Meet Roquen, a display typeface, hand drawn! Bold, stands out, with a rustic and nostalgic look! Works perfectly for headline, logotype, apparel, invitations, branding, packaging, advertising, and more. This typeface is comes in uppercase, lowercase, punctuation, symbols, numerals, stylistic set alternate, ligatures, and also has multi-lingual support. We hope you enjoy Roquen. Please feel free to comment if you have any thoughts or feedback. Or simply send me a PM or email me at letterhend@gmail.com

Forbes consists of one bold weight and is an alphabet in the style of the bold English slab serifs, as made evident by its flexed serifs. This style first made its appearance in the 19th century. It was used at first only on posters but later became available in smaller point sizes and was then be used for titling and headlines. With its robust figures, Forbes should be used exclusively for these applications in middle and large point sizes.

Step into the world of visual grandeur with Wornas, a commanding serif display font that marries bold weight with artistic finesse. The letters are adorned with intricate artistic objects and inline details, transforming each character into a canvas of creativity. These unique style add a visual interest compared to other display fonts. The inline details in this font are a stroke of design genius. Wornas fits in headlines, logos, branding materials, print media, and many more.

Introducing our latest display typeface called Luxurist Vintage - Display Vintage Serif with Ligatures can make your logotype become more interesting. Best Vintage font with special ligatures and multilingual support. inspired by the decorative arts and architecture movement Luxurist Vintage fonts is perfect for your project and allows you to create designs, headlines, posters, logos, badges, t-shirts and many more that are beautiful. It is also best used for posts, logos, posters, certificates, labels and more

Empire Display is a sans serif italic display face which references the styling of the 30s through to the 50s. It has a large x height and with its condensed proportions makes it ideal for headlines, posters or where large size settings are required. It has the unique feature of having the stems and cross bars slightly angled top and bottom. This also helps to create the art deco/modern feel that sets it apart from standard condensed typefaces.

Lasvorga is a modern style vintage font and there are 108 standard and discretionary ligatures. Additional OpenType features include character variants, style sets, and multilingual support (including multiple currency symbols). I made this font from the inspiration of old vintage fonts, of course it is very sturdy and makes your design more luxurious. This font is also very good for logo types, magazine headlines, and others. If you need my help please contact me, thank you

Introducing Graffiti Line A Display Graffiti Style Font. Inspired by the graffiti art on the city streets, so I made it into a font. So that it will make it easier for you to make graffiti writing or designs. There are much ligatures that will make this font even cooler. So enjoy it! Suitable for many design project, branding, packaging, logo, wall art, headline, template, banner, poster, and so much more! This font is also support multi language.

Tabac Sans is a linear, dynamic sans serif type that blurs the lines between text and title typefaces. Drawing on the rich tradition of European lettering, the humanist basis supports excellent readability even at the smallest letter sizes, while unique details and a wide array of alternative glyphs prove highly effectual in titles and headlines. The broad variety of types and weights make this font family a versatile aid when composing complex magazine and newspaper layouts.

Asegunt is an abstract handwritten font but looks lovely on the eyes. with original hand strokes mixed together to make words and sentences This font is designed with a natural touch of handwriting which is refined to create a portion and composition that suits your needs. So this font is suitable for craft, children's writing, adventure posters, food banner titles, wedding invitations, product packaging logos, quotes, social media page covers, furniture banner headlines, book covers, and much more.

Scrungy Picnic is my handpainted all-purpose typeface with a fresh and legible feeling to it. With all-purpose, I feel that the shapes and organic feeling of each letter, suits designs such as a headline, massive text, toys for kids, candy, posters, invitations, signs...well, the list goes on and on! I've added 4 different versions of each letter, and they automatically cycle as you type - or you can pick the individual letters from the glyph menu!

MGN Goddess is a serif typeface released in 2022. The liquified lines in several characters of Goddes create an exquisite, unworldly touch. To magnify its beauty, the typeface has a dissolving lobe and tapering spurs that stand out among the others. The overall feminine and exclusive impressions of the font delivers are closely related to Parisian nuances. Therefore, this magical typeface is suitable for use for posters, logos, and headlines, especially for fashion and beauty products.

Aremic is a bold display font created to be used for bold headings coming in 2 shapes Regular and Rounded including Oblique. This font is inspired by the shape of the letters on sports posters. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Malibu was designed for ITC by Alan Meeks in 1992 and is a font with distinctive calligraphic roots. Pronounced stroke contrast and a marked leaning to the right give the font its energetic, lively image. The letters look almost as though cut from paper, their outer contours angular and pointed against a background. Flowing and demure, Malibu works well for both short texts and headlines. For best results, the lower case letters should be set close together.

Quta is a sans serif typeface produced by FoDa foundry, that meets all the needs of professionals who search a family of clean geometric font, very well suited for headlines, newspaper and many purposes. With a basic character set in Five weights with their italics. Quta covers many features like: -Five main weights (Light, Regular, Medium, Bold and Extra Bold) -Matching italics for all weights. -language support for many Latin-based scripts -Ligatures and many other OpenType features.

