Headline font with extremely tight kerning with more than 1600 kerning pairs. Also with some discretionary ligatures and lining figures. That’s Tart. Sweet.

Breesh font is a dancing handwriting, quickly trace with a pointed brush. The inspiration come from both asian calligraphy, italic and copperplate alphabets.

Zamaica is a thin and modern display font. Add it to your most creative ideas and notice how it makes them come alive!

Skaklia is a modern sans serif font with a geometric touch. It comes in 2 shapes regular and rounded and its matching italics.

Steinschrift Pro is a condensed sans serif font which comes with West and Central European as well as with a Cyrillic character set.

Venture is an all caps typeface inspired by the great outdoors. Also comes in 2 extra styles, great for that vintage print look!

This font family is based on the letterforms of a fin-de-siècle sans serifs, and comes in two versions - Roman and Shadow.

More cartoon illustrations, sales builders, ornaments, embellishments and miscellany come your way with Message Helpers JNL; all re-drawn from vintage source material.

Introducing the new ‘Lauren Hansley’ script font - A fashionable and super-chilled new handwriting font script with some sexy stylish ligatures and alternates ;)

Created with a fine brush, this font has a robust appearance with some elegant features to it. Use this typeface anyway you like!

Julio is designed in the best tradition of English scripts. It comes in very handy if you want to have an elegant touch.

Deco Pimp is a trashy, handwritten font with a deco-look to it. It has some unusual letters, but is very legible nonetheless.

Inspired by an image of some Art Nouveau wood type spotted online, Nouveau Impression JNL is available in both regular and oblique versions.

A freely written handwriting font with a lot of ligatures added for credibility. The PRO version comes with Greek and Cyrillic glyph sets.

Flavium is the reconstruction of the typographic character used in the engravings of the marble street name sign of Rome from about 1970 until the end of the eighties. It is an uniquely uppercase Roman font whose letters are confined within the space between the baseline and the caps line. Its style is severe but elegant, very useful for expressing authority and officialdom with simplicity.

The Olaus Magnus and Olaus Bandus alphabets are inspired by the letterforms cut in the pictures and wood-cuts of Olaus Magnus great book Historia de Gentibus Septentrionalibus. This great history of the Nordic Peoples was printed in Rome in 1555 in his own printing shop there. Olaus Magnus, Catholic priest and appointed archbishop by the Pope, never returned to the now Lutheran Sweden.

Presenting a font with the tallest x-height in the world. Febsta. Comes only with caps for now. Support me to create small letters.

Ashby is a Spencerian based handwritten script, with elegant capital letters. Written with a flexible nib, which results in some beautiful line width variation.

Barokah Ramadhan is script font inspired by arabic alphabet / calligraphy,come with alternate and multilingual features.This font very suitable for your arabic stylish design.

Poster Plain JNL and its oblique counterpart offer the simple, hand-lettered look of home-made poster board projects with a bold, friendly typeface.

Display Roman JNL is derived from examples of some vintage sign letters, and features a condensed style with somewhat square letterforms and slab serifs.

An inline gothic display font based in mid-twentieth century showcard and signpainting styles. All caps with some alternates in lower case keyboard positions.

A noisy, clumsy and spattered font. Comes with ligatures for double letters. You will need to use OpenType supporting applications to use the autoligatures.

Redgar is a weathered display family. It comes in four styles – regular, slab, stencil, clean and has a matching set of banners and shapes.

LD Little Buggy is an enjoyable, outlined font that is perfect in adorning invitations, digital projects or just adding some flavor to a page.

This 3D lettering font was done with my inky ballpoint pen. Comes with ligatures for double lettering and alternate letters in upper- and lowercase.

Originally designed as an experiment in monospacing (Illuminati Mono), Illuminati is a mixture of sans-serif and serif. The Italics have some cursive features.

Vermouth is a new Layered font family inspired by Italian signs of the 60s You can create awesome colorful display text overlapping some styles.

Tribal Tattoos comes from the German tattoo artist Otto Maurer. This clean vector Tribal art is best for making good plott or printed art.

The Tomcat Bold is a playful display font. It comes in a regular and bold style which will give your design a fun touch.

Auxilia is a geometric sans serif font with a bit of humanist feeling, comes with various weights and condensed width for all purpose design.

