Ony font was made by cutting letters in cardboard and printing them on paper. This non-perfect printing was used to get heavy, dirty letters. Font has alternate characters so it can imitate real printed words.

Mariana is a minimal and neat sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

An elegant monoline typeface with smooth corner detailing. The simple linear design is best suited to identity, editorial and on screen uses. Details include 7 weights, a complete character set, manually edited kerning and Euro symbol.

Based upon remnants of the Ludwig & Mayer font Magnet, first released in 1951, this Italian-style design was completely redrawn and extended for most main European languages, West and Central, plus a character set for Turkish.

Hi! Introducing Deskmark Slab Pro Typefamily. Original and soft version. 3 weight for each version, bold, regular and light. Language support: Contains full set of Latin alphabet, including diacritical marks for European languages and Cyrillic alphabets.

Funny Holiday is a thin and clean handwritten font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

this is a very special curving font, designed in such a way to add an old feel but still maintain a modern feel, there are several options that you can use and get creative with it

Fatin Gengky is an authentic and neat serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Handy Organizer is a fun and friendly display font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Alveru is a minimal and neat sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

High-quality type design. Originally designed for headline / logo use. A lot of high-quality glyphs designs in this one so be sure to view the specimen PDF as well as the glyph page. Enjoy. - Kostelansky

Shopkeeper JNL derives its unusual letter forms from impressions made from a vintage rubber stamp sign and chart printing set. Originally an outline font, the letters are rendered solid in the digital version for more versatility.

Merge is a soft family of sans, available in 4 weights. Readable at small sizes, it sets open and wide. At display sizes, the softness makes for a friendlier, more casual alternative to other rounded sans.

Seaside Charm is an incomparable and simple handwritten font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Plowright is a new font based on hand lettering from the 1880s. It's a great example of the style we often associate with signmaking in the old west, with a lot of quirks and original character.

Ultimate Ornaments was inspired by the decorative elements supplied by European type foundries and printing companies in the 18th and 19th centuries. There is an assortment of 47 ornaments all located under the character set keys.

An historical font based on early 18th century printing, with the visual effect of uneven inking and indifferent presswork on handmade paper. Ideal for evoking the period. Effective in continuous text setting or in display sizes.

TAN - MEMORIES is set of serif with tight kerning. Classic and classy. Inspired by the 2000s typography in advertising. Perfect as a compliment for our more ornate typefaces or a standalone when you need subtler mood.

New Goal is a fun and quirky handwritten font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Aulya Westeria is a thin and clean handwritten font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

A rough hand-drawn plain sans serif that would be good for non-formal use. Do not expect a polished set of fonts from a professional, this family is hand drawn, hand spaced and hand kerned.

Webbies contains a set of 94 web-related dingbats. Use them in your e-shop, personal website, forum or wherever else you please! Webbies is best used at (any multiple of) size 15pt without anti-aliasing.

Pindunk is a typeface inspired from gothic style. The Pindunk typeface includes a full set of uppercase and lowercase letters as well as multi-lingual and currency support, numerals, punctuations, alternates, ligatures and some extra glyphs.

Melatea is a minimal and neat sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Scratch me here and scratch me there - use my font to get some atmosphere. A quirky sans with scratchy lines, with contextual alternates in 4 different versions of each lowercase letter and multilingual support. Enjoy Scratchers.

Conmersa is a minimal and neat sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Billa Brush is a thin and clean handwritten font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Blukade is a handwritten script with a style elegant, sweet and simple. Very suitable to meet your various design needs that are trending now, and also includes a set of Extras to add even more beauty.

Willpower Slab is made to write neatly and to make it easy to read properly. Smooth design and balanced thickness. Each character has been set kerning. You can just write comfortably with him 5 thickness options.

