Winner™ and Winner Sans™—Classic athletic aesthetics, finally as a versatile contemporary super family. Just when you thought there was nothing left to add to the classic sports design, we lifted it to a whole new level. Whatever you want to set in whatever space, with seven weights in seven widths both with or without serifs, you’ll definitely find the right proportions for it! Winner supports not only most Latin-based languages but also Greek. Its extensive character set also contains currency signs, arrows, as well as a wide range of numerals from small figures to Roman numerals. Furthermore, its sophisticated OpenType layout features give you access to alternative letter shapes, fractions, tabular figures, and contextual alternates. With more than 24,000 glyphs in 49 fonts, Winner leaves nothing to be desired. Grab Condensed Regular for free and give it a spin!

Banjax is a humanist sans serif typeface, designed to be highly versatile and efficient in both print and digital environments. The extreme weights are perfect for display purposes, with the central core weights ideal for body copy. While Banjax has a branding focus, it would be suitable for pretty much any text application in any Latin language. See more detailed examples here. Distinguishing features include a large x-height, short descenders, distinctive asymmetrical contrast, angled terminals, squared dots and punctuation, and maybe a little flair here and there to enhance this typeface’s personality. Overall, Banjax makes for a pleasant reading experience with enough nuances to make it an ideal choice for branding purposes. Key features: 9 weights in Roman and Italic Small Caps, Petite Caps and 3 Alternates Latin Extended and Basic Greek glyphs 1100 glyphs per font.

Christmas History is a friendly, fresh, rich, and elegant handwritten font. It is ideal for holiday-themed greeting cards and for any crafting project that requires a romantic touch.

Inspired by ancient Semitic Scripts and designed in broad nib calligraphy, this is one more great font by Dr. Ada Yardeni. A classic serif font, both formal and romantic.

Christmas Thania is a friendly, fresh, rich, and elegant handwritten font. It is ideal for holiday-themed greeting cards and for any crafting project that requires a romantic touch.

Christmas Mint is a friendly, fresh, rich, and elegant handwritten font. It is ideal for holiday-themed greeting cards and for any crafting project that requires a romantic touch.

Tresor is a new Sans Serif font family with contrast. It has a classic look and a romantic twist thanks to its extended set of decorative alternates and ligatures. Tresor, meaning “treasure” in French, is full of jewels, including a beautiful collection of swashes. More than 1000 glyphs accessible through OpenType features invite you to customize your test. This stylish & modern font family includes 2 different styles and 3 different weights. The thinnest weight is Tresor 100, with Tresor 200 and 400 you get an extra thickness, heavier weights that are perfect for small sizes. Tresor works beautifully for headlines, weddings invitations, instagram posts, packaging design, stationery and logos.

Polias is an all-caps uniwidth typeface inspired by an ancient inscription carved on a monoblock stone in hybrid characters — between no-contrast linear sans to low-contrast flared serif. The inspiring inscription is the dedication by Alexander the Great, discovered in the Temple of Athena Polias in the ancient Ionian city of Priene. Stanley Morison mentioned this inscription in one of his lectures: “The distinctive feature of this inscription consists of a consistent thickening towards the ends of perpendiculars and horizontals.” … “We have not the right to say that the serif was invented for Alexander the Great's inscription, only that this is its first datable appearance.” The letter proportions are almost identical to the original, but the stroke features have been reinterpreted and characterized. Serif-like nodes at the end of the strokes are subtle extensions that serve to accentuate rather than break its monoline elegance. With an analogy, they are not flowers, but like blooming buds. Polias is a flared sans typeface which is closer to sans-serif forms on the spectrum between sans and serif. It’s especially light looking by design to convey rather thin and white typographic color of its original monumental look. It comes in eight weights and a variable font, scaled from Thin to Bold. It is multiplexed, so the weights do not affect text lengths. Light weights are closely based on the actual carving of the inscription. Thicker weights can be used on smaller typesettings to compensate for the weight difference of larger letters’ strokes, and to keeping the monoline appearance of the entire text block intact. This method can be used for any purpose, such as setting a hierarchy between the lines or to justify their lengths. Some of the original letterforms have been preserved and stylistic alternatives such as Ionic four-bar Sigma, dotted Theta, palm Y are provided as open type feature. Some of the other ancient forms, such as the three-bar Sigma (S), the pointed U, were also added for both the Greek and Latin scripts. Polias is preferable for big type settings such as logos and headlines as a modern representation of perennial classical forms. Its a fine fit for product branding, movie posters, book covers, packaging materials, and more, which require an epic look to attracting attention with a distinctive elegance. Polias can be considered for distinctiveness wherever Roman Capitals work. As a noun, Polias is one of the epithets of Athena / Minerva, and in this case referring to her role as the protector of the city of Priene. Polias is one of the seven typeface designs in Esintype's ancient scripts of Anatolia project, Tituli Anatolian series.

