Nature Stencils JNL brings together a number of vintage decorator stencils with bird and flower motifs (along with individualized elements from the original designs). These home decor stencils were manufactured by the Huntington Oil Cured Stencil Company somewhere around the early 1950s. Originally located in Huntington, New York, the company later relocated to the South Florida area, but there is no additional information found about the company's background.

Graffick is a mechanical style created by merging a little traditional type design & typography with a little basic graffiti lettering theory. Extra ascenders and descenders have been added to many of the capital letters to add a more varied & specialized appearance. This layered type system provides for the easy creation of outline/fill effects with regular, italic, wide and outline styles as well as baseline & caps-height alignment options.

If you're old enough to remember having a lettering stencil in school, then you might have tried to save all of the waste paper punched out of the letters and numbers; hoping to do something with them later on. Jeff Levine took his Tramp Steamer JNL stencil font and gave it the look of those waste paper pieces - lined up to form erratic characters with a personality all their own.

Aldo Novarese designed the Fluidum typeface in 1951. As its name implies, the design is very fluid. This high contrast script face curls and twists across the line. It is sort of a cross between Giambattista Bodoni's cursive letters, and Aldo Novarese's later, heavier designs, like Microgramma, Eurostile, and Sprint. Fludium should be set in very large pint sizes. It is perfect for invitations, greeting cards, and fine logos.

With it’s origins in a hand-lettered headline about money managers, Bankster is an alphabet meant to evoke the feelings of currency or financial documents. Multiple styles facilitate the perfectly registered layering of components in a variety of color combinations to enhance impact and provide an enriched dimensional experience. It not be for everyone but, it's a perfect solution for the designer who has no patience for boring type treatments.

Abdo Text is an Arabic Naskh font for books and magazines discriminate accurately design and clarity of reading, it comes in one weight. Will later add mor weights and a copy of it to write the Koran Ottoman drawing. This is an OpenType Font supporting Arabic,and compatible with the various operation systems and modern software. This font also contains many of Stylistic Sets, Ligatures and Justification Alternatives - 775 glyphs.

The most popular Hebrew typeface, designed in 1908 by Raphael Frank and Otto Rühl. OpenType Pro Excellent support for Niqqud (Vowels). All marks are programmed to fit each glyph's shape and width. OpenType Pro includes new advanced features like Dagesh Hazak, ShevaNa, Qamatz Katan, Holam Haser and wide letters. Best used with Adobe InDesign CC that support complex Hebrew text. Please check these advanced features in this link: https://tinyurl.com/ybgdsxme

The Garamond family tree has many branches. There are probably more different typefaces bearing the name Garamond than the name of any other type designer. Not only did the punchcutter Claude Garamond set a standard for elegance and excellence in type founding in 16th-century Paris, but a successor, Jean Jannon, some eighty years later, cut typefaces inspired by Garamond that later came to bear Garamond’s name. Revivals of both designs have been popular and various over the course of the last 100 years. When ATF Garamond was designed in 1917, it was one of the first revivals of a truly classic typeface. Based on Jannon’s types, which had been preserved in the French Imprimerie Nationale as the “caractères de l’Université,” ATF Garamond brought distinctive elegance and liveliness to text type for books and display type for advertising. It was both the inspiration and the model for many of the later “Garamond” revivals, notably Linotype’s very popular Garamond No. 3. ATF Garamond was released ca. 1918, first in Roman and Italic, drawn by Morris Fuller Benton, the head of the American Type Founders design department. In 1922, Thomas M. Cleland designed a set of swash italics and ornaments for the typeface. The Bold and Bold Italic were released in 1920 and 1923, respectively. The new digital ATF Garamond expands upon this legacy, while bringing back some of the robustness of metal type and letterpress printing that is sometimes lost in digital adaptations. The graceful, almost lacy form of some of the letters is complemented by a solid, sturdy outline that holds up in text even at small sizes. The 18 fonts comprise three optical sizes (Subhead, Text, Micro) and three weights, including a new Medium weight that did not exist in metal. ATF Garamond also includes unusual alternates and swash characters from the original metal typeface. The character of ATF Garamond is lively, reflecting the spirit of the French Renaissance as interpreted in the 1920s. Its Roman has more verve than later old-style faces like Caslon, and its Italic is outright sprightly, yet remarkably readable.

