Note: The Lined style is no longer available due its complexity and the resulting memory and performance issues.

A compressed wood poster type from the mid-1800s. Certainly handy for excessive copy on a single line.

Note: The Lined style is no longer available due its complexity and the resulting memory and performance issues.

Note: The Lined style is no longer available due its complexity and the resulting memory and performance issues.

Bergamot was inspired by vintage apothecary labels, but this font is actually quite modern in both style and effects. It features all caps plus 2 sets of alternates (so, 4 total variations for each letter). The coolest part… they intermingle randomly as you type! Ok, so it’s not exactly random, but that’s the easiest way to explain what you'll see. The letters are actually coded to rotate with their respective alternates. This effect is both useful or can be purely for fun! Let’s talk about the useful part for a sec… Repeating characters are often a dead giveaway that a font is being used. And sometimes we don't want that, right? We want to give the illusion that our design has been custom hand-lettered for a particular project… and can't be recreated by another. That’s exactly what this font aims to do. The randomizing effect is built into the Contextual Alternates feature and will likely be “on” automatically in your chosen program. Alas, even random doesn't guarantee that like characters won't appear in close proximity. So for those of you with access to the “Stylistic Alternates” feature, easily change repeated letters that are near each other simply by turning this feature “on”. Voila! Custom…hand…lettering. Bergamot also features separate files for Frames & Ornaments. Check them out below.

EUROPEAN SOFT PRO VARIABLE ABOUT FAMILY: What makes "European Soft Pro Variable" elegant, friendly and contemporary is its very rounded curves with very open terminals. "European Soft Pro Variable" has been designed with a higher "x-height" than other fonts in its class to make tiny readability more obvious in any use situation. It will be ideal for use in small sizes such as business cards or mobile applications. This typeface is also equipped with powerful OpenType features to satisfy the most demanding professionals. It has solid features like case sensitivity, small, true capitals, full ligatures, tabular figures for tables, old style figures to elegantly insert numbers into your sentences and more alternative characters to give personality to your projects. The extended, "European Soft Pro Variable" supports around 85 languages in the Latin, Cyrillic and Greek scripts, and its non-Latin components were developed with native consultants. With over 1200+ glyphs per style, "European Soft Pro" cares about localised letterforms and has the OpenType features to match. FEATURE SUMMARY: - 9 weights: Thin, ExtraLight, Light, Book, Regular, Medium, Bold, ExtraBold, and Black. - 4 widths: Normal, Narrow, Condensed, and Extra Condensed. - Matching italics (12º) for all weights and widths . - Matching small caps for all weights and widths. - Lining and old style figures (proportional and tabular). - Alternate characters (A, G, M, N, R, U, a, g, l, m, n, u, y). - Unlimited fractions. - Automatic ordinals (1st, 2nd, 3rd, etc.). - 24 Dingbats + 19 Social Media and Block Chain icons. - Extended language support: Most Latin-based scripts (including Vietnamese), Cyrillic, and Greek. - Extended currency support. You can contact me at buyuksel@hotmail.com, pre-purchase and post-purchase with questions and for technical support. You can enjoy using it.

Teramo™ is daring, sharp and dynamic. Its personality is derived from asymmetry and movement. It is a contemporary serif family full of modern design elements playing with proportions of works of XV and XVI century masters such as Francesco Griffo or Claude Garamond. The family features four optical sizes. Display sizes feature extreme stroke contrast and are intended for fashion, lifestyle, cosmetics, magazine, business, hi-tech and advertising use. Text styles are created for all kinds of body copy — long and short paragraphs, books and websites in any modern design context. They are crafted to be elegant and legible, featuring more generous spacing and scrupulous kerning. Display weights are designed as modern, extraordinary variations on didone style. Teramo’s letterforms are merging classical proportions and precise, contemporary details such as asymmetric serifs, sharp edges and unconventional glyph shapes. Another important factor constituating Teramo’s personality is an angled axis, unusual for didone families and giving the typeface much more organic and dynamic feel. Teramo features a lively true italics strongly related to cursive handwriting. The italic styles imply movement, energy and fluency, introducing a new color to paragraph text, as well as being a powerful and interesting standalone display type. The family introduces additional titling letter variations for headlines and display uses, such as sharp and modern lowercase “y” or uppercase alternates for better all caps typography. Teramo consists of 56 fonts in 4 optical sizes - 28 uprights and their corresponding true italics + 2 variable fonts. It has extended language support as well as broad number of OpenType features, such as case sensitive forms, standard and discretionary ligatures, titling alternates, contextual alternates, lining, oldstyle figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

