Oldion is a captivating display font, draws inspiration from the boundless realms of science fiction and modern technology. With its distinctive and futuristic accents adorning each letter, Oldion breathes life and dynamism into your projects. Available in both regular and rounded styles, infuses a touch of innovation and intrigue into your designs. Oldion is your ideal choice for a wide range of creative applications, from commanding movie posters and attention-grabbing headlines to captivating packaging and distinctive logotypes.

Playing around with a previous design, Jeff Levine came up with Cut Paper Stencil JNL, a typeface with both an Art Deco flair and the look of letters made from cut paper.

Edessa JNL is a Greek-styled alphabet found in an old book used by sign painters. Its simple, angular lines and clean approach add a taste of the past to your work.

Rimbomba is a freehand style font with long ascenders and descenders and a steep slant making it elegant yet casual. It is inspired by writing letters by hand, as it was done before, with strokes that in the normal style imitate the tip of a pen and in the medium and bold styles they imitate a round pen stroke. It is a font with strength in its movements and finesse in its curves, which creates a homogeneous set that is easy to read and which produces a certain reading speed. It is complemented with stylistic alternatives for the beginning and the end of the words.

Agatized Formal is a chunky stencil typeface with slightly condensed letterforms and tight spacing. Designed primarily for display use, it’s ideal for posters, logos, advertising, book cover designs or small chunks of text such as pull-out quotes. It exudes authority without taking itself seriously, like a plump jolly uncle in charge of a brass band. Agatized Formal is a big, bold typeface with a charismatic presence that commands attention – in a friendly way, of course. But what really makes this typeface come alive is its arsenal of alternative characters and ligatures. There is a saying: Use sparingly. Whoa! Not here, no, no, no. Make your Glyphs palette earn its money. Flex your OpenType muscles: get stylized, contextualized, indulge in some ligaddiction. This typeface is a peacock that likes to put on a show, spread its plumage and strut around in all its blazing glory. Agatized, according to Wiktionary, means: A living thing converted into the form of agate; fossilized. I felt the name suited the solid, almost rock-like letterforms, but most of all I just wanted a typeface name that began with the letter A. Although Agatized Formal is a single-weight typeface it has a sibling, Agatized Informal, an older, more casual brother, rougher round the edges with craggy good looks and an altogether more jaunty style.

The dearJoe series of fonts had it’s origin somewhere around 1999, the year I created dearJoe 1, which was a first (and half-assed) attempt at converting my own handwriting into a working font. Being able to type in my own handwriting had always been a childhood fantasy, and even though I only partly understood the software, a working font was generated and I decided to put it on the internet for people to use. And that’s what they did: at this moment the dearJoe 1 font has been downloaded millions of times and can be found on just about anything, ranging from Vietnamese riksjas, a Tasmanian gym to a fancy chocolate store on 5th Avenue. The font is not something I am particularly proud of, but it started me of in building what later became the JOEBOB graphics font foundry. Inbetween creating other fonts, the dearJoe series has become a theme I revisit every once in a while, trying to create an update on how my handwriting evolved, along with my abilities in creating fonts that mimic actual handwriting. In the last decade or so I started implementing ligatures and alternate characters, which helped a lot in making something that can almost pass for actual handwriting.

Ico Phone is a set of 115 symbols depicting anything that happens on the screen of a regular mobile phone. To name a few, there are Bluetooth and sync icons, signal bars, battery statuses, media playback icons, USB symbol, lock icon as well as a wifi signal strength indicator. The style of Ico is inspired by the look of symbols used on the classic monochrome LCD displays. The symbols are monolinear with rounded corners, composed of a smallest possible number of elements. In addition, the rounded style is accompanied by a second style with sharp corners and more detailed drawing. All symbols of Ico share the same width, making the font compatible with the LCD typeface ION. Together, they are the perfect sollution for LCD style typography. Ico Phone is a part of a larger set. Have a look at the other available Ico fonts and don't forget to check back soon for even more additions.