Taco is a new Mexican style font family based on our Tavern and Algerian Mesa type designs. When I finished the extra heavier weights for Tavern I decided to play around with a decorated version, the extra bold letters allowed for much more room to work with an inlay pattern. After experimenting with several designs I decided on a Mexican pattern because the original base font is very popular in Mexican restaurant logos and menus plus it's frequently used on Tequila bottle labels. I originally planned three weights for the Taco font family, however, after completing the bold weight I've decided to release it now so you may put it to use while the regular and extra bold are being produced, sorry I can't estimate a release date for the two other weights. To use the fill font layers you'll need an application that allows you to work in layers such as Adobe Creative Suite products. The Taco Fill Uno font may be used as a stand alone font, however, we recommend searching for our Tavern font family where you'll find three different bold weights of this same design. Opentype features aware applications are also needed for accessing the many alternate glyphs in Taco, all the alternates that you love in our Tavern fonts are also available in Taco. While the fill font layers are in registration with one another some applications may throw them out of alignment by changing the spacing. Custom inter letter spacing in Adobe Creative Suite may also throw the fill fonts out of alignment. We recommend doing your custom spacing first then duplicate the type layer and change to the next fill font and color. The inspiration for the Taco name of this font family was from a homemade Taco dinner I made for a guest at my house, after dinner I searched to see if there was a commercial font named Taco. There was no such font named Taco and the rest is history. The old Stephenson Blake Algerian font has come a long way since 1908, and we're not done with it yet. We hope you enjoy our Taco font family, we're looking forward to see it in use.

Introducing Containment, the ultimate font system that will elevate your design game to new heights. With its multilayered features, Containment is the perfect tool for creating headlines with a unique edge. Whether you want to add some fizz, gravel, snow, sand, or any other gritty effect, this font system has got you covered. Containing four fonts, namely the plain layer, shadow layer, crunchy-little-dots layer, and a combination of the three, Containment is designed to give you the creative freedom you need to craft stunning designs that stand out. The best part? This powerful font system is based on the renowned Tandelle typeface, known for its clean, sleek lines. As an advertising professional, you understand the importance of capturing your audience’s attention from the get-go. With Containment, you can create headlines that pop and grab your audience’s attention. Experiment with colors and add different layers to your headlines to create a unique look that will set your brand apart from the competition. In the fast-paced world of advertising, innovation is key, and Containment is the perfect tool for breaking the mold and taking your designs to the next level. Order Containment today and experience the power of a font system that combines style, creativity, and functionality like never before. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Tallitha, a stylish handwritten font that looks cute, elegant, stylish and is perfect for any awesome projects that need lettering taste. Tallitha could be perfect for watermark, social media posts, advertisements, logos & branding, invitation, product designs, label, stationery, wedding designs, product packaging, special events and more. Tallitha also includes a full set of uppercase and lowercase letters, multilingual symbols, numerals, punctuation. The font has a smooth wet ink texture, so would be perfect for all types of printing techniques and you can do embroidery, laser cut, gold foil etc. Features : ligature alternate multi lingual I hope you enjoy this font. If you have any questions please don't hesitate to drop me a message :)

Marlina Melvin is a modern calligraphy font with handwritten, sophisticated flows. It is full of hearts and glyphs. It is perfect for branding, wedding invites, and cards. Marlina Melvin includes a full set of lovely uppercase and lowercase letters, multilingual symbols, numerals, punctuation and ligatures. Also it includes: -short lowercase beginning and ending swashes -lowercase ending heart swashes, which serve to connect two words or letters (This is so perfect for invitations, monograms) -long lowercase beginning and ending heart swashes. The font has a smooth texture, so it would be perfect for all types of printing techniques you can do embroidery, laser-cut, gold foil, and is ideal for cutting. Marlin Melvin supports 162 languages.

The Copperplate penmanship style has a distinctive flow and character. Many years of steady and patient practice allow calligraphers to achieve the flow, direction, sequencing, and speed required from the copperplate ductus, to achieve its distinctive, elegant, fluid aesthetic. Nautica is a monumental new script from Resistenza, which builds on the creator’s accomplished penmanship skills. The delicate strokes have high contrast and an extravagant personality. These letterforms invoke 18th-century sailors logbooks and the nostalgic correspondence those at sea sent home to their loved ones, with letters looping and rolling into one another like the waves these intrepid adventurers voyaged on. Nautica’s ornate feel is perfectly suited to romantic applications, and with three weights, one set of useful navigational icons and some nautical knots Nautica will allow you to create rich and cohesive graphics for those 'tying-the-knot' or in any display context which requires some sophistication. Nautica allows you to achieve the complexity and flow of copperplate calligraphy with OpenType features. Supreme swashes inspired by brush pen stroke, and exhaustive alternates, with over 900 glyphs and extensive language support, Nautica offers full professional typographic features, for a natural ‘written’ look. Check out also “Voguing” & “Nautica”

Sidewalk Cafe will serve up a look from your Font Menu that’s delectably deco. Though developed from a few hand-lettered words found on a 1930s poster, it retains a contemporary flavor. The shaded version is designed to be layered over Sidewalk Cafe Underlay, to create contrasting color possibilities, as both share the same kerning values. Supports Western and Central European Latin languages, in addition to Baltic, Celtic, Esperanto, Romanian and Turkish.

