif font. The long, classic serifs make for a unique high-contrast typeface that's all stylish. It appears regularly and boldly with lower and uppercase letters, numbers, punctuation marks plus multilingual letters. A must have for every modern graphic designer now! Features Include: Uppercase and lowercase Number Punctuation (OpenType Standard) Accents (Multilingual Characters) Alternative Style Ligatures and Style Sets Works on PC and Mac Simple installation

Sign Production JNL somewhat resembles Sign Kit JNL but there are some noticeable differences. The letters and numbers in Sign Production JNL are bolder, wider and have some slightly different character shapes. The common theme is that both fonts were designed from die-cut letters and numbers found in the Webway Sign Cabinet, manufactured by the Holes-Webway Company of St. Cloud, Minnesota until its demise in the 1980s.

Rylan is the classic serif I've been looking for in my design work – clean lines, modern serifs, and just a touch of vintage. It looks gorgeous in logo work as well as web headings and printed materials! Rylan Serif includes: • Upper & lowercase letters • Numbers & punctuation • Foreign language accents & characters for the international designer Rylan Grotesque includes: • Upper & lowercase letters • Numbers & punctuation • Foreign language accents & characters for the international designer

"AZEST" FONT — NEW, GROTESQUE This is a simple font, with a small number of accidental elements. The proportions are slightly stretched in width. One regular font. It can be put in interfaces or in communication materials, it will not be too active, but it will not slip into neutrality. Supports Cyrillic and some other scripts. Lowercase and uppercase characters, numbering, punctuation and diacritics, in general: all the necessary signs.

Introducing “Let’s Jazz” - a playful typeface which is inspired by iconic mid-century American advertising and lettering. With this project we wanted to homage the dazzling graphics of those booming years and the result is a jazzy typeface that provides a condensed aspect with a bouncy rhythm. As previously said, Let’s Jazz gives the spontaneous vibe of this sensational music genre but it has been also designed with a strong focus to the very distinct look of Saul Bass graphics, which are honestly still fresh and convincing, even nowadays. Let’s Jazz offers two versions, Regular and Stamp. Each version contains more than 450 glyphs and covers several languages based on the Latin alphabet; the jazzy experience is enhanced with OpenType (OTF) support for small caps and includes some neat ligatures and alternates plus the oldstyle bouncy numerals*. This package is a powerful tool in a wide variety of design purposes: headlines, packaging, logotypes, badges, posters and much more. *Let’s Jazz has built-in OpenType features enabled for Adobe® Creative Suite® and any other opentype capable software. All the extra characters has been additionally coded with “PUA Unicode”, which basically means that this font duo is totally accessible without any additional design software. All the extra characters can now be copied straight out the FontBook (Mac) or CharacterMap (Win) and pasted into your favorite text editor. Official mini-tutorials available here: - How to access alternates, ligatures and swashes in Font Book®: https://youtu.be/mGKlvKr0ReI - How to use alternates, ligatures and swashes in Photoshop®: https://youtu.be/46ZtDbHwUAc Specifications: - Multi-language Support (Central, Eastern, Western European languages) - OpenType features (Standard and Discretionary Ligatures, Alternates, Small Caps, OldStyle Numerals) - PUA Coded Extra Characters Thanks for viewing, Unio.