Minnie Brush is an modern upright brush script. This curly rough textured font is great for display use. It comes with numerous alternate characters.

A crunchy scripty and curly font. Comes with ligatures for double letters. You will need to use OpenType supporting applications to use the autoligatures.

Rody is the inspired by early russian typographic designs and works well with Lazar . It comes with small caps and a range of ligatures.

North is an elegant Light Condensed that provides some interesting surprises to conventional condensed fonts. Ideal for fashion, cosmetics, editorials and premium packaging design.

The Salden fonts are our tribute to the man who was dubbed the face of the Dutch book, and whose work is considered essential in 20th century Dutch design history. Helmut Salden’s exquisite book cover designs were the gold standard in the Netherlands for more than four decades. His influence over Dutch lettering artists and book designers ranges far and wide, and his work continues to be used commercially and exhibited to this very day. At the root of Salden’s design work was a unique eye for counter space and incredible lettering skills that never failed to awe, regardless of category or genre. This made our attention to his lettering all the more focused within our appreciation to his overall aesthetic. Though Salden never designed alphabets to be turned into typefaces (he drew sets of letters which he sometimes recycled and modified to fit various projects), we thought there was enough there to deduce what a few different typefaces by Salden would have looked like. The man was prolific, so there were certainly enough forms to guide us, and enough variation in style to push our excitement even further. And so we contacted the right people, obtained access to the relevant material, and had a lot of fun from there. This set covers the gamut of Salden’s lettering talents. Included are his famous caps, his untamed, chunky flare sans serif in two widths, his unique Roman letters and an italic companion and, most recognizable of all, his one-of-a-kind scripty upright italic lowercase shapes, which he used alongside Roman caps drawn specifically for that kind of combination titling. All the fonts in this set include Pan-European glyph sets. They’re also loaded with extras. Salden Roman (908 glyphs) and Salden Italic (976 glyphs) each come with built-in small caps (and caps-to-small-caps), quite a few ligatures, and two different sets of alternates. Salden Black and Salden Black Condensed (636 glyphs each) come with a set of alternates, and both lining and oldstyle figures. Salden Caps (597 glyphs) comes with a set of alternates, and Salden Titling (886 glyphs) comes with a quite a lot of swashed forms and alternates (including as many six variants for some forms), a few discretionary ligatures, and two sets of figures. There are also some form alternates for the Cyrillic and Greek sets included in all six fonts. These alphabets were enjoyably studied and meticulously developed over the past ten years or so. We consider ourselves very fortunate to be the ones bringing them to the world as our contribution to maintaining the legacy of a legendary talent and a great designer. The majority of the work was based on Salden’s original drawings, access to which was graciously provided by Museum Meermanno in The Hague. The Salden fonts were done in agreement with Stichting 1940-1945, and their sale will in part benefit Museum Meermanno.

The Barito Serif 9 font is full of cursive typefaces with sharp, bold lines that create an optical illusion that appears to intimidate the reader. Barito serif font comes with many languages ​​like Cyrillic • Greek • Latin and is perfect for designing books, magazines, titles for online advertising media websites and much more. The barito serif font not only comes with 9 weights, but is also accompanied by an italic for complement and confirmation.

Mavblis fonts have playful and fancy look, which may recall that seen in fifties ads. The look, which is quite bold may well allow for using this font in titles, packaging, or catchphrases. There are also some ligatures and alternates encoded, so you are not stuck with one look in case you require to add some variety to your text. There are over 900 characters in each font, and many languages are served.

Rockford is a geometrical Sans Serif with subtly rounded edges. Rockford comes in eight weights and matching Italics. With its large x-height and round features it’s both legible and friendly. It’s suited to cover a wide variety of tasks from editorial to brand design, advertising, logos and more. Rockford is equipped with plenty of OpenType features to perform well. Rockford comes with Small Caps, Old Style Figures, superior and inferior figures and fractions.

Rosebud is a great blend of simple yet organic rosy caps. Each big caps has a single rose while the small caps has the prickly, thorny stems. This decorative TrueType font is great for any occasion (from Wedding to Sweet 16 Party) or for surprising a rose lover with a flowery note. Plus, you can create your own border patterns or flower arrangements by using the rosy and/or the thorny punctuation marks.