Moderna Condensed is a modern condensed Sans-serif font, simple and neutral, especially for short texts, headlines, and sub-headlines, logos, posters and branding, includes some alternate characters, arrows and labels.

Hyperbole is a condensed futuristic display typeface, suitable for writing headlines and drawing posters. This font is strict, cosmic, bewitching. It contains alternative styles for latin letters and extended latin letters.

Autoguard is a monoline font with vintage looks. It is perfect to create beautiful vintage typography for your projects like t-shirts, merchandising, logo labels, posters, magazines, packaging, quotation and more.

Future Voyage, a clean modern futuristic sans serif display font. This typeface is perfect for minimalist scifi theme. Perfect usage as logo, poster, display, headline, t-shirt design and many more.

Bubblegum is a font made in styles: With its nice and sweet appeal, it is perfect for scrapbooking, print design, stationery, blog header, greeting cards, posters, blog header and art quote.

Sci Fi Bronze can make your design look modern and futuristic. This fonts suitable for logotype, packaging, branding, header, film poster, and more design about space, high tech, and futuristic feel.

Pearl River is a bold and elegant script font. Whether you're designing a logo, or poster or working on crafting projects, Pearl River can take your creativity to a new height.

Komela is perfect for a poster or magazine. To be used anywhere that beautiful design plus high functionality is required. Komela is a multilingual font appropriate for publishing to international environments.

Gold Empire is an incredibly unique and distinct blackletter font. It will add a unique touch to your designs. Use it for tattoo designs, logos, posters, book covers, albums and more!

Spooky is a chilling font that is evocative of the type used in horror films and posters. It’s creepy, it’s kooky...it’s spooky. Perfect for invitations, banners or other ghastly uses.

Bondtique is inspired by the writing of books or plain text with the same thickness and the standard typeface can be used for magazines, logos, branding, web, posters, movies and films.

GoodBadUgly is a new sans serif type with a Wild West flair. This font family will be the best solution for posters, signage, magazine, product branding, corporate branding, logos and titles.

Borka is sans-serif, clean and simple family that can be used for wide variety of purposes. It is well suited for web text, advertisements, designs, flyers, posters, brochures and more.

Melatti allows you to create stunning and easy hand-lettering in an instant. Ideal for the logo, quotes, wedding, product label/packaging, fashion, letter, advertising, invitation, poster, merchandise, greeting cards, etc.

Kraut is a decorative headline font that can be used for posters, packaging, logos and on football jerseys. It contains all small and capital letters from the Latin and Cyrillic alphabet.

This all new hand drawn font comes as a serif and a script version. Mix and match to bring your designs whimsy and playfulness. Suitable for headlines, posters and call outs.

In a not-too-distant future, humanity was ruled by a powerful, technologically advanced empire known as the Synod. The Synod controlled all forms of communication, and through this, they controlled the minds of the people. But a small group of rebels, known as the Resistance, had managed to evade the Synod's surveillance and formed a secret underground movement. They were determined to overthrow the Synod and restore freedom to the people. One of the Resistance's key members was a young artist named Trystån. He had a unique talent for creating powerful, visually striking posters that captured the spirit of the Resistance's message and spread it to the masses. Trystån had just completed a new poster, one that would be critical to the Resistance's plans. It depicted a single, outstretched hand holding a traditional Kimarii laser staff, with the words "Libertat!" emblazoned across the top. The poster featured a striking and powerful font that perfectly captured the spirit of the Resistance's message. The font was a combination of bold lines, elegant confident curves, and strong angles, giving it a sense of strength and determination. The lettering was large and prominent, filling up much of the poster, making it hard to miss. The letters seemed to be almost carved into the surface, giving the impression of something that was permanent and unshakable. The font was colored in dark shades, and was a sans serif typeface, that gives the message a very modern and current feel yet also feels vintage and retro, connecting the present with the struggles of the past. And with multilingual support, the typeface ensured that the message of the Resistance could be disseminated in every language on the planet. The background was minimalistic and in contrast, with a neutral palette, with just a hint of a sand-like color, representing the harsh conditions of the land that the people were fighting for their rights. The focus was all on the lettering, and how it conveyed the message. The poster was indeed a moving piece of graphic design, with its strong, striking font, and powerful imagery. It was clear that Trystån had put a lot of thought and care into its design. The poster, he hoped, would connect with people on an emotional level and inspire them to rise up against the oppression of the Synod Empire. The poster was set to be distributed at a major rally in the capital, where the Resistance was hoping to gain the support of thousands of citizens. But the Synod was not about to let this happen. They had long suspected the existence of the Resistance and had been working to infiltrate their ranks and discover their plans. The night before the rally, the Synod launched a surprise raid on the Resistance's hideout, capturing Trystån and several other members of the Resistance. Trystån was thrown into sand pits and interrogated by the Synod's top agents. They wanted to know everything about the Resistance's plans, including the details of the poster and the rally. Trystån, knowing the importance of the poster, refused to give in, even under the harshest of conditions. Meanwhile, the rally was drawing near, and the Resistance was desperate to get the poster out to the public. They knew that it was their only hope of gaining the support they needed to overthrow the Synod. They came up with a plan to smuggle the poster out of the hideout, but it would be a risky endeavor. As the rally began, the Resistance made their move, slipping the poster into the hands of the crowd. Trystån's poster had made a big impact in the rallies, and soon it became the symbol of hope for the resistance, and the visual representation of their struggle for freedom. The poster had become the catalyst for the revolution, and it would be remembered for many years to come as the symbol of the fight for freedom and democracy. The image of the outstretched hand holding the Kimarii laser staff struck a chord with the people, and they began to rise up against the Synod's oppression. Trystån, still locked away in the sand pits behind a stasis feild, could only imagine the scene unfolding outside. But he knew that his work had helped to spark a revolution, and he felt a sense of pride and accomplishment. The Resistance, with the help of the rally, was able to overthrow the empire, and Trystån was released, celebrated as a hero and hailed as the artist who helped to bring about the new era of freedom and democracy. The poster Trystån had designed had become the symbol of a new era, and it would hang in museums and public places as a reminder of the power of resistance and art, in the face of oppression. Features: regular and light weights numbers and punctuation multilingual characters