Introducing Raymond, the typeface that dares to be imperfect. With its rough, textured script and unevenly stamped letters, Raymond exudes a raw, unapologetic energy that will inject your message with a sense of authenticity and personality. But don’t be fooled by Raymond’s rough exterior—underneath its imperfect surface lies a sophisticated and classy design. Each letter has been carefully crafted to give your text a touch of elegance and refinement, while the worn-out edges and misaligned characters add just the right amount of character. Whether you’re looking to create a bold statement or simply want to add a touch of edge to your design, Raymond is the typeface for you. So why settle for the same old cookie-cutter fonts when you can embrace the beauty of imperfection with Raymond? Give your message the unique and candid style it deserves with this one-of-a-kind typeface. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Dedicated to the XXII summer Olympic Games. I was inspired by the icons of these games when creating font Olymp80. This is an excerpt from the official report of the Moscow Olympics: "Sports pictographs, as we know, are pictographic drawings symbolising sports. They serve as points of reference and help overcome language barrier. Over the past few years, they have been integrated into the decoration of Olympic cities, and have been depicted in Olympic posters, commemorative medals, postage stamps, tickets, souvenirs, etc. On the OCOG-80’s request, graduates from several art colleges took up the design of the pictographs of the insignia as the theme of their dissertations. With the help of the research institute of industrial aesthetics, the Organising Committee chose the work submitted by Nikolai Belkov, Mukhina Art School graduate from Leningrad. The State Committee for Inventions and Discoveries under the USSR Council of Ministers recognised the new design as a production pattern. Though highly stylised, the new signs are easily comprehensible. They are smoother in outline because they are constructed at an angle of 30-60 (previously the angle was 45-90). Another merit of the new system is that the designs can be adapted for use in four representations: direct (solid, black against a white background), reverse (solid, white against a black background), contour (black contour against a white background), and reverse-contour (white contour against a black background), and permit several colour and shade and size variations." All text and pictures you may see on 1980 Moscow, Volume 2, Part 2, Page 420. Monospaced font for names, logotypes, titles, headers, topics etc. Font includes only uppercase letters with two alternative designs for each letter.

Cross Stitch Solid is based on upper case characters 14 stitches tall and contains the characters A-Z, numbers 0-9, and ampersand.

Lenorah JNL is a block-like design with spur serifs and is one of a number of wood type revivals by Jeff Levine.

Carlisle is a small caps display font with a rough, antique feel. The font includes both upper- and lowercase letters, numbers, and punctuation.

JoeHand was one of the first scripts by JOEBOB graphics. A complete character set with numbers and most (but not all) special signs.

Dark surfer. A sleek, layered, vintage-style font. It contains 6 writing styles, basic characters, numbers, punctuation and multilingual characters for all styles.

Lomidrevo is a grunge stencil family derived from Valibuk. In the free demo version, you can see numbers and lowercase letters without kerning.

Henry8 is a historical caps font originally penned in the 16th century. I have extended it to include numbers and a few symbols.

A chunky, whimsical number that strikes just the right chord for modern and retro projects. Loaded with stylistic alternatives, ligatures and Vietnamese support.

Artz is a highly stylized sans serif with a Deco look in Narrow, Plain and Wide. It has oldstyle numbers and many special characters.

handloween was inspired from gothic, scary, protest, and horror nuance. Features: Uppercase, Lowercase Punctuation & Number, Support in Mac and Windows OS Multilingual Support ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖØÙÚÛÜÝ

Walbaum Antiqua Pro is an RMU redesign of a German font classic, with three different number forms and small caps throughout all font styles.

A classy and elegant serif from DooleyType. Valfieris includes a number of advanced OpenType features, including alternates, ligatures, small caps and old style figures.

Brose - Bold oblique font with sharp angles for dynamic effects. Use ligature characters to give you unlimited designs, this font is great for your work such as posters, logos, branding, covers, banners, t-shirts and headers, or even large-scale artwork Brose oblique Bold, offers you: Brose -oblique bold font including Upper & Lowercase characters(ALL CAPS has a different form characte), Ligatures Character Numbers and Punctuation Supports Multi linguage (Latin Western Europe), Numbers and Punctuation

Retjeh is a handcrafted vintage font, comes in Six styles there are Pressed, Linned, Dotted, Rough, Regular, and Sans. That makes Retjeh perfect for any Vintage styles as you needed. This font come with only All Caps, Number, and also Multilingual characters. If you purchase the complete family package, I'll send you a bonus of 10 Editable Badges. Please email me at wellhellomusan@gmail.com with your MyFonts order number to get the bonus!

