In the DR Krapka Square typefamily, the pixel has a square shape. The font supports OpenType features and contains small capitals, ligatures, oldstyle figures, terminal forms, historical forms, stylistic sets. The dingbats, arrows, emoji are also present. For small texts, it is recommended to use DR Krapka Square-FontSize10px in the font size 10 px. DR Krapka Square typefamily supported European languages based on Latin, Cyrillic and Greek scripts. If you want to use fonts with a different shape of pixels, there are also typefaces from DR Krapka family: DR Krapka Round, DR Krapka Rhombus.

Ballpoint font family was designed by David Fox in 2021 for the FontJuice™ foundry. A rounded sans serif style, Ballpoint has a simplicity which does not reject traditional forms . It is non ornamental and non emotional, just clearly presentable. This font is suitable for logotype, brand, packaging, quotes, music poster, t-shirt, cover book and more custom design. More specifically, whilst the heavier weights are best used for display in advertising, the lighter weights remain readable in text. Ballpoint features uppercase, lowercase, numeral, punctuation & symbol, multilingual support.

Afrah Serif Font Family Pack is a beautiful serif font that comes with 5 different weights. It includes all basic glyphs with Non-English characters. It can be used for headlines, posters, branding, packaging, presentations, logo, quotes, titles, magazine headings, web layouts, advertising, invitations, packaging design, books, and nearly any creative design. Included Features: Font Weight: Regular, Thin, Light, Round and Bold Afrah Font Features: Uppercase Letters Lowercase Letters Numbers & Punctuation Non English Characters ( Latin Supplement + Latin Extended A) Supported Characters: ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !"#$%&'()*+,-./:;=?[]^_`{|}~¡¢´¿ˆˇˉ˘˙˚‘’“”‰⁄€ ÀȦÁÂÃÄÅÈÉÊËÌÍÎÏÑÒÓÔÕÖØÙÚÛÜĂàáâäåèé êëìíîïñòóôõöøùúûüÿĀāĂ㥹ĆćĈĊċČčĎďĒēĔĕĖė ĘęĚěĜĞğĠġĤĨĩĪīĬĭİıĴĹĽľŁłŃńŇňŌōŎŏŔŘřŚśŜŠš ŤťŨũŪūŬŭŮůŴẀẂẄẼỲŶŸŹźŻżŽž ǫɢɪɴʀʏʙʜʟᴀᴄᴅᴇᴊᴋᴍᴏᴘᴛᴜᴠᴡᴢꜰꜱ

ฟอนต์ หาดทราย ลักษณะกลมมน เส้น Stem มีความหนาแตกต่างกันสองขนาด หนา-บาง ไม่เท่ากัน การเดินเส้นเลียนแบบลายมือ มาพร้อมกับฟีเจอร์ dlig ที่เปิดใช้งานแล้วจะยกตัวอักษรลำดับที่สองให้สูงขึ้นเล็กน้อยสลับกันเป็นฟันปลา เหมือนคลื่นเล็ก ๆ บนผิวน้ำ ให้ความรู้สึกเป็นมิตร น่ารักใสๆ มีไดนามิค สนุกสนาน ไม่เป็นทางการ เหมาะสำหรับการผาดหัว โปรยประโยคข้อความสั่น ๆ มีให้เลือกใช้ 9 น้ำหนัก ทั้งตัวตรงและตัวเอียงรวมเป็น 18 สไตล์ - Hadsai, rounded shape, stem lines are of two different thicknesses, look like handwriting. It comes with a dlig feature that is enabled to raise the letter to zigzag. Like a wave on the surface of the sea water, it feels friendly, cute, clear, dynamic, fun, casual. Suitable for headline and sub-headline. Available in 9 weights, both upright and italic, total of 18 styles.

The copperplate or English round handwriting style has a great inclination with extensions of ascending and descenders strokes, widely ornate. Colomby is a contemporary calligraphic font with classical roots, based on an 18th-century English manuscript. It is carefully designed, with a special emphasis on the connection of the letters, with high ascenders to give rise to the ornaments of the different letters. There is a special search for high readability. In addition, a wide selection of alternates and ligatures is included, to preserve the qualities of handwriting, in order to accommodate various design aesthetics.

Gutenberg Gotisch is a redesign of an inhouse font released by Bauer in 1885, and it is a predecessor of Princess Engraved. So both fonts make a perfect match. The long s can be reached by typing the integral sign or turning the round s into the long s by using the historical OT feature. In this font, you have the possibility to turn I, V, X, L, C, D, and M into Roman numerals by activating the salt feature. Finally I recommend to use both ligature features.

