Double Nines JNL is a dingbat font containing fifty-five glyphs for the tiles found in the second level of domino games. Sets of dominoes can be of either double six, double nine or double twelve. In this font, the double blank tile is located on the zero keystroke, while the one/blank and 1/1 tiles are on the 1 and 2 keystrokes. The rest of the tiles (in numerical order through 9/9) are located on the A-Z and a-z keystrokes respectively. To use any or all of the images contained in Double Nines JNL in any manufactured products or services, please refer to the software license agreement provided when purchasing this font. A separate royalty license must be secured from Jeffrey N. Levine for such purposes. The images are NOT licensed for use in proprietary logos or service marks.

Since the 2006 launch of Rennie Mackintosh Glasgow, the world’s first lowercase Mackintosh-style typeface, designer George R. Grant has been pleased with its acceptance by Mackintosh lovers around the world. In fact, “Glasgow” has proved to be as popular as the original “founding” font, the classic Charles Rennie Mackintosh Font. By modifying many of these letterforms, and giving a more “freehand” shaping, George has developed this latest offering. The font has irregular “serifs” at the extremities of each stem - a suggestion of being handwritten. The name “Allan Glens” comes from the high school Mackintosh attended which, coincidentally, George did too. Says George, “As the school no longer exists, I wanted a way to perpetuate the Allan Glen’s name in type. I can think of no better way than associating it with the name of one of the school’s most famous sons. One of the glyphs even features the school logo”.

X RUFFIAN Ruffian was a champion thoroughbred horse who won 10 consecutive races. A feat worth mentioning & repeating. Her tenacity & steadfast approach established the basis for this variable based font. The X represents both the Roman numeral 10, but also the X-factor for creating bespoke works of art. It is quite befitting that this font be named after a legendary champion. Which begs the question...Do you champion variety? X Ruffian's design motif uses a broad tipped chiseled marker that was set at an angle for that extra bit of vigor. Identical letter forms defeat that truly "hand rendered" look that we ultimately strive for. Each uppercase letter offers 10 (X) or more stylistic alternatives, the lowercase and number sets have 3+ options and an over under for those special characters that yield a long bottom or top (see images). Ligatures & bonus characters can add that unique offering to your already individual style & can easily be found via the glyphs panel in any open type program. With a gigantic glyph count of 688, you'll never run out of options. As a right of passage, we felt obliged to include a roman numeral set as the name beckons, which differs from the standard letter form in which you would use to create. This is a variable winner. See you at the races!

This delicious font family takes its name from the tastiest of Piemonte’s specialities. It has been designed in collaboration with Turin-based calligrapher and artisan Andrea Tardivo. Piemonte soil provides the most delectable hazelnuts, which are the key to creating a mouth-watering chocolate spread called Gianduja. This popular delicacy has a rich graphic history, with lavishly designed packaging. We sought to infuse the sweetness and tradition of Turin’s confectionary into a new font family, reinterpreting Italian models from the first quarter of the last century. All fonts were crafted by hand on paper first and then digitised in a way that retains the handmade quality and aesthetic. This family blends the Turinese touch from the old chocolatiers and the beautifully printed foils they use to wrap each exquisite creation. The extensive display family contains; Gianduja Sans a geometric font based on examples found in Italian art deco era artworks. Gianduja Script has been handwritten with a speedball pen following the standards of “Bella Scrittura” and Gianduja Capitals is a decorative font inspired by the “liberty” lettering signs from Piemonte. To complete the suite we developed an inline Capitals version, a set of icons and decorative elements all with the same handmade characters to perfect partner with each character set.

Webdings™ is a symbol font designed in 1997 as a response to the need of Web designers for a fast and easy method of incorporating graphics in their pages. Webdings contains a wide variety of Web-related images of the kind found in common use across the Web, as well as some more unusual drawings. User Interface icons suitable for creating page navigation elements are also included. Webdings is ideal for enriching the appearance of a Web page. Because it is a font, it can be installed on the user's system, (or embedded in the document itself) is fully scaleable and quick to render. It's a perfect way of including graphics on your site without making users wait for lots of graphic files to download. Each Webding has been fine-tuned to ensure high quality and clarity on the screen, regardless of the complexity of the individual symbol. Character Set: Picture/Symbol This version of Webdings is the licensable equivalent to the font versions coming preinstalled with Microsoft Windows® since version 8. It is identical regarding font name, language coverage and other font behaviour and is perfect for document exchange with machines that are not running the Windows® operating system.

