Maidern is a gore and death metal typeface style. Maidern is perfect for logotype death metal brands, products, merchandise death metal band, death metal band covers, rock events, rock posters, rock magazine covers, branding, product design, labels, and other creative project. Make your artwork more gore with the deadly style of this font.

Who doesn't want or need an expansive contemporary extended sans that has a sense of style and swagger… what if it had a lowercase, small caps and various numeral options… how could you say no? This was the foundational argument I made for myself when I drew the initial alphabet on my birthday last year (something I do each year, draw a new font, kind of a fun OCD thing). I wanted to see a wide, utilitarian sans that had more to it than just a basic character set and didn't resemble standard geometric models. As I continued sketching, the letterforms were being influenced more by my 'lettering tendencies' than the normal mechanical trappings of drawing flat, wide letters. The letters have retained aspects of letters created by hand — stresses, modulation, naturally ending terminals. Truncation and quick clipping of strokes became antithetical to the letterforms I drew, so I continued this once I brought the design into the computer. I kept it precise and dependable, but made every attempt to keep a conscientiously crafted typeface and not let it devolve into a grid-based drone. As such, it works just as well looking back in time as much as it does assuming a lead role in a sci-fi movie. Halogen does deliver and opts not to take a short cut and provide an anemic offering of glyphs — a modern typeface offered today must provide more than just the basics and this one does — lowercase, smallcaps, old style numerals, tabular forms, stylistic and titling alternates, fractions, case-sensitive features, and even an alternate uppercase ordinal set is included. So go make cool print and digital things with it, now.

Thomas Jefferys (ca. 1710–1771) was the best-known map maker in 18th-century England, chiefly because he won (and hyped) the title “Geographer to King George III.” Jefferys was really more an engraver/publisher than a geographer, since he mostly relied on the cartographic materials of others. Still, his maps of the North American colonies were well known. Geographica is a legible, four-style serif family modeled after the neat hand-lettered place names and peripheral text on Jefferys’s maps. With its long serifs, tall x-height, and robust curves, Geographica somehow combines classic elegance with a whiff of coastline and sea. The italic styles have the slant and warmth of the hand-drawn source materials. And the typeface comes with a slew of distinctive map-based ornaments—including compass wheels and sailing ships. This evocative serif works well in both display situations and long blocks of text, whether on paper or screen. OpenType features include small capitals, numerous ligatures, and two stylistic sets of titling caps. Geographica offers full support for Central and Eastern European languages—more than 1,200 glyphs in all.

Tertius, with its high ascenders and clubbed serifs, is a modern interpretation of the classic Carolingian style (7th - 9th centuries AD). There was no capital form in the Carolinian hand and Roman square capitals were originally used with it. The Carolingian hand began, after a while, to develop more cursive tendencies as people looked for a way to speed up the writing process. I have “capitalized” on this trend and have devised an appropriate and dramatic set of flowing capitals for this family. With its elegant swashes and bold letter shapes, Tertius embodies the romance of medieval life, of knights, castles, and chivalry. Tertius comes in four styles:- -- Regular: with elegant, smoothly penned characters; -- Crenellated: written with a scratchy pen over rough parchment -- many drops of ink and blotches have been left on the parchment (“Crenellated” means battlements -- the rough protrusions on the top of castle walls); and -- Romantic: the capitals have been loosely overwritten generating a contemporary version of illuminated capitals. -- Illuminated: richly decorated illuminated capitals for use with Tertius Regular (28 characters) All fonts have been carefully crafted, letterspaced and kerned and contain full character sets of 237 characters.