A calligraphic alphabet in bold/light brushstrokes Actually, a typeface like this one should be written with a wide brush; this one was written with a thick, pointed brush. Thus were created the round or misshapen ends of the stems, and the sometimes excessively pointed ends of the hairlines. For each character of KLEX, the large brush was dipped in the ink anew. Using this method, the forms turned out very soft, in spite of their geometrical rigidity. The individual characters are heavy, simple, and monumental, so that they are also suitable as initials.

Imagine having a formula for sunshine. I mean, in a way to make the sun shine when you want it, or really need it. That could be for a day at the beach, or for the plants in your garden - or even better: make someone happy with a little bit of sunshine! I made this font on the first day of summer in Denmark 2020 - the rounded corners and the soft and easy look of Sunshine Formula, really got me into the "this-is-going-to-be-a-great-summer" mode! :)

Inspired by the 70's design, specially on Herb Lubalin's work, the typeface Garoa is a rounded mechanical display font without optical compensations, ideal for large bodies. The medium weight has lower case for short texts, and the Bold versions have singular upper case glyphs, with some alternates (at least one alternate per letter – some with OpenType features some using caps on the keyboard). The Garoa Hacker Clube Bold version is free and contains no OpenType features, but the glyphs have the same design as on Garoa Bold.

The Fuel Uni Extended typefaces are a modern update on the techno sans extended for stronger impact, adding further versatility with unicase design complete with soft rounded corners as well as decorative inktraps. Stylistic Alternates included within all styles are alternates for the capital B, E, and R, as well as lowercase g characters, as well as all of their accented siblings. The Fuel Complete package bundles all of the dynamic styles of the Fuel, Fuel Extended, Fuel Uni, Fuel Uni Extended, and Fuel Script typefaces into one powerhouse of a collection.

Anca typeface started as a comission work for Fest Anca, an international animation festival. They needed something to complement the corporate identity of the festival. Inspiration came from a sketch made by my friend long time ago, which had a tremendous potential. As letters were digitized and the basic alphabet was completed, a very practical and universal typeface resulted. The whole type family has a playful and simple look with rounded stroke endings as well as long ascenders. The construction skeleton uses the minimum number of strokes and as a consequence, some original letter shapes (Q, w, j, &, A, §) were produced. Despite the fact that most letter shapes are based on geometry, some strokes are intentionally irregular, which creates a very natural feeling. Anca is appropriate for setting short paragraphs, headings and big inscriptions.

Smart, legible and elegant, Gravesend Sans is a based on the unique typeface used for the iconic grass-green signage for the Southern Railway. In existence from 1923 to 1948, when the network was nationalised, the Southern Railway linked London with the Channel ports, South West England, the South coast resorts and Kent. The same design was also used for the ‘hawkeye’ signs on the London, Midland and Scottish Railway, differentiated by black letters on a yellow background. Reference for each letter was taken from vintage ‘target’ station nameplates and other platform signage. The rarest letters were the Q, seen in Queens Road Battersea, the X, seen in East Brixton, and the Z, used in Maze Hill, site of an infamous train crash in 1958. Being hand-made, the letters often differ in width and thickness. There was no lower case. The Bluebell Railway, a heritage steam line, runs over part of the old Southern Railway network and uses a very similar type. The design of the numbers differed considerably, but here have been taken from the Device 112 Hours font Smokebox. As well identifying platforms, they were used on the front of the steam engine’s smokebox, hence the name, and stylistically are more in keeping with the letters than some of the squarer versions that can be seen in old photographs. William Caslon IV is credited with the first Latin sans-serif type, shown in a 1816 Caslon specimen book. ‘Two Lines English Egyptian’, as it was called, was caps-only, and there are several other correlations between that type design and this one. Includes a selection of authentic arrows and manicules, plus abbreviated ligatures such as ‘St.’ (Saint or Street) ‘Rd.’ (Road) and ‘Jn.’ (Junction). The Cameo version includes many graphic banner elements that can be freely combined.

Rampage Monoline is a beautiful, sweet, vintage monoline font with movement and grace. The script comes in a regular and rounded version. Rampage is elegant and stunning as a display which makes it perfect for branding projects, logos, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery and any projects that need handwriting look. Rampage Monoline comes with uppercase, lowercase, numerals, punctuation and many variations on each character, including OpenType alternates and common ligatures to let you customize your designs. SANS SERIF FONT & ROUGH/STAMP EFFECT IS FOR PREVIEW PURPOSE ONLY, IT IS NOT INCLUDED IN MAIN FILE.