Saxy is a dynamic font blending geometric clarity with a retro flair. Ideal for making headlines and graphics stand out, its modular design offers versatility in branding and advertising applications. Featuring a complete character set with outline and fill variations, Saxy brings an energetic style to any visual message. Express yourself with the bold, unique voice of Saxy. Modern Geometric Font, Bold Typography, Stylish Font, Versatile Typeface, Graphic Design Font, Red and Blue Font, Outlined Typeface, Filled Font, Eye-catching Typeface, Vibrant Font, Creative Typography, Statement Font, Characterful Typeface, Designer Font, Editorial Typeface, Impactful Font, Funky Typeface, Artistic Font, Visual Communication Font, Retro Chic Typeface, Urban Font, Colorful Typography, Expressive Typeface, Branding Font, Multilingual Typeface, Decorative Font, Webfont, Print Font, Professional Typeface, Bold and Beautiful Font, Funky Retro Typeface, Pop Culture Font, Digital Typography, Typeface for Logos, Musical Inspired Font, Modernist Typeface, Cool Font, Typeface for Posters.

Discoteque Family is modern art-deco related fonts collection that found compromise between retro and futuristic style. They are geometrically straight, rhythmic, clean and elegant. They are perfect in upper-case for headings, posters, logos. Discoteque Hypnosis makes stylish modern look with air of disco of 70-80s. Discoteque Gold is highly recommended for making designs in steam-punk style or for luxury vintage feel. Over 2,660 kerning pairs has been manually gleaned for perfect look.

Brak is the dutch word for ‘brackish’, the mix of fresh and salten sea water found in river deltas and estuaries. Brak is also VetteLetters’ straightforward display font with straight lines and rounded ends, and comes in two weights. It does really well in sea food dishes like fish, lobster, mussels and shrimps. Brak doesn't beat around the bush, it is an all-caps typeface with alternative capital letterforms assigned to the lowercase positions, for a variety of combinations.

Ben Harris' illustrated cover for the sheet music of "I Found A Million Dollar Baby (in a Five and Ten Cent Store)" from 1931's "Billy Rose's Crazy Quilt" lists the show's stars and other credits in a pen lettered monoline design with rounded terminals. This early Art Deco type style has now become the digital font Variety Store JNL (a reference to the Five and Ten Cent stores alluded to in the song title from the sheet music).

Wine Cellar JNL is a bold, yet casual display face found on some 1930s-era sheet music entitled "Everybody Wants a Key to My Cellar". Since the subject of the song had a number of good times underneath the house, it's a fitting name for the font. The hand lettering for the original song sheet showed strong influence of the 1920s and the Art Nouveau style, and has hints of the popular metal type "Hobo" in its character shapes.

Frizzy is a classic look vintage style font with a big set of additional characters. Lowercase letters have 4 stylistic sets with different shapes. Uppercase letter has two additional glyphs with upper and lower swashes. All those features can be found in the OpenType panel. Five extra swashes are available in the glyphs panel. When combining all of this features, you can create an interesting and unique lettering compositions. Thank you and have a nice day!

Blackminster is a Gothic font, inspired by a handwritten set of letters (designed by Harry Lawrence Gage) I found in a 1916 book about lettering. I only had the ABC/abc to work with, so I designed the remaining glyphs myself. Use Blackminster for your Metal album covers, skateboards and downhill mountain bikes, or just anything that requires a bit of a Gothic look! Comes with a serious amount of diacritics and an alternate, swashy, g and y.

The motivation for Jackipur was: to achieve more openness and thus more clarity. That's why I created more clarity in the structure of the letters in order to avoid formal ambiguities that arise especially with small degrees. I found it important to open up the round letters so that they are straight and horizontal along the center and baselines so that the eye can connect the letters directly and quickly. A simple font, but neither plain nor without elegance.

“I Don't like No Cheap Man” is a piece of early 1900s sheet music featuring its title hand lettered in a condensed slab serif design. The influences of the Art Nouveau era are clearly found in the many eccentric character shapes within the various letters of the original artwork. Recreated in digital type, Tightwad JNL is available in both regular and oblique versions – and its font name is a variant of the “Cheap Man” portion of the song’s title.

