Motiraw is contemporary sans-serif typeface made up of 28 fonts across 7 weights with normal and alternate options. It’s a unique and modern sans typeface, which is well suited for a variety of typographic applications such as headlines and small texts. Motiraw font family supports multiple languages and is available as both webfont and desktop font.

Introducing Headlight: the intriguing sans-serif typeface that is anything but ordinary. With its unique blend of oval-nib embellishments and mechanistic squareness, Headlight is a font that demands attention. Designed in a superelliptical style, each letter is crafted with rounded corners and a one-of-a-kind design that sets it apart from other fonts. But Headlight isn’t just about style—it’s also incredibly functional. Available in five weights and italics, this font is perfect for a wide range of applications, from branding and advertising to editorial design and more. And with its numerals available in both lined proportional and old-style proportional styles, Headlight is a font that can truly do it all. If you’re looking for a typeface that combines style and function in a truly unique way, look no further than Headlight. Try it out today and see for yourself why this superelliptical font is turning heads in the design world. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Looking for a modern and sleek typeface that stands out in the digital era? Look no further than Reversal. With its unique superelliptical letterforms, this clean and contemporary sans-serif typeface is the perfect choice for high-tech industries and any topic that requires precision and clarity. Inspired by the sleek plastic contours of modern vehicles and home appliances, Reversal boasts a squarish yet readable design that is both elegant and practical. Whether you’re designing a website, an app, or a marketing campaign, Reversal is the ideal choice for bringing a touch of futuristic sophistication to your project. Available in seven weights and italics, Reversal offers maximum flexibility and versatility. With its bold and dynamic shapes, this typeface is sure to grab attention and make a strong impression. So why settle for ordinary typography when you can elevate your design with the power of Reversal? Try it out today and see the future of typography in action. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing Biphoton—the monospaced sans-serif typeface designed to elevate your screen captions and UI applications to a new level of clarity and precision. With proportions that match Letter Gothic 12 Pitch, Biphoton can easily replace this font in any application where it has been specified. Unlike Letter Gothic, Biphoton is optimized for screen performance, ensuring that your message is delivered with utmost clarity and impact. This font features a range of currency symbols, numeric ordinals, primes, and common precomposed fractions, ensuring that your message is conveyed with precision and style. Biphoton is available in Regular, Italic, Bold, and Bold-Italic in TrueType, making it easy to integrate into your existing design workflow. Whether you’re designing for mobile or desktop applications, Biphoton delivers superior performance and visual appeal. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