Underscript, from designer Claudio Rocha, is an alphabet of capital letters in handwritten style. Each letter has a corresponding alternative form and using both randomly in a text can give it the look of real handwriting. One constant element in the font is its stroke width. The strong figures are even and have rounded corners, lending them a cheerful appearance. All other attributes vary from letter to letter. Wide and narrow, high and low, the figures line themselves up unevenly on the base line. So can Underscript create a dynamic overall image with contrast. Underscript is perfect for cartoons, comics and anything light and carefree.

M Marker is a humanistic script design characterised by its italic, modern, box marker pen-like style. M Marker incorporates features of carton box marker pen, its strokes beginning and ending are rough, parallel without flare. Contrast of strokes is high. Its extra bold stems (豎) make it suitable for large display text to catch attention. Crossbars (橫) and stems (豎) are straight but slanted while angles (折) are smooth and well rounded. Dots (點), ticks (剔), hooks (勾) and downstrokes (撇、捺) are irregular, smooth and long to create softness, liveliness. It is best suited for casual and lively display, illustrations, set upright (naturally slanted), non-condensed.

Igna Sans is a humanist functional typeface, with a contemporary style, designed to be used in a wide variety of applications such as advertising, corporate projects, branding and retail product design. The font is highly legible when used in a large body of text and well-suited for headings, display use and short text. Its angled strokes and rounded forms give it a smooth feel and make it look friendly and expressive. The Igna Sans family comes in 7 weights, ranging from Extra Light to Black, with matching italics plus alternative glyphs. The font contains a 430-character set that supports 206 different languages.

Ten Mincho is a Japanese typeface design from Adobe Originals, designed by Ryoko Nishizuka and useful for a broad range of settings, such as advertising copy, book titles, and headings. As a traditional Mincho-style design the strokes are slightly heavy and rounded, and exhibit smaller counter spaces. Ten Mincho also features a full set of Latin glyphs, collectively known as Ten Oldstyle and designed by Robert Slimbach. This relatively feature-rich Latin subset includes OpenType features such as small caps and old-style figures. Finally, look for a small number of color emoji in an SVG table, some of which are accessible as alternates.

With Royale, Resistenza reinvents the bifurcated Tuscan genre in a contemporary, warm and playful form. Royale Basic doesn't include ligatures or alternates. Rounded terminals, fabulous fancy fun spurs with elegant and extravagant flourishing - Royale comes in 8 weights and 4 widths which can also be layered to create polychromatic effects in another nod to the Victorian era these styles were popularised. While inspired by days gone past this Royale is far from a revival as unlike the classic Tuscans which inspired its structure Royale is monoline and sophisticated in its simplicity. Perfect for display and emphasis, Royale will command attention and leave a memorable impression wherever it is used.

Fabular is our serif font family with 12 styles. Inspired by vintage typefaces, but designed for modern purposes, Fabular comes in 6 weights with matching Italics. Short, thick and rounded serifs, spiced by specific terminal endings and finial bring gentle visual softness to Fabular's design. Tightly spaced by its serif's design, Fabular packs paragraph easily with great balance and rhythm within the sentences. It is decorative and serious font family at the same time which gives wide range of possibility for designers to use it: on posters, packages, labels, magazines, websites and many more situations. Contains Fractions, Oldstyle Figures, Denominator and Numerator as OpenType features.

The Sommet superfamily has been updated with a new serifed member. Expanding on Sommet’s successful design principles, Sommet Serif is there when you need legibility for continuous text. Its interesting forms lend it to use as headlines as well. Sommet Serif is available with six weights and complementary italics and plenty of OpenType features. Sommet Serif features a tall x-height, and its letterforms are compact, perfect for when layout space is at a premium. Sommet Serif also includes oldstyle figures and small caps. Use Sommet Serif whenever you need a powerful and contemporary serif. In addition, be sure to check out the sans, rounded, and slab members of the superfamily.

Conceived as an exploration of geometrical type designs of the early twentieth century, Canaro was — in its first design stages — heavily rooted in that time period. During its development and the effort to give it a modern appearance, it turned into a contemporary font with a strong historical background, defined by legibility and functionality. In addition, the lack of spurs provide a unique but unobtrusive character and support the contemporary impression. Typographic features like alternative glyphs, ligatures, oldstyle numbers, arrows, fractions and other special characters, round up the family. Canaro is available in nine weights plus matching italics. Ranging from sharp and elegant thinner cuts to sporty and athletic heavy weights.