Some time ago, I found myself in a clinic with my wife: at the time she was 20 weeks pregnant and had to do an ultrasound. To pass the time, I leafed through some (ladies') magazines which were lying around. Most of them tackled big issues like which shoes to wear and what type of foundation to plaster on, but one glossy featured a photo shoot. The photographer had found an old building with a beautiful art deco tile mural and had placed his skinny model in front of it. Fortunately for me, the mural featured a lot of text in a beautiful frilly style. I re-created the font I saw and it became "Jubileum" - which just means Jubilee in Dutch.

High atop the mountain of fonts, a new structure has been raised--one solid and strong against the challenges of time. Civane is a victorious conqueror among fonts, standing above the clutter and the mundane. Its firm structure joins effortlessly with graceful calligraphy in a new flowing, inscriptional typeface. Civane is inspired by monuments of great civilizations, whose lofty inscriptions remain chiseled into the very stones and columns of their structures. The font’s medium contrast with its flared stroke ends lead the reader to feel the solemn presence found in these great obelisks and shrines. Even Civane’s thinnest weight holds a quiet power over its audience. Still, its classic lines provide a beautiful flow between the strong letters, allowing the reader’s eye to move easily across the page. Civane supports OpenType features and comes with upright italics, alternates, ligatures, old-fashioned figures, titling and small caps. Preview all these features in the interactive PDF manual. The font family has 48 fonts, with three widths and eight weights. The font family also includes glyphs for 72 languages; over 550 glyphs per font stand ready for you to command throughout your design. Civane is built for advertising and display typesetting as well as title and small text, making it an excellent choice for websites as well as flyers and packaging. Use it for defining your brand or for creating designs that evoke academia, militaria, monuments, automobiles, signs, and so on. Its 48 well-designed fonts are well-equipped to help you leave your mark on history. Production assistance from Lucas Azevedo and ikern.

Burford is a font family that I sketched while traveling through Europe. I was mesmerized by all the unique typography that was showcased throughout the five countries I visited. Inspired by all that I had seen, I found myself spending 4-5 hours per day in Amsterdam’s Vondel Park drawing characters. Once back in the states I digitalized Burford, deciding it would make for a beautiful layer-based font. Burford Pro package comes with all 18 layering fonts including 5 base layers, 3 top layers, 5 bottom layers and 2 sets of graphic elements. They are strategically made to build on top of each other, creating a cohesive and easy to use layer-based family. Each font also comes with a set of Stylistic Alternatives for letters A C E F G H P Q R. Burford Basic package is created for users who don’t have access to premiere design programs (such as Illustrator, InDesign, Photoshop, etc) and are unable to use the layering effect. Burford can still be a powerful tool as each font can also be used on its own. It includes every font file not needed for the layering effect. (Include 13 fonts - Burford Basic, Dots, DropShadow, Extras Set A, Extras Set B, Extrude B, Extrude C, Inline, Line, Marquee, Outline, Stripes A and Stripes B). The Burford Extras set uses all basic keyboard characters - around 100 total elements per set. They are designed to go specifically with Burford and complement its varying styles perfectly. The set includes: banners, borders, corners, arrows, line breaks, catchwords, anchors and many more!

Introducing the third reincarnation of TT Chocolates! The popular typeface was updated to stay up-to-date with the latest requirements and trends in design! TT Chocolates is an elegant Humanist sans serif with a dense typesetting and well-balanced proportions similar to the classical tradition. This font's nice and friendly nature makes it seem like something close and familiar. It has earned a reputation among designers as the perfect font for confectionery, but the application range of the TypeType's "sweetest" typeface goes well beyond that! In 2023, we decided to do a full-scale font update referring to extensive sans-serif market research. We figured out where the trends are headed and what users want—this information helped us enhance TT Chocolates. Specifically, we introduced a new Condensed font version, a narrow font style with the authentic proportions of the standard version. At the same time, TT Chocolates Condensed boasts a more expressive personality than the base subfamily, which allows designers to solve even more creative tasks using only one typeface. The third version of TT Chocolates has become even more modern and advanced. A large number of characters, various OpenType features, and stylistic sets make the font suitable for multiple purposes and tasks. TT Chocolates is a perfect match for both branding and layouts. The font's dynamic shapes make it easy to read in small point sizes, allowing the eye to move effortlessly across the line. This typeface can also be used in web design due to the TrueType manual hinting option. TT Chocolates 3.000 includes: 29 font styles: 14 roman, 14 italic, and one variable font; Condensed version consisting of 14 new font styles; Carefully crafted contours; Optimized font rhythm and completely new kerning; Enhanced italics in basic subfamily; Variable font with three axes of variation: width, weight, and slant; 32 OpenType features, counting in 13 new ones; 901 characters in each font style—the character set has grown compared to the previous version, which had 629 characters in each font style; 230+ languages support, including the new ones: 35 Cyrillic-based and 16 Latin-based. Elevate your design's appeal with TT Chocolates!