Bookish A little bit bookish, but quietly elegant and well-proportioned, FS Sally is a graceful font family. It’s a refreshingly uncomplicated design that brings sophistication to text and display type, and a distinctive aplomb to both large and small volumes of text. Hidden talents There’s more to FS Sally than meets the eye. Choose Standard for the Latin alphabet or Pro if you work with Cyrillic and Greek typography. There’s a large range of special features, including elegant small caps and a set of discretionary ligatures to add a traditional flavour to figures and fraction sets. Rhythmic There’s a rhythm and flow to FS Sally – the result of the classic but asymmetric design of its serifed feet and shoulders. The inward curve of the serif at the shoulder and the outward curve at the foot subliminally guide the eye through each letterform, and the flicked feet of the “a”, “d” and “u” add an extra kick of energy to the rhythm. The italic forms have their own flow, too, with a pen-like fluency that retains the formal discipline required for a text type. Regular to heavy FS Sally’s five weights, all with italics, cover every kind of print application. The regular weight is elegant in display and an easy read in longer texts. A subtle step up from the regular is the medium, which was created to deliver a stronger colour and finish in poorer printing conditions. The semibold offers a strong alternative to the regular at smaller sizes, and its intermediate feel suits it to sub-headings, title pages and calmer designs. The bold works excellently in book and title headings, and FS Sally Heavy lends weight and punch to poster headlines and logotypes.

Bookish A little bit bookish, but quietly elegant and well-proportioned, FS Sally is a graceful font family. It’s a refreshingly uncomplicated design that brings sophistication to text and display type, and a distinctive aplomb to both large and small volumes of text. Hidden talents There’s more to FS Sally than meets the eye. Choose Standard for the Latin alphabet or Pro if you work with Cyrillic and Greek typography. There’s a large range of special features, including elegant small caps and a set of discretionary ligatures to add a traditional flavour to figures and fraction sets. Rhythmic There’s a rhythm and flow to FS Sally – the result of the classic but asymmetric design of its serifed feet and shoulders. The inward curve of the serif at the shoulder and the outward curve at the foot subliminally guide the eye through each letterform, and the flicked feet of the “a”, “d” and “u” add an extra kick of energy to the rhythm. The italic forms have their own flow, too, with a pen-like fluency that retains the formal discipline required for a text type. Regular to heavy FS Sally’s five weights, all with italics, cover every kind of print application. The regular weight is elegant in display and an easy read in longer texts. A subtle step up from the regular is the medium, which was created to deliver a stronger colour and finish in poorer printing conditions. The semibold offers a strong alternative to the regular at smaller sizes, and its intermediate feel suits it to sub-headings, title pages and calmer designs. The bold works excellently in book and title headings, and FS Sally Heavy lends weight and punch to poster headlines and logotypes.