Winnie the Hoop is a bold, friendly and round display family inspired by a certain well known teddy bear. The family consists of three styles; Roman, Italic and Script, which are designed to be combined together. You can use any of the three styles as your main style and use the others to create multilayered typography that all share the same aesthetic. The typeface is well suited for branding and packaging design, advertisements, posters and even editorial design as a headline style. The Script is packed with ligatures and has Swash alternates that make it easy to customise your design. All styles include two sets of numerals.

Waddle is inspired by the playfulness of mid-century jazz albums, opening title sequences and movie posters. Friendly, rounded, slightly roughed, with a bouncy baseline, this unique typestyle boasts a generous number of glyphs and ligatures across all three weights. Waddle Thin is perfect for body copy and is both fun and elegant. Waddle Plump has been designed for bold headlines and titles. Waddle Regular is an ideal all-rounder. Combine the Waddle Family for maximum affect the next time you need to get a playful and positive message across to an audience of any age. Not too kiddy, not too serious ... just right.

Matryo is a narrow, sans serif typeface family of fourteen typefaces, ranging from Thin to Black with accompanying Italics. With a soft, rounded form stroke and open shapes, it aims to remain clear and legible at all point sizes and can be set either in longer passages or for headlines and logos. Conceived as a multilingual family, its large character set covers most latin, cyrillic and greek based languages with a particular attention given to covering the historical forms for added functionality. Through Opentype features, Matryo equally offers a choice of numeral styles and some ligatures or alternative letters to add further choices for end users.

Julia Script is a playful calligraphic font designed by David Harris in 1983. It takes the viewer back to the flower power of the 1970s. Generous capitals with cheerful, rounded stroke beginnings and endings contrast perfectly with the narrower, closer, but nevertheless vibrant lower case letters. Characteristic of this typeface and similar to Candice is the marked increase in stroke width in the lower third of the figures. This detail is reminiscent of the platform shoes typical of the 1970s. Julia Script suggests freedom and fun and can often be found on party fliers and retro advertisements. Used sparingly in headlines and slogans, Julia Script will be sure to attract attention.

M Marker is a humanistic script design characterised by its italic, modern, box marker pen-like style. M Marker incorporates features of carton box marker pen, its strokes beginning and ending are rough, parallel without flare. Contrast of strokes is high. Its extra bold stems (豎) make it suitable for large display text to catch attention. Crossbars (橫) and stems (豎) are straight but slanted while angles (折) are smooth and well rounded. Dots (點), ticks (剔), hooks (勾) and downstrokes (撇、捺) are irregular, smooth and long to create softness, liveliness. It is best suited for casual and lively display, illustrations, set upright (naturally slanted), non-condensed.

Trebuchet™ Family, designed by Vincent Connare in 1996, is a humanist sans serif designed for easy screen readability. Trebuchet Family takes its inspiration from the sans serifs of the 1930s which had large x heights and round features intended to promote readability on signs. The typeface name is credited to a puzzle heard at Microsoft, where the question was asked, 'could you build a Trebuchet (a form of medieval catapult) to launch a person from the main campus to the consumer campus, and how™' The Trebuchet fonts are intended to be the vehicle that fires your messages across the Internet. 'Launch your message with a Trebuchet page'. Character Set: Latin-1, WGL Pan-European (Eastern Europe, Cyrillic, Greek and Turkish).

The German typeface artist Lucian Bernhard designed Bernhard Antiqua as the first of his many text typefaces. The first weights were produced in 1912 by the foundry Flinsch in Frankfurt am Main. Further weights followed in the 1920s, produced by the Bauersche foundry, which had acquired Flinsch in the meantime. Bernhard font is an alphabet with a marked historical influence. It brings the viewer back to the early 20th century, when the bold forms of this typeface graced advertising displays and posters. Distinguishing characteristics of this typeface are the cross of the capital W and the rounding of the capital R. Linotype's Bernhard condensed bold, with its narrow, robust forms, is best for headlines in medium and larger point sizes.