Introducing Slothy Jelly! A fun font for everyone. Slothy Jelly is a cute handwritten font that has fun and happy characteristics. This font is authentically handwritten with the marker pen for a consistent look. This font also has alternates so you can mix and match the letters and make it more fun! For some extra hand-drawn cuteness, this font is also thrown in a bonus font with symbols like emojis, hearts, underlines, arrows, and circles - and drawn with the same pen to perfectly go with the writing. So it will help to make your design more cute and happy. This font is suitable for branding, posters, children's books, magazines and others. Your download will contain the following fonts such as Slothy Jelly Regular - a pretty and cute handwritten including a set of uppercase, lowercase, alternates, ligatures and multilingual support. Slothy Jelly Symbols - a dingbat font of many hand-drawn elements These fonts will work in any program, but please note that the alternates and ligatures of the font can only be accessed on software that supports OpenType features. Thank you for your purchase! Hope you enjoy this font

Say hello to "The Perfect Match" Font set! 4 lovingly hand-drawn fonts made to complement each other perfectly in your type designs. Perfect for quote designs, quaint logos, clever packaging, sign boards, greeting cards, merchandise designs and so much more! Also included is 2 extra 'Dingbat' fonts - packed full of cute little hand doodle extras - to really make your designs come together beautifully!

Harlan is from another place and time. But not just one specific place or time– with its barely-there, knife's-edge serifs, and its smooth curves and flourishes, Harlan feels both vintage and modern; both feminine and masculine. Inspired by the Baltimore bar "WC Harlan", which in turn was inspired by the old candle-lit bars of France, the tucked-away osterias of Italy, and the antique books and journals one might find in a patron's hand. It's a font you'll reach for when you're looking for something refined and elegant, but not too stylized or stuffy.

The Vintage Crafted Font is hand drawn typeface with retro themes. This font collections contain script and sans serif font. Every font comes with 3 style typefaces (regular, rough and stamp). This sans serif font includes some ligatures. The Vintage Crafted matches apply in some designs such as the logo, poster, label, badge, packaging, t-shirt, branding, quotes and more custom design. Vintage Crafted includes : 6 fonts (script and sans serif) 3 style typefaces (regular, rough and stamp) Uppercase, lowercase, numeral, symbol and punctuation in script font All-caps, numeral, symbol, punctuation and ligature in sans serif font Multilingual and PUA Encoded

Proudly present Chemicalife - Hand Drawn Letterpress Type, created by ikiiko Take advantage of "Chemicalife," a stunning hand-drawn letterpress typeface created to take your poster designs to new heights, and embrace its retro appeal and aesthetic attraction. The distinctive "Regular" and "Rough" forms of this typeface, each with its own compelling personality, provide your projects an unsurpassed degree of versatility. Discover the world of purposeful imperfection with Chemicalife's "Rough" aesthetic. This variation celebrates the natural flaws of handcrafted artwork and is inspired by the genuine charm of vintage letterpress prints. Every word and character exudes an artistic rawness that gives your posters a sense of true craftsmanship. These imperfections and uneven edges are the telltale signs of an artist's touch. This typeface is perfect for an vintage poster, movie title, packaging, food & beverages, magazine design, fashion brand, classic stuff, quotes, or simply as a stylish text overlay to any background image. What's Included? 2 Weight : Regular & Rough Uppercase & Lowercase Numbers & Punctuation Multilingual Support Works on PC & Mac

Introduced by Timurtype Studio! Marthine Diamond is a Modern Handbrushed Script Font This font unlocks the appeal of contemporary design with a modern handwritten font, a symphony of sophistication and spontaneity. This font effortlessly combines the precision of digital craftsmanship with the organic flow of hand-drawn elegance. Each letter is a brushstroke of innovation, adding a dynamic and bespoke touch to your project. The sleek curves and smooth lines of modern hand script fonts create visual harmony, infusing your designs with a sense of stylish authenticity. Enhance your creative expression, as these fonts integrate seamlessly into a modern aesthetic, offering the perfect balance between avant-garde pieces and timeless works of art. Let your words take on a new dimension, where art blends technology and tradition, giving life to a contemporary narrative that is visually striking and uniquely yours Marthine Diamond Font also supports multilingualism. Enhance your designs with our original fonts, feel free to comment or provide feedback, Enjoy the fonts 😊 Thank You

The award-winning Scala family (1990-1993) is a worldwide bestseller and has established itself as a ‘classic’ among digital fonts. It was one of the first serious digital text fonts to support small caps, ligatures and different set of numbers. In fact Scala and Scala Sans (1990-1993) are two different typefaces sharing a common form principle: the skeletons of both Scala and Scala Sans are identical. Scala’s dark colour and low contrast works to prevent the thin parts from breaking up. The generous length of Scala italic’s serifs gives it a strong rhythm. The bold weight has the same character widths as the normal weight, so changing a text from normal into bold does not affect the set width. Another part of Scala is very popular among its users: Scala Hands, containing more than one hundred decorative hands and pointers, is a free bonus. Scala Jewels is a set of four highly decorative typefaces, based on the bold capitals of Scala.