Presenting 🕌Kabyah Ramadhan Typeface🕌 by alitdesign. Kabyah Ramadhan Typeface is a beautifully crafted font that combines traditional Arabic calligraphy with modern design elements. The font has a contemporary look and feel, with elegant swashes and alternate characters that add a unique touch to any design project. The font draws inspiration from the rich cultural heritage of the Arabic language, with its intricate shapes and ornate embellishments. The strokes and curves of Kabyah Ramadhan Typeface are carefully crafted to create a harmonious balance between legibility and aesthetic appeal. With its clean lines and precise detailing, Kabyah Ramadhan Typeface is perfect for a variety of design applications, including branding, packaging, logos, and headlines. It is also an ideal choice for print and digital media, such as posters, brochures, and social media graphics. The Kabyah Ramadhan Typeface has 820 characters, supports multilingual characters, and includes PUA Unicode encoding, makes it a very versatile font. Designers can use it to create designs in a variety of languages and scripts, making it a great choice for global projects. In addition to its extensive character set, the font also includes Kabyah Dingbats with 304 characters, which can be used to add decorative elements to designs. These dingbats can be used to create unique and eye-catching designs, adding an extra layer of creativity to any project. Overall, Kabyah Ramadhan Typeface seems like a fantastic font with a lot of potential for designers who are looking for an Arabic-inspired modern font with lots of characters and flexibility. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

In comparison to the powerful and commanding original, Sancoale Gothic is a more sober version of Sancoale. The medium contrast between thick and thin strokes makes for a typeface that stands out with striking clarity in longer texts, yet is very readable. This new addition to the Sancoale family is a perfect alternative if you want to use a different style than the original family. Using the utmost care and restraint, the designer strove to avoid overbearing futurism in favor of a typeface with clean lines and clear forms. Show your customers the world with Sancoale Gothic, a versatile sans with a wide range of styles, from delicate thins to bold, hefty weights that dominate the page and screen with confidence and futuristic flair. A fresh, friendly voice for all kinds of uses, from corporate statements to fashion, Sancoale Gothic is a versatile sans with a wide range of styles, from delicate thins to bold, hefty weights that dominate the page and screen with confidence and futuristic flair. Sancoale Gothic has a distinct personality, which allows you to create a wide range of projects, including posters and websites. The Sancoale Gothic fonts come in many varieties, so you can go with a light or thick weight, depending on what fits your project best. With their sweeping curves, the heavy fonts are meant for huge headings on posters and websites. The Sancoale Gothic family is made up of 48 distinct styles, with 660 glyphs and supports 70 languages, allowing you to communicate with your customers all over the world. Small Capitals and other OpenType features abound! The design is sleek with no stems or spurs in the default character set, but OpenType alternates have alternates with stems. OpenType capable applications such as Quark or the Adobe suite can take full advantage of the automatically replacing ligatures and alternates. The superfamily offers an array of optical sizes, contrasting weights, and contrasting optical sizes to discover the right balance, contrast, and optical size for your design. Prepare to be blown away by Sancoale Gothic’s smooth curves and captivating allure. Sancoale Gothic is perfect for both a contemporary and forward looking style. Sancoale Gothic is both practical and unique, in a standalone capacity or with the companion Sancoale fonts. Use it to make an impact today.

K-Type’s ‘Banks & Miles’ fonts are inspired by the geometric monoline lettering created for the British Post Office in 1970 by London design company Banks & Miles, a project initiated and supervised by partner John Miles, and which included ‘Double Line’ and ‘Single Line’ alphabets. The new digital typeface is a reworking and extension of both alphabets. Banks & Miles Double Line is provided in three weights – Light, Regular and Dark – variations achieved by adjusting the width of the inline. Banks & Miles Single Line develops the less used companion sans into a three weight family – Regular, Medium and Bold – each with an optically corrected oblique. Although the ‘Banks & Miles Double Line’ and ‘Banks & Miles Single Line’ fonts are based on the original Post Office letterforms, glyphs have been drawn from scratch and include numerous adjustments and impertinent alterations, such as narrowing the overly wide Z and shortening the leg of the K. Several disparities exist between the Post Office Double and Single Line styles, and K-Type has attempted to secure greater consistency between the two. For instance, a wide apex on the Double Line’s lowercase w is made pointed to match the uppercase W and the Single Line’s W/w. Also, the gently sloping hook of Single Line’s lowercase j is adopted for both families. The original Single Line’s R and k, which were incongruously simplified, are drawn in their more remarkable Double Line forms, and whilst the new Single Line fonts are modestly condensed where appropriate, rounded letters retain the essentially circular form of the Double Line. Many characters that were not part of the original project, such as @, ß, #, and currency symbols, have been designed afresh, and a full set of Latin Extended-A characters is included. The new fonts are a celebration of distinctive features like the delightful teardrop-shaped bowl of a,b,d,g,p and q, and a general level of elegance not always achieved by inline typefaces. The Post Office Double Line alphabet was used from the early 1970s, in different colours to denote the various parts of the Post Office business which included telecommunications, counter services and the Royal Mail. Even after the Post Office was split into separate businesses in the 1980s, Post Office Counters and Royal Mail continued use of the lettering, and a version can still be seen within the Royal Mail cruciform logo.