Bringtong is a brush script inspired by Hot Rod lettering and sign painting. Bringtong is a very versatile script: it includes end swashes, swash caps, small caps, lots of alternate characters and underline option. It has over 362 glyphs. Bringtong is bouncy and smooth and has a very organic feel. You have a lot of options to customize it and that makes it perfect for logos, packages and titles. If you have any questions, please feel free to contact me via email: joelpopon@gmail.com

LTC Spire with alternate caps was designed by Lanston’s type director Sol Hess in 1937. Spire Roman was designed without lowercase. But it includes alternate rounded caps which transform this extra condensed “fat face” into more of an art deco titling face. Spire Roman has been used within department store logos, luxury hotel signage, perfumes, etc, etc.

I think it is one of our most useful fonts in that it doesn't draw much attention to itself while it is quite refreshingly different. Almost all shapes in Vecta are rounded to provide a friendly effect. Proportions are somewhat condensed providing economic space usage. Vecta looks equally at home in headlines as well as body text.

I think it is one of our most useful fonts in that it doesn't draw much attention to itself while it is quite refreshingly different. Almost all shapes in Vecta are rounded to provide a friendly effect. Proportions are somewhat condensed providing economic space usage. Vecta looks equally at home in headlines as well as body text.

Novel Mono Pro is the monospaced typeface family within the largely extended award winning Novel Collection, also containing Novel Pro, Novel Sans Pro, Novel Sans Condensed Pro, Novel Sans Rounded Pro and Novel Sans Office Pro. Novel Mono Pro has a carefully attuned character design and a well balanced weight contrast. It combines the feeling of a modern humanist with the technical appearance of a typewriter. Many similarities with the other typeface families within the Novel Collection enable designers to combine the families and reach highest quality in typography. Novel Mono Pro [948 glyphs] comes in 12 styles and contains small caps for the uprights and the italics, ligatures, lining figures, hanging figures, small caps figures, positive and negative circled figures for upper and lower case, superior and inferior figures, fractions, extensive language support, arrows for uppercase and lowercase and many more OpenType™ features.

Litho Display is a bold display typeface, it has 8 fonts in the family with four different styles. Litho Display has been created with bold headline and poster typography in mind. It is perfect for use on typography heavy posters, packaging or on screen idents. The four different styles Litho Display comes in is Regular, Rounded, Rough and Press each with an italic pairing. With these styles Litho Display is versatile for various different uses whether it needs to be clean type for a poster or on screen or a more rough and rustic style for some packaging.

Introducing Bubbble Gum - sans serif typeface - 9 fonts Bubbble Gum is modern, rounded typeface with 9 fonts, regular, italic and multilingual support. It's a very versatile font that works great in large and small sizes. Bubbble Gum is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, Lowercase numeral, punctuation & Symbol Hairline Light Regular Bold Black Italic ( Hairline, light, regular, black ) Ligature glyphs Multilingual support Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Flexo Soft is the soft companion of Flexo. In Flexo Soft, the sharp edges of Flexo's characters have been tempered by a moderate rounding—creating a softer and friendlier typeface. Flexo Soft has a squarish design, making it stand out in many uses. It will shine in both headlines and text. It is well suited for graphic design and corporate identity design. Flexo Soft has sixteen styles, extensive language support, eight different kinds of figures, sophisticated OpenType features—so it’s ready for advanced typographic projects. For more information about Flexo Soft, download the PDF Specimen Manual.

Linotype Zensur is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. This fun font was created by French designer Gérarld Alexandre and contains one weight. The characters look as though parts of each of them were censored or removed, leaving just enough left over to know what was meant. The basic forms of this font are sans serif and the rounded corners give it an almost soft character. Linotype Zensur is a distinctive typeface which is especially good for headlines in larger point sizes.

Rottran is a rounded serif font. Rottran is including with more than 100+ alternates characters (PUA Encoded) and ligatures characters that give you a wide range of typographic design results. Rottran is a versatile font for many design project such as logo design, branding, poster, magazines, labels, merchandise, invitation, presentation, advertising and so much more! FEATURES: OpenType support Playfull to use (with ligatures and alternates options) Multilingual support PUA Encoded If you need support or more information about this item please kindly contact me : ekahermawanputu@gmail.com Thank you so much I really hope you enjoy when using it!

Marconi was created by Hermann Zapf in 1973. According to Gerard Unger, it was the world's first digital typeface. Zapf’s design was developed as a text face for books and magazines. The round forms of the Marconi follow the principle of the superellipse. The lowercase letters are enlarged as the result of reading tests, while the capital letters are slightly reduced. The 8-point size — normally used for newspapers — looks more like 9 1/2 points. Marconi is a legible typeface with its large and open lowercase letters. It is ideal for long text blocks in newspaper, book, and magazine production.