Jh Fares is a modern / simple Kufic style font. The user may notice plenty of white space around the text leading to a highly readable font. The Kufic script is one of the oldest Arabic Handwriting, first appeared in el Koufa - Iraq. The original calligraphy was derived from the Aramaic letters; later it went thru lots of enhancements. Its typical uses include decorative writings for Mosques / palaces, Magazines / Newspapers / Books titles and Greetings.

Introducing Luna love - Inspired by Star on the space & cute display, Luna love is handwritten font cursive that perfect for children product. come with star layered font, make combination of this font to create amazing design! Two style Font: regular & Display Luna love is perfect for children product, branding, logo, invitation, stationery, wedding, product packaging, merchandise, monogram, blog design, game titles, cute style design, Book/Cover Title and more. Features : - Multilingual Support - stylistic set

Hounslow is closely related to Acton in structure, and takes the latter’s simple block construction into the third dimension. Three variants – open, solid and shadow – can be freely mixed in one setting for effect. Originally designed solely in the italic variant, an upright was added by request. A further unreleased set with a range of line weights was later commissioned by the New York Times magazine, and used extensively in their television supplement.

A vintage look label font named "Farm House".Typeface includes five styles for clean version and five styles for rough version, for sample look at 4th preview. This font will good viewed on any retro design like poster, t-shirt, label, logo etc. For using effects layers (for clean or rough version): - Type your text in Regular. - Copy that and paste at the same position. - Change the style to Shadow or Texture.

Trop Magus is a rugged typeface following in the tradition of Ramon Llull and Jean Jannon. Llull’s illuminated manuscripts from the Middle Ages inspired many later Alchemical texts in the Renaissance. And it was during this era, in 1615, that Jannon cut the matrices for Typi Academiae. The Trop Magus typeface includes: - Sixty-five Alchemical and Astrological symbols - Multi-language glyph set - Old Style figures - Four sets of alternate glyphs - Pseudo-Random OpenType features

Chronicle is a layered font with regular and bold. Chronicle is perfect for poster design, book covers, merchandise, fashion campaigns, newsletters, branding, advertising, magazines, greeting cards, album covers, and quote designs and more. What's Included ? - Chronicle Regular.otf - Chronicle Bold.otf - Chronicle Left Side.otf - Chronicle Right Side.otf Features: - UPPERCASE - lowercase - Number & Symbol - International Glyphs - Alternative Uppercase - Alternative Lowercase - Ligatures If you need anything else or you require an upgraded license please contact dedukvic@gmail.com

In 1999, Jeff Levine released a freeware font called "Channel Tuning JL" scanned from drawings made with a felt tip marker and designed as if the letters were breaking up due to poor reception such as on pre-digital TV sets. Over a decade later, Jeff has totally reworked the font—giving it cleaner lines, an extended character set and renaming it Channel Surfing JNL to set it apart from the roughly-drawn original.

The 52 characters assembled by this Gothic font, Prince of Darkness, were once interred in coffins onboard the Russian cargo ship Demeter, when it set sail for the sleepy shores of Whitby, Northern England ages ago. Hunted down by Vampire Hunters for century after century, this noble Transylvanian set has hidden for years in England and Eastern Europe. Now, Prince of Darkness is available as a font with more Layers than Dracula has Lairs.

Bill Display is a post-Max Bill font, developed in close cooperation with the Max Bill Georges Vantongerloo foundation. MAX BILL Last universal scholar, most important design teacher of the 20th century: There are superlatives, always very enthusiastic, when the importance of Max Bill is discussed. The trained silversmith studied at the Bauhaus, with personalities such as Josef Albers, Paul Klee and Oskar Schlemmer. He worked as an architect, later as sculptor and designer.

ITC Ziggy was designed by Bob Alonso, who says it started out as phone doodles in the early 1970s." Alonso rediscovered the sketches years later, thought they revived the feel of the 70s, and decided to digitize the typeface. He liked the form of the letter Z best, so named the font Ziggy. ITC Ziggy reminds its designer of "elephant bellbottoms" and its style as a display face instantly evokes a nostalgia for the 1970s.

Lively, friendly and fun. Blackcurrant is derived from a poster campaign Rian Hughes designed for the youthful Japanese woman's outfitters, Yellow Boots. The original logo formed the basis of the Black version; the narrower Squash version was added fro the commercial release. The lower case was added two years later due to popular demand. In 2010 the font was further accessorised with extensive ligatures, made possible with the then-new Opentype technology.

