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  1. Continental Gothic JNL by Jeff Levine, $29.00
    Continental Gothic JNL is elegant and sophisticated... perfect for an Art Deco project needing a font that is not too bold or overpowering.
  2. Slab Four Rounded Ext by Wooden Type Fonts, $15.00
    An original slab serif design inspired by the slab serif designs of the 19th century, with a modern geometric look, bold version, extended.
  3. Sketchetik by Hiekka Graphics, $19.00
    Sketchetik is a hand-drawn font in four styles: light, regular, bold and black. It is recommended for use as a display typeface.
  4. Informational Sign JNL by Jeff Levine, $29.00
    A vintage metal sign saying "No Dogs Allowed" was the model for the ultra-bold Art Deco-influenced lettering comprising Informational Sign JNL.
  5. Jacoby Modular by Jacoby Type Co, $12.00
    Jacoby Modular is a geometric sans serif display typeface with six styles. Jacoby Modular is a dynamic, bold typeface with a sculptural feel.
  6. Magnold by Hikhcreative, $19.00
    Magnold is a modern bold and elegant serif font. Magnold is well-suited for advertising, branding, logotypes, packaging, titles, headlines and editorial design.
  7. Metric Navy PRO by Sea Types, $19.00
    Metric Navy PRO is a lightweight monoline developed for short texts and loose phrases in versions: thin, light, normal, regular, bold and black.
  8. Woodlawn JNL by Jeff Levine, $29.00
    Woodlawn JNL is based on an open face wood type. A bold outline sans, this design is excellent for headline and titling applications.
  9. Chiba Script by Brainware Graphic, $12.00
    Chiba Script is a casual script font inspired by hand lettering and vintage sign painting. Chiba Script has only single weight, bold weight.
  10. Happy Cloud by Cultivated Mind, $25.00
    Happy Cloud is a fun, tall handwritten font created by Cultivated Mind. This font features five font weights (Light/Regular/Bold/Black/Heavy).
  11. Cicero Series by Alphabet Agency, $15.00
    Cicero Series is a bold decorative serif display font that exudes power, strength, magnificence, prestige. Add this grandiose piece to your font collection.
  12. Alta by Intellecta Design, $18.90
    Note: The Alta Bold, Italic, Lined and Outline styles are no longer available due their complexity and the resulting memory and performance issues.
  13. Khaleefa by ARToni, $14.00
    Khaleefa is a classic, elegant and timeless calligraphy font with a bold twist. Get inspired by its modern feel. Ligature Multilingual PUA encoded
  14. Fathers by Konstantine Studio, $18.00
    Introducing Fathers, Inspired from the vintage classic old packaging and advertising back in 1950 - 1980's era. perfectly fit for your classic packaging, vintage logo branding, old poster and advertising. Get the easy forefathers feel by just type it out to your design.
  15. AZ Hello by Artist of Design, $25.00
    AZ Hello font was inspired from old auto repair signs. This font utilizes an "old look" to the line work which is designed to have a "worn feel" to it. Ideal for use as headline or sub-head text in you design.
  16. Slavica by Green Type, $28.00
    Slavica is a modern pixel version of old Slavonic fonts.
  17. Kustom Culture by Scratch Design, $10.00
    Kustom Culture font was born from an inspiring vintage old paint display. This font gives a vintage, classic, and old feel, inspired by authentic old paint effects. Kustom Culture font is perfect for you looking for a vintage and logotype. Suitable for any graphic designs such as branding materials, t-shirts, badges, print, packaging, label, business cards, logos, posters, t-shirts, quotes .etc Features: Stylistic Alternates, Numerals & Punctuation Accented characters, Format File: TTF, OTF, Multiple Languages Supported
  18. Ohitashi by Typodermic, $11.95
    Attention all design enthusiasts! Are you tired of the same dull typefaces dominating the design world? Look no further than Ohitashi, the daring and unconventional creation by Typodermic principal Raymond Larabie. In a world where twentieth-century sans-serif typefaces reign supreme, Ohitashi breaks the mold and blazes its own trail. Larabie has masterfully infused this typeface with a unique blend of humanistic stroke contrast, spontaneous licks and curls, and incised detail, resulting in a one-of-a-kind design that defies convention. But don’t let the unconventional nature of Ohitashi fool you. This typeface offers a practical range of three weights—standard, semi-bold, and bold—making it an incredibly versatile option for any design project. Whether you’re looking to add a touch of personality to a marketing campaign, or looking to revamp your brand identity with something fresh and new, Ohitashi has got you covered. So why settle for the same boring old typefaces when you can break free from the rut favored by reductive competitors? Embrace the unconventional with Ohitashi and see your designs come to life like never before. Trust us, your audience will thank you. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.
  19. ATF Garamond by ATF Collection, $59.00
    The Garamond family tree has many branches. There are probably more different typefaces bearing the name Garamond than the name of any other type designer. Not only did the punchcutter Claude Garamond set a standard for elegance and excellence in type founding in 16th-century Paris, but a successor, Jean Jannon, some eighty years later, cut typefaces inspired by Garamond that later came to bear Garamond’s name. Revivals of both designs have been popular and various over the course of the last 100 years. When ATF Garamond was designed in 1917, it was one of the first revivals of a truly classic typeface. Based on Jannon’s types, which had been preserved in the French Imprimerie Nationale as the “caractères de l’Université,” ATF Garamond brought distinctive elegance and liveliness to text type for books and display type for advertising. It was both the inspiration and the model for many of the later “Garamond” revivals, notably Linotype’s very popular Garamond No. 3. ATF Garamond was released ca. 1918, first in Roman and Italic, drawn by Morris Fuller Benton, the head of the American Type Founders design department. In 1922, Thomas M. Cleland designed a set of swash italics and ornaments for the typeface. The Bold and Bold Italic were released in 1920 and 1923, respectively. The new digital ATF Garamond expands upon this legacy, while bringing back some of the robustness of metal type and letterpress printing that is sometimes lost in digital adaptations. The graceful, almost lacy form of some of the letters is complemented by a solid, sturdy outline that holds up in text even at small sizes. The 18 fonts comprise three optical sizes (Subhead, Text, Micro) and three weights, including a new Medium weight that did not exist in metal. ATF Garamond also includes unusual alternates and swash characters from the original metal typeface. The character of ATF Garamond is lively, reflecting the spirit of the French Renaissance as interpreted in the 1920s. Its Roman has more verve than later old-style faces like Caslon, and its Italic is outright sprightly, yet remarkably readable.