Papagayo in 6 versions Light & Regular with Italics and Small-Caps. Designed with short ascenders and descenders for tighter line spacing. Effective for short headlines and texts. By invoking the Stylistic Alternates feature to an entire line or paragraph the M W g m w y will result in their respective alternates. You can also invoke each single glyph with the Alternate feature. The Alternates g & y contain a more characteristic letter-form for improving legibility in smaller texts.

Designed for ParaType in 2007 by Isabella Chaeva. The type is based on Bukvarnaya (TextBook) photocomposing version designed in 1987 by Emma Zakharova. The initial Bukvarnaya for metal composition was created at Polygraphmash in 1958 by Elena Tsaregorodtseva. It was developed for primers and the first level school textbooks. An early sans serif ('Grotesque') with half-closed static letterforms. For use in book and magazine typography, advertising and headlines. Also may be useful as screen font.

Portsmouth is a strong, sturdy typeface with historical character. Its inspiration comes from the height and strength of the wooden tall ships that sailed into port in their day. With caps and small caps, this typeface is great for headlines or subheads for design projects that need a historical or retro feel, such as from the 1940s and earlier. Seven different styles that can be layered allow for different colored drop shadows, outlines and fill for even more customization.

BHELT is a strong and elegant display typeface. Inspired by the style of design that is currently popular, and this is the answer to all the needs of every idea that you will pour in this modern era, with a thick and solid style in each letter as if this font has a soul in it. Its weight is superior in posters, social media, headlines, titles, large format print - and wherever you want to be noticed.

Arbour Soft is the cheeky version of it's big brother, Arbour. The soft version creates a smooth finish that flows perfectly across screens and print. Arbour Soft comes in 7 weights, from a delicate extra-light to a soft, strong black, with matching soft italics for each upright. The soft black weights are perfect for your new brand or article headlines, and the light weights are great for calling out text. The mid weights are perfect for longer texts.

Isra, designed by Almamoun Ahmed in 2005, is a modern Kufi and a winner in Linotype’s first Arabic Typeface Design Competition. The highly geometric and condensed form make it ideal for magazine headlines, advertising, and general display usage, while the large body height and clear forms make it suitable for short text settings. The font includes a matching Latin design and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages.

Unveil the artistry of the written word with Corymbus, a script font that captures the beauty of handwriting. The interplay between thick and thin lines creates a visual feast for the eyes. The whimsical irregularity mirrors the fluidity of natural handwriting. The distinctive hallmark of this font lies in its swinging endings-each letter playfully extends beyond its baseline, creating a sense of rhythm. Corymbus fits in headlines, logos, print media, editorial layouts, and many more.

Aliykit Open a decorative OpenType font generated from geometry with parallel lines of open and closed forms, by the way they can fit inside the Art Deco style but is part of the design influence of Venezuela in the area of art and cinetic art, his set of characters includes letters for western and eastern European languages and Cyrillic, also provides several ligatures that link between them. It is ideal for decorative display headlines to large sizes.

Honoured to introduce Mystical Memories — a luxury timeless serif font. Make your work stand-out from the crowd with Mystical Memories' chic and elegant 82 Stylistic Alternates and 19 ligatures. that can be accessed automatically when using Open Type features. Mystical Memories was designed specifically for bold projects in mind — perfect for creating headlines, word mark logos, monograms, quotes, product packaging, invitations, magazines and more... I am excited to see what you can design with Mystical Memories! Happy designing!

Ashford is a bold serif type and its matching Italic. Ashford packs plenty of timeless charm and elegance. As a display style it works best in headlines, posters and as a logotype. Ashford conveys a message of style and inner knowledge. Ashford is equipped with several OpenType features: Keep Standard Ligatures and Contextual Alternates on to prevent certain characters from colliding and spice up with Swash, Stylistic or Titling Alternates. Both styles come with more than 50 alternate characters.

Dancing Brush is a strong original handwritten font with a unique feel. Natural and elegant, cursive, legible script font which can be used on a wide variety of designs such as headlines, titles, headings, logos, branding, posters, books, and any other creative design. It will add a unique spark to any design project that you wish to create! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Timeless Radiance is an organic font duo consist of a bold script paired with a slab serif with a touch of classic look and feel. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates/Ligatures Multilingual PUA encoded

Great Bromwich takes the ideas in Greater Albion's Bromwich family that little bit further. It can be used on its own, or as a compliment to Bromwich. Great Bromwich uses specially re-designed large and small capitals, to enable that bold headline statement to be made with impressive Edwardian flair. In the spirit of railway travel posters and illustrated news journals, its a wonderful font for poster design, or for book covers and other work with a period theme.