THE DANISH RUNES Prior to 500 AD the 24-rune Elder Futhark was used in Denmark. From 500 AD to 800 AD there were many transitional futharks, reflecting a change from the 24-rune Futhark to the 16-rune Futharks. By the end of this period, the 24-rune Futhark went completely out of use and the 16-rune Futharks had prevailed. From 900 AD some of the runes changed, visually and phonetically. This occurred again about 950 AD and 1100 AD due to language changes. Runes dated to 1300 AD show evidence of being influenced by the Latin alphabet. Runes found in Skåne, Halland and Blekinge in Sweden, and runes found in Schleswig-Holstein in Germany, is counted among Danish runes, because in the Runic period, this was Danish land.

The all-caps display face Sandwich was inspired by historic, hand lettered sans serif alphabets with slightly sloping terminals, as found in showcard lettering and on billboards. Besides a number of alternate glyphs located in the lowercase area of the font, the typeface features about forty 'ligatures'. These are not ligatures in the traditional sense of the word, but short two- or three-letter combinations — mostly prepositions, conjunctions, articles and so on — in different languages, which are positioned vertically, not horizontally. Since the number of such pre-fabricated ligatures in a font is limited and cannot possibly cover all the desired combinations, a special algorithm programmed into the OpenType font permits the user to compose any two- or three-letter words, provided no accented characters are used. This is why Sandwich includes five versions of each letter. Using the full possibilities offered by the OpenType format, the automatic vertical aligning of glyphs is based on a combination of optional ligatures, style sets, and modified kerning.

Do we have a volunteer from the audience! Yes, you young lady, step into the ring, there's no need to be afraid! What's your name? Hypnotique? How appropriate! Now, don't turn away, look into my eyes, look into my eyes, the eyes, the eyes, not around the eyes, don't look around my eyes, look into my eyes, aaaannnndd you're under. And on the menu of mesmerism tonight is a waking dream of letterforms that will keep you on the threshold of consciousness and yet illuminate your every hypnagogic hallucination! Now that we have your focused attention and reduced your peripheral awareness you have an enhanced capacity for response to the suggestion that you should not only purchase this font, but our entire library of fonts. On the count of three you will wake up and you will think of nothing else but acquiring all the tools all good graphic designers should have in their font library. And all we had to do was snap our fingers.

A unicase typeface inspired by Latin American wrestling. Versus is a type system designed for use with short and block text. The font, based on well-known typefaces found on boxing posters, combines Latin American elements and wrestling; it is this mixture of widths and weights and different styles which helps give your designs a unique flavour and personality. Versus is a unicase sans serif font well-suited for display use; its orthogonal terminals and short ascenders and descenders make it ideal for block of texts. By mixing different weights, you can have a wide range of design options—short text, isolated words, logos, titles, branding design, posters, etc. The Versus family comes in 9 weights—from a lightweight and condensed Extra Light to an expanded and heavy Ultra. Its character set supports over 200 different languages. The font also includes a large number of stylistic alternates and a complete ligature set which give your compositions a strong identity and personality.

“Due Giorni”, two days in italian language, express a measurement of time, it can be little or a lot, depending on who or what it is used for. “Due Giorni” is a script font very expressive, fresh, agile and dynamic, hand-drawn with connected forms on slanted angle of 23º This font contain 542 glyphs with plenty OpenType features: Standard and discretionary ligatures, stylistic alternates, swashes, Old style figures, small caps, case sensitives and ornaments. It come also, with three kind of capitals: Roman Capitals, Small Caps (different proportions) and Swashes. Roman Capitals are inspired on the beautiful inscription found in the Augustorium’s house in Ercolano, Naples.those letters have been carefully drawn and sculpted. Swashed Cursive Capitals are similar to 18th century penmanship. “Due Giorni” is a versatile font that may give you the chance to create original logos and headlines, specially by many stylistic sets, ligatures and alternates that can be combined with them.