EUROPEAN SANS PRO VARIABLE ABOUT FAMILY: What makes "European Sans Pro Variable" elegant, friendly and contemporary is its very rounded curves with very open terminals. "European Sans Pro Variable" has been designed with a higher "x-height" than other fonts in its class to make tiny readability more obvious in any use situation. It will be ideal for use in small sizes such as business cards or mobile applications. This typeface is also equipped with powerful OpenType features to satisfy the most demanding professionals. It has solid features like case sensitivity, small, true capitals, full ligatures, tabular figures for tables, old style figures to elegantly insert numbers into your sentences and more alternative characters to give personality to your projects. The extended, "European Sans Pro Variable" supports around 85 languages in the Latin, Cyrillic and Greek scripts, and its non-Latin components were developed with native consultants. With over 1200+ glyphs per style, "European Sans Pro" cares about localised letterforms and has the OpenType features to match. FEATURE SUMMARY: - 9 weights: Thin, ExtraLight, Light, Book, Regular, Medium, Bold, ExtraBold, and Black. - 4 widths: Normal, Narrow, Condensed, and Extra Condensed. - Matching italics (12º) for all weights and widths . - Matching small caps for all weights and widths. - Lining and old style figures (proportional and tabular). - Alternate characters (A, G, M, N, R, U, a, g, l, m, n, u, y). - Unlimeted fractions. - Automatic ordinals (1st, 2nd, 3rd, etc.). - 24 Dingbats + 19 Social Media and Block Chain icons. - Extended language support: Most Latin-based scripts (including Vietnamese), Cyrillic, and Greek. - Extended currency support. You can contact me at buyuksel@hotmail.com, pre-purchase and post-purchase with questions and for technical support. You can enjoy using it.

Artist and calligrapher Daniel Reeve, well known for the lettering and maps in The Lord of the Rings films, is creating hand-crafted fonts of some of his writing styles - Kereru is the inaugural release, allowing users to emulate some of his much-admired calligraphy. Nominally a half-uncial style, clever arrangements of the stylistic sets allow Kereru to be set as full uncial or standard roman, as well as offering numerous alternates, ligatures, swashes and flourishes, ornaments, unlimited fractions, scientific inferiors and numeric superscript, all accessible via OpenType features. Cyrillic and Greek alphabets are included, in addition to the letters required for all the languages of Western, Central and Eastern Europe, Scandinavia and the Baltic. Kereru is very legible and easy on the eye, without sacrificing calligraphic flair. A pdf description of the Stylistic Sets and their usage is included with the font package, which comprises regular, bold and italic variations. Kereru Italic supercedes and improves upon its previous incarnation, Shire Regular. The name Kereru comes from New Zealand's Maori language - it is our native wood pigeon, a bird of generous and rounded form, like the font itself.

Decora Arabic is a new creation of Naghi Naghashian. Decora Arabic's design fulfills the following needs: A. Explicitly crafted for use in electronic media fulfills the demands of electronic communication. A modern interpretation of Naskh which was invented as calligraphic style by Ebn Moghleh, a Persian savant in ninth century. This script is the most widely used and its popularity has increased through the centuries. Most recently, it has served as a basis for the typefaces that are in use today. B. Suitability for multiple applications. Gives the widest potential acceptability. C. Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Decora Arabic's simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D. An attractive typographic image. Decora Arabic was developed for multiple languages and writing conventions. Decora Arabic supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E. The highest degree of calligraphic grace and the clarity of geometric typography. This typeface offers a fine balance between calligraphic tradition and the Roman aesthetic common in Latin typography.