The Carlsbad font family is a bringing together of Regina Cursiv and Hansa Cursiv which both had been released by H. Berthold Messinglinienfabrik und Schriftgiesserei around 1895. Both these beautiful Art Nouveau italic fonts come with the following swash alternatives: D, E, G, H, K, S, T, h, k, m, n, s, and z.

This font was inspired by lettering found on an old newsprint periodical from the 19th century.

This font was inspired by lettering found on an old soap box from the 19th century.

Prospector JNL is based on a lettering example found in an old Speedball-pen lettering handbook.

“Stillson” is an Art Nouveau-influenced font found within the pages of the 1881 Barnhart Bros. & Spindler type specimen book. The digital revival is called Office Manager JNL, and is available in both regular and oblique versions.

Pickfair JNL is based on the vintage wood type Vandenburgh Tuscan (circa 1867), and gets its name from the mansion owned by Douglas Fairbanks and Mary Pickford—two of the founding partners of United Artists movie studios.

Cycladic is a distinct display monospace typeface. The Cycladic name is derived from the Greek kyklos meaning “circular” and reminiscent of writing in ancient Greece with a geometric circular style. Cycladic is great for fashion, events, branding, nautical and suited for luxury work, display, invitations, writing, architecture, posters, logos, titles and headings. Cycladic is designed by Thoma Kikis and is currently available with Latin, Cyrillic and Greek character sets in 4 styles including Regular, Rounded, Rough and Outline.

Kernel is a square geometric type family in six weights with matching obliques and small caps. The design mixes slightly rounded terminals and shoulders with square counterforms, giving the shapes a strong masculine and futuristic look, great for applications like innovation, technology, sports and of course, sci-fi ! The fonts, delivered in Opentype format, include diacritics for most European languages and come with a variety of Opentype features : two stylistic sets, tabular figures, case-sensitive forms, fractions and more.

Sunfleur is a high dose of peace and love. With flared edges and rounded terminals, its playful forms were inspired by the flower child style of the 1960s. The waxing and waning curves of the letters complement each other for optimal readability and flow. Sunfleur also features a series of happy flower icons. Bring positive energy to logos, headlines, packaging, editorial, and posters. Includes all uppercase characters with punctuation, glyphs, diacritics, numerals, icons, and multilingual support.

Carnaby Street is a vintage style bold font that pairs strong rectangular framing with softer rounded elements. It has a cool, funky, and groovy vibe, while still retaining a strong sense of linearity and geometry. This lettering style conjures up the retro vibes of the 1960s swinging London scene, or the psychedelic poster art of posters and handbills for the Fillmore Auditorium and Avalon Ballroom in San Francisco in the mid to late '60s. It represents a new take on a classic array of hand lettered stylings that have their roots both in the Art Nouveau Movement and the hippie counterculture movement of the 1960s and early 1970s.

This chunky rounded bold font is not only fun and playful but also incredibly versatile. Whether you're working on food product branding, creating a display headline, or designing packaging for your latest project, Omletta font will surely bring a smile to your face. With its bold and rounded design, Omletta font is perfect for creating eye-catching designs that demand attention. It's perfect for brands that want to make a bold statement and stand out from the crowd. Plus, with its support for Latin multilingual, you can use Omletta font for all of your international design projects. So what are you waiting for? Add some fun and excitement to your next project with Omletta font. With its playful and youthful tone, this font is perfect for creating unique and memorable designs. Whether you're designing for a food brand or a fun event, Omletta font is the perfect choice to help you capture the essence of your project. Get ready to make your designs pop with this bold and playful font!