Polias Varia is an all-caps uniwidth variable weight typeface inspired by an ancient inscription carved on a monoblock stone in hybrid characters — between no-contrast linear sans to low-contrast flared serif. The inspiring inscription is the dedication by Alexander the Great, discovered in the Temple of Athena Polias in the ancient Ionian city of Priene. Stanley Morison mentioned this inscription in one of his lectures: “The distinctive feature of this inscription consists of a consistent thickening towards the ends of perpendiculars and horizontals.” … “We have not the right to say that the serif was invented for Alexander the Great’s inscription, only that this is its first datable appearance.” In Polias Varia, the letter proportions are almost identical to the original, but the stroke features have been reinterpreted and characterized. Serif-like nodes at the end of the strokes are subtle extensions that serve to accentuate rather than break its monoline elegance. With an analogy, they are not flowers, but like blooming buds. Polias Varia is a flared sans typeface which is closer to sans-serif forms on the spectrum between sans and serif. It’s especially light looking by design to convey rather thin and white typographic color of its original monumental look. It comes in eight weights and a variable font, scaled from Thin to Bold. It is multiplexed, so the weights do not affect text lengths. Light weights are closely based on the actual carving of the inscription. Thicker weights can be used on smaller typesettings to compensate for the weight difference of larger letters’ strokes, and to keeping the monoline appearance of the entire text block intact. This method can be used for any purpose, such as setting a hierarchy between the lines or to justify their lengths. Some of the original letterforms have been preserved and stylistic alternatives such as Ionic four-bar Sigma, dotted Theta, palm Y are provided as open type feature. Some of the other ancient forms, such as the three-bar Sigma (S), the pointed U, were also added for both the Greek and Latin scripts. Polias Varia is preferable for big type settings such as logos and headlines as a modern representation of perennial classical forms. Its a fine fit for product branding, movie posters, book covers, packaging materials, and more, which require an epic look to attracting attention with a distinctive elegance. Polias Varia can be considered for distinctiveness wherever Roman Capitals work. As a noun, Polias is one of the epithets of Athena / Minerva, and in this case referring to her role as the protector of the city of Priene. Polias (family) is one of the seven typeface designs in Esintype’s ancient scripts of Anatolia project, Tituli Anatolian series.

The April 8, 1932 issue of The Film Daily ran an ad for a film entitled "The Sin of Lena Rivers". Hand lettered in a block style of chamfered characters, it is reminiscent of the 1920s, but still carries a touch of Art Deco influences with the thinner and extended horizontal strokes of the E, F and H. This retro sans serif design is now available digitally as Evil Ways JNL in both regular and oblique versions.

Ravelion is a sans serif all caps display font. Available in reguler and line style. Ravelion is made for futuristic font display. Ravelion is a funky, future-forward typeface set up perfectly any sci-fi space thriller. If you're a fan of futuristic fonts, this one is for you! Ideal for contemporary, sci-fi and space designs, you can also apply this on adventure, branding, or music themes. Try different styles and experiment with kerning for best results.

Set of ornaments based on the decorative motifs used by the first typographic workshop in Buenos Aires: “Imprenta de Niños Expósitos”, between 1780 and 1824. This set is the product of an extensive historical research that aims to identify the type that came from Europe to the City during colonial times, and during the first years of Argentina’s independence. This group has a lot of diversity, which fluctuates between organic baroque forms and geometric neoclassical. Its characters can be used in editorial design along with Roman typefaces, they work individually or grouped to form different figures, guards or frames. It was baptized in honor to the first printer who worked in the workshop: the Spanish Agustín Garrigós.

Axion SSF is an original design by Alex Kaczun. Axion SSF is a style variation based on his original Axion typeface family of fonts. It is a display font not intended for text use. It was designed specifically for display headlines, logotype, branding and similar applications. The entire font has an original look which is strong, dynamic, machine generated and can be widely used in publications and advertising. Axion SSF is a futuristic, techno-looking and expressive typeface with an appearance of machined parts with sharp and rounded edges. This attractive display comes in roman with lower case and lining figures. The large Pro font character set supports most Central European and many Eastern European languages.