Parvin is a new creation of Naghi Naghashian. Parvin design fulfills the following needs: A. Explicitly crafted for use in electronic media fulfills the demands of electronic communication. A modern interpretation of Naskh which was invented as calligraphic style by Ebn Moghleh, a Persian savant in ninth century. This script is the most widely used, and its popularity has increased through the centuries. Most recently, it has served as a basis for the typefaces that are in use today. B. Suitability for multiple applications. Gives the widest potential acceptability. C. Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Parvin's simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D. An attractive typographic image. Parvin was developed for multiple languages and writing conventions. Parvin supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E. The highest degree of calligraphic grace and the clarity of geometric typography. This typeface offers a fine balance between calligraphic tradition and the Roman aesthetic common in Latin typography.

Goneon is a vibrant and eye-catching display font designed to bring the electrifying energy of neon lights to your designs. With its big, bold uppercase letterforms and mesmerizing neon style, this typeface captures the essence of a lively and dynamic atmosphere.. Each letter is meticulously crafted to emanate a radiant and electrifying glow, just like the vibrant neon signs that illuminate city streets at night. This neon style adds a touch of excitement and energy, instantly drawing the viewer's attention. Inspired by the pulsating rhythm of city nightlife, Goneon exudes a sense of modernity and vibrancy. The font captures the essence of an urban atmosphere, casting a dazzling neon glow that creates a lively and captivating visual impact. Each letter radiates with an unmistakable charm, bringing your designs to life with its electrifying vibes. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Goneon perfect for headlines, banners, posters, and any design that requires a bold statement. The neon style adds an extra layer of excitement, making your text shine with a dynamic and eye-catching appeal. Whether you're working on advertising campaigns, event promotions, digital artwork, or any creative project that calls for a lively aesthetic, this font will instantly infuse your designs with an electrifying energy. It particularly shines in applications related to nightlife, entertainment, music, and urban-themed designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Introducing a "Jendral Writing Pro" font. A Latin Pro, writinable and super natural handwriting script fonts. Inspired by nowdays hand lettered trend. This font look very close like natural handwritten on modern script calligraphy nuance. With including over 630 ligatures. Meaning, 94 special ligatures and 536 standard ligatures, and a set of lowercase alternates. *Ligatures and Alternate glyphs encoded with PUA encoding*. With Opentype features, this font comes to life like you are writing there. In Adobe software, You ca turn off your "opentype" feature to accesses random/selected ligatures. Files included: Jendral Writing Pro OTF Jendral Writing Pro Swashes This font support Latin Pro accent letters of Central Europa, Western (À Â Æ È Ë ã ä æ è...) Thank you!

I am a firm believer in the fact that breakfast is the most important meal of the day. So, for the last 10 years (ever since I became a father), I have been serving my family a healthy breakfast. I live in The Netherlands, so the main portion of breakfast is bread, but I try to serve something ‘nice’ every day. Like strawberries, yoghurt with banana and brown sugar (not too much sugar!), oatmeal porridge or granola. I myself like Indonesian fried rice (nasi goreng) for breakfast, but I am afraid my kids won’t eat that in the morning… Power Breakfast is a handmade display font. Yes, it is wobbly, yes, it is uneven, but that’s what’s so darn good about it!

This is the kind of letters I drew in school back in the 1980ies. I would never have guessed that I would do the same thing like 40 years later! I remember making a simple space game for my VIC-20 computer, and I needed some "data letters" (as I called it) - as far as I can remember, this is close to what I made 40-like years ago. Also, I was inspired by the well known series "Stranger Things" - you know, all that 80ies theme stuff took me down memory lane! :) Anyway, all the letters are handdrawn, using a squared paper as guide - at it may look simple, but it took me quite some time to finish this font (hence the name!)

