Marintas is a sleek upright italic that offers you a modern look and feel. This elegant sans serif comes across as lively, yet comfortable. Some semi slab characteristics of the font give it a face-forward momentum. These semi slabs, even with their geometric construction, are fluid shapes with a soft hint of brushstroke. The soft curves of Marintas paired with its playful but geometric semi slabs or ending strokes give the face its spirited--though friendly--eye-catching appearance. The Marintas family is comprised of 8 variants, ranging from Thin to Ultra. Its incredible versatility ranges from the delicate hairline to the extreme ultra weight. The heavier weights show some similarity to Antique Olive, and the face has an exuberant South American or Latin feel. This type of family is well-suited for advertising, retail, food and beverage products as well as for use in magazines, logotypes, and books. The fonts lend themselves to display settings, but are still very usable for longer copy. Because of its large x-height, the typeface is legible at very small sizes and as a webfont. Marintas has support for extended Latin character set. A wide range of Western languages are also supported, including Central, Eastern and Western European languages. In all, Marintas supports over 40 languages that use the extended Latin script, making Marintas a great choice for multi-lingual publications and packaging. All insigne fonts are fully loaded with OpenType features. Marintas is also equipped for complex professional typography and includes ligatures, alternate characters and fractions. The face includes a number of numeral sets, including old-style and lining figures with superiors and inferiors. OpenType-savvy applications such as Quark or the Adobe Creative Suite can take full advantage of the automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of languages. Check out the informative .pdf brochure to see these features in action.

Westman is a inspired by classic fonts with retro style combined with decorative Slab style nuances of western back to the era of the 60’s – 70’s, a style that is timeless. Westman is perfect for vintage,social media posts, Craft , Product packaging, product designs, label, branding projects, logo, advertisements, watermark, invitation, stationery and any projects

Adria Grotesk is a superfriendly and sunny humanist typeface that comes in 7 carefully crafted weights and charming upright italics. Try combine it with its stylish family member Adria Slab. You will find a fine choice of lining, tabular and old style figures, numerators, denominators, tabular figures, fractions, ligatures, some sweet symbols and even alternate arrows.

Project Fairfax is a unique stencil typeface designed on a strict grid. It is perfect for any stencil design, especially a military look. It comes in three styles, sans, regular, and slab; each with a non stencil counterpart. It comes with a full Latin character set, tabular and lining figures, numerous ligatures, and stars and arrows for ornaments.

Say Hello to Nostalgia! A Modern Font with a retro feeling 3 Fonts Regular, Effect and Flowers Go back in time and travel through the magazines and graphics from the fabulous 1970´s. Different serif typefaces, rounded and bold were the big focus to add a spark of life and modernity to the products. Nostalgia is our contemporary interpretation of this beautiful collection of fonts. Our aim is to draw the positive mood of these nostalgic letterforms with softened edges and rounded terminations, to evoke a fresh and contemporary view on this graphic approach. An extended set of alternates & swashes specially designed to create stylish lettering compositions have been included. You can Access your OpenType features and discover all the possibilities. Combining the glyphs with "Nostalgia Icons" as well as changes of color you'll feel the magic. This endless collection of flowers and decorative forms will boost the vintage mood to any project. The result is a very versatile font that works in a wide range request, from logos, headlines, branding, magazine design to wedding cards, poster and so much more.

Albireo Soft in a softer version of Albireo, released by Cory Maylett Design in 2019. The svelte sans-serif letterforms and rounded terminals give Albireo Soft a highly legible and informal look that's perfect for packaging, headlines, logos, brochures, digital use and anywhere else that needs a friendly condensed typeface. With a combination of seven weights in each of the three condensed widths, Albireo Soft will do the job when you need to squeeze many words into a limited amount of space. The fonts include the entire set of glyphs needed for all Western and Central European Latin-based alphabets. Meticulously crafted to ensure each glyph conforms to the highest possible quality standards, Albireo Rounded won't let you down. You may buy one font at a time or save money by purchasing packages consisting of the seven fonts in each width. Save even more by purchasing the entire Albireo Soft collection and, in addition to the 21 separate fonts, you'll receive a variable font that covers all the weights, widths and everything in between.