In a world full of conventional typefaces, Tussilago stands out with its sturdy and extended sans-serif design that defies standard geometric models. This mid-twentieth-century typeface exudes a distinct personality that speaks volumes through its wide letterforms and unique details. Tussilago’s robust letterforms offer a cool-headed but unabashed voice of power that can elevate any message. Whether you’re designing a poster, a logo, or a website, Tussilago’s seven weights and italics will provide you with the perfect blend of sophistication and modernity. But that’s not all. Tussilago’s versatility is evident in its offering of two numeral options—lowercase (old-style) or lining—for each weight and style. This feature makes Tussilago an excellent choice for any project where numbers play a crucial role. With Tussilago, you’re not just choosing a typeface; you’re choosing a design that speaks to your audience with an erudite voice. So, whether you want to make a bold statement or convey a subtle message, Tussilago is the perfect choice for designers who want to stand out from the crowd. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing Doradani, a modern sans-serif typeface that draws inspiration from the timeless classic, Franklin Gothic by Morris Fuller Benton, originally designed in 1903. At the heart of Doradani’s design is a perfect balance between Benton’s iconic proportions and contemporary open aperture shapes, resulting in a truly unique and distinctive typeface that is both traditional and current at the same time. With five distinct weights and accompanying italics, Doradani offers unparalleled versatility for any project, whether it’s for headlines, body text, or anything in between. Each weight is carefully crafted to maintain the integrity of the design, making it the perfect choice for designers and typographers who demand the highest quality. From sleek and sophisticated to bold and impactful, Doradani has the ability to elevate any design project. Whether you’re creating a logo, a magazine spread, or a website, this stunning typeface is sure to make a lasting impression. So why settle for a basic typeface when you can choose the one that combines the best of both worlds? Try Doradani today and take your designs to the next level. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing Movatif, the typeface that effortlessly combines the best of 20th Century sans-serif typefaces into one irresistible mash-up. With seven different weights to choose from, this font has the versatility to make any design stand out. But Movatif isn’t just any ordinary font—it’s packed with OpenType features that will leave your audience in awe. By simply pairing certain letters together, you can create a captivating visual effect that will absolutely freak folks out. Take the letters M and A, for example—they snap together in a way that is both cool and slightly fascinating. But what really sets Movatif apart is the way familiar pieces interact in unexpected ways. With every letter, your design takes on a personalized style that captures the dreary 1970s malaise in a fashionable way. So if you want to create something truly unique, give Movatif a try. With its versatile weights and captivating features, it’s the typeface that will take your design to the next level. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Danah” is the first name of a very close and cherished classmate, friend, and peer. Danah is a Palestinian woman who used to study with me in the same university where I was honorably introduced to her several years ago. In fact, I decided to dedicate this typeface wholly to her in return for all the years of friendship that we had spent together as classmates during the late 1990s. She was—and absolutely still—a source of support and inspiration for me in life due to her brilliant, big-hearted, and philanthropic personality. Danah likes different things in life and among them the sea, horses, reading, and also travelling. She lives and works now in Palestine, and yearns for being granted a new life—like many other free Palestinians—full of freedom, peace, and happyness. Danah® is a handwriting and scribbly Arabic display typeface. The main trait of this typeface is the realistic handwriting design of its letters and ligatures. This feature renders it as one of the stylish typefaces used for headlines and also texts. Among the distinguished letters of Danah® typeface are the “Qaaf”, “Kaaf”, “Meem”, “Noon”, and others. Moreover, Danah® typeface has a character set which supports Arabic, Persian, Urdu, and Latin letters/numerals with a limited range of specific Arabic and Latin ligatures. This font comes in a single weight (i.e., regular) with exactly 639 distinctive glyphs. Due to its free and streamlined design, Danah® typeface is appropriate for heading and text in Arabic, Persian, and Urdu. It can be graphically and visually exploited in magazines, posters, and interfaces of different things such as clothes and equipment. Moreover, it can be pleasingly used in writing personal, friendly, and unofficial letters, messages, documents, invoices, notes, dispatches and menus which require a smoothed handwritten touch and trend. It is also elegantly suitable for signs, books’ covers, advertisement light boards, and titles of flyers, pamphlets, novels, and books of children and adults. In brief, Danah® typeface is one of the new hand-drawn typefaces which can be brought into play efficiently in diverse graphic, typographic, calligraphic, and artistic works in different languages and cultures. 2018-09-13 00:00:00.000 10.0000 F25946-S114426 10913 Timeless URW Type Foundry https://www.myfonts.com/collections/timeless-duplicate-font-urw NULL NULL 2016-01-08 00:00:00.000 89.9900 F10913-S42560 54569 Jellofries Maulana Creative https://www.myfonts.com/collections/jellofries-font-maulana-creative https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10000/JtHgrbkPi7YU282OWix69Tqb_97b690350e4b3ed453d7c27fe0eb6664.png Jellofries is a fancy brush script font. With brush bold contrast stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Jellofries font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Jellofries font. Cheers, Maulana Creative 2022-05-06 00:00:00.000 12.0000 F54569-S252887 38361 Alt Moav ALT https://www.myfonts.com/collections/alt-moav-font-andreas-leonidou https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10000/70046_aa489c02cd589f8f924b405c901a8014.png Moav is a geometric experimental display typeface for use on logos,posters etc. 2011-12-13 00:00:00.000 15.0000 F38361-S179452 42255 M Elle HK Monotype HK https://www.myfonts.com/collections/m-elle-hk-font-monotype-hk NULL HK series fonts are in Unicode encoding and consists of BIG 5 character set and HKSCS characters. The character glyphs are based on the regular Traditional Chinese writing form and style. It is generally used in Taiwan ROC, Hong Kong and Macau. 