ITC Tiepolo font is from the design team at AlphaOmega Typography and named after Italian artist Dominic Tiepolo. The designers describe it as a sans serif with serifs" and it has also been referred to as a calligraphic design. Similar to Asian calligraphy, ITC Tiepolo font has personality yet does not detract from the text."

In old Latin language Lineam mean line and that what Lineam is: a line based Sans Serif Display font. Lineam is a simple and clean looking font family and can be used for a range of cases. It is a modern sans serif font with geometric feeling and comes with 8 weights and matching italics.

Hoplight is a friendly, curvy, hybrid. A fusion of the cool character of a roman, with the flow and informality of an italic. Throughout Hoplight, many sharp serifs have been replaced by dot style serifs, to allow the contours of the letters to flow seamlessly into the terminations. Hoplight embodies a sense of playful ease.

Malven is a modern serif features thin stroke, low-contrast modulation, with small serif that make it elegant and classy. It can be used to create almost all types of design projects like print materials. Just use your imagination and your project will become more alive and look great than ever with this typeface.

Sans serif characters re-drawn from old newspaper headlines (and used in the design for Late Breaking News JNL) were given a slab serif treatment in order to create a condensed type face with both grotesk and block influences. The end result is Tabloid News JNL, which is available in both regular and oblique versions.

Bogosa – Modern Serif Font By Issam Type Bogosa serif font can be used for many project such as: book, magazines, logo, branding, photography, quotes, blog header, poster, advertisements, and much more. What’s Included? Uppercase & lowercase letters, numbers, punctuation Multilingual support If you have any questions, please feel free to get in touch. Thank you

Glinde is a bold serif font with extra ligature. It was design to be a versatile display font. Perfect for your instagram post title, headline on your cover magazine, and yes in your wedding invitation project also. A bold serif with neat ligature, plus some alternate and stylistic, ready to escalate your next project.

Anzeigen Grotesk is a heavy, condensed sans serif face drawn in the style of typefaces popular during the early 20th Century. It was originally intended for use in advertising design, a field for which it is still well suited. Anzeigen Grotesk (which means “advertising sans serif” in German) is best used in larger point sizes.

BearAnark is a decorative slab-serifed typeface that can be used for some text purposes. It has moderate contrast and comes in five weights, each with a true italic. The development of the family began with a blending of two other slab-serif faces, Anarckhie and BearButteT, and this origin is reflected in its name.

Ganora is a semi serif decorative font. This font has a beautiful and aesthetic look. This font has classic serif legibility as well as beautiful modern curves. This combination makes type interesting in its own way. This font has alternate and ligature features that can help you complete projects like logos, magazines, brands and more.

Stout is a deliberately aggressively solid family of four faces, offered in two weights and in serif (deliberately large serifs) and sans forms. It’s ideal for signage that needs to be read over long distances or for anything where an emphatic statement is needed. Stout is big and clear and always makes a statement.

August Rush is a delicate handwritten script font. The font comes in 2 weight options: regular and semi-bold. It's best used as a main headlines or as a secondary headline combed with other simple serif or sans-serif fonts. It can be used for various designs such as packaging, wedding stationery or branding.

Hisav is a modern elegant serif, with some connected letters that are perfect for branding materials, t-shirt, logo, poster, photography, quotes, and many more. Modern serif font type to complete your display creation such as wedding invitation card, etc. If you need help, just write me! Thanks so much for checking out my shop!

The classical vintage font Los Banditos comes in a serif and sans serif form with a lot of of stylistic alternates and ligatures that will give a unique, classic, amd retro look on your design projects. Use it as a Display font on a poster, logo, menu, clothing brand, magazine, movie, website and much more.

Grimalda is an elegant serif typeface with taste of modern and simplicity. It is perfectly for magazine cover, headline, wedding invitations, logo, brand, and many more. Grimalda have more than 100 characters of ligatures and alternates. You can create any imagination with this serif font. What's included? - Uppercase & Lowercase Characters - Multilingual support - Ligatures & Alternates Characters

Arsis is a condesed modern headline face that was originally produced and cast in hot metal by the Dutch type foundry Lettergieterij Amsterdam. The Arsis font family was designed by Gerry Powell in 1937. Arsis is a Serif (Antiqua) Modern Style font. Arsis font family attributes include roman serif, Didone, elegant, formal, modern style, feminine.