Dolphinero is a modern and adaptable sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

In 1955 the Czech State Department of Culture, which was then in charge of all the publishing houses, organised a competition amongst printing houses and generally all book businesses for the design of a newspaper typeface. The motivation for this contest was obvious: the situation in the printing presses was appalling, with very little quality fonts existing and financial resources being too scarce to permit the purchase of type abroad. The conditions to be met by the typeface were strictly defined, and far more constrained than the ones applied to regular typefaces designed for books. A number of parameters needed to be considered, including the pressure of the printing presses and the quality of the thin newspaper ink that would have smothered any delicate strokes. Rough drafts of type designs for the competition were submitted by Vratislav Hejzl, Stanislav Marso, Frantisek Novak, Frantisek Panek, Jiri Petr, Jindrich Posekany, and the team of Stanislav Duda, Karel Misek and Josef Tyfa. The committee published its comments and corrections of the designs, and asked the designers to draw the final drafts. The winner was unambiguous — the members of the committee unanimously agreed to award Stanislav Marso’s design the first prize. His typeface was cast by Grafotechna (a state-owned enterprise) for setting with line-composing machines and also in larger sizes for hand-setting. Regular, bold, and bold condensed cuts were produced, and the face was named Public. In 2003 we decided to digitise the typeface. Drawings of the regular and italic cuts at the size of approximatively 3,5 cicero (43 pt) were used as templates for scanning. Those originals covered the complete set of caps except for the U, the lowercase, numerals, and sloped ampersand. The bold and condensed bold cuts were found in an original specimen book of the Rude Pravo newspaper printing press. These specimens included a dot, acute, colon, semicolon, hyphens, exclamation and question marks, asterisk, parentheses, square brackets, cross, section sign, and ampersand. After the regular cut was drafted, we began to modify it. All the uppercase letters were fine-tuned, the crossbar of the A was raised, E, F, and H were narrowed, L and R were significantly broadened, and the angle of the leg and arm of the K were adjusted. The vertex of the M now rests on the baseline, making the glyph broader. The apex of the N is narrower, resulting in a more regular glyph. The tail of Q was made more decorative; the uppercase S lost its implied serifs. The lowercase ascenders and descenders were slightly extended. Corrections on the lower case a were more significant, its waist being lowered in order to improve its colour and light. The top of the f was redrawn, the loop of lowercase g now has a squarer character. The diagonals of the lowercase k were harmonised with the uppercase K. The t has a more open and longer terminal, and the tail of the y matches its overall construction. Numerals are generally better proportioned. Italics have been thoroughly redrawn, and in general their slope is lessened by approximatively 2–3 degrees. The italic upper case is more consistent with the regular cut. Unlike the original, the tail of the K is not curved, and the Z is not calligraphic. The italic lower case is even further removed from the original. This concerns specifically the bottom finials of the c and e, the top of the f, the descender of the j, the serif of the k, a heavier ear on the r, a more open t, a broader v and w, a different x, and, again, a non-calligraphic z. Originally the bold cut conformed even more to the superellipse shape than the regular one, since all the glyphs had to be fitted to the same width. We have redrawn the bold cut to provide a better match with the regular. This means its shapes have become generally broader, also noticeably darker. Medium and Semibold weights were also interpolated, with a colour similar to the original bold cut. The condensed variants’ width is 85 percent of the original. The design of the Bold Condensed weights was optimised for the setting of headlines, while the lighter ones are suited for normal condensed settings. All the OpenType fonts include small caps, numerals, fractions, ligatures, and expert glyphs, conforming to the Suitcase Standard set. Over half a century of consistent quality ensures perfect legibility even in adverse printing conditions and on poor quality paper. RePublic is an exquisite newspaper and magazine type, which is equally well suited as a contemporary book face.

Proudly present our newest and lovely font in 2023 called Magic Bloom. This is a lovely and playful groovy font where you can feel it in every curve of the letters. This font is equipped with full uppercase and lowercase, number and punctuation, alternate and ligature. This font works well in both uppercase and lowercase, so you can use and create in a variety of projects. I really hope you enjoy it – please do let me know what you think, comments & likes are always hugely welcomed and appreciated. More importantly, please don’t hesitate to drop me a message if you have any issues or queries. Thank you

Meet Osbert, the font that effortlessly marries vintage charm with a contemporary flair. Imagine the nostalgic allure of old tin labels, now reimagined with a fresh twist. With its playful flared serifs and diagonal bars, Osbert brings a touch of modern to classic aesthetics. Boasting a whopping 15 static styles and a variable font, Osbert offers a playground of possibilities for designers. And with three distinct sub-families - text, regular, and display - finding that perfect balance in your designs has never been easier, whether you're crafting some typographic badges, editorial, logo, branding, poster, print, signage, etc. So go ahead, let Osbert add a touch of timeless coolness to your next project!