One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Ouachita Way is an ultrabold and boxy caps and small caps font, especially well-suited for commadning headlines. Based on nineteenth-century “Grecian” fonts, the name comes from a forest and a river in Arkansas. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

Linotype Dharma is part of the Take Type Library, chosen from the contestants of the International Digital Type Design Contests of 1994 and 1997. G. Jakob and J. Meißner designed this font with an ornamental character, for example, with diagonal slashes as umlauts or dots on the i and j and the triangular serifs on the upper left of both letters and numerals. Such details make for a restless font, best used for short headlines in large point sizes.

ITC Skylark, from designer Patty King, is an alphabet with a strong handwritten character and calligraphic influences. The figures look as though they were written with a broad-tipped pen on rough paper. The result is a light stroke contrast, irregular outer contours, pointed stroke endings and a clear slant to the right. These characteristics lend the font its spontaneity and liveliness. ITC Skylark is best used for headlines and short texts in point sizes of 12 and larger.

Texturic is a handwritten brush script with natural hand brushed strokes to give your design realistic and natural look. Texturic has a variety of coded features to create unique text designs. Stylistic alternates for all letters and numerals, contextual alternates and swashes, which makes your designs to look more natural. It is perfect for titles, headlines, greeting cards, stationery design, packaging, magazines, posters and more. Multilingual support. Extended Latin character base that covers most European languages.

»Penta« is a new Sans typeface, designed in the American tradition with contrast between the up- and downstrokes. The contrast is hardly visible on the »thin« cut, but the heavier the weights get, the more contrast becomes visible. That makes this font very useful, almost linear in the lighter weights and very distinct rhythm in the heavier ones. »Penta« is extremly versatile, it can be used for bodycopy in the lighter weights and for heavy headlines.

Pintanina was developed in 2013 with many alternatives of alphabets as ligatures Based on the Comics of Condorito in the headlines, a typography very condensed, in 2015 was redesigned next to andrey kudryavtsev now with a much more finished design and a better Cyrillic and now 2017 with Franco Jonas, takes Pintanina and begins to generate all the Family of Thin, Light Regular, Bold, Extrabold, Black, also contains different dingbats that can be of help in the titles.

Brutal Honesty is a simple handwritten brush typeface. Carefully handcrafted to grab the attention of the viewers, this font is ideal for logos, posters, headlines, branding, apparel and so much more. This brush typeface is supporting Multi-Languages, which include: Afrikaans Albanian Catalan Danish Dutch English Estonian Finnish French German Italian Norwegian Portuguese Spanish Swedish Zulu. So what's included: Basic Latin A-Z & a-z. Numbers, symbols, and punctuations. Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank You.

This is a headline typeface for titles with a retro sensibility. The concave first projection of the vowel and the dot shape further add to the retro feel. It is characterized by the dot shape seen in the initial consonants and the thin ending strokes of 'ㄱ', 'ㅅ', and 'ㅈ' to create a flowing curve. Although it is a full module, the inner space created by the large contrast of strokes gives a cool feeling. This font contains KOREAN

»Supra-condensed« – designed by Gert Wiescher in 2013 – is the condensed version to this new sans typeface family of eight weights with matching italics. The condensed version is designed for space-saving typography but with high legibility in mind. The light and normal weights and the dominant x-height with its high ascenders make for easy reading of long copy. The heavy and x-light weights are great for elegant headlines. Supra is an OpenType family.

Neue Power is a contemporary sans serif display font family in 6 weights plus 12-degree of obliques. It supports 75+ Languages (Latin Based) followed by the Grotesk typefaces, perfect for various design needs, including Branding (Identity), Logotype, Printing to On-Screen/Digital Reading, Posters, Caption, Headline, Body Text, or Captions. Neue Power Typeface will give you a nice way of aesthetic communication for your design project. Available from Light — Ultra plus obliques in a total of 12 Fonts.

Spilled Ink is a handwritten typeface designed to complement illustrations. Inspired by the idea of spilled ink that spreads and fills the shape of letters. Therefore, the symbols do not have sharp corners and looks smooth, soft and cute. Spilled Ink is intended for use in headlines, so lowercase have the same height as uppercase, allowing them to be used as alternates. Make your stories fabulous with Spilled Ink! Scripts: Latin, Greek, Cyrillic, Hebrew Language count: 480+

Neonoir is an homage to neon lettering craftsmanship of the mid 20th century. The beautiful futuristic grace of wall-sized bent-glass hand-writing is distilled into a three-weight connected script that’s on the button for headlines, logo­type and branding designs. Its Slim and Bold weights are formal monoline scripts, while the medium weight mimics the rough edges of ink on paper. Neonoir is available as an Open Type font that features alternate endings and lots of ligatures.

Introducing Kin Grotesque Kin Grotesque has been created to be your new go-to grotesque font that will work well for copy text and headline titles. With carefully crafted letterforms, ligatures and stylistic alternatives, Kin Grotesque is perfect for brand identity and logo design. With nine standard weights in standard and italic families. Features: 9 separate font weights + variable weight font for compatible software Standard and Italic Upper and lowercase Numerals Trial versions are available from www.wearecolt.com