Frutiger Next is Adrian Frutiger's and Linotype's completely new interpretation of the well known typeface Frutiger released in 2000. For these revised forms, the areas of application are almost limitless. Frutiger Next can be used for anything from office communications to multimedia to complex printed materials. The Frutiger Next family contains small caps, oldstyle figures, and other figure options in every font. Adrian Frutiger's eponymous typeface has been used for decades, everywhere from airport signage to book text to corporate logos to the smallest web graphics. The Italics in the original version of Frutiger were based very closely on the Roman forms; in Frutiger Next, they have been re-designed to be true Italics.

In 1525, Albrecht Dürer, the well known German great artist, was publishing the so-called “Underweysung der Messung mit dem Zirckel und Richtscheyt”, printed in Nuremberg. This handbook explained with numeral figures how to draw with a compass and ruler. A large part is devoted to the drawing of Roman characters, which can be used as decorative initials. We are offering two complete historical initial sets and also have entirely redrawn the missing letters: J, U and W, Eth, Lslash, Thorn and Oslash in the two forms, using the Dürer style. The font may be used with all our Humane and Garalde fonts, like 1543 Humane Jenson or 1592 GLC Garamond and others from the GLC foundry catalog.

The Halis Rounded Font Family from Ahmet Altun comes in eight weights. In addition, all weights have small caps for romans. Halis Rounded is the smoother version of the Halis Grotesque family. With rounded corners, this new font seems much softer and eye-pleasing even though it still has geometric and straight borders. Halis Rounded is legible from very small size to very large ones and also suitable for letterpress. Thanks to small caps accommodation, this font family makes their use in web typography even easier. As with the small caps, all fonts can be used to create great works on the web as logos, texts, presentations etc. and in prints as posters, t-shirts, magazines, and notices.

Mecanica is an original design by Alex Kaczun. It is a display font not intended for text use. It was designed specifically for display headlines, logotype, branding and similar applications. The entire font has an original look which is strong, dynamic, machine generated and can be widely used in publications and advertising. Mecanica is a futuristic, techno-looking and expressive typeface with an appearance of metal-like parts with some very sharp edges. This attractive display comes in roman with lower case and lining figures. The font also is available with true-drawn slant italics. Other design style variations include Swash as well as Ornamental Italic Capitals along with a few Ornamental Symbols to embellish and enhance the possibilities.

Arlon makes it easy to give any brand or advertising a cool & futuristic look. Thanks to its spurless letterforms and some uncommonly shaped letters, this typeface creates a strong visual impact even in small sizes. Having generously rounded angles and terminals, Arlon also spreads warmth and friendliness. To sum up, Arlon communicates an affinity for technology – in a friendly way. The family contains a really wide span from thin to black and has many Opentype features as well as many numerical variations to offer, making it a versatile font. From Afrikaans via romanized Chinese through to Zulu: Arlon comes with 631 glyphs per font, covering more than 200 languages. Designed by Marc Lohner in 2018.

Hey, friends! I’m here for you with my new colored font Paint Splashes Color Font. All the letters in this font are colored brightly and vividly with colors overlay. Multicolor icon with glow and gradients. Perfect for positive art, children design, vibrant advertising, juice packaging, colorful identity. *You can use color fonts in PS since CC 2017, AI since CC 2018, ID since CC 2019, QuarkXPress since 2018, Pixelmator, Sketch, Affinity Designer Since macOS 10.14 Mojave, Paint.NET Windows only.* *Please note that the Canva doesn't support color fonts!* What's included? * 3 Colored and B&W styles * Numbers * Symbols * Punctuation If you have any questions or issues, please contact me: kaer.pro@gmail.com Best, Roman.

Axion RND is an original design by Alex Kaczun. Axion RND is a style variation based on his original Axion typeface family of fonts. It is a display font not intended for text use. It was designed specifically for display headlines, logotype, branding and similar applications. The entire font has an original look which has rounded corners throughout and is strong, dynamic, machine generated and can be widely used in publications and advertising. Axion RND is a futuristic, techno-looking and expressive typeface with an appearance of machined parts and rounded edges. This attractive display comes in roman with lower case and lining figures. The large Pro font character set supports most Central European and many Eastern European languages.