  20. remakeoffabulous3 - Unknown license
  21. Love Parade outline - Unknown license
  22. DS Comedy Cyr - Unknown license
  23. Strike Swiss - Unknown license
  24. Antique Tuscan Condensed by Wooden Type Fonts, $20.00
    A revival of one of the popular wooden type fonts of the 19th century, condensed, bold, curved serifs, a very useful design for display.
  25. Poster Plain JNL by Jeff Levine, $29.00
    Poster Plain JNL and its oblique counterpart offer the simple, hand-lettered look of home-made poster board projects with a bold, friendly typeface.
  26. Biotech by Arendxstudio, $20.00
    Biotech is hand painted typeface with a messy, rough and strong feel, perfectly suited for any design occasions. Get inspired by its bold charm!
  27. Case Closed JNL by Jeff Levine, $29.00
    Case Closed JNL is a bold, slab serif stencil font inspired by a set of brass stencils spotted for sale in an internet auction.
  28. Butti by RMU, $25.00
    In 1951 Alessandro Butti cut a fontfamily for Nebiolo which he called Fluidum. Both weights, light and bold, were now revived and named Butti.
  29. Corn by 4RM Font, $9.00
    Corn font is handwritten with a casual impression, this font has two styles, namely regular and bold, suitable for use in casual themed designs.
  30. Capstan by Studio K, $45.00
    Bold yet distinctive, Capstan is a stand out slab serif ideal for signage, headlines, branding and other applications intended to convey strength and character
  31. Dephiana by Nurf Designs, $19.00
    Dephiana is an elegant and bold stylish script font. Great for logos, wordmarks & signboard. Has several stylistic alternates that can be used as needed.
  32. Fluid by Cubo Fonts, $20.00
    Fluid is an elegant decorative typeface, a contemporary approach of Chinese calligraphy. As if a robot was holding a brush, practicing its digital "Qi".
  33. Ritmo by Monotype, $29.99
    Designed by Aldo Novarese and released in 1955, the Ritmo Bold font has broad, tapered strokes that have been drawn with a square nib.
  34. Rettaya by Griyotype, $10.00
    Rettaya is a cool, bold display font. It will elevate a wide range of crafting ideas, from cards, to branding, labels and much more.
  35. Sini by Hiekka Graphics, $39.00
    Sini is a warm and delicious hand-lettered fontface in two styles: bold and ornaments. Sini is recommended for use as a display typeface.
  36. Copacabana by Alan Meeks, $45.00
    Copacabana is heavily based on one of my favourite typefaces Goudy Old Style Italic. It is sharper and more clearly defined than Goudy yet still retains it old style characteristics. The face is slightly angled so is basically upright whilst still retaining Italic characteristics.
  37. MedicineShelf by Ingrimayne Type, $7.95
    MedicineShelf has old-fashioned looking letters on old-fashioned looking bottles. The letters are taken from the typeface NeuAltisch . The MedicineShelf-Blank and MedicineShelf-Outline styles can be used in layers with the base MedicineShelf font to increase the coloring possible with this typeface.
  38. Schwarzkopf by IHOF, $24.95
    SchwarzKopf is an 18th Century European "Schwabacher" blackletter which features a distressed edge for creating authentic "antique" documents. Old features the long "s" and other archaic forms. Both Old and New variations feature many additional ligatures such as tz, sch, ss, ff and ck.
  39. High Noon by FontMesa, $25.00
    Introducing High Noon; this very old font originally known as Antique Tuscan dates back into the 1800s and was available only as an uppercase font. Now with the addition of a new never-before-seen lowercase you'll find new uses for this old classic.
  40. Bordonaro Spur by Estudio Calderon, $35.00
    Bordonaro Spur - Bordonaro Script’s partner - is a typography strongly influenced by old beer labels and includes some serifs based on Frederic W. Goudy’s Copperplate, but with some softened spurs adding an elegant and soft texture to the text. It is ideal to be used on large bodies and has a set of special ligatures ideal to be used in branding. Psss...Check out the NEW Bordonaro Spur with Rounded corners , same version but soft! FEATURES Co = company1 Co = company2 Estd = established Inc = incorporated Ltd = limited Mc = mac Rd = Road St = street And also from Adobe CC you can activate Style Sets (SS) and get ideal ligatures for ordinal numbers: 1st = st 2nd = nd 3rd = rd 4th = th Bordonaro Script and Bordonaro Spur are two typographic styles that were designed under the same characteristic features with the idea of combining them to obtain better results, for that reason, we recommend merging them in a creative way and you will realize everything you can design with them. The banners designs are based on old brands of beer labels, coffee packaging, sports logos and in some cases we use Copperplate Gothic but only as a complementary font in order to harmonize the layout of the elements in each banner.
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