Amelia Harper , a new font duo where the elegance of a serif font intertwines flawlessly with the beauty of a handwritten script. This font duo is carefully crafted to bring together the classic charm of serifs with the contemporary edge of modern scripts. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Abramo is a perfect blend of elegance and modernity. Abramo is a set of two modern fonts: an all-caps serif and a stylish script. the smooth curves of the serif create a feminine feel. Abramo works great for logos, social media posts, invites and many other projects. It comes with multilingual support also.

Stay Wild Serif Display a modern-style serif font with alternatives and ligatures that create stunning logos, quotes, posts, blog posts. branding projects, magazine imagery, wedding invitations, and much more Features : Multilanguange PUA Encoded Web Font Included Illustration Include (.Ai) Contact me with an inbox message If you have any question. Thank you! Happy Creating.

This light manual font, with two styles, is the sans serif version of our slab serif "2011 Slimtype". It is containing Western and Northern European, Icelandic, Baltic, Eastern, Central European and Turquish specific characters, plus old style numerals, ct, st and f standard ligatures. The two styles are both legible from 10-11 pts.

Magical Signature are Font duo that includes a serif typeface and signature script. Display Serif inspired by famous logo, This typeface has been made carefully to make sure its premium quality and luxury feel. suitable for your design project business, like logo branding, wedding invitation, typhography wedding, quotes text, magazine, or anything do you want.

Ludwig Sans is a modern Sans Serif Font Family inspired by american Gothics. It also contains many Alternates that are inspired by Ludwig Sütterlin’s Latin Script from 1911. All those Alternates can be combined seamlessly within the neutral Sans Serif Typeface, so you get both: a bread-and-butter type and a display font.

DUPLICITER is an experimental display sans serif font which has two typefaces for comfortable and experimental use. DUPLICITER is a (latest) part of new school in type design that could be called like mind-free and geometric direction in the world. Sans serif, condensed, sharp edges, geometric, experimental, these are the main attributes of DUPLICITER.

A font is a crucial element of a design, but it can be a complicated challenge to choose a proper font for your project. An improper design will likely damage your whole designs and make your hard work useless. That is why Big Mock is the perfect font for you. Big Mock is a display font with strong characters and unique styles to assist you to pop up your messages easily. It exists in uppercases and thick weights to show bold, prominent displays. The similar letters’ proportions and the low contrasts will affect the legibility rates. You can use such a font for big text sizes to be greatly legible. Big Mock gives you an extra clipart as a bonus. You can also make use of the available features here. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Big Mock fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

In June of 2004, Canada Type released Crucifix, a condensed three-tiers typeface that tried to bridge the gap between traditional blackletter forms and the traditional European gothics. The main goal of Crucifix was to have as many as 4 different variations on each letter form, so the original release consisted of three fonts: a main font with a standard character set, a small caps set, and a unicase variation. Now Canada Type presents the next generation of this typeface: Crucifix 2.0 and Crucifix Pro. This new version takes advantage of both Unicode and OpenType technologies to make Crucifix as versatile as ever. The PostScript Type 1 and the True Type version boast extended Latin character set support, including Western, Eastern and Central European, Turkish and Baltic, as well as two non-Latin scripts: Cryillic and Greek. The OpenType version, Crucifix Pro, goes even further by including all of above in one font, along with proper automation to accommodate on-the-fly ligatures, small caps, numerators, denominators, some fractions and a ton of stylistic and contextual alternates - all programmed to work with the latest OpenType-enabled programs. Unique, stark, and with more than 900 characters, Crucifix has that clinical sharpness and special dramatic wonder to make it perfect for mystery, gothic, and horror design settings.

Name: Quarpa Styles: 6 styles Glyphs: 394 Year: 2021 This lofty font features a compact structure as well as a unique combination of rounded corners and square contours. The collection includes six styles: Extra Light, Light, and Semi Light that will ensure elegance; Regular, Medium, Semi Bold and Bold suitable for a solid design. Each of them also has Italic variation. It’s an ideal option for outstanding corporate images, logos, promos, or video presentations. Quarpa has proper kerning, multi-lingual support, and ligatures. Languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Cebuano, Chiga, Colognian, Cornish, Corsican, Croatian, Czech, Danish, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Ido, Indonesian, Interlingua, Irish, Italian, Javanese, Jju, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Kurdish, Latvian, Lithuanian, Lojban, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Maori, Meru, Morisyen, North Ndebele, Northern Sotho, Norwegian Bokmål, Norwegian Nynorsk, Nyanja, Nyankole, Occitan, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sardinian, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, South Ndebele, Southern Sotho, Spanish, Swahili, Swati, Swedish, Swiss German, Taita, Taroko, Teso, Tsonga, Tswana, Turkmen, Upper Sorbian, Vunjo, Walloon, Walser, Xhosa, Zulu

