Framealot is a frame or border or page divider construction kit. By choosing and mixing various elements, a wide variety of different geometric borders or frames or dividers are possible. The largest set is on the upper-case keys. There are two other sets on the lower case keys (plus the comma and period.) The characters above the number keys (the whole top row with shift, plus {}| keys are another set. And there are a couple of other small sets. Not all the sets allow vertical dividers. Outlined versions are available on the outline style, and the filled style either inverts the pattern or removes white interior sections for the outline version (and has some other differences compared to the other two versions). Use a character map to find all the parts of a set, type them out on your document, and then copy and paste to construct your border or frame. Have fun with it!

In older American slang, a "bum steer" is a bad tip, some bad advice or being sent in the wrong direction (to name a few examples). Bum Steer JNL was modeled from some playful hand lettering found on a piece of early 20th Century sheet music entitled "When Uncle Joe Plays a Rag on His Old Banjo". It's very possible that "Hobo" (a popular type design of the time) was a strong influence on the sheet music's style of title lettering. It seems that songwriters in those bygone days were prone to cramming as many words from a line of their song into the title itself. Another such example of a wordy song title which coincidently is in keeping with the theme of a "bum steer" (pun intended) is a novelty number from 1915: "Cows May Come and Cows May Go but the Bull Goes on Forever" (words by Vincent Bryan, music by Harry Von Tilzer). [It's kind of self-descriptive, don't you think?]

Meets Genty, A new carefully crafted Delightful Bold on a script typefaces. A Creation of combining on our last 2 fonts which is Budge and Glaw. It generates a lot more fun, more trendy and more vibrant. It’s Versatile, Fun, Cute and Beauty feel that you get in Genty Typefaces. Genty Created with a tons of opentype features!. beautiful swashes, contextual alternates, stylistic sets up to 15 alternates, ligatures, ascender & descender swashes, Uppercase swashes, swoosh under the letters and swoosh at final of the letters. Every glyphs for alternates are curated for the best and possible without eliminate characteristic of this fonts. Genty also comes with a Font Pair Sans Serif that complete the needs for your design. Our creation on the display to give you a reference what it looks like on your project. such as Branding, Header, Logotype, Poster, Magazine, Packaging, Food Menus, and etc. It shows that Genty clearly can accommodate various design style.

Based on the lettering and graphic design of the Beat Generation era, Daddy-O was produced in conjunction with the Whitney Museum of American Art to coincide with the exhibition Beat Culture and the New America: 1950-1965. These way gone fonts and extras both capture and affectionately satirize the graphic design of the era. Package now features poet Rod McKuen in an updated version of the Beatsville album cover from 1959.

The basic letterforms for this typeface were found on a 1920s French poster for Les Arts de Feu by an unnamed artist. The stark geometric forms have been dressed up with an outline treatment, a drop-up shadow and a non-traditional small cap arrangement to make it even more striking, in a spooky kind of way. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Almahira is a modern calligraphy typeface, beautiful and luxurious. This elegant and beautiful font is stylish and versatile so you can use in a plethora of designs in both digital and print applications. Almahira font is the best choice for your professional design projects, including : signature, watermark on photography, quotes, album cover, book cover, business card, logo, branding, magazines, social media, advertisements, product designs, and many other design project. Enjoy designing, Rom

Bright Sunday is a cool and charming font duo. When combined, these two fonts will add a unique spark to any design project! Bright Sunday is perfect for branding projects, logos, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery, and any projects. What's Included: Web Fonts Tons of glyphs Ligature Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Photoshop, Adobe InDesign, and even Microsoft Word.

Scottish typefounders exerted a strong influence on the development of "transitional" typefaces, the bridge from "oldstyle" (Jenson, Garamond) to "modern" (Bodoni, Didot) designs. Scotch Roman designs were first cut by Englishman Richard Austin and cast by the Scottish typefounder Alexander Wilson and Son in Glasgow. Scotch Roman font has wide proportions, short descenders, bracketed serifs, and large, strong capitals. Its subtle charm makes it suitable for any text setting, particularly books and magazines.

Overland is a strong Art Deco typeface, inspired by the train 'The Overland' that runs in Australia, the font is perfect for headlines, display, branding and much more... even wedding stationary!. It is a bold and dense with an obvious deco inspired background, great for any projects or brands that wear the roaring 20's to 40's on their sleeve. Great for Signage, Wedding stationary, logos, branding materials, business cards, quotes, posters, and more!