Introducing All Americans Font Duo, a classy, contemporary pair of brush and sans fonts. With a stylish didot-style serif font and a free-flowing, expressive script companion, All Americans offers beautiful typographic harmony for a diversity of design projects, including logos & branding, wedding designs, social media posts, advertisements & product designs.

Meaglez Display font. Its elegant and cool look makes it the perfect choice for logos, branding, invitations, stationery, wedding designs, social media posts, and so much more. Meaglez font is PUA encoded which means you can access all of the glyphs. Features: Ligature Alternate Characters Numbers and punctuation Multilingual PUA encoded

Alokary is aesthetic sans serif typeface that look elegant and timeless inspired by beige and forest green color, it is Perfect for Logo brand, marketing material, advertisement, product packaging, social media post, clothing or fashion brand, magazine headers and many more complete with ligatures alternates regular italic icon kerning multilingual support

Amarylli Blossom is a sweet, soft hand-lettered handwritten font. The playful rounded characters make it the perfect font for creating stunning designs. Fall in love with its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards.

Winter Aythenta is a thin lettered and graceful script font. Fall for its ravishing style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more! This font is PUA encoded which means you can access all glyphs and swashes with ease!

Gratezon is a display font. It has a cool and playful look that can be used for logos, branding, invitations, stationery, social media posts, and so much more. Featuring the perfect amount of trendiness, this font will make your designs come to life. Features : Numbers and punctuation Multilingual Support Ligature

Lillie is an elegant signature font perfect for crafting, branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events, or anything. Included : Lillie multilingual support If you have any questions please don’t hesitate to contact me Thank you best regards, Fikryal Studio

Proudly Present, Mariogalo Font. Mariogalo is a Modern Handwritten font. Mariogalo is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Mariogalo also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Film Noir JNL is a classic Art Deco Alphabet from the brush of the late master sign painter Alf R. Becker, and appeared in Signs of the Times Magazine. Thanks to Tod Swormstedt of ST Media and the American Sign Museum for providing the reference material to make this font.

Hongkong Script is a beautiful handwritten font, it is perfect for logos, invitations, stationery, wedding designs, social media posts, advertisements, product packaging, product design, labels, photography, watermarks, special events or anything else. Hongkong Script comes with a full set of uppercase and lowercase letters, lowercase swash, multilingual symbols, numbers, punctuation.

HEROES a condensed sans serif font. It has a elegant, classy look and modern. It’s a great font for fashion, Ligature Feature Opentype, apparel projects, signature, album cover, logo, branding, magazine, social media, & advertisements. What's include: Ligature PUA Encoded Characters - Fully accessible without additional design software. Basic Latin Language Support (AÀÁÂÃÄÅCÇDÐEÈÉÊËIÌÍÎÏÑOØÒÓÔÕÖUÙÜÚÛWYÝŸÆß )

Introducing by Essentials Studio Proudly Present, Mysthiqa kidsland avenue Is a Modern Script Font kidsland avenue is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Enjoy the font, feel free to comment or feedback, send me PM or email

Sweet Candy Pink Script a beautiful modern calligraphy font with Extrude Shadow Style. Comes with 2 layered font handwritten, sophisticated flows. Sweet Candy Pink Script offers beautiful typographic harmony for a diversity of design projects, signature, stationery, logo, typography quotes, including logos & branding, wedding designs, social media posts, advertisements & product designs.

Misologist – Display Font comes with an elegant and modern touch this font is perfect for branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events, and more. Features: Uppercase and lowercase letters Lowercase Swashes Alternates Ligatures -Multilingual, numerals, and punctuation Thank You!

Niagato is Font that inspired by Japanese Letter style, perfect for any Asian theme of design & promotion to create spectacular designs! Niagato is perfect for branding, logo, invitation, stationery, social media post, product packaging, merchandise, blog design, game titles, cute style design, Book/Cover Title and more. What's Included : - Multilingual Support

Texas Moliqu is a retro and western-looking display font. This bold, and vintage font can easily become your favorite. It can be used for books, magazine covers, social media posts, invitations, and so much more! So add this to your creations and take your designs to the next level!

Introducing the new Fun Handwritten Font by Aestherica Studio. Proudly Present, Pathways Pathways is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Pathways also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email.