2011-05-11 00:00:00.000 523.9900 F42255-S193845 71839 Kaerobi Kulokale https://www.myfonts.com/collections/kaerobi-font-kulokale https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10004/ieVtB18gl4EgKrVVDIPLtX8b_33d93ffd2cd339b2544feb3d7a0a3121.png Kaerobi is an condensed display font, and with a style that is very different from the others. This font comes in four styles, Regular, Oblique, Rough, and Outline Version. Kaerobi is well-suited for posters, social media, headlines, magazine titles, clothing, large print formats - and wherever you want to be seen. Inspired by the style of design that is currently popular, and this is the answer to all the needs of every idea that you will pour in this modern era. We highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. Thank You. 2022-08-16 00:00:00.000 17.0000 F71839-S298671 52588 The Heather Romie Creative https://www.myfonts.com/collections/the-heather-font-romie-creative https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10000/Lc4estBSB0wCiDunz9GNDUcb_097035319875b31f0a18a4bb2e8e675b.png The Heather Script is a formal calligraphy design, including Regular. This font is casual and pretty with a stroke. Can be used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes and much more. Heather Script featuring OpenType style alternatives, ligatures and International support for most Western Languages ​​is included. To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. How to access all alternative characters using Adobe Illustrator: *https://www.youtube.com/watch?v=XzwjMkbB-wQ Heather Script is coded with PUA Unicode, which allows full access to all additional characters without having to design special software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any additional characters to paste into your favorite text editor/application. How to access all alternative characters, using the Windows Character Map with Photoshop: *https://www.youtube.com/watch?v=Go9vacoYmBw 2022-02-23 00:00:00.000 19.0000 F52588-S242949 16709 Pastina Lebbad Design https://www.myfonts.com/collections/pastina-font-lebbad-design https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10000/220264_a574aa9e49d2f9f1da3950f1fef09123.png Pastina is an elegant serif font consisting of caps, lower case, and alternate characters. Soft serifs and the graceful flow of each character add to the classic feel of this font. 2008-07-31 00:00:00.000 24.9500 F16709-S66588 2367 Munira Script Picatype https://www.myfonts.com/collections/munira-script-font-picatype https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10000/309621_5c93006e7517281c082dc7c75bfd1c2b.png Munira Script is a modern calligraphy design. This font is casual and pretty with swashes. It can be used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signature, book covers, posters, quotes and more. Munira Script features OpenType stylistic alternates, ligatures and International support for most Western Languages. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw Munira Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. If you need help or have any questions, please let me know. I'm happy to help :) Thanks & Happy Designing! 2019-07-05 00:00:00.000 10.0000 F2367-S10062 27004 Ketimun Hanoded https://www.myfonts.com/collections/ketimun-font-hanoded https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10000/306179_8517cd9a57ccc15cff68737e17de4e85.png Ketimun means ‘cucumber’ in Bahasa Indonesia. At home we eat a lot (A LOT) of Indonesian food, which often includes Acar Ketimun (Sweet/sour cucumber salad). I usually make the simple version, but sometimes I go for the more elaborate cucumber salad (the recipe of which you’ll find on poster 2). Ketimun font is a rather delicious script font; uneven, organic and full of life. Comes with a fresh taste and lots of diacritics. 2019-06-06 00:00:00.000 15.0000 F27004-S120951 38675 Psalterium Alter Littera https://www.myfonts.com/collections/psalterium-font-alter-littera https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10000/204202_94b78204200645ccd1daa5d5f1a63916.png A clean, smooth adaptation of the magnificent gothic types used by Johann Fust and Peter Schöffer in their famous Mainz Psalter (Psalterium Moguntinum) of 1457, also used in their Canon of the Mass (Canon Missae) of 1458, and in their Benedictine Psalter (Psalterium Benedictinum) of 1459. [Although these works were published after Gutenberg’s break with Fust, it is generally agreed that Gutenberg was working along with Fust and Schöffer on the Mainz Psalter while the 42-line Bible was still being printed.] In addition to the usual standard characters for typesetting modern texts, the font includes a comprehensive set of special characters, uncial initials (adapted from both the Mainz Psalter and early sixteenth-century Dutch types by Henric Pieterszoon), alternates and ligatures, plus Opentype features, that can be used for typesetting (almost) exactly as in the Mainz Psalter and later incunabula. The main historical sources used during the font design process were high-resolution scans from the copy of the Mainz Psalter preserved at the Österreichische Nationalbibliothek, Vienna (the only copy whose colophon includes the famous printer’s mark of Fust and Schöffer). Other sources were as follows: Masson, I. (1954), The Mainz Psalters and Canon Missae, 1457-59, London: Printed for the Bibliographical Society; Kapr, A. (1996), Johann Gutenberg - The Man and his Invention, Aldershot: Scolar Press (ch. 8); Füssel, S. (2005), Gutenberg and the impact of printing, Burlington: Ashgate (ch. 1); and Man, J. (2009), The Gutenberg Revolution, London: Bantam (ch. 8). Specimen, detailed character map, OpenType features, and font samples available at Alter Littera’s The Oldtype “Psalterium” Font Page. Note: Several uncial initials in The Oldtype “Psalterium” Font have been derived from corresponding characters in The Initials “Gothic C” Font, adjusting them to cope with the special (large) x-height and letter spacing of the Psalterium font (so the two sets of initials are not directly interchangeable). 2012-07-06 00:00:00.000 25.0000 F38675-S178340 23791 VLNL Donuts VetteLetters https://www.myfonts.com/collections/vlnl-donuts-font-vetteletters https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10001/190114_ca5047d6d6754375933067862f9328a8.png VLNL Donuts’ first incarnation was designed already in 2005 by DBXL as a logo for Dutch funky house music outfit Hardsoul, and since then has been used for lots of music related projects. Donuts is heavily infused by hip 1970s geometric fonts like Blippo, Pump and ITC Bauhaus, but nonetheless has both feet in this modern day and age. Meticulously designed and tightly spaced, VLNL Donuts is very suitable for logos, headlines and music artwork. We especially recommend using it on big 12 album covers. Oh, and it got its name for obvious reasons (“the O looks like one...’) VLNL Donuts is deep fried, glazed and can be covered in a variety of sweetness: sprinkles, cinnamon, coconut, chopped peanuts, powdered sugar or maple syrup. They also can be filled with cream, custard or jam. As a very sweet and saturated snack should, VLNL Donuts is fitted with a full set of alternate swoosh caps that can be deployed to liven up your already ‘out there’ designs.