Prepare to make a bold statement with Moirt, an uppercase serif display font that commands attention. Each uppercase letter stands tall and robust, making a commanding presence on any canvas. The spacious layout enhances legibility and gives the font a contemporary, open feel. Delicate lines run parallel to the edges of the letters, adding a unique and captivating visual element. Moirt fits in headlines, logos, branding materials, print media, editorial layouts, and many more.

Muffin is a soft and rounded humanistic low-contrast sans serif based on broad nib writing. It comes in five weights ranging from Regular to Black. The friendly character of the font becomes even more pronounced in the darkest styles. Muffin is well suited for food packaging, menus, children's products, while Regular may be easily used for long runs of text. The font was designed by Natalia Vasilyeva and released by Paratype in 2017.

Malibu Punch. I am loving this sassy script font! There are two versions: rough, with tons of texture, and smooth! I made it with an itty bitty brush and pretty watercolors. It's got loads of texture - check out those edges! Wobbly, rough watercolor edges! The capital letters work together, so it's like two fonts in one! The lowercase script is so sassy and full of attitude. Great for branding, logos, and quote art.

The hand-lettered signage of 1920s and 1930s America produced many typographic jewels that digital type has yet to manifest. This face is but one of them. Unearthed by Alfredo Graziani and Alejandro Paul from a 1923 Speedball lettering manual, Milk Script is a distinctive upright script that offers well-nourished majuscules and sweet-flowing minuscules. A non-connecting variation of this versatile display script is also offered for additional aesthetic control.

The Lina typeface family was designed by Roy Cole and completed in 2003. The roman font, Lina 30, was drawn originally by hand and later its character set extended and digitally redrawn with the aid of Fontographer. The five additional fonts, 60, 90, and the italics 33, 66, 99 followed and were all produced digitally from scratch. Lina is characterized by economy, lightness and evenness of weight. The capitals and figures are not as tall as the lower-case but retain the latter’s weight, and the figures are designed to provide enhanced recognition. The characters are relatively large on the body and text and benefit from additional leading. Lina is essentially a typeface for text composition. Roy Cole's other typeface families are Zeta, Colophon and Coleface.

Gudrun Zapf von Hesse designed the first sketches of Alcuin in 1986. The namesake of this typeface was an advisor of Charlemagne and was responsible for the writing reform of the Carolingian era. Alcuin was born in 735 in England, became an abbot in Tours and died there in 804. It was the idea of Zapf von Hesse to develop a modern text type based on the forms of the Carolingian minuscule. To create a text type that is excellent for a wide variety of applications, typical handwritten elements had to be discarded while still retaining the flow and character of handwriting. Alcuin with its strong calligraphic expression may be used in books, magazines, and also in the area of printed office communication.

Diotima Classic is a total upheaval for the 21st century of Gudrun Zapf von Hesse's mid-20th-century Diotima, one of the most beautiful types ever cast in metal. Its roots lay in a calligraphic sheet written by Gudrun Zapf von Hesse. The text was the Hyperion to Diotima" by Friedrich Hölderlin; Diotima is the name of a Greek priestess in Plato's dialogue about love. In the philosopher's imagination, she should appear slim and beautiful. In 1948, Gudrun Zapf von Hesse finished the typeface's Roman. The Diotima family was released as a metal typeface for hand setting by D. Stempel AG in 1951-53. This original Diotima is a festive design particularly suited to invitations, programs, and poems. The delicate Italic drew attention to text passages that should be emphasized. Linotype's previous digital Diotima only had one weight, which looked great in display sizes, but was too thin for text setting. Diotima Classic has four weights. The new Regular has more robust serifs and thicker hairlines, making it more appropriate for text sizes. The Diotima variation with finer serif remains under the name Light. Gudrun Zapf von Hesse also took the opportunity in 2008 to add an extremely heavy weight to the family. In comparison to the old Diotima, letterforms of the Diotima Classic are more harmonious and balanced. The rhythm of the Italic letters in Diotima Classic is more consistent. The lining figures of the Diotima Classic align with caps, and the letter spacing of the tabular lining figures in Diotima Classic is significantly better. The forms of the figures have been improved as well."