Introducing a new Slab Serif fonts "Knocked" Knocked fonts is an inspiration to College fonts, Varsity fonts, Athletic fonts and Retro fonts. this Knocked fonts is pretty good and good for experimenting with your design. comes with 3 styles; Regular, Rough and Stripes.

Inspired by the emerging Korean culture that grabbing the worldwide actuation in so many realms of the industry. To bridge the vibes and to make it easier to consume, we found the gap to fill with simple things in life that are useful for it, and yes, it’s a new day it’s a new font. So without any further ado, please welcome Hwaiting Sans. 2/3 series of Korean vibes typefaces. It’s a sans-serif font with bold and strong vibes to catch up with today’s graphic design trends. Crafted with deep research about Korean traditional letters, shaped up with the approach of universal Latin letters. This is the second drop of 3 series from the Hwaiting family. So stay tuned for the upcoming release.

Monogramma is a set of 676 beautiful and unique Monograms plus some doubles. There is one monogram for each possible letter-combination! For easy use I packed the monograms in 13 packets. One for two starting letter each. So if for example you look for the monogram "GW", you must choose the packet "Monogramma-GH" -- the G-combinations under the uppercase letters. You now have to type a capital "W" and Bingo you have the combination GW! Some letter-combinations have doubles, just check the numbers 0 to 9 if there is anything to be found. If you buy the whole set of monograms you get the basic font free of charge! Your long-distance (this was a lot of work) font-designer Gert Wiescher

Gridiron Glory is a modern and elegant font that stands tall as a tribute to the world of sports. This dynamic display typeface captures the power and energy of athletic competition with its strong, bold letterforms and sharp angles. Inspired by the lines and precision of a football field, Gridiron Glory exudes a sense of strength and determination. Its clean and structured design, reminiscent of a gridiron play, brings a sense of order and professionalism to sports-related designs. Whether used for team logos, jerseys, or sports event promotions, Gridiron Glory makes a bold statement and evokes a sense of excitement and anticipation. Embrace the spirit of the game with this font that embodies the glory and fierce competition found on the field.

Bold mutant typography. Retro-futuristic. Sixties meets 1990’s comic book inspired, superfast for your superhero? The pencil tissue was dragged out from the very back of the file cabinet, stuck in the metal rail, it was lost then found- to bring a unique look to your project. A companion font to astroluxtype’s Spacepod, both fine ways to mark and identify your spacecraft. Note the lowercase letterforms that make connectors such as g, j, y, b, d and g. See the posters at myfonts.com for examples of how to you might use this feature. Redrail Superfast is a minimal glyph set which can be used at various sizes, we consider it a headline/display font and best applied larger than 36 points in size.

Some time ago I stumbled upon a little book called 'De Sprookjeshoorn' ('Horn of Fairy Tales') by Anton Eijkens (1920 - 2012). It was published in 1946 and contains several authentic and unique fairy tales - unfortunately unreadable to modern children, as the language used is out of date. What caught my eye was the handwritten font on the cover of the booklet. Closet Skeleton is a fairytale font inspired by the one I found on the cover of De Sprookjeshoorn. It comes with several curly alternates and some end-ligatures as well. I added an 'old fashioned' ampersand and a modern one, so you can choose which one to use. Apart from that, Closet Skeleton comes with a closet choc-a-block full of diacritics.

Inspired by the emerging Korean culture that grabbing the worldwide actuation in so many realms of the industry. To bridge the vibes and to make it easier to consume, we found the gap to fill with simple things in life that are useful for it, and yes, it’s a new day it’s a new font. So without any further ado, please welcome Hwaiting Handwriting. 1/3 series of Korean vibes typefaces. It’s handwriting-based fonts with the reference of the ancient style ink and brush strokes but make it modern. Crafted with deep research about Korean traditional letters, shaped up with the approach of universal Latin letters. This is the first drop of 3 series from the Hwaiting family. So stay tuned for the upcoming release.

This font is based on the popular and timeless Caslon design and was carefully digitized from the pages of an early 19th century book. I was excited to see some unique design treatments of characters such as the lower case italic 'p', the question mark, and various swash caps that I had never seen before. During the conversion process, I made sure to preserve the worn look of faded ink on old paper by maintaining a subtle level of decay and opacity with each character. For missing characters not found in the book, I created new characters that were faithful to the style of the rest of the family. Used as a text font, The Letterpress Text Family successfully reproduces the appearance of old letterpress lithography.