Say Hello to "Cnossus" Bold Funny Fonts! Cnossus was built with OpenType features, numbers, punctuation, ligatures and it also supports other languages. Cnossus is very suited to build your brand such as : T-shirt, Logo, Poster, Packaging, Advertising and anything. Installing Your New Font: This font can be installed in all software that can read standard fonts. Accessing the swashes / opentype features / glyphs: In order to access the alternate characters in this font, you need a program that supports OpenType features such as Adobe Indesign, Adobe Illustrator CS, or Adobe Photoshop CC.

Genki Desu is one of those Japanese expressions that are used a lot and don’t really mean what you think they mean. You can use it as a greeting: O Genki Desu Ka? (お元気ですか - how are you), or to say you’re feeling fine (元気です - Genki Desu). The word Genki also means ‘energy’ or ‘vigor’. I am not an expert, in fact, there’s so much Japanese I can actually speak (shame on me), but Genki Desu is one of my favourites. Maybe just because it sounds so nice!

Modesta Sans is a Neo Grotesque sans serif typefamily of seven weights plus matching italics. Inspired by Didone serif fonts and the first Sans serif types from the late 19th century and early 20th century, It reduces many of the eccentricities in order to make them more suitable to modern tastes. Every weight has more than 220 characters and includes uppercase, lowercase, numbers, special characters and a powerful opentype features. Perfectly suited for graphic design, headlines, advertisements, and any display use. It could easily work for editorial design, corporate, web, signage and many other uses in print and digital media.