Proudly present Chunky Beard - Retro Type, created by ikiiko. Chunky Beard is a vintage font with bold, rounded letterforms with vintage vibes from the 60's era. These fonts often have heavy, wide strokes and lack clear borders, giving them a warm and inviting appeal. Rounded edges, exaggerated curves, and exaggerated serifs are some of the characteristics of 60s vintage-type typography. Additionally, they often have very constant stroke weight across letters, further accentuating their distinctive appearance. From posters and flyers to logos and branding materials, bold typography with a vintage '60s feel is a great way to add a dash of retro charm to any design project. The font it self is grab people's attention with their vibrant, fun, vintage appeal and undeniable aesthetic. This kind is ideal for projects that seek to convey a sense of nostalgia and the retro vibes as well as retro-themed designs. As a movie title, corporate logo, quote, poster design, magazine layout, or just as a chic text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Multilingual Support Works on PC & Mac

Quavo is a round sans font family, including regular and oblique font styles. Round corner of letters show the soft and friendly vibe and some letters for instance: letter a, b and d, they all have a tail at the end. It's sort of personal preference, for I want to add some ornamental elements in this font. Quavo can be applied in lots of areas. Including but not limited in titles, posters, book pages and big display canvas.

American designer Stanley Davis created the font Amelia™ in 1965. What sets Linotype Amelia apart from all the rest are its unusual inner spaces. Their teardrop forms lead the readers eye through the line of text. These teardrop shapes can also be seen in the contours of the characters themselves, making the letters look rounded and flexible. Amelia speaks the language of the digital age. The flowing strokes and round forms give it an uncomplicated and lively look.

ITC Korigan is a work of French designer Thierry Puyfoulhoux, an uncial typeface which he wanted to offer as an alternative to Victor Hammer's American Uncial, which remains for him the uncial character of reference." The roundness of an uncial gives it the look of pearls on a string, as Hammer said, and ITC Korigan is true to its heritage in this respect. Despite the roundness, however, the forms remain familiar and legible to the modern eye."

A Bloomer is a crusty loaf of bread with rounded ends. I don’t know why I chose this name, but it may have to do with the fact that my wife signed up for a bread baking course. Bloomer is a rounded, hand made cartoon-ish font. It will look especially good on product packaging, but any design in need of some authenticity could do with a bit of Bloomer! Comes with ligatures and a light dusting of alternates.

CCS Palmore is a vintage retro condensed display typeface combined with rounded proportions letters forms. The combination of condensed glyphs with large-rounded O and C as well as the few alternates available give the font a strong rhythm, perfectly fit for headline and titles. If you're into classic/vintage letter designs, then this typeface suits best for you. Packed with 300+ glyphs , now it’s your time to go crazy and explore the uniqueness of this typeface!

FodaSans typeface is a Multi-language font family for a wide range of uses, comes with 126 weights with 463 glyph for each weight, supports Latin and Arabic language and covers OpenType features like Glyph Composition / Decomposition, Kerning, Standard Ligatures, Mark Positioning .. and more. The Typeface Have 6 Styles (Normal, Curved, Rounded, Solid, Solid Curved, Solid Rounded) with their obliques and italics ranging from Extra light to Black. Thank you for choosing FodaSans fonts from Fo Da Foundry.

Polate Soft is an altered modified from the form of the original “Polate” typeface. Designed to be more friendly, the font family has rounded terminals that harmonizes with rounded corners. With all of these features, “Polate Soft” is a prominent, eye-catching and unique typeface. It comes with 6 weights with 5 Hight options in order to suit for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing, as well as packaging.

Rotato is a lowercase only geometric slab-serif typeface that brings versatility to any design. This minimalist but distinctive font is defined by its crisp composition and modern elements — designed for optimal legibility at all sizes. Out now in all lower case, Rotato leaves an understated impression of elegance & futurism. Currently available in three standard weights, more coming soon: Rotato Light - Clean and classy Rotato Regular - Elegant and elite Rotato Bold - Strong and classic FEATURES Three (3) Font Weights + Italics Numbers and Punctuation New (v2): Extended Ligatures & Nordic Character Set Special Characters Rotato is a dynamic font that works great across various applications: from branding & logos to technology & fashion — whether in a giant heading, or paragraphs of body text. Thanks for checking out Rotato; we hope you enjoy using it.