The inspiration for this typeface family came from my childhood experiences at West Monkton, amidst an historic part of the South West of England. Studies of the original incised capitals of the Trajan column in Rome were analysed and polished for this modern version. The lower case letterforms and numerals were then created in sympathy, taking their proportions from the incised letters of local gravestones. Its name honours not only the area where the original alphabet was conceived and drawn, but also the people responsible for fostering my initial interest in letters. These stylized incised typefaces give a depth to the letterforms that can be exploited in your typography - evoking the carved monumental inscriptions of the Roman era.

Horst More is a retro soft serif typeface comprising 18 fonts. It can handle most typographic applications from branding to body copy with its range of weights and inherent legibility. Whatever you type will have a friendly message, but it really comes into its own when you start applying some of the additional ligatures and alternates that are built into this type family. You’ll soon be creating distinctive typographic compositions that are pleasing to the eye. There are 18 fonts, 9 weights altogether. It has an extensive character set that covers all Latin European languages. Key features: 9 weights in Roman and Italic Alternates Ligatures Thanks for visiting and purchasing my font! Ekayasa Mix.Jpg

An all-capitals reversed sans-serif font, designed for easy creation of signs, labels and banners. Various endpieces are included. Upright and italic can be combined.

this is a cool sans serif font with a casual and complete with unique icons that you can make a logo or decoration on your design

Sans-serif reversed capitals in circles, resembling typewriter keys. The font can be used for logos, signs and labels, and for markings on maps and charts.

The Roos family is a digitization and expansion of the last typeface designed by Sjoerd Hendrik De Roos, called De Roos Romein (and Cursief). It was designed and produced during the years of the second World War, and unveiled in the summer of 1947 to celebrate De Roos's 70th birthday. In 1948, the first fonts produced were used for a special edition of the Dutch Constitution on which Juliana took the oath during her inauguration as the Queen of the Netherlands. To this day this typeface is widely regarded as De Roos's best design, with one of the most beautiful italics ever drawn. In contrast with all his previous roman faces, which were based on the Jenson model, De Roos's last type recalls the letter forms of the Renaissance, specifically those of Claude Garamont from around 1530, but with a much refined and elegant treatment, with stems sloping towards the ascending, slightly cupped serifs, a tall and distinguished lowercase, and an economic width that really shines in the spectacular italic, which harmonizes extremely well with its roman partner. The Roos family contains romans, italics and small caps in regular, semibold and display weights, as well as a magnificent set of initial caps. All the fonts contain extended language support, surpassing the usual Western Latin codepages to include characters for Central and Eastern European languages, as well as Baltic, Celtic/Welsh, Esperanto, Maltese, and Turkish.

The TYMA Garamont Roman was inspired by the Berner-Egenolff type sample from the 1560s. The Italic was inspired by a sample from Robert Granjon, also from the 1560s. The name TYMA is short for AB Typmatriser, a Swedish company founded 1948, because the Second World War stopped all import of matrices for Linotype and Intertype typesetting machines. It took until 1951-52 before the import was up to speed again. Until then, Sweden had to fend for itself. TYMA produced all technical equipment needed for type production, including the pantograph to cut the matrices, a complete set for each size and version. The templates for Garamont Roman were initiated by Henry Alm 1948. Bo Berndal was hired the following year, and continued the work by drawing and cutting templates for the rest of Garamont Roman, as well as for the remaining Garamont family. Bo Berndal stayed at TYMA until it went bankrupt in 1952. At that time Bo Berndal had already kick-started his career as type designer by drawing the typeface Reporter for one of the big daily newspapers, Aftonbladet, a version of Cheltenham for another daily, Dagens Nyheter, and copied several old typefaces for other customers. Librarian Sten G. Lindberg at The Royal Library of Stockholm, Kungliga Biblioteket, procured copies of original type samples. Henry Alm started the work in 1948, and Bo Berndal completed it - finally in this OpenType version.

Say hello to Saturday Script! A a care-free, casual, handwritten script with authentic tell-tale dry brush imperfections. Saturday Script has the added bonus of having 'multiple personalities'! Saturday Script has 2 sets of lowercase stylistic sets, allowing you to make each word look completely unique to the next. Whether you need "flaunty & loud" or "soft & romantic" Saturday Script has the look for you. There are 2 variants of Saturday Script, to add even more flexibility to your designs: Regular, and Oblique

Sweet Monica is an elegant script with a creative mood and perfect form, inspired by today's beautiful calligraphy. thick, balanced and varied, born for luxury and beauty. In my example I show how this script can be used. It's great for logotypes, branding, wedding invitations, romantic cards, alcohol labels, packaging, name spelling and more. Sweet Monica comes with beautiful uppercase and lowercase letters, numbers, and punctuation. In addition to the main character set, there are many alternative characters, early and late sweeps.