Introducing you a cartoon font family straight for your Halloween or other horror events. A wide range of variations completely satisfy the most sophisticated font gourmet. From Thin to Bold horror sans styles and a fancy horror script. Also, 62 Halloween graphic elements come as a Graphic Style! Each font has Normal and Roughen Styles. All sans serif's come as filled, inlined and inline separately. 33 typefaces total. • Halau Script has two uppercase letters sets and a lot of alternates included swashes. Halau Sans also has few alternate symbols and pair of ligatures (fj, fi). Trick or treat, folks. Enjoy!

Elevate your designs with Fendesert – the ultimate vintage and stamp font duo. This collection features a pair script and san serif font in regular, rough, and stamp styles. Plus, you get 20 hand-drawn western illustrations for added creativity. Perfect for logos, branding, apparel, and more. Unlock vintage charm with Fendesert. Fendesert font features : - 3 style typefaces (regular, rough and stamp) - Uppercase, lowercase, numeral, symbol, punctuation and alternate in script font - All-caps, numeral, symbol and punctuation in sans serif font - Multilingual - PUA Encoded Fendesert includes : - 7 fonts (script, sans serif and dingbat) - 20 hand-drawn illustrations in dingbat

Fashion is about style, pairing the right one with the best one. Let me introduce Mode Style, best paired font between Sans Serif and Handwritten Script. It's suitable for logo, display purpose, or something else that needs elegant style. YOU'LL GET: 1. Mode Style Sans, an elegant Sans Serif font with medium wide characters. This is All Caps font with large range of punctuation and multilingual support. 2. Mode Style Script, a classy thin Handwritten Script font with natural pen stroke feel. Comes with ligature make this font more close to the real handwritten, also support multilingual and already PUA Encoded.

Badbad is a monoline script font. This another collection of script is perfect for your next personal branding project, excellent for "Logotype". Badbad have a smooth edges, so this font gives an authentic handcrafted feel style. Badbad is perfect choice for people looking for clean, modern, minimalist, elegant, beauty design styles. Suitable for almost any graphic designs such as logo, branding materials, business cards, gift cards, t-shirt, cover, thumbnail, print, poster, photography, quotes .etc sans-serif, legible, geometric, clean, sans, modern, display, grotesque, corporate, branding, magazine, contemporary, text, headline, elegant, sans serif, grotesk, advertising, classic, swiss, poster, logo, editorial, technical, logotype

The Renthouse Font is inspired by authentic typefaces in vintage labels. Font products contain serif and sans serif font. This collection gives more extra halloween illustrations in one pack. This serif font includes some alternates. The Renthouse matches apply in some designs such as the logo, poster, label, badge, packaging, t-shirt, branding, quotes and more custom design. Renthouse features : All-caps, numeral, symbol, punctuation and alternate in serif font All-caps, numeral, symbol and punctuation in sans serif font Multilingual PUA Encoded Renthouse includes : 3 fonts (serif, sans serif and dingbat) 12 hand-drawn illustrations in dingbat

Peter started as a sketch in the static sans-serif tradition of Helvetica®. Then slight references to the calligraphic origin of type were added, giving it a more distinct character. This neo-grotesque sans has rational and clear basic letterforms, while in its details it unfolds attributes of humanist type. As a neo-grotesque sans it claims a very modest design, yet being a bit wider than its relatives and offering the warmth of humanist drafts. The early sketch grew to a type family of 18 fonts and now supports 700+ glyphs with pro opentype features.