Darthon is a casual display font with stroke ballpoint-like style. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. For how to accessing opentype feature, kindly check this link letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

Sagona is a contemporary slab serif building on the clarendon/ionic model dating back to the 19th century. Like its most famous representative Clarendon, Sagona features strong serifs and a variable stroke contrast resulting in a versatile typeface working great in headlines and small text sizes. Where great typefaces like Sentinel, Belizio or FF Hertz are staying close to the industrial and strict appearance, Sagona is focusing on a warm and welcoming approach, emphasizing a subtle elegance especially in the mid weights. The family comes in nine weights with matching true italics. It is equipped with a large set of alternative glyphs, ligatures, old style numbers, initials and finitials, two sets of arrows and many more opentype features making it a perfect choice for professional type setting.

Aila is a surprising slab serif built on the structure of a realistic Roman, but with unique organic features that make this typeface an exercise in tension between structure and rhythm. This expressive tension is displayed in heavier styles (Aila Bold and Aila Black), and is strongly evident in the italic forms. Aila's italics offer an interesting re-interpretation of the cursive ductus of classic italic forms, to offer rhythmic and swift variants, which are the ideal counterpoint to the regular set in body text. Each style of the Aila family offers an extended character set specially designed for editorial design projects.

This family was inspired from the set of font faces used in Amsterdam by Daniel Elzevir to print the famous “Tractatus de corde...” the study on earth anatomy by Richard Lower, in 1669. The punch cutter was the famous Dutch Kristoffel Van Dijk. In our two styles (Normal & Italic), font faces, kernings and spaces are scrupulously the same as in the original. This Pro font covers Western, Eastern and Central European languages (including Celtic), Baltic and Turkish, with standard and “long s” ligatures in each of the two styles. The Roman (Normal) style contains a U stylistic alternate, and the Italique style A.

Modulario is a geometric sans with some disturbingly individual features. A few capitals owe a bit too much to Roman proportions. The circular O serves to distinguish it from the zero, and the luxuriously wide W and M are both pointed in the middle, although alternatives to the more contentious letters are available within the font. The lowercase shows a little more handwriting influence than is customary – we are used to seeing a writing-style curve at the base of the l, Modulario extends the influence to the i and a, and also sports a uniquely scripty s.

In 1905 Berthold released an engraved blackletter font called Prinzess Kupferstichschrift. Based on an old printed remnant, I revived this beautiful open-face fraktur and enriched it with several OpenType features. As usual in my blackletter fonts, the round ‘s’ lies on the number sign key, and a traditional number sign can be accessed via the Discretionary Ligature feature and typing 'N-r-period'. In this font you have also the possibility to turn I, V, X, L, C, D, and M into Roman numerals by activating the Stylistic Alternates feature. And last but not least, various useful ligatures polish up this font.

Meet Grand Cru – a new approach to serif type. The type family is divided to three groups – Small, Medium and Large – according to the amount of contrast in letterforms. Forget about those old Text/Display categories – it’s up to you how to use your typeface. While the Grand Cru Large fonts are highly decorative, the Small versions function as reliable workhorses. All Grand Cru fonts come with thoughtful Open Type features – built-in small capitals are found in all of them, while the italics come with handsome Swash capitals. The romans are equipped with intelligent numeral styles including subscript and superscript and fractions.

The story begin from Condensed, Standard & Expanded style. Saint Regus built and designed with a super family typeface in mind. Its still growing and growing by uniquely bold charismatic persona. The family itself have total 8148 glyphs with a standard glyphs and multilingual context.The possibilities are have a huge prospect in various design project, digital and print. Saint Regus development tried to explore the impact by its proportional display form. The project started from a Standard weights (Roman) and then it become a big families with 21 styles that you can use for a large design assets in any kind of design works.