Say Hi to East Botany. A new bold and stylish font with modern, groovy and retro look. It comes with large selection of alternate glyphs to give your any project to a unique design. East Botany is perfect for luxury logo and branding, classy editorial design, woman magazine, cosmetic brand, fashion promotional, blog design, modern advertising design, card invitation, art quote, book/cover title, and modern and more. Features : · All Uppercase and Lowercase · Number & Symbol · Supported Languages · Alternates and Ligatures · PUA Encoded

Cottonwood Market is a sweet, upright calligraphy font with loads of decorative alternates and a charming signature feel. This lovely little calligraphy font is packed with alternates, ligatures, and an authentically inked texture. It’s both romantic and delicate, with thin lines and signature glyphs. Just check out that swanky ‘k!’ Cottonwood Market has plenty of personality for branding, bridal, merchandise, signage, signatures, and more! With over 90 ligatures and alternates to play with, you can have some serious fun with this font.

Eleganta is a beautiful calligraphic script typeface. It was drawn and created by Misti Hammers and Måns Grebäck in 2019. As the name implies, it is first and foremost an elegant letter style, but with its handcrafted shapes reserved, it is still down-to-earth and affectionate. Use it in romantic or celebratory contexts, for an invitation or anywhere you want to transmit a personal message. The font supports all Latin-based European languages, contains numbers and all symbols you'll ever need.

Fashion Signature is an enchanting handwritten font. This versatile Monoline font has a wide spectrum of applications ranging from greeting cards, fashion, weddings, posters, beauty cosmetics, and logos to headlines and is guaranteed to add a romantic or casual feel to your next project. Add it confidently to your projects, and you will love the results. This font is PUA encoded which means you can access all the beautiful glyphs and swashes with ease! Add to your collection for future Design and projects!

Reusco Display comes with some alternates, so you can combine it to make a perfect typography design. It is perfect for your up coming projects. Such as luxury logo and branding, classy editorial design, woman magazine, cosmetic brand, fashion promotional, art gallery branding, museum, historical of architectural, boutique branding, stationery design, blog design, modern advertising design, card invitation, art quote, home decor, book/cover title, special events and any more. That's it! Have fun with Reusco Display font. Thank you! Tebaltipis Studio

Introducing Hyldae Script, a romantic and modern calligraphy typeface with decorative characters and a dancing baseline! Hyldae Script is particularly well-suited to create the most lovely wedding designs, invitations, mood board, social-media template or for your editorial design needs. Hyldae comes with more than 315 glyphs, includes uppercase and lowercase letters, numerals, a large range of punctuation and ligatures. The OpenType features can be accessed by using OpenType savvy programs such as Adobe Illustrator, Adobe InDesign, and Adobe Photoshop.

Slinces Heart is a captivating script font that captures the essence of handwriting with a touch of romance. Each letter in this font is meticulously crafted with fairly high line contrast, adding a dynamic and eye-catching quality to the font. The swinging endings in Slinces Heart add a flourish of creativity and uniqueness. With its smooth and flowing letterforms, this font offers a natural and seamless writing style. For the best legibility you can use this font in the bigger text sizes.

Clair De Lune is part of the famous Suite Bergamasque, written by Claude Debussy in 1890, and published in 1905. It means Moonlight in French, a kind of romantic name. The name is exactly what I had in mind for this übercute font. Clair De Lune can be used to design postcards and posters, liven up websites and give your designs an overall happy feel. Clair De Lune was handmade using a 0.5 pen, eco friendly Italian paper and a wooden kitchen table.

The Brownies, is a Romantic lovely font with irregular stroke style. trendy and feminine style. It looks lovely for weddings, invitations, thank you cards, quotes, business cards, and more your creative idea. What's Included : Full Upper + Lowercase Glyphs Number + Punctuation Ligatures Alternates Glyphs, Beginning, Ending, and Swash PUA Encoding How to access alternate glyphs? you can see it on this link ( http://goo.gl/1vy2fv ) Thanks for your support, please kindly send us a message with any question about our product.