Apotheosis is a chic, clean handwritten font with modern flows. Includes automatic ligatures, stylistic alternates and a beautiful big ending "s" that gives statement to the words. It also includes a small uppercase sans to make the perfect combination. A beautiful font great for branding, labeling, packaging, etc. Opentype Features This font contains opentype features and must be used in a program that supports opentype like Adobe to access the alternates in the Glyphs panel. Includes: Apotheosis: A clean modern script font. Apotheosis Sans: A modern uppercase sans serif perfect for pairing and great for descriptions, taglines, etc. Language support

The font collection is called "Plastun", it is a vintage display font for logotype. These collections contain script and sans serif font. Every font comes with 4 style typefaces (clean, rounded, rough and textured). Plastun gives more extras animal and farm in one pack illustrations. This script font includes some alternates and ligatures. This texture style includes some different stamps for uppercase and lowercase in sans serif. The Plastun matches apply in some designs such as the logo, poster, label, badge, packaging, t-shirt, branding, quotes and more custom design. Plastun features : 4 style typefaces (clean, rounded, rough and textured) Uppercase, lowercase, numeral, symbol, punctuation, ligature and alternate(ss01-ss05) in script font All-caps, numeral, symbol and punctuation in sans serif font Multilingual PUA Encoded Plastun includes : 9 fonts (script, sans serif and dingbat) 12 hand-drawn illustrations in dingbat

Rockyeah is 3 style fonts: brush, serif and sans serif who have strong personalities and work very well in many design projects. - Rockyeah Brush made with fine brush pen with the fastest stroke movement. Comes with over 300 glyphs that will give you a vast possibility to play with each character. - Rockyeah Serif is an interpretation of Rockyeah brush. A serif font that focuses on legible, elegant and unique. With light and bold stroke combination this serif will give a modern-classic vibes on your design project. - Rockyeah Sans a geometric sans serif that focuses on legible, clean and useful for any project. This sans is an interpretation of Rockyeah Serif with the same caps height and bold stroke. This font is suitable for poster, tattoo, tees graphic, headline and etc :) Just play and rock it!

This is an Experimental typeface, a direct descendant of the BD Gitalona font family, which has a supermassive family with Variable technology. However, this version is more on the aesthetic aspect, which is experimental and exploratory. It complements the beauty of the primary typeface that we released separately. If you are a fan of Effectiveness and flexibility, please learn more about BD Gitalona and BD Gitalona Variable! Inspiration The world of entertainment moves non-stop. One by one, figures appeared and left. We expect to create something to entertain previous trends with packaging more relevant to the present. More specifically, we admire and are inspired by some of the world's leading and top singers with a segmented nature. We imagine so many figures that can affect every viewer. However, each artist or singer has a segment because almost all of them have characteristics. The Design The basic design of this typeface begins with a transitional serif shape with sharp, shapeless corners. Then in the middle of the invention, there was an opportunity to explore it further from the readability side by adding an optical variable that can adjust the serif thickness when used together between large, medium to paragraph text sizes for editorials. The shift from serif to sans-serif with the contrast initiated by the shift of the serif family form as a different variable also makes this font richer in terms of the features it contains. Parts are expected to add to the user satisfaction with the complexity of this font. The Features BD Gitalona consists of one sub-family intended for body text with nine weights from Thin(100) to Black(900) and four other display sub-families such as Display serif, Flick, Harmony Sans and Contrast Sans. Each consists of four weights Thin(100), Regular Weight(400), Bold(700), and Black(900). And again, there are also retailed separately; the BD Gitalona Variable font, which is designed to accommodate all Subfamily in 1 font file, and BD Gitalona Moxa, an experimental typeface. A total of 700+ glyphs in each style. Advanced OpenType features functionally and aesthetically, such as Case-sensitive forms, small caps, standard and discretionary ligatures, stylistic alternates, ordinals, fractions, numerator, denominator, superscript, subscript, circled number, slashed zero, old-style figure, tabular and lining figure. Supports multi-languages ​​including Western Europe, Central Europe, Southeast Europe, South America, and Oceania.