Christmas A2 uses the following OpenType features to set up to four different color layers. - Superscript/Superior (Trees) - Subscript/Inferior (Stars) - Numerator (Candles) - Denominator (Light, Bells) Note: Due to the complexity of some parts of the font, some printers may have problems of rendering it smoothly. To avoid this problem you should always outline the font data for the final documents. On lower systems turn font antialiasing off for faster screen redrawings.

Dealissha Script is a lovely script font with a feminine feel. It was built with OpenType features and includes many beginning and ending swashes to give your design an elegant touch. You can toggle between both the regular and swashes font to get a handwritten and professional look. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator , Adobe Indesign & CorelDraw , Microsoft Word 2010 or later versions.

Don't we all have a silly habit? I've got mine, for sure! - like checking whether I remembered to bring my keys, immediately after locking the door...and then checking again like 2 minutes later! Silly Habit is my laid back comic font, easy to read and fresh enough for a design that needs an extra party to it! Comes with contextual alternates, which in this case means 4 different versions of each lowercase letter

I never needed to digitize this early design from 1988. I found it in a drawer underneath layers of dozens of other type designs. The drawings were made with ink on paper, about 15 cm high, meticulously executed and retouched separate glyphs for a primitive photo-lettering. I used a photographic magnifier to set words and lines in my darkroom. In 2018 I decided to make a font out of it just for fun...

Sweetie Summer inspired by summer ice cream. perfect display font for summer business, summer flyer, summer sign & summer decor. Comes with display font, this layered font make a shiny effect for typography that you creates. Sweetie Summer is perfect for branding, logo, invitation, stationery, social media post, product packaging, merchandise, blog design, game titles, cute style design, Book/Cover Title and more. Features : - Multilingual Support --- Hope you enjoy with our font! Attype Studio

Hondurhas is our unusual idea for a font. Combining decorative copperplate lettering as the uppercase with decorative serif as the lowercase. Inspired by some lettering works on social media then we made our own. This font is very suitable for display purposes like you could see in our posters. We very like the elegant and luxury feel to it. With 340+ glyphs total , we also provide some layers option here to play with.

Native Roast is a serif font with 3 layered style. You can create vintage 3D look without using any add-on, only with fonts! This font is suitable for a vintage poster, 3d type, or retro Including number and punctuation, also support multi language. This font also contain a bunch of alternates! What will you get : Native Roast Regular, Extrude & Shadow uppercase and lowercase numbers and punctuation multilingual & stylistic alteranate PUA encoded

Serifs gone crazy! They are legible and recognisable and at the same time jumpy, skewed and random! What makes it really cool is that every letter has 5 different versions - and they automatically cycle as you type. That will make your text look quite random and more authentic (rather than obviously repeating letters!) Bonus Jerk also comes with a complimenting Box version - a handdrawn background layer, made to make the letters stand more out!

FunCity is a family of typefaces designed for multi-layered use. There are six levels of letter thickness from thin to extremely bold and all styles of the family represent basically a different variations of the same letterforms. As the same letters in every typeface in this family use the same amount of space, it creates a possibility of overlaying and using more than one style simultaneously, which lead to almost endless variations.

Script characters should fit together neatly and the connections mustn't look awkward. While this can be accomplished by using dozens of alternate glyphs and OpenType feature coding, there is still something worthy and eloquent about doing it with the simplest character set possible. Tribeca Script is a casual, mono-weight script first drawn as the headline for a Taste of Tribeca poster and later finessed into a font with no pretense of looking hand-rendered.

Umerica first made its appearance in 2007 as a series of characters in a pdf I posted to Typophile. It has taken a lot of time, and determination, for me to finally decide to complete it. I had the basic font completed in 2008, but put it aside as the creation of the italics it deserved were beyond me. That was then. Now the italic version has finally been added twelve years later.

Shintia Script is highly legible script typeface. It is a bold, classic and fun Vintage Script font with almost 247 glyphs and opentype features with stylistic alternates. It can be used for various purposes such as posters, t-shirts, signage, logos, news, badges etc. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions.

Phraxtured is a fairly accurate rendition of the letter forms used in an old German-language publication that I found in a trash heap. However, several characters in fraktur, such as the k, y, x, and S, look bizarre to English-language readers, and I have created more comfortable alternatives. The Phraxtured-Deutsch version has the more traditional characters. The ShadowedInside style is designed to be used in layers with the Shadowed style.

I wanted to combine a classical antiqua with corners and edges. I was convinced this combination would create a new, a fresh design of types. At the beginning I used the forms from "Goudy Old Style", later I modified the sizes, the widths of the letters, the x-height and their forms in general. At the moment the Easton Family consists of 3 styles called Easton Serif, Easton Semiserif and Easton Sans.