In the year 1791, the 20th of June, the king of France Louis XVI attempted to flight from Paris to the Luxembourg. He was intercepted on the road and taked to Paris again on the 21st. A few month later, in September, the first French democratic constitution was promulgated, transferring the sovereignty from the king to the French people. This font was created inspired from the steady hand of a lawyer writing a farm renting contract a few days after the advent of the new French regime. It is a "Pro" font containing Western (including Celtic) and Northern European, Icelandic, Baltic, Eastern, Central European and Turquish diacritics. The numerous alternates and ligatures allow to made the font looking as closely as possible to a real hand. Using an OTF software, the features allow to vary the characters without anything to do but to select contextual alternates and standard ligatures and/or stylistic alternates options.

Marjac is an angular and upright script typeface that is directly inspired by handwriting. It is created after "Jacno", a typeface designed in 1948 by French type and graphic designer Marcel Jacno. This unique bold design later inspired other typeface designers to create brush script typefaces like Roger Excoffon’s "Choc". You will also notice it has a "unicase" feel, sharing some lowercase letters in the capital letters. It is recommended to use it for any packaging designs related to quality hand-made products, advertising, web, film title sequence design, posters, magazines and book jackets. Marjac is loaded with an extended character set, supporting Central, Western and Eastern European languages. It has plenty of cool OpenType features like a fun automatic brush underline feature or newly-designed secret alternate letters (like capital A). Kerning and spacing (+ than 25,000 kerning pairs) have been meticulously made-to-measure to this specific brush typeface. Beautiful hand-made arrows and other symbols were created to accompany letters.