NetHunt - Spider Display Sans Font Introducing NetHunt, a spider display sans font that is perfect for any design that requires a horror or scary look. The font is inspired by an old embossed nameplate with cobwebs in it, and the designer made it into a display font. NetHunt features both uppercase and lowercase versions, with the lowercase version not having the cobweb design. The font also includes a sans ligature feature that makes the cobwebs of each word even cooler. If you are looking for a font that will give your designs a spooky and eerie vibe, NetHunt is the perfect choice. Use it for logos, titles, logotypes, covers, headlines, apparel, comics, cover books, cards, posters, or anything else that requires a horror or scary look. NetHunt comes with a variety of features that make it a versatile font. The font includes uppercase and lowercase letters, opentype alternates and ligatures, and multilingual support for a wide range of languages. The font also includes number, punctuation, and symbol glyphs. The font can be used on both Windows and Mac operating systems and is compatible with most design software, including Adobe Photoshop, Illustrator, InDesign, and more. If you want to add a spooky and horror touch to your designs, NetHunt is the font for you. It is perfect for Halloween designs, horror movie posters, or any design project that requires a unique and scary font. Use it for your next project and see the difference it makes! In summary, NetHunt is a spider display sans font that is perfect for horror and scary designs. It is inspired by an old embossed nameplate with cobwebs and features both uppercase and lowercase versions. The font includes opentype alternates and ligatures, multilingual support, and number, punctuation, and symbol glyphs. Use NetHunt for your next design project and add a spooky and eerie vibe to your designs. Tags: spider, display, sans, horror, scary, Halloween, movie poster, logo, title, logotype, cover, headline, apparel, comic, books, cards, posters, opentype, ligatures, multilingual, glyphs.

Quirky and irregular FS Split is no ordinary typeface. Its irregular proportions make it unique, with round letters appearing wide, and straight letters narrow. Other quirks include its eclectic crossbars – the uppercase ‘A’ has an unusually low bar, while the bar on ‘G’ is particularly long. The uppercase has many interesting features in fact, including large counters, closed terminals on certain letters like ‘J’, and a cap-height that lines up with ascenders. The lowercase also holds surprises – the dots on ‘i’ and ‘j’ are unusually large, and some characters, such as ‘g’, feature double-storey counters. An extreme but stylish italic The italic versions of FS Split Sans and Serif are particularly striking. While similar in style to their upright, Roman versions, they take on a larger-than-usual 18-degree angle, making the forward-slant more dramatic. Although the main purpose of any italic is to help words and phrases stand out, this unique execution helps to make the italic variants of FS Split stylish fonts in their own right – they would work brilliantly on magazine covers, in titles and headlines, pull quotes, and even used commercially in logos and corporate branding. Serif and sans: a split personality FS Split Sans and Serif have their differences but also their similarities, contrasting and complementing each other perfectly. This ‘love hate’ relationship inspired the name of the typeface family, and means the two variants provide a versatile, typographic palette for use in graphics and branding. While its proportions are similar to the sans, the serif has a bigger contrast between its weights of bold, regular and light, bracketed serifs, and different styles of terminals, some being straight and others ball-shaped. FS Split Sans has more subtlety and simplicity, with a smaller weight contrast, less flamboyant terminals, and more consistent counter sizes. The two variants are distinct yet alike, so can be used successfully either in isolation or together.

Very versatile sans serif font, designed with a soft touch of elegance. Great for invitations and headlines

Rounded, tapered and bold, Bindle was designed as an alternative to overused or outdated informal sans serifs.

Sans serif typeface with calligraphic features and outstanding contrast between curve and line designed for small text.

A real heavy weight, a chunky sans serif that packs some real Punch. No fancy frills here.

Angulatte is a sans serif font made up of characters that are drawn with only straight lines.

Trilium JNL is a tri-line sans serif font that was modeled from some 1970s retail packaging.

Rational curves and spiky rhythms punctuate this all-caps sans face, for a plastic feeling, futuristic effect.