Business Penmanship is an ode to the business handwriting from the era penmanship was a highly-valued part of business education and practice.
  In the early 1800s, Platt Rogers Spencer (1800-1864) created what would become the most widely accepted and prized cursive writing method used in business. Before the American Civil War, Spencer was the undisputed king of handwriting. He was also an outspoken supporter of American business education. By the late 1800s business education included some focus on penmanship, and there were many colleges that specialized in it. One of the most influential penmanship schools was founded by Charles Paxton Zaner and his partner E. W. Bloser. Later on, in the early 1900s Austin Palmer introduced the Palmer Method of business penmanship, and it soon became the most popular handwriting system in the United States.
  Business Penmanship is a single feature-rich font that includes over 1100 characters, covering ligatures, alternates, a large set of beginning and ending extensions, as well as a wide range of Latin-based languages, including Turkish and the languages of Central and Eastern Europe and the Baltic region. To take advantage of all the OpenType features included in the font, please use within programs that support such advanced typography.

Directors Cut Pro is a compelling new font series designed by Alex Kaczun. It recently won the second place—a commendation in the Canberra Typeface Competition. This handsome Geometric Antique serif design is based on the early 19-century Moderns and Scotch styles, infused with the warm charm of traditional antique, added for interest. Capturing the best of both ages: it's warm, comforting and persuasive. Directors Cut Pro's graceful aspects naturally invite uses at large sizes, for which we have created a stunning and elegant lighter weight. But, this workhorse typeface series incorporates a solid regular weight, along with its italic—ideal for a multitude of text purposes, at varying point sizes. A robust Bold weight is available for headlines and emphasis. Director Cut Pro comes with proportional as well as tabular lining figures for quickly setting up charts and tables. It also contains an extended character set—including most Central European languages. Alex Kaczun is in the process of expanding this typeface series to include additional weights, styles and proportions. Stay tuned! The large Pro font character set supports most Central European and many Eastern European languages.

Edgar No. 9 is an original design by Alex Kaczun. Edgar No. 9 is a derivative work based on his Big Boy typeface series. It was designed specifically for display headlines, logotype, branding and similar applications. Primarily a display, this extremely versatile font has generous proportions, large counters and loose fitting which also allow the font to work well across a wide range of text sizes. Edgar No. 9 is a heavy baroque slab serif and although it shares the underling skeleton of 'Big Boy', it is a much more compact in overall proportions and spacing. A handsome bold headline font that works well in text as well as display sizes—ideally suited for publications and advertising. Alex plans to expand the font series to include a large range of weights along with corresponding italics numbering 1 thru 9, as well as, true small capitals and old style figures. Distressed version(s) will also be available in upcoming releases. Stay tuned, more to come soon. The large Pro font character set supports most Central European and many Eastern European languages.variations to expand this 'hip' new font series. Groovin' baby.

Starfire is a retro styled geometric sans-serif family with roots in mid-century graphic design.

A beautiful serif font with calligraphic touch. Great for your documents, book printing, and other designs.

A minimal san serif typeface inspired by the work of Herbert Bayer and the Bauhaus Movement.

A heavy serif grunge font with a western feel, great for that extreme look for today..

Kobra Kai Biker Club is a unique tattoo inspired serif with a latino edge to it.

An intentionally uneven, squarish and roundish sans serif font. Comes with a fi and fl ligature

Vemanem is dynamic sans serif display fonts, you can use it for advertising, movie, titles & more.

Abbatya is a serif typography of medieval design, inspired by Gothic architecture and slightly Celtic oriented.

Regina is a calligraphic-influenced hybrid light-face Tuscan-serif roman with a companion swash italic.

De Vinne Stencil JNL is a stencil treatment of Theodore L. De Vinne's classic serif font.

A simplistic but usable sans-serif from DooleyType. Qurillian includes a number of advanced OpenType features.