Rampage Monoline is a beautiful, sweet, vintage monoline font with movement and grace. The script comes in a regular and rounded version. Rampage is elegant and stunning as a display which makes it perfect for branding projects, logos, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery and any projects that need handwriting look. Rampage Monoline comes with uppercase, lowercase, numerals, punctuation and many variations on each character, including OpenType alternates and common ligatures to let you customize your designs. SANS SERIF FONT & ROUGH/STAMP EFFECT IS FOR PREVIEW PURPOSE ONLY, IT IS NOT INCLUDED IN MAIN FILE.

Have you ever had a dream to write as a professional calligrapher? Penmanship or spencerian script? Now you have this unique opportunity to try the early American handwriting. Introducing Washington calligraphy scrpt. This font is calligraphy font with a classic style and a touch of elegance, inspired by the handwriting of Italian women and ancient manuscripts. Carefully designed to work together in harmony that makes it very suitable for any design work that requires a classic, formal or luxurious. Try Desirable Calligraphy, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily.

Omniscient is a narrative font that sees all… it’s everywhere and nowhere, the storyteller and the story, upper and lower case. This godlike font can be first person AND third person, friendly or serious, personable AND impersonal. It knows all the details but will only reveal them when it serves the narrative. The classical characters in Omniscient are all knowing, all seeing, and can even be all singing, all dancing on occasion. Even gods like to let their hair down and have fun. Features three weights with upper & lowercase alphabets, language support for Western & Central Europe, Automatic alternates, Stylistic Alternates & Crossbar I Technology™.

Delphine is a modern and elegant font that exudes sophistication and timeless charm. With its sleek and refined letterforms, this typeface effortlessly combines classic elements with a contemporary twist. Its clean lines and graceful curves lend a sense of luxury and refinement to any design. Delphine is perfect for adding a touch of elegance to wedding invitations, high-end branding, fashion editorials, and other upscale projects. Its versatility allows it to shine in both display and body text, while its attention to detail ensures legibility and readability at any size. Elevate your designs with Delphine and let its understated beauty and refined aesthetics captivate your audience.

Let Juniper and Sage Script whisk you away for a romantic rendezvous with your love of handwritten scripts. A little bit chic, a little bit classy, Juniper and Sage is a must-have for any handwritten font collection. It includes 55 natural looking Opentype Ligatures - to make the font look more natural as you type. Juniper and Sage has 3 subtle variants - each adds a different feel due to their different slants. Upright being slightly more upbeat and casual and slanted being more elegant. Perfect for: elegant branding, wedding stationery, romantic book cover designs, classy packaging, album covers, handwritten quotes, greeting cards, unique social media posts, and so much more.

Tylaco is a display typeface. Tylaco come with Regular style, it will make this typeface can be used in all design projects and works perfectly for pairing with script typeface or handmade fonts, Headlines, Posters, Packaging, T-shirts, Postcards, Invitation, Wedding Sign, Sign Painting, Signboard, and much more. Try Tylaco, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. • Multilingual Support If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows)

Proudly present "Memorebillia - Modern and Stylish Serif Font" Memorebillia is a serif font with ornaments. This font comes with elegant uppercase and lowercase, uppercase and lowercase, number and punctuation, a ton of stylistic alternates and ornaments. you can mix and match stylistic alternate and ornaments to create fun designs with this font. This font perfect for branding/logo, posters, magazines, cricut projects, embroidery and many others. I really hope you enjoy it – please do let me know what you think, comments & likes are always hugely welcomed and appreciated. More importantly, please don’t hesitate to drop me a message if you have any issues or queries. Thank you