Phinney Jenson ML is a font with deep historical roots firmly planted in the fertile soil of the Italian Renaissance. Twenty years after Lorenzo Ghiberti finished his famous East Doors, the Gates of Paradise, of Santa Maria del Fiore in Florence and about fifteen years before Sandro Botticelli painted his “Birth of Venus,” a French printer by the name of Nicolas Jenson set up a small print shop in the powerful city-state of Venice. The fifteenth century marked the end of the plague and the rise of Venetian power, as the merchants of Venice controlled the lucrative trade of the eastern Mediterranean and sent their ships as far as London and even the Baltic. In 1470, Jenson introduced his Roman type with the printing of De Praeparatio Evangelica by Eusebuis. He continued to use his type for over 150 editions until he died in 1480. In 1890 a leader of the Arts & Crafts movement in England named William Morris founded Kelmscott Press. He was an admirer of Jenson’s Roman and drew his own somewhat darker version called GOLDEN, which he used for the hand-printing of limited editions on homemade paper, initiating the revival of fine printing in England. Morris' efforts came to the attention of Joseph Warren Phinney, manager of the Dickinson Type Foundry of Boston. Phinney requested permission to issue a commercial version, but Morris was philosophically opposed and flatly refused. So Phinney designed a commercial variation of Golden type and released it in 1893 as Jenson Oldstyle. Phinney Jenson is our version of Phinney’s version of Morris' version of Nicolas Jenson’s Roman. We selected a view of the Piazza San Marco in Venice for our gallery illustration of Phinney Jenson ML because most of the principal buildings on the Piazza were already standing when Jenson arrived in Vienna in 1470. The original Campanile was completed in 1173 (the 1912 replacement is partially visible on the left). The Basilica di San Marco was substantially complete by 1300. The Doge’s Palace (not in the photo, but next to the Basilica) was substantially complete by 1450. Even the Torre dell'Orologio (Clock Tower) may have been completed by 1470—certainly by 1500. Phinney Jenson ML has a "rough-and-ready" strength, suitable for headlines and short blocks of text. We have sought to preserve some of the crudeness of the nineteenth-century original. For comparison, see the more refined Centaur, Bruce Rogers's interpretation of Jenson Roman. Phinney Jenson ML has a strong presence that will help your documents stand out from the Times New Roman blizzard that threatens to cover us all. Phinney Jenson ML Features: 1. Glyphs for the 1252 Western Europe, 1250 Central Europe, the 1252 Turkish and the 1257 Baltic Code Pages. Accented glyphs for Cornish and Old Gaelic. Total of 393 glyphs. 400 kerning pairs. 2. OpenType GSUB layout features: onum, pnum, salt, liga, dlig, hisy and ornm. 3. Tabular (std), proportional (opt) & old-style numbers (opt). 5. CcNnOoSsZz-kreska available (salt).

Take a little trip to the land of sun and sand with Waikiki Doodles. 30 resort drawings that can be used for Waikiki and other warm weather destinations. From generic tourist icons like palm trees and a camera to the specific like Diamond Head and hula dancer. 29 drawings and the word Aloha lettered in script.

This stylish stout script was originally issued in the 1930s under the name “Fulgor” by the spanish foundry Fundición Gans. Cursory research suggests that Saks-Fifth Avenue found it suitably snooty to use extensively in its newspaper ads of that period. Perhaps somewhat ironically, this version takes its name from one of comedian W. C. Fields' many odd aliases.

We saw a few letters of this in a catalog, and liked it so well we drew it up and made it as a film font for photolettering. Due to a surplus of interesting types in our shop this one never made it into our catalog, so we can¹t tell you anything about its popularity.

The devil does indeed find work for idle hands. This was designed by Dan X. Solo about with no excuse whatsoever. The name comes from the fact that a circus that we regularly did work for used it in one of their programs, the only time it was ever used as far as we can recall.

This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benifit from a “spoonful of sugar” visually. The "Sand Drift" version combines well with: PR Bramble Wood 1, PR Bramble Wood 2, PR Hallow Doodles 01, PR Hallow Doodles 02, PR Cauldron, PR Swirlies 01], PR Swirlies 05.

While browsing through a Dan Solo type reference book, Jeff Levine fell in love with the multiline stylings of one particular typeface, then sat down and re-drew from scratch his own interpretation of the design. Jeff's version is called Art Lover JNL - offering kudos to art in general, the Art Deco movement and (of course) type design.

I must admit that I am not a big fan of the Art Nouveau style. However, I found this particularly beautiful alphabet and decided to use it as the basis for this new font. Very graceful, elegant, and dare I say, organic. Includes some intertwined ligatures. Complete uppercase, numerals, basic punctuation. Supports most Western European languages.