Mazzard is a superfamily of three geometric grotesques with three different x-heights (H, M, and L). It features rich language support including Cyrillic, and offers a wide variety of alternate forms to choose from. Also check Mazzard Soft - the soft version of Mazzard.

This stencil display decorative slab-serif typeface, contain reverse contrast which remind the old western style. Invertida St font family contain Latin and Cyrillic encoding characters and also italic versions are available too. Open type features can provide more options (stylistic alternates, ligatures, swash, figures).

Based on Bank Gothic designed by Morris Fuller Benton in the 30th, Bank Sans Caps from Elsner+Flake offers a wide variety of weights from Light to Bold with Compressed, Semi Condensed and Condensed widths. All weights are also available with Cyrillic character sets.

Like the study of Kremlinology, this font is an interpretation of Soviet culture for Western audiences. Based on a vintage Russian poster but not in the original Cyrillic, it is an attempt to capture the feel of the era if not the actual characters.

Golf was originally designed by Henry Reinhard Möller in 1935 for Schriftguss KG. Coen Hofmann redrew the capitals and then added lower case letter and Cyrillic alphabets by himself. This digital version of the original typeface is best used in sizes above 24 points.

Stola is able to be used with all European languages including ancient and reconstructed languages like Old Church Slavonic (it can be written by Cyrillic or Glagolitic script), Proto Slavic, Ancient Greek etc. Also it includes IPA, so it can be used in education.

Posterizer KG Sketch is basically a drawn version of Egyptian Slab Serif font Posterizer KG. Posterizer KG Sketch, is useful for some themes like music, painting, party, food, nature, kids... and many other funny and creative things. Contains all the Latin and Cyrillic glyphs.

Halfroy is our answer to generic geometric sans trends exploding nowadays who creates sameness. Halfroy brings new sans perspectives by combining rounded and sharp edges to create delicate sans fonts. See the difference by looking at counter-shapes compared to outline, insides counter shapes you will sees a sharp edges while round but not geometrical on outlines. Halfroy gives your project unique visual impact whatever your design project is, but we recommend using thin, semibold to Fat as display then light and regular. Halfroy taken inspirations not from looking at other sans typeface, but its design inspirations comes from observing a land contour and geographical statistics in our city, Kota Batu. We found that our city geographic consist of steep slope like waves with sharp peaks and surrounded by small and third highest mountains peak on our country. From then on we begin visualize and applied on few letters. Take a look on our 'O', 'f', 's' letters, its like a stone carved letters. Its hard edges and soft edges outline clearly draws from our inspiration source. Even Halfroy looks stony, hard as individual letters, we treat this type with humanist approach in mind. Therefore you can sense a friendly yet casuals of typical sans serif fonts when it grouped together to form a words or sentences. We hope Halfroy will gives your design project a unique on its own.

Mak is a display font with a Ukrainian feeling inspired by Ukrainian music. Customize weight and contrast to the smallest value to your needs with a variable version of Mak. This is a big update of the first free two styles of Mak (SemiBold High & Black High) that were created in 2019 and become widespread among free display fonts. The big update wasn't been only adding more weights and contrasts but also changing a lot of glyphs and adding new ones. Now Mak supports all Latin-based languages and European Cyrillic. Experiments with historical forms, contrasts, and daring shapes to create a new image of Ukrainian Cyrillic and Latin based on it.

Zagore (zɑːgɔːrɛ) is the name of a beautiful place in Bulgaria. There is no contrast between horizontal and vertical stems, typical for geometric fonts. The typeface is built under strict rules and logic, by using the stroke as skeleton for each glyph. Although the structure of the font remains the same, there is a noticeable visual diversity throughout different styles. Middle weights suggest paragraph use, while the ones at the extremes are more suited for display text. The typeface offers support for Basic Latin, Latin-1 Supplement, Latin Extended-A, Greek and Coptic, Cyrillic, and Cyrillic Supplement Unicode ranges. Included OpenType features are localized forms, to suit multi-language designs, tabular and proportional lining, basic ligatures, and extra symbols.

Elena Albertoni on Dyna: “While studying in Paris, I worked for a design studio specialized in packaging. French supermarkets are full of lettering with a handwriting flavor, which seems to go very well with a wide range of very different products. With the aim to analyze and summarize the qualities of these letterings in one typeface, I faced choices and limits similar to the ones encountered with handwriting. The letters are sloped at different angles, which gives them rhythm; their open shapes suggest movement and gesture. Letters want to dance!” Dyna Pro’s extended character set provides support for a wide range of European languages that share the Latin and Cyrillic scripts. Cyrillic characters designed by Elena Novoselova