Roller Poster is named after Alfred Roller. In 1902, Roller created a poster to advertise the 16th exhibit of Austrian Artists and Sculptures Association, representing the Vienna Secession movement. The exhibit was to take place in Vienna during January & February 1903. The location is not mentioned because everyone in Vienna knew it would be held at the exhibit hall in the Secession Building at Friedrichstraþe 12, a few blocks south of the Opernring, near the Naschmarkt. Designed by Joseph Maria Olbrich in 1897, the buiilding has been restored and stands today as one finest of the many fine examples of Art Nouveau architecture in Vienna (see vienna_secession_bldg.jpg). Because of its dome, it is called “the golden cabbage.” The poster itself is unique. The word “secession” is in one type style and takes up two-thirds of the elongated poster. At the bottom of the poster are the details in a different lettering style. It is this second style at the bottom that is the basis for the font Roller Poster. In keeping with our regular naming conventions, we were going to call it Roller Gezeichnete (hand-drawn), but the wonderful play on both words and the shape of the three S’s in secession was too compelling. In November 1965 there was an exhibit of Jugendstil and Expressionist art at the University of California. Alfred Roller’s Secession Poster was part of that exhibit. Wes Wilson was designing promotional material at Contact Printing in San Francisco. Among their clients was a rock promoter named Bill Graham, staging dance-concerts at Fillmore Auditorium. Wilson saw the catalog from the UC exhibit and Roller’s lettering. Wilson adapted Roller’s letter forms to his own fluid style. The result was the poster for the August 12-13, 1966 Jefferson Airplane/Grateful Dead concert at Fillmore put on by Graham (BG23-1). Wilson continued to use Roller’s letter forms on most of the posters he did for Graham through May 1967, when he stopped working for Graham. The posters were extremely successful and the lettering style along with Roller’s letter forms were picked up by other artists, including Bonnie MacLean, Clifford Charles Seeley, James Gardner, and others. The Secession poster and the Fillmore posters have inspired a number of fonts in addition to ours. Among them are JONAH BLACK (& WHITE) by Rececca Alaccari, LOVE SOLID by Leslie Carbarga and MOJO by Jim Parkinson. Each is different and yet each clearly shows its bloodlines. Our font differs in two ways: 1) the general differences in the interpretation of the letter forms and 2) the modification of the basic letter form to incorporate the diacriticals within the implied frame of the letter, after the manner of the original design by Roller. We borrowed Carbarga’s solution to the slashed O and used it, in a modified form, for other characters as well to accomplish the same purpose. We recommend that you buy ours and at least one of the other three. According to Alaccari, a version called URBAN was released by Franklin Lettering in the 70’s (and is shown on page 51 of The Solotype Catalog). For comparison of our font to original design, see image files roller_poster_2s.jpg of original poster and roller_poster_2sx.jpg showing reconstruction using our font for the lower portion (recontructed area indicated by blue bar). Please note the consistency of character width. In the lower case, 23 of the basic 26 letters are 1/2 EM Square wide. The ‘i’ is an eighth narrower, while the ‘m’& ‘w’ are one quarter wider. All the Upper Case letters are 1/8 EM wider than the lower case. This is to make it easier to fill a geometrical shape like a rectangle, allowing you to capture a little of the flavor of Wes Wilson’s Fillmore West poster using only a word processor. We have also included a number of shapes for use as spacers and endcaps. If you have a drawing program that allows you to edit an ‘envelope’ around the letters to distort their shape, you can really get creative. I used Corel Draw for the gallary images, but there are other programs that can accomplish the same thing. The image file “roller_poster_keys.jpg” shows the complete character set with the keystrokes required for each character (see “HiH_Font_readme.txt” for instruction on inserting the non-keyboard characters). The file “roller_poster_widths.jpg” shows the exact width of each character in EM units (based on 1000 units per EM square). You will notice that the font is set wide for readability. However, most programs will allow you to tighten up on the character spacing after the manner of Roller & Wilson. In MS Word, for example, go to the FORMAT menu > FONT > CHARACTER SPACING. Go to the second Drop-Down Menu, labeled ‘Spacing’ and select "condensed' and then set the amount that you want to condense ‘by’ (key on the little arrows); two points (2.0) is a godd place to start. Let your motto be EXPLORE & EXPERIMENT. Art Nouveau has always been one of my favorite movements in art -- I grew up in a home with a couple of Mucha prints hanging on the living room wall. Perhaps because of that and because I lived through the sixties, I have enjoyed researching and designing this font more than any other I have worked on. Let’s face it (pardon the pun), Roller Poster is a FUN font. You owe it to yourself to have fun using it.

Introducing Daimaru Modern Signature font, hand made with brushing. Beautiful for wedding card design, logotype, website header, fashion design and any more. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature

A German travel poster from 1927 became the design inspiration for a type revival because of its pleasantly hand lettered sans serif type style. Euro Travel JNL is available in both regular and oblique versions.

Woodcraft JNL is another fine example of the charm wood type adds to the printed page. The hand-cut design's eccentricities enhance any project that desires to reflect the advertising of another time and place.

Introducing Alvairo Brilliante This font was created to look as close to a natural handwritten signature as possible by including lowercase swash, ligature and underlines. Perfect for any awesome projects that need hand writing taste.

Oaklinn is a handwriting script font. It allows you to create stunning and easy hand-lettering in an instant. Ideal for the logo, quotes, product label/packaging, fashion, letter, advertising, poster, merchandise, greeting cards, etc

A 1930s-era hand-lettered sign advertising a club lunch (consisting of soup, salad, dessert and coffee for 35 cents) provided not only the Art Deco lettering style but the name for Club Lunch JNL.

Zurdo is a handwriting font with a unique, left-handed flavor. It can be used large for display purposes, and it also scales down to small sizes beautifully. Put some singular character into your designs!

The hand lettered title on the cover of the 1914 tune “I Want you to Meet My Mother” served as the inspiration for Nouveau Date JNL, which is available in both regular and oblique versions.