Proudly present Chunky Beard - Retro Type, created by ikiiko. Chunky Beard is a vintage font with bold, rounded letterforms with vintage vibes from the 60's era. These fonts often have heavy, wide strokes and lack clear borders, giving them a warm and inviting appeal. Rounded edges, exaggerated curves, and exaggerated serifs are some of the characteristics of 60s vintage-type typography. Additionally, they often have very constant stroke weight across letters, further accentuating their distinctive appearance. From posters and flyers to logos and branding materials, bold typography with a vintage '60s feel is a great way to add a dash of retro charm to any design project. The font it self is grab people's attention with their vibrant, fun, vintage appeal and undeniable aesthetic. This kind is ideal for projects that seek to convey a sense of nostalgia and the retro vibes as well as retro-themed designs. As a movie title, corporate logo, quote, poster design, magazine layout, or just as a chic text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Multilingual Support Works on PC & Mac

This new OpenType pro family has four members so far with 588 characters and glyphs each. It is a redrawing of Diaconia Old Style, which has been worked hard and found to be very readable, elegant, and extremely useful for books, newsletters, or anything you need. It is elegant enough to use the regular weight as huge display type over 200 point.

William Jameson is a monoline signature handwritten font. Its distinct and well rounded letters make this font a masterpiece. Fall in love with its incredibly versatile style and use it to create spectacular designs! William Jameson is made using opentype technology which makes the connection between letters more fluid, there are 3 types of tails in each letter that will automatically change according to the letters in front of it.

Nadia is an original design by Alex Kaczun. It is a modern stencil interpretation of Granjon Oldstyle, highlighted by large elongated serifs, generous proportions and a large x-height. It is an elegant display for headlines as well as text. Named after his daughter, Nadia has a distinctively vibrant and baroque quality which some would even call sensuous. It’s a truly unique stencil treatment characterized by crisp, clean, rounded shapes.

One of the original Clarendon types, an English design, here derived from a specimen taken from an American foundry, no identifying marks. With a tall x-height, wide version, unlike more traditional Clarendons, not a square serif but bracketed. Unique to this Clarendon are the rounded openings at the points where the horizontal and vertical stems meet in the capital B, D, P and R, not common in other Clarendons.

Neue Farmero is an ultra condensed Type Family that includes 3 styles: Regular, Rounded & Vintage versions. This family is an All-Caps family with each version contains alternates. With 3 styles and iconic alternates, Neue Farmero can give a diverse set of aesthetics. With light giving a much more simple modern vintage look, fashionable feel and the bold giving a more rugged vibe for Simple Coffee shop logo, Brewing Company logo.

Unicorn Couple is a cute, fun yet chunky letter display font. Its well-rounded and slightly chunky characters make this typeface an extremely versatile one! Its unique shape is very suitable for game designs, animation, product packaging, posters, sports, music and much more! It can elevate the look of almost any of your beautiful creations! This font is PUA encoded which means you can access all of the glyphs.

Menaka is a high contrast type family. The main feature of the typeface is round shaped stroke ends, which distinct it with other serif fonts. Menaka solves problem in many design areas such as books, fashion brands and beauty products. Thought behind Menaka is to give classic yet modern form to a font. Menaka also serves well in short texts, article introductions, brands identity and packaging. Have fun with Menaka!

Dalcora was designed by Erwin Koch in 1989 in a single weight. The most distinguishing characteristic of this font is its unusual proportions. Text fonts are usually designed with more delicate horizontal strokes as the verticals, but Dalcora is exactly the opposite. Its slight slant to the right and the round forms of the letters make the font dynamic and cheerful. Dalcora is intended exclusively for headlines in larger point sizes.

There is no such thing as a talking cat, however, you can often find these in adventures, movies and other stories. At least, now you can have your own font called "Talking Cat", and perhaps even your cat will like it! Mine did! Talking Cat works very well with packaging, toys, posters, postcards or perhaps even flyers - the smoothly rounded edges makes sure your design keeps that handmade look!