Trigger slab serif inspired by sporty design, vintage style with a touch of classic style. There are 8 different styles that you can apply in your design projects. This font is built with solid foundations, strong visuals, old-school movement, and a modern minimalist style. Trigger is perfect for , Jersey , athletic, poster, branding projects, Logo design, Clothing Branding, product packaging, for magazine titles. for something with the theme of sports, album title, etc Trigger Features: · 8 Weights font · Numerals & Punctuation · Accented characters · Multilingual Support · PUA Encoded While using this product, if you encounter any problem or spot something we may have missed, please don't hesitate to drop us a message. We'd love to hear your feedback in order to further fine-tune our products. Thanks and have a wonderful day

The publication of this more mature design is the result of a previous 1-style project which was developed in 2010. Rita, the new design, has increased from one single style to a full font family, with a strong personality, ideal for short text for high impact designs. Rita is a slab serif typeface that offers a wide range of weights and widths—from a thin, ultra condensed font to a heavy variant for poster design. Its variety of weights and widths allows users to create a number of different compositions such as titles and text for impact or high impact graphics. Rita comes in 10 styles and includes a set of 400 characters that support over 200 languages. Rita was designed by Daniel Hernández with the collaboration of Rodrigo Fuenzalida.

Cowhand is a display typeface designed by Toshi Omagari to keep words at one specific width. Words of one letter will have one very wide character, words of two letters will have characters of half that width and so forth. At the maximum of 20-letter words, characters become very tightly compressed. The design of the Cowhand typeface is inspired by western style block printing with reverse stress that is characterised by chunky slab serifs. This Lite version of the typeface was designed as part of a font marathon over the course of 3.5 days in Monotype’s NY office. Please Note: these "Lite" fonts are offered with a limited character set. Monotype is proud to support Room to Read’s work in literacy and girls’ education through our font marathon initiative.

Maribor is a slab serif font with nice shapes, they are both soft and angular. It is perceived calmly and with a twist. Maribor means "Mara`s pinery". The energy of the Universe, reflecting the modification, renewal and change for the better is called Mara; Ancient wise ancestors called it so. Today it is known as the goddess Mara in the Vedic worldview of the Slavic-Aryan peoples. Maribor is a multilingual font, it contains characters for 104 Latin languages and all Slavic, including all capitals for them. There are all major currency signs, including the ruble and the Euro. Many OpenType features allow you to make a variety of compositions; as well as to see the font from the new side thanks to the stylistic sets for the Slavic alphabets.

Bommer Sans is a warm and friendly type with a distinguishable look. It has been designed to add our twist to the flavour of English humanistic sans serif typefaces. Bommer Sans works like a charm for editorial, headlining, exhibition, signage and wayfinding projects. The big x-height and ascenders close to cap height favor tighter interlinear spacing. The ‘Q’ tail, resting on the baseline, is an invitation to play vertical, stacking lines of caps. Curved strokes on the ‘i’, ‘k’, ‘l’, ‘K’ and ‘R’ bring a friendly touch without compromising the sturdy structure, a marked characteristic of the design of the figure set. With seven weights in the upright and its matching italics, Bommer Sans has 14 styles and is part of the Bommer family. Check Bommer Slab for a great companion!

Museo... it all started with my love for the letter ‘U’. This uppercase letter just came to me as an image in a daydream. The top of both stems bent into semi-slab serifs. From this principle I worked out the rest of the uppercase letters. My first intention was to make it an all-caps display font, but after a while, I changed my mind. I wanted it to be a bit more versatile, so I decided to add lowercase and adjust spacing and kerning to increase legibility. This OpenType font family comes in five weights, and each weight comes with support for CE languages, even Esperanto. Besides ligatures, contextual alternatives, stylistic alternates, fractions and proportional/tabular figures, Museo has a ‘case’ feature for case-sensitive forms.