Loosely based on some hand-lettered title cards from various vintage Columbia Pictures two-reel comedies, Short Subject JNL is a pleasant sans serif typeface that is aptly suited for titling and other similar applications.

Maeva is a non-joining wide formal 60s script, directly designed and carefully finished by hand on screen, trying to keep the script alive – preventing it from looking mechanical – by drawing each letter from scratch.

This font is based on the handwriting of an elderly gentleman who hand-copied the Bible twice in his lifetime. His neat, fluid penmanship leaves a written legacy of love for his family and God.

Lake Vacation Doodles for your camping, sailing, picnicking Summertime vacation needs. With these little graphics your party invitations just design themselves. Add an Outside the Line hand lettered font and you are good to go.

Please welcome, Magle - Homebrew Fonts. Freshly baked double fonts, straight from human’s hand. Done with click by click for your satisfaction as our goal. Comes in Script and Sans Serif, perfect for your branding needs.

Progreso is a condensed, unicase, serif gothic type design inspired by the hand-lettering on Russian posters from the 1920s. Supports most European languages, including modern Greek and most languages that use the Cyrillic alphabet.

Hand lettered production credits for the1930 film “Holiday” inspired the digital type revival Summer Holiday JNL; available in both regular and oblique versions. An Art Nouveau influence is reflected in this pleasant, casual serif typeface.

The 1963 German release poster for "What Ever Happened to Baby Jane?" features a creepy, sinister, hand-lettered type design that became the model for Creepy Events JNL, available in both regular and oblique versions.

Introducing Aubrielle script font! It allows you to create stunning and easy hand-lettering in an instant. Ideal for the logo, quotes, wedding, product label/packaging, fashion, letter, advertising, invitation, poster, merchandise, greeting cards, etc.

Posie is a hand made font created in Procreate by MJ herself. It's a fun and whimsical font that would be perfect for greeting cards, toys, picture books or anything that requires a naive sensibility

Dezzy Font is a cool alternative for you to create Underground band logos or anything else easily. Using effects in the font will liven up the font and it will look cooler and fiercer. This font has a strong, aggressive and bold look, reflecting the aesthetics of the metal music genre itself. This font is very suitable for band logos, poster designs, t-shirt designs, jackets, hats, beanies, etc

Bow Tie, a slight textured, organic and elegant signature. This modern, stylish but legible script is handy for logo, poster, headlines, invitations, cards and all display needs. The OpenType Features are: stylistic alternates that cover all latin language and cyrillic, ligatures and discretionary ligatures.

A handy collection of football elements for you to play with (and score many goals!)

A chunky, laid-back typeface inspired by a hand-painted notice on the doors of a mechanic's workshop in Plymouth, Tobago. Two different mostly-uppercase alphabets in one font help to keep things loose. 'Liming'? hanging out, drinking rum, shooting the breeze...

Our Maiden Orange Pro is a light and festive slab serif font inspired by custom hand lettered 1950's advertisements. Clean and legible, while also being offbeat and friendly, this font lends itself to a wide variety of uses. The SmallCaps and extensive figure sets offer a slightly more serious tone as well as a wider range of design use. Opentype features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

Maqin Larisa an excellent typeface for modern typography desain and hand lettering logo designs. Maqin Larisa typeface is suitable for any design needs, branding, modern invitation design, blog design, modern advertising design, art quote, cover title, t-shirts, any lettering design needs and more. Maqin Larisa comes with upper and lowercase Standard Characters, Punctuation, Numerals. And other Glyphs variation of the OpenType features such as Standard Ligature, Stylistic Alternate (with a completely new set of both lower and uppercase characters) and Stylistic Set (ss01, ss02, ss03, ss04, ss05).

This font was inspired from the numerous font-types looking like Hand-carved in the 1700's. The capitals are mainly inspired from the font carved by Fournier in year 1781, the year of the famous American and French decisive victory at Yorktown, and drawn by Benjamin Franklin himself, and the lower cases are inspired from the well known "bâtarde coulée" style, ornamented with final loops and enriched with alternates and ligatures. The font is available for English, Western Europe (including Celtic) Icelandic, Baltic, Eastern Europe and Turquish languages.