Ida is a simple and utilitarian typeface reminiscent of late 19th/early 20th Century grotesques, yet having a warm and friendly nature. Closed apertures and low contrast combined with elegant skeleton of individual characters create an impression of both rationality and comfort. Technically the font is modern and functional but still calls forth the emotion of a valve radio. Ida comes in 18 styles – 6 roman weights with companion italics and 6 narrow widths. One can also benefit from the use of small caps, alternate characters and indices. The typeface was designed by Maria Kharlamova (Selezeneva) and released by ParaType in 2017.

Benton Modern was first prepared as a text face by Font Bureau for the Boston Globe and the Detroit Free Press. Design and proportions were taken from Morris Fuller Benton’s turn-of-the-century Century Expanded, drawn for ATF, faithfully reviving this epoch-making magazine and news text roman. The italic was based on Century Schoolbook. This version of the family is part of the Reading Edge series of fonts specifically designed for small text onscreen, having been adjusted to provide more generous proportions and roomier spacing, and having been hinted in TrueType for optimal rendering in low resolution environments.

Download PGF Elyss specimen Document: https://peggofonts.com/download/PGF-Elyss_(Specimen-2022).pdf In the lapse of one and a half year, what's started as a simple font idea turned into a huge multi style project, that we present to you today. Inspired by Jean Larcher's calligraphic work. This adventure began with a classic Roman set, then we added a Lombardic, an Elegant Script, and finally a Catchwords and Ornaments set. All under the influence of Art Nouveau organic look, that makes PGF Elyss an ideal project for label, header and cover design, it can even handle over than +200 latin based languages.

Introducing Belkova serif font with simple, elegant, and authentically inspired by Modern Roman. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with the script, sans, or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Dimensions is redesigned font family based on Blackout font released as free font in 2005. The original blackout has been used especially for company or brand logo of fashion and music label in the world. In 2011, Blackout had evolved into this Dimensions font family of seven weights with roman and italics. They are one of the most condensed, black and skinny font in the world. All weights and italics have upper and lower cases, accented characters and small capital glyphs that can be used with OpenType smcp feature. There is high contrast version called Speedometer.

Florian is an elegant Roman Display typeface with three weights. It’s great for branding, packaging or as in headlines. Florian is a classic high contrast serif with contemporary features. Florian has a clear sense of fashion and style. Florian is equipped with 150 OpenType alternates including Swash, Stylistic and Titling Alternates. Florian also has interlocking ligatures set in Discretionary Ligatures. These ligatures contain pairs in Uppercase + Uppercase and Uppercase + Lowercase. All Alternates are PUA encoded and can also be accessed from Glyph Palette or Character Map. Try combining Discretionary Ligatures with other Alternates in Caps to create striking word forms.

John Baskerville spared no effort to create the ultimate typographic book. He prepared deep black inks and smoothed paper to show to full effect the letters that he had John Handy cut from his own brilliant designs, based on a lifetime of calligraphy and stonecutting. Punches and matrices survive at the Cambridge University Press. The present design is an accurate recutting, with particular attention to George W. Jones’ revision from the metal of Baskerville’s English (14pt) roman and italic in 1929 for Linotype & Machinery Ltd; Mergenthaler Linotype imported this design to the USA two years later.

Typography or Calligraphy. Unconnected or Connected. For us, at DSType Foundry, that was the main question. With Aparo, we tried to bring the best of the two worlds into a single, yet complex, typeface. Aparo appears to be a very simple bold italic roman typeface, but it has plenty of calligraphic flair, including swashes that make your words stand out, collision detectors so that you don't get weird combinations, alternate characters activated by default for improved calligraphic effect and a very extended character set in a total of 897 glyphs. Download our detailed type specimen for complete information on Aparo.

Amasis is a slab serif design which has been drawn with a humanist approach, rather than the traditional geometric construction associated with this style of letter. The result is a typeface that has an affinity with the Ionics, although in character it belongs to the latter decades of the twentieth century. The Amasis italic fonts, rather than being sloped roman or cursive in nature, are related more to the Old Style italics. Amasis works particularly well in small sizes where readability is important. Amasis has proved excellent for use on low resolution printers and for facsimile transmissions.