Outright slab serif inspired by sporty design, vintage style with a touch of classic style. There are 4 different styles that you can apply in your design projects. This font is built with solid foundations, strong visuals, old-school movement, and a modern minimalist style. Outright is perfect for , Jersey , athletic, poster, branding projects, Logo design, Clothing Branding, product packaging, for magazine titles. for something with the theme of sports, album title, etc Outright Features: · 4 Weights font (Regular,Italic,Bold,Outline) · Numerals & Punctuation · Accented characters · Multilingual Support · PUA Encoded While using this product, if you encounter any problem or spot something we may have missed, please don't hesitate to drop us a message. We'd love to hear your feedbacks in order to further fine-tune our products. Thanks and have a wonderful day

Logtown Duo is a hand-drawn font that blends vintage charm with a rugged edge. It's the perfect choice for your vintage-themed logos, branding, and adventurous designs. This font combo combines both elegant Script and Slab Serif styles, giving you options from solid to textured looks. Plus, it's got your back with support for multiple languages, making sure your message reaches everyone. Whether you're aiming for nostalgia or a modern twist on the classics, Logtown Duo has you covered for stylish and impactful designs. Features A set of uppercase and lowercase glyphs Number, symbol, and punctuation Multilingual Support Alternates, ligatures, and swashes (script version) Type j_1 until j_9 to features swash, ligatures will automatically replace the standard letter pairs whenever available, when using any OpenType capable software (script version).

Nagel is a contemporary uniwidth display sans serif for headlines and short texts. It’s a closed low-contrast typeface with an emphasis on stroke joints. The length of the line set in Nagel remains the same in all weights. Nagel has all the advantages of monospaced typeface graphics, but none of their functional disadvantages. Characters in Nagel are made monospace-like wide, as opposed to traditionally narrow characters of proportional fonts, and often have slab serifs. Letters of monospaced fonts that have to be narrowed down considerably, have the usual width here. The scope of Nagel is branding and identity of IT companies, infographics, scientific and technical documentation — any areas where a technical, modern typeface with distinctive graphics may be required. The typeface includes three upright styles — Regular, Medium, Bold; two sets of 11 and 18 slanting degrees and a variable version with two axes: Weight and Slant. The character set includes extended Cyrillic and Latin alphabets, arrows, triangular bullets, index numbers and fractions. Designed by Alexander Lubovenko.

Zin Sans is a contemporary sans-serif typeface designed for various situations of typographic usage. Characteristic feature is a large x-height and balance between neutral construction of letters (strictly vertical axis) and dynamic open forms (opened terminals). Another typical feature is a visually narrower connection between stems and strokes. The complete font family consist of three width proportions (Normal, Condensed and Extended). Every sub-family has 5 weights, ranging from Light to Black with matching Italics. Each font includes small capitals, old-style and tabular figures, standard and discretionary ligatures, alternate glyphs and a many of typographic options applied by the Opentype features. Zin Sans can be effectively used for both text and display typesetting. It can be used especially in magazine layouts and editorial design, as well in advertising typography, orientation systems, corporate identities and many other situations. Zin Sans is a member of the Zin type system, which also includes Zin Slab, Zin Serif and Zin Display fonts. You can try Demo styles in Medium weight fully for free.

The typeface Belwe, created in 1926 by German typographer and teacher Georg Belwe, has an uncommon style that is difficult to describe. It is a synthesis of many different genres: it is a slab serif with Art Nouveau style but also with many blackletter influences. The angled serifs on the ascenders and the calligraphic flourishes on the the upper and lowercase V, W, and Ys reference marks made by pens. There are also many other special characters that are unlike any other designs. Have a look at the fun lowercase a, the quirky lowercase f and g, and the unique C, F, L, and R for the uppercase. This design works especially well for display sizes, but is also good for short amounts of text. The mood and image suggested by this typeface is great for menus, invitations, and signs when you want to send a personal and friendly message. It's Art Nouveau roots also give it a place in history for designs from the Victorian period up through the 1920's and 30's