Introducing “SLOB DOUGH” is a super bold typeface that is very suitable for use with various print and digital media, with its thickness capable of attracting attention when used as a headline or logo. SLOB DOUGH also comes with a textured version which is your choice for project design needs that are classic or vintage in style. Features: Uppercase – All caps Rounded & textured version Symbol and punctuation Multilingual support

Middle Earth is a Medieval calligraphy serif font. With the historic charm of ancient manuscripts and the ethereal beauty of elven realms, Middle Earth typeface weaves tales of valor and legends. Its calligraphic allure is accentuated by rounded contours, reminiscent of Tolkien's enchanted worlds. The unusually large lowercase, almost circular in its form, seems to echo the undulating hills of the Shire, while its Irish-inspired design lends a timeless elegance.

Manic is simply a fun font which plays around with line width, negative space and quirkiness, and is made up entirely of straight lines. The font has a playful feel to it and is particularly good for large displays/headlines.

Many similar fonts existed in Europe around 1900 and a bit before. This one was made at the Wollmer Foundry in Germany and, except for adding the requisite modern monetary symbols and other such niceties, we preserved it quite faithfully.

Angel Koziupa was drawing letters for labels since forty years ago, now he meets SudTipos and his beautiful works could be used around the world. Murga is a dance, it’s Latin, it’s carnival....

Neona is a font in the spirit of the standard 'no frills' sans-serif 4-inch-high neon sign text used in cheap bars, coffee shops, bakeries and tattoo parlors around the world.

Market JNL is based on lettering found on a circa 1940s office supply product. There is a distinct Art Deco feel to this font, and it lends itself perfectly to all retro projects.

Raised in Flagstaff, Arizona, Carolyn Gibbs used her uniquely Southwestern perspective in designing the Artifact art fonts. The Artifact fonts are interpretations of rock art and symbols found in Southwestern Native American culture.

The Postea font family is Veronika Burian and José Scaglione’s take on German geometric typefaces, reshaped with the right attributes for setting paragraphs and headings, and perfect for branding and text use. Some typefaces are a rough tool, like a pumice rock: abrasive to the senses, unforgiving, and unhelpful for most reading situations. Postea is an obsidian: smooth and classy, with attractive nuances in any light. The classic curves and purposeful details keep its individuality intact while allowing it to fit an incredible range of geometric font needs. Because of these qualities, Postea makes normal reading in paragraphs a cinch and your branding memorable. Compared to midcentury attributes of restraint and a sparse appearance, Postea’s deliberate play between character widths injects life and distinctiveness into its personality. The default ‘t, f’ have lyrical doses akin to a robust evening drink and are rounded out with a serpentine ‘s’ and rotund ‘o, g, b’. Another nice surprise awaits: spacing for the Hairline weight is tighter for optimal use in large headings and titles, while the regular weights have the expected, slightly looser spacing for text. Setting the test word ‘bogarts’ brings all this together nicely, invoking a balance between a constructed and human feel while brushing away the dust from a century of derivatives. Postea is opinionated and its modern stylistic sets allow it to be accommodating with softer, specially-designed alternative characters. SS01 replaces ‘b, f, M, m, t’, while SS02 changes only the lowercase ‘a’ to the round style, and SS03 swaps out the angled ‘y’ for a straight version. The fourth and sixth stylistic sets are packed with wallpaper-worthy geometric patterns, ornaments, arrows, and symbols aplenty. Postea’s 14 styles (seven upright and italic) and two variable fonts are accompanied by an all-new family of icons in three weights, which we developed a new, easy way to activate. Simply bookend the desired icon name with colons (:arrowUp: :chargingStation: :aid: :firstAid:), making sure to capitalise each word after the first word, then highlight and activate SS05. Icons include wayfinding, social interface, sanitary precautions like face masks, thermometers, and hand washing, and much more. Postea is resilient in the number of ways the family can be used, and its recognisable characters make it a prime selection for branding, signage, corporate typefaces, and magazines. Beginning with midcentury virtues, Postea is the rational response for text — a lyrical take on geometric sans serifs.