Bonning is a Roman face full of the spirit of the 1920s. It was inspired by a (real)estate agent's For Sale board seen in an old sepia photograph from that era and combines visual flair and period with good clear legibility. A range of Opentype features including alternate forms, old style numbers and fractions, as well as discretionary and standard ligatures are included. Three weights are offered, including a shadowed black form are offered, all in a choice of three widths. It's the ideal face for signage with a period feel, as well as posters, headings and feature paragraphs.

Traiectum is the old Roman name for the city of Utrecht (in The Netherlands). When I started working on this font, I wanted to give it a Latin name and Traiectum sounded good! Traiectum is a hand drawn font with a regal and messy look. It was based on Goudy Old Style, a classic old-style serif typeface created in 1915 by Frederic W. Goudy. Traiectum is a multilingual, all caps font and I am sure you’ll find lots of uses for it. The city it was named after, Utrecht, is actually very nice! You should visit one day!

MVB Gryphius is a digitization of uncommon type from an era normally associated with the work of Nicolas Jenson. Produced by Otto Trace, the fonts come from types used by Sebastian Gryphius in Lyon in the early 16th century. The italic appears in a book from 1524 and the roman and small caps appear with the same italic in another book printed by Gryphius in 1541. Retaining the rough contours and uneven texture of its source, MVB Gryphius is best used at text sizes from 12- to 15-point, but its old world character can work in display settings too.

Goolavin is a Modern Minimal Serif typeface This font exudes a sense of power. It is elegant but strong and confident in appearance. Each letter has been carefully designed to create the best possible impression. It looks stunning on packaging, clothing, and any industry where elegance is needed without sacrificing boldness. that suitable for strong and modern looks on your works. Goolavin is perfect for sport product, branding, logo, invitation, stationery, product packaging, merchandise, monogram, blog design, game titles, cute style design, Book/Cover Title and more. Features : - Goolavin Font - Ligatures - Multilingual, US Roman, Latin 1 Support

Kenac is an elegant, fresh and modern serif typeface, with unusual yet functional shapes, that combines characteristics of Roman type with elements of calligraphy and Victorian style. Its singular modulation and contrast between thick and thin strokes make it look great in titles. In order to ensure ease of use, the Kenac family includes only 5 weights while its matching italics provide contrast and make the font a harmonic choice for continuous text. Kenac has a unique appearance that makes it ideal for editorial design such as book covers and magazine website's headers as well as brand identity design.

Colmcille was designed by a Gaelic scholar, typographer and printer, and first released by Monotype for composition casting in 1936. The design intention was to provide a Gaelic looking type which worked well as a roman text face. The digital version of the Colmcille font family has been made in collaboration with the designer's son, Dara O Lochlainn. A number of changes have been made, including a new set of figures and the addition of a bold weight. Although originally designed as a text face, Colmcille can be used for advertisements, flyers, in fact wherever a touch of Gaelic charm is required.

Biographer is a mild upright script drawn by Angel Koziupa, with Alejandro Paul art directing and producing. Elegant but quite reminiscent of roman forms and proportions, Biographer keeps the calligraphy mostly toned down, but its ascenders and descenders occasionally flare out in final swashy confidence. As usual with Sudtipos fonts, alternates are plenty and the personal touch is never amiss. Biographer is great for women's lit and poetry book covers, as well as tame packaging of products where conveying comfort and peace of mind is of importance. An extensive range of languages are covered (Western and Eastern European, Baltic, Turkish, Maltese and Celtic).

Aulas's design is inspired by an ancient Roman lettering. This font is characterised by the strength and weight of its glyphs, in addition to its predominant height of "x", as well as the ascending and descending, with particularly short strokes. Aulas includes more than 200 alternative glyphs (swashes, stylistics sets, stylistics alternates), more than 70 ligatures, and a set of more than 30 ornaments, very easy to combine with the rest of the letters. This font offers good readability for use in editorial design, magazines, newsletters, and print. The strong personality of its glyphs is well suited to headlines.