The typeface Belwe, created in 1926 by German typographer and teacher Georg Belwe, has an uncommon style that is difficult to describe. It is a synthesis of many different genres: it is a slab serif with Art Nouveau style but also with many blackletter influences. The angled serifs on the ascenders and the calligraphic flourishes on the the upper and lowercase V, W, and Ys reference marks made by pens. There are also many other special characters that are unlike any other designs. Have a look at the fun lowercase a, the quirky lowercase f and g, and the unique C, F, L, and R for the uppercase. This design works especially well for display sizes, but is also good for short amounts of text. The mood and image suggested by this typeface is great for menus, invitations, and signs when you want to send a personal and friendly message. It's Art Nouveau roots also give it a place in history for designs from the Victorian period up through the 1920's and 30's

Rabento is an original serif family, with articulate and big letterforms. The typeface was drawn and created by Mans Greback between the years 2018-2021, and is designed to assure a unique and confident character to any headline, logotype or title. A display typeface made for large text displays, it is still clear and legible. With great contrast, this lettering has precise hairline thin horizontal parts, a bold and expressive outline and fat slab serifs. It has traditional traits, but a new and modern design, which together makes for an impactful and notable type setting. Rabento is provided in six high-quality styles: Regular, Italic, Bold, Bold Italic, Black & Black Italic. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

With five weights and four contrasts, all grouped in three version : sans-serif, slab, serif and all this doubled by a true italic, Oman regroup 120 different styles declined in four variables. Perfect from headlines to text, Oman will meet your needs with a many languages to support (Latin pro, Cyrillic), 14 OpenType features (Fraction, Numerator, Denominator, Tabular figure, Oldstyle figure, Small capital, Small capital from capital, Ordinal, Stylistic set, Case sensitive, Discretionary ligature, Contextual alternate and All access alternate). • Numerator and Denominator includes numerals and currency • Tabular Figure includes : numerals, currency, OldStyle numerals, small capital numerals, small capital currency. • Small Capital features includes the Latin & Cyrillic alphabet with the accents. • Ordinal feature includes the Latin & Cyrillic alphabet. • Two Stylistic set for “a” & “g” includes accents. • Discretionary Ligature includes “AE”, “AÉ”, “IJ”,“OE”, available in lowercase, small capital and ordinal. • Contextual Alternate includes ligatures for arrows : <-->^|v|<->v^|. Add n, d or +, for numerator, denominator or case arrows. All Case sensitive characters become after the uppercase and number.

This typeface is primarily optimized for the setting of belles-lettres. The regular styles are balanced to suit small text sizes and enable the reading of long portions of text. The development of the typeface was guided by the goal of creating a contemporary, discreet book serif, with modern expression and numerous functions. Letters feature reduced contrast, the lighter styles may evoke wired letters, while the heavier ones bear distinct slab serif references. The extremes thus work in harmony and fulfil the demanding requirements of advertising and magazine layout. The typeface is suitable for bottle labels, invitations, exhibition catalogs and posters, for printed and online presentations alike. The name Pepone was chosen as an homage to Josef Kroutvor. Of course, the typeface isn’t solely reserved for the setting of the works of Josef K. On the contrary – we’d like to present a universal typeface suited for literature, catalogs and magazines. It wouldn’t be the first and the last example of a typeface created with a specific purpose in mind, which later became used universally.

Shareholder JNL could possibly be found on a stock certificate, but in truth, it's based on hand-lettering found on some old sheet music entitled "Sharing".

The Dragon Quill family is the 3rd reincarnation of earlier (yet to be released) dragon fonts. A simple 'Dragon Round' grew to become 'Dragon Flare', then evolved to become 'Dragon Quill'. Within the Dragon Quill family, 1 'Subtle Goth' is the most basic, followed by 2 'Goth' and 3 'Gothic'. 4 'Tribal Tattoo' is the most complex font in the family, adding hooks, spikes, holes and extra shapes around and between letters. Because of the complexity of level 4 'Tribal Tattoo', occasionally inserting letters into existing text may cause some unusual effects between the letters. If you find this distracting, a workaround can be to convert it into one of the other fonts (like Subtle Goth), while editing, then to turn it back into 'Tribal Tattoo' when finished.