Native Roast is a serif font with 3 layered style. You can create vintage 3D look without using any add-on, only with fonts! This font is suitable for a vintage poster, 3d type, or retro Including number and punctuation, also support multi language. This font also contain a bunch of alternates! What will you get : Native Roast Regular, Extrude & Shadow uppercase and lowercase numbers and punctuation multilingual & stylistic alteranate PUA encoded

Introducing Mellaney Script an elegant, modern, and fresh handmade calligraphy font. This font is perfect for that elegant touch needed for logos, wedding invitations, modern websites, greeting cards, and more! Fall for its ravishing style and use it to create gorgeous designs. Mellaney Script was built with OpenType features, alternatif, ligatures, punctuation, number, and it also supports other languages:) Features : · All Uppercase and Lowercase · Number & Symbol · Supported Languages · Alternates and Ligatures · PUA Encoded

Chyntia Oesman was built with OpenType features and includes beginning and ending swashes, numbers, punctuation, alternates, ligatures and it also supports other languages. Chyntia Oesman is an organic handwritten font suitable for branding, signatures, wedding invitations, promotions, product packaging and other needs. This font is modern, simple, but still original. You'll get a full set of lowercase and uppercase letters, numbers and punctuation, multilingual symbols, lowercase start and end swashes, extra ligatures and swashes.

Phonk Sans is a wide sans serif font that covers 10 weights from Thin to Heavy, and also italic variants of each style. Extended strong fonts find wide use today. Phonk Sans is just such a confident font, and the abundance of weights makes it extremely versatile. Phonk Sans has many OpenType features such as ligatures, alternate characters, fractional numbers, and more. The typeface also supports a huge number of Latin and Cyrillic languages.

Sign Engraver JNL and Sign Engraver Oblique JNL reproduce the classic rounded letters and numbers engraved into plastic signs, desk nameplates and employee name tags.

New Font for Armenian Designers. This is an Armenian handwritten font. The font is comprised of Armenian letters only All Caps, numbers, and minimal punctuation.

Mid Mid Sun Sun will help you refine your typography to the extreme. It has a number of alternates, which can change into different expressions.

DearJoe 2 is the second of four handwritten scripts by JOEBOB graphics. A complete character set with numbers and most (but not all) special signs.

Generic Gothic JNL is a straightforward interpretation of the classic typeface Franklin Gothic Condensed, modeled from a sheet of self-adhesive vinyl letters and numbers.

This is a revival font from an Image of a plate made from Eleventh Century initial letters. The "numerals" are Roman numbers done as ligatures.

South Louisville is an applicable handwritten font that contains uppercase, lowercase, number and symbol, also comes with ligatures and underline. This font support multi language!

Cross Stitch Classic is based on upper case characters 12 stitches tall and contains uppercase characters A-Z, lowercase characters a-z, numbers and punctuation.

An unnamed historical font, scanned and patched. Originally upper and lower case only. I have extended it to include numbers, symbols and extended ascii characters.

A set of self-adhesive poster board letters once made by the E-Z Letter Stencil Company and sold under the name "Quik Stik" was the model for School Project JNL. Ironically, the line was discontinued because they did not stick very well - the weight of the cardboard caused the letters (which used a rubber cement type of glue) to pull away from the surface they were mounted to. Unlike vinyl self-adhesive letters (which were formulated for indoor or outdoor use) these cardboard sets were relegated to indoors only; further restricting their usability.

Step Right Up, Step Right Up, the Font Circus is in town and ready to reveal our stupendous new tent-pole feature! Step inside for the best seat in the house. Ringmaster Roshell Beauregard dons his Big Top Hat especially for this occasion and promises us that Clowntime ain't over until the Bearded Lady takes a custard pie in the face. Our Big Top Bonanza performance begins with sideshow attractions and distractions, high-wire acrobats and low-cost rubber band guns. Can you smell the greasepaint and hear the roar of the crowd already...?