Cosmic Turtle is the belief that the world is supported by a giant turtle. It is mostly found in Hindu and Chinese mythology and the mythologies of the indigenous peoples of the Americas. I had to think of this, as the idea of the Cosmic Turtle is referenced to in the 1982 book ‘A Wild Sheep Chase’ by Haruki Murakami - my favourite author. Cosmic Turtle is a font that I made using a broken chop stick and Chinese ink. I was actually trying to create something scary for Halloween, but this is what came out and I quite like it. Cosmic Turtle is a fat display font with rough edges, wobbly glyphs and a set of double letter ligatures for you to play with.

First things first: I am really not a Star Trek fan. I did come up with this name, which I thought had a good ring to it. When I checked whether the name was already taken, I found out that Black Cluster is a term from Star Trek. Now you want to know what a Black Cluster is, so just check out poster 2 and read all about it. For me, Black Cluster is a handmade ink font, with a lot of jumping glyphs, a lot of diacritics and a handful of ligatures. It may be rough, but you will be pleasantly surprised by what it can do to a design! May the font be with you. Oh, no, that was from Star Wars…

Codeline Mono is a friendly monospaced typeface designed to appear more modern, softer and less formal than the usually robotic and strict mono fonts. Unique and highly versatile, this family includes over 400 glyphs in each of its twelve styles (six weights and six obliques). While great at all the typical mono use cases where a technical look is needed, Codeline also creates an ease of reading not commonly found in mono typefaces. This duality makes it a perfect fit for other uses in the role of a uniquely technical yet remarkably breathable display font. The character set implemented in Codeline Mono ensures full support for over 100 languages by including an extensive list of localized forms, precomposed accented letters and modifiers.

Hunterland is a modern signature font. This font was created to look as close to a natural handwritten as possible by including some alternates lowercase, ligature and underlines. Perfect for any awesome projects that need hand writing taste. Comes with regular and italic. Built in Opentype features, this script comes to life as if you were writing it yourself. Also support multilingual. It's highly recommended to use it in opentype capable software - there are plenty out there nowadays as technology catches up with design ... Other than Photoshop, Illustrator and Indesign, many standard simple programs now come with Opentype capabilities - even the most basic ones such as Apple's Text Edit, Pages, Keynote, iBooks Author, etc. Even Word has found ways to incorporate it. AminMario

BIG is an elegant condensed display font created for strong and impactful headlines. It comes from a series of hand printed specimens taken from wood type found in Andrew Howard’s Studio in Porto (Portugal). A wooden type that reassembles the industrial victorian style which has now been expanded to 20 cuts, ranging from ExtraLight to Bold, with Italics and a stencil version, covering all your needs for a striking visual effect just with plain type with distinctive features and personality, standing out from the crowded world of display sans serif. The font was engineered with essential OpenType features, that allows the user to compose the headlines in two different heights, with case-sensitive punctuation, symbols and special ligatures such as “the”, “of” and “le”.