Mexica is a typographic tribute to Nahuatl, the tongue of the Aztecs, but also the lingua franca of ancient Mexico. ‘Mexica’ is not only the feminized, latinized form of the word ‘Mexico’, but also the name of the inhabitants of this place: the Me-xic-cah. Nahuatl, when composed in the Latin alphabet, abounds in diagonal letter shapes: XYZ are ubiquitous in its classic orthography, just as KW are in its modern one. This visual feature is further enhanced by the absence of some rounded letters such as BDG that depict inexistent sounds in this millenarian tongue. Besides, Nahuatl is language with a tendency to form very long words that give the text quite a distinct appearance, unlike English, for instance, with its abundance of short words. Mexica was designed to look well in all these contexts, and to perform as well as a contemporary, daring, stylish serif type family, with several weights for text and display composition. Further, its terminals and general structure —devoid almost completely of straight lines—are inspired by the angled architecture and ornamentation of the ancient city of Mexico- Tenochtitlan. Mexica received an Award of Excellence at the Type Directors Club of New York annual competition.

Timeless imperfection FS Meridian is a rhythmic geometric grotesque which takes inspiration from the precise yet imperfect nature of time. There are 24 hours in a day. 60 minutes in an hour. 60 seconds in a minute. Well, almost. The Earth’s orbit isn’t a perfect circle – and nor is the Earth itself. Each day varies a few dozen seconds and up to 16 minutes each year. Look closer and time is more flexible than we think. Geometry with a twist From a geometric base, FS Meridian’s rounded forms veer and extend, creating unexpected humanistic shapes – while the straight terminals remain reliably rigid. This combination of forms gives this grotesque sans serif a pleasingly dynamic rhythm, every time it’s read. Added quirks The unconventional character of rigid terminals and ink traps are balanced with emphasized extended forms to develop visual differentiation. Designed by Kristina Jandová, the complete family has been carefully crafted with distinguishing marks. Take a look at the cap ‘Q’ which comes with three alternative options. Deliciously loopy FS Meridian has a wide geometric, mono-liner appearance with humanistic elements. Quirky individual touches like the loopy expressive pound sign help the typeface to stand out. Available in five weights, FS Meridian is both timeless and timely, a distinctive font for all screens and surfaces.

Timeless imperfection FS Meridian is a rhythmic geometric grotesque which takes inspiration from the precise yet imperfect nature of time. There are 24 hours in a day. 60 minutes in an hour. 60 seconds in a minute. Well, almost. The Earth’s orbit isn’t a perfect circle – and nor is the Earth itself. Each day varies a few dozen seconds and up to 16 minutes each year. Look closer and time is more flexible than we think. Geometry with a twist From a geometric base, FS Meridian’s rounded forms veer and extend, creating unexpected humanistic shapes – while the straight terminals remain reliably rigid. This combination of forms gives this grotesque sans serif a pleasingly dynamic rhythm, every time it’s read. Added quirks The unconventional character of rigid terminals and ink traps are balanced with emphasized extended forms to develop visual differentiation. Designed by Kristina Jandová, the complete family has been carefully crafted with distinguishing marks. Take a look at the cap ‘Q’ which comes with three alternative options. Deliciously loopy FS Meridian has a wide geometric, mono-liner appearance with humanistic elements. Quirky individual touches like the loopy expressive pound sign help the typeface to stand out. Available in five weights, FS Meridian is both timeless and timely, a distinctive font for all screens and surfaces.

FP Quality is a extended stencil typeface with a slightly and rounded outline and classic shapes. The font contains only Uppercase, and is available in two versions.

Picaflor soft, is a continuation of "Picaflor" now in a rounded version, especially for titles, it contains different styles from Thin-Black, in addition to multiple languages

Elegant custom font with rounded corners, great for logos, posters, motion graphics and t-shirts. The name is inspired by the sleek curves and its smooth look.