Dom Loves Mary has a baby brother! Check out Fratello Nick here: http://www.myfonts.com/fonts/correspondence-ink/fratello-nick/ The DomLovesMary font family has all you need to create unique, custom stationery products. THE INSPIRATION BEHIND THE DOMLOVESMARY FONT FAMILY: DomLovesMary is named in memory of Dominic and Mary Sementelli, Debi’s in-laws. Dom and Mary were opposites who were truly “made for each other”. A snazzy dresser, Mary was feisty, loved to dance, sing, and be the life of the party. Dom was cool, calm and collected and was happy to shine the spotlight on the love of his life. They balanced each other out in a really great way. Going through some of her in-laws old photos, Debi found their wedding album. She was struck by the beautiful look on their faces as they got ready to start their life together. She saw the excitement, joy and anticipation of them envisioning “Una Bella Vita!” (A beautiful life!) She decided to create a hand-lettered font with them in mind represented by two totally different lettering styles that were, like Dom and Mary, “made for each other”. It’s her way of honoring them and sharing their beautiful life with all of the couples just starting theirs together. They truly had “Una Bella Vita” and we hope you do too. WHAT'S UNIQUE ABOUT THE DOMLOVESMARY FONT FAMILY: The SCRIPT & TEXT FONTS are lettering styles that were made to compliment each other. With a vintage, classic feel, they will add elegance to your design, while the TEXT serves to offer support with easy to read simplicity. In addition to the standard character set, each of the uniquely styled script fonts includes a collection of flourished ornaments. Use them to create corners, headers or other embellishments to complete the look. And if you really want to fancy things up, we offer two sets of 72 additional flourishes that were specifically made to add to upper and lower case letters for easy customization. Dress them up with one, two or more. It’s like choosing simple pearls or piling on the glitz! Or combine several to create unique flourished ornaments of your own. To add even more panache, we're pleased to present our ready made set of most frequently used ADD-ON WORDS. Created with the wedding client in mind, this set of 66 includes envelope friendly titles: Mr and Mrs, Mr, Mrs, Miss, Ms, Doctor, the Doctors, as well as words to fill out your invitation suite: RSVP, Respond, Save the Date, Accommodations, Directions and more! Easily create Bride and Groom signs or Thank You cards or tags with the click of a key. Or use angled words like “and, at, to, on, for, from and of” to add a special touch to your large groups of copy. PACKAGES: We are pleased to have a variety of customers. From professional invitation designers to DIY brides, publishing companies and website / blog designers among others. So we've created packages to help fit their diverse needs. Purchase just one of our beautiful DomLovesMary SCRIPT fonts, each with its collection of included flourishes or the PRO VERSION complete with ALL THREE script fonts and a combined total of over 100 flourished ornaments. Add our TEXT font, a set of FLOURISHES or ADD-ON WORDS. Love the idea of customizing your letters with all the possible combinations? We offer a special price when you purchase both sets of flourishes. Or choose our Accoutrements Package containing both sets of FLOURISHES for letter customization as well as our ADD-ON WORDS. Want to have it all? The “DomLovesMary Total Design” package is for you. Each of these packages are offered at a 25% savings. WHAT PROGRAM WILL YOU USE?: All of the font options come in both Pro and Standard format fonts. For those with programs that can take advantage of OpenType features (click on the link to see if the program your using is one of them) the Pro fonts are for you. http://www.typotheque.com/fonts/opentype_feature_support/ For others without the ability to use Open Type features, we provide all of the script fonts that comprise the Pro Version as separate versions (Regular, Contextual and Stylistic). If you are using a program like Microsoft Word, and want all three script fonts, you can still purchase the Pro Version (a $50.00 savings), and install the individual fonts bundled in the Standard Fonts folder. We have set it up so they will appear separately as DomLovesMary, DomLovesMary Contextual and DomLovesMary Stylistic in your fonts list. Exciting news! In an effort to help our customers access all the goodies that are normally only available in Open Type Capable programs (like the flourished ornaments that come with our script fonts), we have found a simple application that allows you to do just that. For this reason, we've made sure to unicode all of our characters and glyphs so that they will work in this type of program. There may be others, but we checked this one out and found that it works. Check out PopChar

The Moonlight & Wine Font is a Handwritten Monoline Font that is perfect for the Neon effect! It can be used as a Neon Handwritten Script Font, Monoline Script Font, Signature Script Font, Summer Handwriting Font, Neon Party Font, Neon Signboard Font, Neon Banner Font, Neon Font for Party Invitations, DJ Logo Font, Y2K Neon Font, Neon Sign Font, Neon Light Font, Neon Wedding Font Perfectly suitable for numerous use such as quotations, banners, logos, product packaging, titles, headers, Business cards, menu lists, and invitation cards! _________________________________ Language Support: Multilingual Support _________________________________ **The preview images are to showcase fonts only and are NOT included.** **The Font comes with a solid version. To add a NEON effect, You can use programs like Canva, Illustrator, Photoshop etc.** _________________________________ 🍦COMPATIBLE PROGRAMS (NOT LIMITED TO): Canva Pro, GoodNotes, Notability, Keynote, Pages, Numbers, Procreate, Photoshop, Illustrator, Cricut, Silhouette, InDesign, Microsoft Word, and more! ++ _________________________________

The main reason I wanted to design this font was because I really didn’t like how poorly some fonts tried to mimic an Oriental appearance. Trying to make western words appear Asian with a font composed of brush strokes is almost always doomed to failure. However, I find Croasian works extremely well with one syllable words that are Asian sounding. A good font to have if you want to express an Asian name or business phonetically in a western alphabet while still retaining an Asiatic feel. Croasian has a glyph count of 397 and supports the following languages Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkmen, Upper Sorbian, Vunjo, Walser, Zulu